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在分析前人对创造力研究的基础上,结合幼儿身心特点,对幼儿创造力的内涵及外延进行新的界定,提出必须重视幼儿创造力发展的关键期,关注影响幼儿创造力培养的因素,进而提出培养幼儿创造力的一些举措:从幼儿的实际出发,顺应幼儿的本性,丰富幼儿的认知经验;激发幼儿创造力的内在动机;注重创造力品质的培养;创设相对自由的环境,保护幼儿好奇心和想象力,开发幼儿创造潜能;此外,还要注意教师创造性能力的培养. 相似文献
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游戏作为一种寓教于乐的教育方式,其激发幼儿创造力的作用逐渐受到广大幼儿教育工作者的重视,优化游戏活动的设计与实施,对于培养幼儿创造力有着重要的意义。幼儿教师应通过创设情境,激发想象;鼓励创新,引导创造;幼儿为本,适时指导;给予鼓励,体验成功,强化对游戏这一教育途径的利用,利用游戏激发幼儿的参与热情,提升游戏在培养幼儿创造力,促进幼儿智力、思维、情感发展等方面的作用。 相似文献
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培养幼儿的创造力,是现代社会对现代教育提出的一个基本要求。本文作者结合教学实践,对培养幼儿创造力的方法与注意点进行了初步的论述。 相似文献
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幼儿美术教育与其他类型的美术教育一样,主要是发展人的创造力.但是,现行的教育状况令人堪忧:第一,创造力的定义不明晰,许多人把创造力等同于想象力、智力或仅仅看成是发散性思维;第二,对创造力与艺术的关系理解肤浅,在创造力发展的教育理论体系中,艺术没有得到应有的地位,很多的周末儿童美术辅导班、妇女儿童活动中心把美术教育发展幼儿的创造力认为是发挥幼儿的表现能力.幼儿美术教育在培养创造力的目的、手段、方法、评价等方面与教育界对创造力的研究没有很好地呼应和结合起来. 相似文献
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幼儿具有很大的创造潜力,在绘画教学中对培养幼儿的想象力、创造力是非常有利的。良好的环境和教育,能使幼儿创造想象异常丰富。想象力的发展是人类智力发展的一个重要组成部分,幼儿的绘画必须切实着眼于想象力的培养。那么怎样才能发展幼儿的想象力、创造力,使幼儿的思维从画面中表现出来呢?在教学实践中,笔者摸索出一些途径和方法,并获得了一定的效果。 相似文献
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《华夏少年(简快作文 )》2014,(6)
随着教育改革的进一步推进,幼儿教育也越来越被重视起来了,发展幼儿创造力成了学前美术教育的主要任务。对于幼儿来说,创造力是他们与生俱来的属性,在这一阶段他们的想象力正逐渐由贫乏和零碎向丰富和完整发展,所以老师要抓住这一特点对幼儿的创造力进行培养。在创造力的培养过程中,绘画尤其是创意画对培养儿童的创造力具有独特的作用,也是培养儿童创造力的重要途径,这就要求老师在教学的过程中根据幼儿的心理特征和认知范围对幼儿的绘画进行恰当的启发和指导,不能将自己的思想强加给幼儿而扼杀了他们的创造力。就幼儿创造力的发展与创意绘画之间的关系和存在的问题进行分析,并提出一些发展幼儿创造力的方法。 相似文献
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创造力是智力的灵魂。现代科学认为,创造力是人类区别于动物的最根本的特性和标志之一。一个人是否具有创造力,是＂一流人才＂和＂三流人才＂的分水岭。而幼儿期是人创造力发展的关键期,如何培养幼儿的创造力是幼儿园教育恒久的课题。 相似文献
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庞燕萍 《教育界(基础教育)》2018,(1):142-143
在创新作为人的一种基本品质受到空前重视的背景下,对照《3-6岁儿童学习与发展指南》要求,开展幼儿创造型力培养也成为幼儿园实践改革的重要的任务,在幼儿园开展《幼儿生活体验活动中创造力培养的实践研究》过程中,也逐步积累了三种行之有效的策略一是营造利于幼儿创造的环境,帮助幼儿形成创造习惯的策略;二是展开相关活动,提高幼儿创造力的策略;三是通过多种途径,发展幼儿创造力的策略. 相似文献
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Maciej Karwowski Jacek Gralewski Izabela Lebuda Ewa Wi niewska 《Thinking Skills and Creativity》2007,2(1):57-61
The article presents basic information on the strand of psycho-pedagogy of creativity—a unique perspective on creativity teachers’ education in Europe and the world. Psycho-pedagogy of creativity is a major in pedagogy studies, run in Poland, at the Warsaw Academy of Special Education. Our aim is to educate specialists who are open, sensitive and well prepared content-wise in identifying and developing children's and youth's creative potential. We also aim at introducing the studies that function in a wider social context, and presenting the situation of Poland after systemic transformation. It seems that information of this type may prove interesting to researchers and practitioners that deal with education of creativity. 相似文献
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大学生创新能力培养之我见 总被引：145，自引：0，他引：145
大学生创新能力的培养主要有两个障碍:思维标准化和知识无活力化。为此,大学生应在思维、人格、智慧三方面均有发展。在思维层面,应摆脱思维标准化与知识非活力化的束缚,大力开发个人的想象力和直觉思维;在人格层面,应敢于并善于质疑、批判和超越教师和书本知识;在智慧层面,应培养务实求真、灵活多变的精神。成功的创新实践要求人们坚持信念却不走极端,保持自信但不狂妄自大,并处理好创新与守旧、变化与稳定、理念与实效的矛盾关系。 相似文献
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我国有关创造性培养的实践和研究所表现的局限反映出人们对儿童创造性特点缺乏全面的理解。根据国内外相关研究 ,儿童的创造常常表现为一些不符合常规的举动和语言。要保护和发展儿童的创造性 ,首先要创设充满尊重与接纳的心理环境 ,尤其要对儿童的“非常”表现给以理解和肯定 ;其次要提供能让儿童运用多种感觉通道进行自主探索的多种活动材料 ,并引导儿童扩展观察视角 ,尝试从多种不同的角度分析和比较事物。此外还需要以高水平的创造成果给儿童提供示范。 相似文献
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Cognition and creativity 总被引：4，自引：0，他引：4
