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1.
Jordynn Jack 《Quarterly Journal of Speech》2013,99(4):446-468
Kenneth Burke's employment with the Bureau of Social Hygiene informed his rhetorical theory in the 1930s. Between 1926 and 1930, Burke researched criminology and drug addiction and ghostwrote a book for Colonel Arthur Woods, Dangerous Drugs. An investigation of archives indicates that this research left its mark on Burke's Permanence and Change (1935): in particular, Burke's concept of piety can be understood better in relation to the Bureau of Social Hygiene. An account of Burke's criminological research shows that piety, as a rhetorical concept, involves both embodied and discursive acts. Because it involves mental and affective factors, piety forms the basis for metabiology. 相似文献
2.
Rhonda Nixon 《Literacy》2012,46(2):81-93
The author explores how comics texts and writing practices are rich literacy resources for educators. Few studies report on how teachers explore such texts and practices in their classrooms. The author examines how drawing improves students' narrative writing and presents findings from a 7‐month case study of Delainey and Rasmussen's collaborative composing routines. Delainey and Rasmussen are the creators of the daily syndicated comic strip, Betty, an internationally published family comic strip that has been in newspapers for 20 years. The author explores Delainey and Rasmussen's collaborative routines and composing practices and provides parallel suggestions for classroom work. 相似文献
3.
曾照军 《十堰职业技术学院学报》2010,23(6):52-55
以《中国青年报》、《南方周末》为样本,通过内容分析法,对近年来新闻漫画运用特点进行探寻,并依此预测未来的新闻漫画发展方向,希望能为新闻漫画的健康发展带来一点积极意义。 相似文献
4.
Debra Hawhee 《Quarterly Journal of Speech》2013,99(4):331-354
This somatic genealogy of Dramatism's core terms—symbolic action, attitude, identification—argues for the importance of keeping rhetoric, rhetorical theory, and rhetorical pedagogy more closely tied to bodies that generate, induce, and respond to rhetoric. It does so by examining Burke's use of Sir Richard Paget's theory that spoken language derives from the use and development of bodily gestures. An examination of Paget's theory in Burke's early work serves as a jarring reminder that rhetoric is always a joint performance of body and mind. 相似文献
5.
Kyle Jensen 《Quarterly Journal of Speech》2018,104(4):384-399
However esoteric Kenneth Burke's A Rhetoric of Motives seems at first glance, it remains highly relevant to our contemporary moment. As a philosophy of rhetoric that centers on the nature of human conflict, it helps audiences interpret the vicissitudes of political warfare with greater precision and insight. The value of A Rhetoric of Motives becomes even more apparent in light of its recently discovered second volume, The War of Words. Together, these two volumes offer a novel method of rhetorical counteraction that helps specialist and non-specialist audiences redress the threat of nationalistic war. Burke's approach to rhetorical counteraction is distinguished by the study of rhetorical devices across history. By approaching these devices systematically, Burke believed he could help his audience reframe their attitude toward evolving political events. The purpose of this article is to present a thorough account of Burke's method so that it can enrich how we teach and engage in public deliberation today. 相似文献
6.
Philip Schug 《Communication quarterly》2013,61(1):26-28
Brock's (1985) recent suggestion that rhetorical critics who work out of the philosophy of dramatism could enrich their analyses by utilizing Burke's pentad and terms for order in combination is taken up in this essay. Enhancing these grammatical and formal features of drama through application of Burke's “principle of perfection,” nine “indexes of dramatic intensity” are proposed and were employed in a study of the tragic‐symbol preaching of Rev. Jerry Falwell. Falwell's televised discourses are found to be strongly dramatic and appropriately so, given the audience of true believers bent on changing society he addresses. 相似文献
7.
