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1.
For most of the 20th century, international broadcasting was characterized by state-run broadcasts carried over shortwave radio. Such broadcasting was at the core of the Cold War and World War II, as well as the decade leading up to World War II. After the end of the Cold War in the early 1990s, the geopolitical context that had structured international broadcasting for so long dissolved, allowing for the possibility of significant changes in international broadcasting. One of these changes since the end of the Cold War is the development of Web radio. The year 1995 marks the point when broadcasting over the Web began in earnest. Included in this movement were a number of the primary broadcasters who had been, and still were, active in international shortwave broadcasting. Then, in 2001, after gradually reducing shortwave output to North America, Australia, and New Zealand, the BBC World Service terminated official shortwave broadcasts to these areas. In place of shortwave, listeners were directed to receive BBC World Service programming primarily through Web broadcasts and secondarily through local AM/FM rebroadcasts. The announcement of the termination of these shortwave broadcasts provoked a large and vocal opposition to the cuts from shortwave listeners, professionals in international broadcasting, and even the British Parliament. This article documents the BBC World Service's announcement as well as the reaction it generated.  相似文献   

2.
The purpose of this article is to initiate an examination of foreign‐language radio and establish its place in broadcasting historiography of World War II. First, an outline will be drawn of the dangers foreign‐language radio posed to the United States, as articulated by the mainstream press, U.S. Government, and the dominant radio industry. Second, the actions of the Federal Communication Commission and Office of Censorship, and the subsequent response of the radio industry, will be analyzed in depth. Finally, the impact of wartime policies on foreign‐language programming will be considered, as well as suggestions for further research.  相似文献   

3.
"The American Forces Radio and Television Service (AFRTS) provides Stateside radio and television programming, ‘a touch of home,' to U.S. service men and women, DoD civilians, and their families serving outside the continental United States" (AFRTS, 2004). Bagram, Baghdad, Kabul, and Kandahar are the familiar names of conflict zones in 2004. In these faraway operational theaters, the AFRTS provides a homey electronic media touch to the lives of the troops. Guadalcanal, New Georgia, Noumea, and Bougainville-these were the familiar names from another conflict, the Second World War. Exactly 60 years ago, the precursor of the modern-day AFRTS was also providing comfort for troops far from home in these remote Pacific Islands.  相似文献   

4.
Although historians have explored the effects of telegraphy on the newspaper, little attention has been given the relationship between telegraphy and radio broadcasting. This article explores the partnership between Western Union telegraphers and radio sportscasters in broadcasting sports event "re-creations." Oral history interviewing is used with 10 Western Union telegraphers and 12 radio sportscasters who participated in this early method of providing "live" away-game coverage. Included are sections on Western Union services and re-creation equipment and processes.  相似文献   

5.
Comrades at War     
Peter Busch 《Media History》2019,25(4):479-492
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6.
Educational, state, cultural, and university radio stations have already developed over more than 70 years of history in Brazilian radio broadcasting. Currently, there are hundreds of stations transmitting across the country, from the North to the South. Some of them—that in the 1990s included 100 broadcasting stations and among these, the oldest and nationally referenced—up to this decade operated and were referenced as a component of the educational radio system. Mainly from this period on, most of these stations began to call themselves public. And, especially due to their programming, they have been attempting to define themselves within the profile of public radio stations. The purpose of this article is to uncover the historical construction of this group of radio broadcasting stations, by means of a timeframe, from the advent of the non-commercial segment in the 1930s until today. It reconstructs referential models and presents main threads and features of the programming of these stations throughout these seven decades. In this way, it will also evince how Brazil is constructing its model of public radio.  相似文献   

7.
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8.

The mushroom growth of radio and television instruction taking place since the end of World War II has left in its wake a patch‐work guilt of academic programs in colleges and universities from coast to coast. The importance of trying to answer the question ‘Where are we going?”; indicates a need for realistic stock‐taking and thorough curriculum evaluation.