Cognitive research on creativity is both traditional and innovative. It is traditional in the sense that many of the well-recognized processes, structures, and stores from mainstream cognitive psychology have been used to understand creative thinking. It is innovative because there is a need to understand processes which are not recognized unless one is specifically interested in creativity. Some of these are inherently subjective, a fact which is often disregarded by those hoping for a traditionally scientific analysis. Still, much of the interest in the cognitive sciences concerns how new constructs come into being; and anyone interested in that is in fact thinking about creativity. That is creativity. This article reviews several traditional cognitive topics, including knowledge, memory, classification, judgment, and categorization, and describes how each can influence creative thinking. It also presents an original model of creative thinking with problem finding, ideation, and judgmental processes as primary components, and knowledge and motivation as secondary (contributing but not controlling) components. Several issues are covered, including the relegation of motivation, the distinction between declarative and procedural knowledge, and the potential for knowledge to both facilitate and inhibit creative ideation. 相似文献
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梁晓华 《楚雄师范学院学报》2001,16(3):90-93
知识经济时代的学校教育 ,必须以发展学生的创新思维 ,开发学生的创造潜力为核心 ,因此 ,实施创新教育已成为时代的要求。而创新教育的实施应改变那些与创新教育要求不相适应的教育方式 ,在教学中坚持贯彻开放性、民主性、自主性、创造性、成功性等教学原则。 相似文献
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Many teachers are interested in fostering creativity, and there are good reasons for doing so. However, the question of how to do it is made difficult by the paradoxes of creativity: mutually contradictory findings that are, nonetheless, simultaneously true (e.g. convergent thinking hampers creativity but is also necessary for it). These paradoxes can be resolved by dividing the process of creativity into seven phases that depend upon different cognitive processes (e.g. divergent versus convergent thinking) and personal properties (e.g. openness versus compulsiveness), are facilitated by different environmental conditions (e.g. tolerance of errors versus demands for accuracy) and lead to different kinds of product (e.g. something radically new versus novelty that nonetheless fits into the conventional framework). Mapping the four Ps of creativity (person, process, product and press) onto the phases provides a system for analysing both teaching methods and learning activities of individual students. 相似文献
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Given enormous global challenges, alongside nurturing children's creativity, professional creativity has perhaps never been more vital (
[Craft, 2011a] and [Moss, 2010]). This paper considers how a small, qualitative, co-participative study in an inner city children's centre, explored practitioner perspectives and practice related to creativity understood as possibility thinking. This research builds on previous studies that have documented possibility thinking and analyses the nature of possibility thinking manifest in child-initiated immersive play triggered by practitioner-placed provocations, and pedagogical strategies which foster this. 相似文献
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This research aims to understand university students’ thinking styles and the relationship with their views of creativity. The Thinking Styles Inventory‐Revised II was used to measure 13 thinking styles as defined in Sternberg’s theory of mental self‐government and the Conceptions of Creativity Scales was used to inquire students’ views about the conditions for evaluating creativity from six aspects: intelligence, knowledge, style of thinking, personality, motivation and learning environment. Significant relationships were identified between thinking styles and conceptions of creativity. This research contributes to the understanding about the relationship between conceptions of creativity and thinking styles, and brings insights for educators about educational innovations, as one of the key objectives of educational innovations is to develop creativity of the younger generation. 相似文献
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毛泽东最伟大的历史功绩是对马克思主义进行理论创新.他的理论创新充分说明:解放思想,实事求是,与时俱进,是理论创新的基本特征. 相似文献
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祖久春 《河北师范大学学报(教育科学版)》2008,10(5):135-139
河北衡水中学在创新与实践中,以思想更新为前提,创建精神特区;以管理创新为保证,打造高效和谐的运行机制;以教改为发展举措,扎实推进素质教育;以科研、课题的突破为契机,促进师生的全面健康发展。 相似文献