This essay maintains that a major shift has occurred in how Kenneth Burke explains symbol‐using. While previously viewing rhetoric as predominantly epistemic, since 1968 Burke has examined human communication as both ontological and epistemic. It is further posited that Burke's conception of symbol‐using is now dialectical, with both ontological and epistemic perspectives simultaneously cast as governing the symbol‐using process. Implications of this epistemic‐ontological view of symbol‐using are outlined for the functions of rhetoric, understanding of Burke's theory of communication, the long‐term effectiveness of Burke's concepts and methods, the literal functions of symbol‐using, the study of mediated communication, reconceiving the definition of a symbol, and for ideological and postmodern criticism. 相似文献
8.
9.
Nathaniel I. Cordova 《Quarterly Journal of Speech》2013,99(2):212-233
This paper explores the formation of a political order, a constituency, during the 1938–1940 senatorial campaign of the Partido Popular Democratico in Puerto Rico. In particular it examines the constitutive force of the Catecismo del Pueblo, a small booklet in the form of questions and answers regarding the party's basic assumptions and orientations. This booklet developed a political constituency by mediating a covenantal relationship through discourse in the form of a catechism. Burke's notion of constitutional dialectics is used to explore the Catecismo's nature as constitutive, as a catechism, and as the mediator of a political covenant between the Party and the jíbaros. 相似文献
10.
Victoria J. Gallagher 《Quarterly Journal of Speech》2013,99(2):144-157
In the speech at Berkeley, Carmichael revealed a potential in discourse that enabled him to develop, from out of the confines of a tactical rhetoric, a strategic rhetoric of blackness. Close analysis of Carmichael's speech, grounded in Burke's paradox of purity, illuminates the internal logic of Black Power, as well as Carmichael's use of reflexivity, reversal, deconstruction and re‐construction of dialectical terms and relationships. Contemporary discursive practices addressing issues of civil rights and race are then examined in light of the principles and purposes developed by Carmichael. The results challenge rhetorical scholars and critics to disrupt reliance on dialectical constructions within discourses of race. 相似文献
11.
“Burke's perspective on perspectives: Grounding dramatism in the representative anecdote” 总被引：2，自引：0，他引：2
Bryan Crable 《Quarterly Journal of Speech》2013,99(3):318-333
Rhetorical scholars have taken Burke's discussions of the “representative anecdote” in A Grammar of Motives, and have devised from them a systematic procedure for use in criticism. However, I believe that we can read the representative anecdote in a different way‐by examining the work the term does for Burke himself. I suggest that Burke is not offering a method as much as justifying dramatism dramatistically. Ultimately, based upon my reading of the Grammar, I argue that the representative anecdote‐taken in conjunction with the pentad‐supports Burke's claim to provide the most adequate vocabulary for the study of motives. 相似文献
12.
Carroll C. Arnold 《Communication quarterly》2013,61(4):32-34
This article employs Kenneth Burke's notion of interlocked moments to examine the speech, “Sources of Our Strength,” delivered by Senator George S. McGovern on October 11, 1972, at Wheaton College in Wheaton, Illinois. A clear rhetoric of change emerges, indicating a quest for redemption as the preeminent motive inherent in McGovern's discourse. 相似文献
13.
Bryan Crable 《Communication quarterly》2013,61(4):323-342
For twenty years, scholars have contested Burke's argument—originally offered at an Eastern Communication Association convention — that dramatism is ontological and literal. These Burkean scholars have instead emphasized dramatism as epistemological and metaphorical. In this essay, I reread this dispute in support of Burke's position. I conclude that this debate contains two separate claims by Burke: (1) dramatism is ontological, and not epistemological, because it begins with language as action, not representation; and (2) this starting‐point can claim a privileged (literal) status because it offers the most complete approach to its topic. Through this interpretation of the debate, I make a case for a rehabilitated (and ontologically‐grounded) notion of literality—and sketch its implications for contemporary rhetorical theory. 相似文献
14.