In keeping with its policy of seeking to advance the field of knowledge as to education for broadcasting, the Journal presents a special report on the current state of the curriculum which, it is hoped, will prove of value to all those interested in education for broadcasting.  相似文献   

9.
During the past several years the academic community has written an obituary for radio, particularly AM radio. The broadcast curricula usually lack “real world”; orientation. Programming, sales, and management classes often reflect materials designed more appropriately for large metro radio stations. Little research has been published on AM or FM radio. The lack of academic journals devoted exclusively to radio broadcasting (exception is the new Journal of Radio Studies) testifies to the importance the academic community places on radio broadcast research and theoretical concepts. The author suggests a rapprochement of broadcasting curricula, including programming—a critical element in any future success of radio, and AM in particular.  相似文献   

10.
Kate Newbold 《Media History》2013,19(2):208-223
This essay explores the diverse field of audio records manufactured as tie-ins to popular American radio programs of the postwar period. Little has been written on such products as meaningful artifacts of consumption during any phase in broadcasting history. Yet radio records proved especially meaningful to customers in the 1940s and 1950s, as they offered a highly convenient way to upend rigid transmission schedules and program ephemerality. Here, I focus on spoken word radio albums that promised listeners important broadcast knowledge stored for ‘posterity’ on disk. Phonograph companies like Columbia banked on consumer interest in replay of these programs to sell radio records as technologies of permanence and documents with unparalleled historical and cultural value. I analyze program-to-record case studies like You Are There (1949) and The Quick and the Dead (1951) to illustrate how producers lay claim to historical authenticity via capturing, recording, or releasing transient moments on records.  相似文献   

11.
Following World War II, an agile broken‐field runner rather than a sedentary historian would be needed to follow the myriad twists, turnings, and changes in radio programming, audiences, and effects in the United States. Now that a certain stability and growth pattern is (hopefully) again dominant, perhaps it is time for those of us who have lived through this period to attempt a rearward look. Frank Riggs, who holds degrees from the University of Arizona and George Washington University, recently completed a tour of duty as Radio‐Television Officer for the Air Force Systems Command, with the responsiility for producing numerous radio documentary and series programs.  相似文献   

12.
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13.
Following the end of the Second World War, the ideals of public service broadcasting that had first been exemplified by the BBC came to lay the groundwork for a new type of broadcasting system in Northern Germany. This led to intensive discussions between British Military Officers and their German counterparts about the principles of public service broadcasting. Repatriated Germans came to play a crucial role. Having worked for the BBC German Service during their years of exile, some of them helped to nurture a new generation of democratic journalists. Focusing on these men, this article reveals the difficulties in transferring and adapting public service ideals. Making use of a wide range of sources, we highlight the multifaceted roles of the repatriated Germans, as both intermediaries and transmitters of public service broadcasting. We show how many of them came to play a pivotal role in resisting pressure from conservative forces in West German society.  相似文献   

14.
A decade ago the regional programming of CBC Toronto successfully transformed itself with a new notion of community reflection that utilized a range of emerging digital platforms but put narrative radio storytelling at its centre. With the launch of CBC Hamilton in Spring 2012, as Canada's sole digital-only public broadcasting outlet (no over-the-air TV or radio), audio storytelling was conspicuously absent from the equation. Based on the only publicly available research conducted with CBC users and community leaders prior to and following both launches, the authors raise questions about audience conceptions and the enduring value of audio storytelling in an era of digital broadcasting and social media.  相似文献   

15.
The use of live entertainers is well-documented on radio networks, but not for local stations in rural America. This study examines the period of decline in the use of live entertainers starting in 1940 and the pinnacle of live performance on WDZ, an independent broadcaster in central Illinois that featured folk and hillbilly style entertainment. World War II, the FCC's tolerance for recordings, union struggles, and changing management emphasis from programming to sales were factors in the live performance decline. Management transitioned from emphasizing local interests to maximizing economic return with less expensive programming while relocating to a larger market.  相似文献   

16.

