共查询到16条相似文献，搜索用时 15 毫秒
1.
Gregory Rolan Glen Humphries Lisa Jeffrey Evanthia Samaras Tatiana Antsoupova Katharine Stuart 《档案与原稿》2013,41(2):179-203
ABSTRACTNot a day appears to go by without breaking news of some Artificial Intelligence (AI) advance that seemingly has the potential to transform our lives. As recordkeeping professionals, we can very well ask, ‘What about us?’ Where is the AI or automation to help us with our classification, appraisal and disposal work? If we are to meet the challenges of managing records in the digital age, such technology – together with appropriate skills and knowledge – will be necessary. How can AI automate our digital recordkeeping and archive work? In this article, the authors provide a snapshot of the practice of AI in Australian recordkeeping. What is the reality versus the hype of such technology, and what is actually being done now? In answering these questions, they first provide a brief introduction into AI techniques and their characteristics in relation to recordkeeping work. They then introduce four case studies from Australian archival and government institutions that have embarked on AI initiatives. In each case, they provide an overview of the project in terms of requirements, activities to date, outcomes and futures. The article concludes with a discussion of the lessons learnt, issues and implications of AI in the archive. 相似文献
2.
e印本文库(e-print archive)内容建设研究 总被引：5，自引：0，他引：5
“e-print archive”是开放存取(Open Access)运动推荐的一种非正式科学交流系统。文章简单介绍了“e-print archive”的中文翻译方法、基本内涵、工作原理、基本类型等问题。重点探讨了e印本文库内容建设的两个方面信息资源收集与质量控制,并根据实地考察和已有建设经验提出了具体管理措施。 相似文献
3.
Adrienne Shaw 《Critical Studies in Media Communication》2017,34(1):88-94
This essay describes the author’s new project: a digital archive documenting the history of lesbian, gay, bisexual, transgender, and queer (LGBTQ) content in video games. The LGBTQ game archive covers approximately 30 decades of game content at present, and nearly 500 games. This essay describes the project’s origins, the methods used to research the game content, and some initial findings. Finally, some particular surprises from the project are discussed, which point to areas for future LGBTQ games research. 相似文献
4.
Rachel Bracha 《Archival Science》2013,13(2-3):133-141
Artistic engagement with the archive is on the increase and takes many forms. Archive-based artwork does not always contain or display its archival source. However, in some cases the archives themselves—rather than the information or evidence they hold—are utilised to form part or all of the work. This is particularly true where visual and audiovisual records are used creatively. The archival record is thus interpreted and re-created, giving rise to potential tensions and discord. Focusing on the film archive—and in particular on documentary film originally created and collected for the purpose of recording and accountability—the paper addresses this act of creative interpretation and re-creation. Firstly, it considers the use of archives in the creation and/or destabilisation of national identity and collective memory. Specifically, it examines the re-use of visual evidence of the Holocaust and its aftermath. Among others, it discusses the work of artist Eyal Sivan, whose use of archival material from the trial of Nazi war criminal Adolf Eichmann has caused great controversy. Secondly, Walter Benjamin’s concept of aura and its application to archives is used to highlight the conflict that such forms of creative engagement may bring to the archival arena and to questions concerning the role and responsibility of the archivist as access provider or gate keeper. 相似文献
5.
Bonney Djuric 《档案与原稿》2016,44(3):165-170
6.
Filippo De Vivo 《Archival Science》2010,10(3):231-248
The Republic of Venice was renowned for gathering and preserving from very early on a huge and growing archive. This article
analyses the ways in which records were created, stored, and ordered for both immediate and future use. The political system
of Venice, at once aristocratic and republican, had an important impact on the production and preservation of large quantities
of documents in unbound filze and bound registri. In turn, the volume of this paperwork required the development of strict criteria for the organization of the material.
In particular, this article analyses how records were divided at the moment of production, thus enabling a pragmatic combination
of chronological and thematic ordering criteria. The latter were reinforced by finding tools arranged by subject matter, in
particular indexes inside each volume and more general indexes across several volumes, both known as rubriche. The article suggests that indexing must be seen as a historical process dependent on Venice’s political structures and tied
to specific moments in the wider history of the Republic, respectively in the fifteenth, early sixteenth, and early seventeenth
centuries. Finally, the article points to some unexpected interactions between political secrecy and indexing. 相似文献
7.