Janis L. Edwards 《Communication quarterly》2013,61(2):163-176
In the surfacing stage of the 1995 Presidential campaign, media attention was focused on a non‐candidate, Retired General Colin Powell. This study examines the media's justification for such attention, in light of the absence of Powell's public instigation of a campaign. Coverage of Powell as a potential candidate reflects current media practice with regard to speculative reporting and the assertion of objectivity. Application of Burke's pentad to specific coverage in TIME and Newsweek illustrates how the media uses constructions of public opinion to rhetorically justify campaign coverage of a non‐candidate, transferring agency from the candidate to the “Public.”; 相似文献
15.
Karen Gulbrandsen 《Technical Communication Quarterly》2013,22(2):87-104
This work was based on a case study of a university institute designed to bring university and industry leaders together to promote research and economic development. The article examines how key terms in technology transfer not only justified the institute but also constituted a ground for negotiating interests. Framed by Burke's and Bourdieu's theories of motive and space, the analysis examines the question of who or what authorizes the grounds for success in technology transfer. 相似文献
16.
Steven Schwarze 《Quarterly Journal of Speech》2013,99(3):239-261
Rhetorical scholarship criticizes melodrama for its tendency to simplify and reify public controversies and valorizes the comic frame as an ethically superior mode of rhetoric. These judgments are rooted in the discipline's reliance on Burkean categories, a reductionist conception of melodrama, and an implicit assumption that social unification should be the telos of rhetoric. In response, this essay advances a concept of melodrama as an integrated set of rhetorical appeals. It uses examples of environmental rhetoric to illustrate how the inventional resources of melodrama can transform public controversies and oppose dominant discourses that rationalize or obscure threats to the quality and existence of life on Earth. Based on these arguments, the essay endorses a sophistic critical perspective that foregrounds timeliness as the primary ground for rhetorical judgment and refuses to treat any rhetorical frame as inherently superior to another. 相似文献
17.
Gary M. Weier 《Communication quarterly》2013,61(2):246-259
This paper is a critical application of Kenneth Burke's notions of form and perspectivism. It argues for the potential of a complementary relationship between form and perspectivism in the appeal of rhetorical artifacts. Specifically, the essay claims that form is perspectival; it limits the possibilities for appropriate interpretations within a text. Perspectivism is formal; it cultivates a logic of anticipatory reasoning. This theoretical perspective is applied to Shakespeare's Julius Caesar in the effort to illumine the rhetorical appeal of that work. 相似文献
18.
Alma M. Bullowa 《Quarterly Journal of Speech》2013,99(4):351-357
An exploration of Burke's use of the term “substance” leads to an illumination of his critical theory and practice. Substance as consciousness achieved through verbalization is manifest in three behaviors: naming, forming, and structuring. 相似文献
19.
Nate Kreuter 《Technical Communication Quarterly》2015,24(3):217-234
Reading historical intelligence community documents primarily through the lens of Kenneth Burke's essay “Semantic and Poetic Meaning,” this article explores the history and stakes of the intelligence community's ongoing commitment to a problematic model of language use. The essay argues that the intelligence community's pursuit of a “mathematical” ideology of language is an attempt to render language “neutral” and to divorce rhetoric from ethics in ways that Burke anticipated, and with negative consequences for the generation of written intelligence reports and national policy decisions. 相似文献
20.
The New Rhetoric project featured an eleven-year collaboration between Lucie Olbrechts-Tyteca and Chaïm Perelman, which culminated with their 1958 magnum opus, Traité de l'argumentation: la nouvelle rhétorique. Scholars have long speculated about Olbrechts-Tyteca's role in the New Rhetoric project and her relationship with Chaïm Perelman. Building from the work of Barbara Warnick, a synchronic and diachronic analysis of their collaboration yields insight on the nature of their collaboration, putting a spotlight on the scholarship of Olbrechts-Tyteca and the role she played in the New Rhetoric project. Their collaboration pairs Perelman, the philosopher concerned about the human being reasoning, with Olbrechts-Tyteca, the literary critic who, using the theoretical frame of the New Rhetoric project, systematically developed the role of the comic in rhetorical theory. 相似文献