| 论朱光潜的京派文学评论及其美学意涵 |
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| 引用本文： | 邓慧茹.论朱光潜的京派文学评论及其美学意涵[J].扬州职业大学学报,2022,0(1):22-25. |
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| 作者姓名： | 邓慧茹 |
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| 作者单位： | (安徽师范大学,安徽芜湖241002) |
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| 摘 要： | 朱光潜作为著名美学家,也曾对京派文学作品进行过评论。他通过对京派散文、小说、诗歌、戏剧的文学批评活动,总结京派“言近旨远”“静穆”“节制”“和谐”的艺术特征和审美理想。他将“美感的态度”“不即不离”的距离说、“物我交融”的移情说等美学理论运用到文学批评中,使其文学批评展现出系统性和全面性。朱光潜理论与实践相结合的文学批评,不仅在京派文学批评家中独具特色,而且对推动现代文学批评的发展意义重大。
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| 关 键 词： | 朱光潜 京派 文学评论 美学意涵 |
On Zhu Guangqians Literary Criticism of Beijing School and Its Aesthetic Implication |
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| DENG Hui-ru.On Zhu Guangqians Literary Criticism of Beijing School and Its Aesthetic Implication[J].Journal of Yangzhou Polytechnic College,2022,0(1):22-25. |
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| Authors: | DENG Hui-ru |
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| Affiliation: | (Anhui Normal University, Wuhu 241002, China) |
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| Abstract: | The famous aesthetician Zhu Guangqian made comments on the literary works of Beijing School. By making literary criticism of the Beijing Schools prose, novels, poems and dramas, he summarized the artistic characteristics and aesthetic ideals of the Beijing School as being “simple in language but profound in meaning”, “solemn and quiet”, “self-restrained” and “harmonious”. His employment of such aesthetic theories as “aesthetic attitude”, “maintaining a discreet distance”, and the empathy theory of “integration of nature and people” made his literary criticism both systematic and comprehensive. Zhu Guangqians literary criticism, which combines theory with practice, is not only unique among Beijing literary critics, but also of great significance for promoting the development of modern literary criticism. |
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| Keywords: | Zhu Guangqian Beijing School literary criticism aesthetic implication |
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