ABSTRACTWhat happens when a human coder meets a machine one? This article explores this question with reference to the archive of Professor Germaine Greer: Australian-born feminist, performer, scholar, and professional controversialist. It does so by staging two very different data encounters with the 70,000-word finding aid for the print journalism series, a key component of Greer’s archive. The first encounter is archivist’s creation of the finding aid; the second, archivist and literary scholar’s interpretation of this archival metadata using sentiment analysis. Interrogating these activities side-by-side opens up a productive middle ground between humanities scholars and computer technicians, between historians and archivists, between the hand made and the machine made.This article argues that sentiment analysis offers a new and highly productive method of interrogating archival metadata, and that, as a method which privileges emotive understandings of content, it is particularly appropriate to the study of feminist archives like Greer’s. It also argues that these kinds of detailed finding aids are new datasets that reward analysis in their own right, and particularly when considered in dialogue with—rather than simply used as straightforward navigational tools for—the ‘original’ archival content. 相似文献
8.
Kirsten Wright 《Archival Science》2009,9(1-2):99-111
This paper investigates the describing, dissemination and archiving of records, which have previously not been well described by archives. It asks if new methods of accessing the archive may be used to improve understandings of such records. Specifically, this paper will investigate the records created about tattoos in the nineteenth century following the European exploration of Polynesia, and the transmission of tattoos to the West. The ways in which this indigenous cultural practice was interpreted and recorded are discussed with reference to the records created. Tattoos are inherently physical records, which do not survive beyond the lifespan of their owner. The archiving process for tattoos has thus relied on preserving representations of the tattoo. This paper will ask what these representations of tattoos actually provide evidence of and will use two case studies to examine how records about tattoos have been archived. Finally, it is suggested that a more holistic understanding of tattooing records may be achieved through new ways of describing and classifying records, such as folksonomy. 相似文献
9.
Jarrett M. Drake 《档案与原稿》2013,41(2):270-279
ABSTRACTAustralian and US-based archivists have recently begun to confront their complicity in a documentary landscape that excludes and erases the voices and views of minority, oppressed and poor communities. Archival professional organisations in both countries attempt to confront this issue by focusing on the homogeneity of the profession, specifically through using the discourse of diversity. Thus, this keynote address, delivered at the 2017 conference of the Australian Society of Archivists in Melbourne, explores the following question: how, if at all, does diversity form part of the solution for dismantling the white supremacy of archives? It begins this inquiry by recounting the author’s participation and experience with diversity projects of the Society of American Archivists, before speculating how archivists might transition away from the language of diversity and towards the language of liberation through the concept of an archive of the oppressed. The central argument of the address is that dismantling white supremacy in archives requires archivists abandon the neoliberal discourse of diversity and adopt an archive of the oppressed, or a cooperative approach in which oppressed peoples are positioned as subjects in our own liberation. 相似文献
10.
Through a reading of the archived letters of Henry Garnet (1555–1606), Superior of the Jesuit order in England and suspected
Gunpowder plotter, this article investigates the nature of the archive in relation to narrative theory. Figuring the archive
as one of the number of narrating voices accrued by the individual record, I argue that models of communication such as those
put forward by Roman Jakobson, Wayne C. Booth and Seymour Chatman afford useful insights into the ways in which power is inscribed
and reinscribed in the record through successive acts of reading and rewriting.
Paul Wake is a Senior Lecturer in English Literature at Manchester Metropolitan University. He is the author of Conrad’s Marlow (2007), editor, with Simon Malpas, of The Routledge Companion to Critical Theory (2006), and he has published articles on narrative theory and postmodernism. 相似文献
| Paul WakeEmail: |
Paul Wake is a Senior Lecturer in English Literature at Manchester Metropolitan University. He is the author of Conrad’s Marlow (2007), editor, with Simon Malpas, of The Routledge Companion to Critical Theory (2006), and he has published articles on narrative theory and postmodernism. 相似文献
11.
e印本文库(e-print archive)研究--介绍一种非正式科学交流系统 总被引：10，自引：0，他引：10
“e—print archive”是开放存1R（Open Access）运动推荐的一种非正式科学交流系统，本文系统研究了“e—print archive”的中文翻译、学术交流理念、基本功能、学术交流过程、主要特点和基本类型等问题。 相似文献
12.