This paper provides a historical perspective on the intersection of media, popular culture, and nationalism through a study of the broadcasting policies and programs of one of Mexico's earliest government radio stations. This study analyzes the musical programs that formed the centerpiece of government radio programming in order to evaluate the racial and class ideologies imbedded in the nationalist discourse of state broadcasters. By viewing these government programs through the lens of a broader literature on nationalism in the Third World and among diasporic communities, it is possible to identify a fundamental tension in Mexico's official nationalism between a search for the roots of an “authentic”; ethnic identity, and a need to position Mexican culture within the constellation of Western “civilization.”; Finally, this paper investigates audience reactions to state broadcasts in order to explore the meaning of early broadcast nationalism for Mexico's radio listeners.  相似文献   

17.
Some of the most ambitious experiments in early radio programming involved the coordination of sounds and visuals. This essay explores the phenomenon of “illustrated radio,” or radio broadcasts enhanced with accompanying visual media such as lantern slides, museum exhibits, and filmstrips. Newspapers, museums, and schools experimented with this format in the 1920s–40s in an effort to expand their audiences and adapt their informational missions to a changing media environment. While relatively short-lived, illustrated radio constituted a significant form of audiovisual broadcasting before television and highlights the range of uses that were envisioned for radio when it was new.  相似文献   

18.
From 1934 to 1941, three British-governed radio stations were established in the Middle East: Egyptian State Broadcasting (ESB) in Cairo (1934), the Palestine Broadcasting Service (PBS) in Jerusalem (1936), and the Near East Broadcasting Service (NEBS) in Jaffa (1941). These three stations were modeled on the BBC and run as colonial or imperial stations—but they were also considered national stations. As a result, they operated as hybrid entities with overlapping and sometimes conflicting mandates. Through the three case studies—a contentious hire at the ESB, the PBS' ‘Jerusalem Direct News Service’, and the NEBS' Islamic broadcasts—this article charts the evolving relationship between Great Britain and its Arab-world radio stations, examining these three stations in tandem tension between national and regional broadcasting mandates, as well as the challenge that managing each station raised for British officials in the UK and in-country. It moves away from a focus on the disembodied spheres of ideology and propaganda, and toward the messy administrative decisions that reflected British officials' on-the-ground efforts to navigate the administrative control and programming decisions in the perplexing world of semi-independent radio broadcasting stations in the Middle East. It closes by noting that while UK-based British officials saw these three stations as operating under the aegis of British governance and on the model of the BBC, the ESB and the PBS, in particular, reflected and projected not a British imperial identity but an Egyptian and a Palestinian nationalist one.  相似文献   

19.
Nowhere did the coming of broadcasting have more social impact than in America's rural areas. With radio, farm families that were once isolated by vast distances and poor roads were brought into immediate and continuous contact with the rest of the nation. The United States Department of Agriculture was quick to seize the potential of the new medium and began producing weather forecasts, market reports, and other agricultural programming at an early date. Commercial interests also built stations and designed programming to serve the rural audience. This article examines the arrival of radio on America's farms during broadcasting's earliest years, from the introduction of radio in 1920 to the passage of the Radio Act of 1927.  相似文献   

20.
Nadine Kozak 《Media History》2013,19(2):163-182
Early Canadian radio broadcasting policy privileged private, commercial broadcasting enterprises above alternative broadcasting formats, including amateur and community radio. One station, 10AB, operated by the Moose Jaw Radio Association (MJRA) and owned by community members took exception to this policy and engaged in a decade-long dispute with radio authorities, first the Radio Branch of the Department of Marine and Fisheries and later the Canadian Radio Broadcasting Commission (CRBC). The MJRA ignored regulations with which it disagreed and challenged the radio authorities whilst requesting a private commercial broadcasting license. Absorbed by perceived discrimination, the MJRA failed to understand the complex situation the CRBC faced. I argue that considering transnational radio history can deepen our understanding of the dispute between the local station and national regulators in Canada.  相似文献   

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