提起数字档案馆信息资源建设,首先想到的就是档案数字化和电子文件的归档。就目前来看,各种各样的信息以网页的形式发布,本文通过对网页归档的必要性和可行性的研究,提出网页的收集应当成为数字档案馆丰富馆藏的重要手段,数字档案馆建设,应当重视网页的归档与保存。 相似文献
13.
Alison Wishart 《档案与原稿》2013,41(2):260-269
To commemorate its centenary, the NSW Division of the Australian Red Cross decided to donate its archive to the State Library of New South Wales in 2014. The State Library is honoured to be the recipient of these significant and extensive archives. In this article, the authors outline the process the librarians and archivists used to manage the donation and the importance of communication, both internally within the Library, and externally with the volunteers at the Red Cross who had arranged, compiled and cared for the archive. They describe the extent and organisation of the collection, the variety of formats and subjects, its historical significance and how it has been promoted to the State Library’s audiences. The authors reflect on how the archive charts the evolution and growth of Australia’s longest-running humanitarian organisation and how it contains the records of people who made history, but did not write the history books. 相似文献
14.
Julie McIntyre 《档案与原稿》2016,44(1):2-13
Digitised versions of archival fonds with micro or regional significance daily join mass digitisation projects of books and documents in the global digital space. For historians, the exponential expansion of searchable digital archival material has required the revision of traditional research methods. The digital age has also shifted disciplinary boundaries such as the distinction between historian and archivist. This article concerns a micro digitisation involving collaboration between historian and archivist, not in archive access as is usually the case, but in archive creation. The experience of this collaboration is generalisable to other micro-scale uploads of scanned material enabled by digital technologies. This article is a case study of this experience. It uses autoethnography to explore the practicalities and ethical processes of decision-making to create a new digital archive of wine history during the pilot stage of an Australian Research Council Industry Linkage Grant. The decision-making process that transformed a historian as traditional archive end-user to archive creator highlights the challenges for both professions in the decision to digitise, the implications for expenditure of public funds and questions of digitisation and environmental sustainability. 相似文献
15.
提起数字档案馆信息资源建设.首先想到的就是档案数字化和电子文件的归档.就目前来看,各种各样的信息以网页的形式发布,本文通过对网页归档的必要性和可行性的研究,提出网页的收集应当成为数字档案馆丰富馆藏的重要手段,数字档案馆建设,应当重视网页的归档与保存. 相似文献
16.
Beverley Butler 《Archival Science》2009,9(1-2):57-69
This paper seeks to address, from the critical perspectives of cultural heritage discourse, the issues at stake in critically apprehending the archive as both a technology of disinheritance and one of potential inclusion and re-inheritance. The first section draws on the work of Jacques Derrida, Edward Said and other critics whose work has sought to address the marginalizing capacity of dominant European/North American archival and cultural–museological institutions. The remainder of the paper grounds these conceptual–ethical issues in the context of Palestinian cultural politics and memory-work. This critical framework is used not only to draw out the absences and silences in archives and cultural institutions, and the epistemological and ‘real’ violences at play in what Derrida characterises as ‘archive trauma’, but responds to Said’s call to ‘re-read’ the colonial archive ‘contrapuntally’ in order to create an ‘othering’ of dominant archival discourse. What is needed to provoke such an ‘othering’ is a commitment to rethink the archive in terms of alternative understandings of ‘hospitality’, ‘memory-work’ and what Derrida has referred to as ‘heritage dignity’. This strategy is capable of apprehending in greater depth the moral-ethical ‘debts’ and ‘duties’ and the operational ‘responses’ and ‘responsibilities’ towards ‘inclusion’ and towards full recognition of those constituencies which have been disenfranchised or exiled outside the realms of dominant cultural–institutional discourse. 相似文献