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1.
ABSTRACT

This article details the various forces that shaped public radio station KEXP’s evolution from the 70s to today. It addresses the ways that Seattle’s specific cultural, economic, and technological advantages enabled it to take on its current form as a key presence in global pop music curation and discovery. It argues that the station’s progression thus represents a potential model for other legacy public radio stations in an era of diminishing public and institutional funding. However, this approach’s viability will depend upon how effectively stations are able to leverage their local communities to compete in the networked digital media paradigm.  相似文献   

2.
This case study examines the local storytelling practices of two radio stations in Los Angeles: one a commercial hip-hop station, the other a public radio station managed by Minnesota Public Radio with a news-talk format. Interviews with station staff and direct observation of station practices provide data that reveal specific practices showing how stations can apply communication infrastructure theory in attempts to forge the connections between the media, community residents, and the local organizations that bind neighborhoods. Obstacles to sustaining these practices are noted, including commercial pressures and journalistic principles that may hinder advocacy.  相似文献   

3.
This study compares the radio industry's use of interactivity to that of other traditional media on the Web such as newspapers and television stations, along the dimensions of audience-oriented interactivity and source-oriented interactivity. A content analysis of 112 traditional radio station Web sites, 282 traditional newspaper Web sites, and 128 traditional television station Web sites found that traditional radio station Web sites provided more audience-oriented interactivity compared to other traditional media Web sites, and traditional newspaper Web sites offered the most source-oriented interactivity. A general conclusion of this study is that although traditional radio stations were more likely to transmit live and archived sound than other media, all traditional media Web sites have held back from developing interactivity beyond e-mail, and have limited the transmission of streaming media, as well as archived audio and video content.  相似文献   

4.
The importance of the media in the Portuguese 1974 Revolution is recognized by the military, politicians, and journalists. In this context, the major role of the radio broadcast in the course of events is undisputable. In the dawn of April 25, a popular Portuguese song was the start signal for the military coup and other counter signals followed, sounds that became symbols of the Revolution. Radio was the medium chosen by the Armed Forces Movement (MFA or Movimento das Forças Armadas in the original) to communicate with the parties involved in the coup and it was also used to inform the population of the goals and progress of the military operations. The following manoeuvres eventually transformed Radio Clube Português, one of the radio stations, in the commanding post of all the operations and the Portuguese people became aware of the MFA goals and victories by the bulletins that were broadcasted by the military on the radio. In a country with high illiteracy, radio played a crucial role in terms of information, which confirms its unquestionable centrality in the course of the April Revolution (also known as the Carnations Revolution). This study aims to explain how this process was achieved and it is based on the recollection of documents, archives, and other information. The recovery of testimonies and reconstruction of events allow us to explore the way military interacted with radio personnel and how radio logics prevailed and helped the military to successfully achieve their goals.  相似文献   

5.
This article explores how Ireland’s first LGBT radio station, Open FM, attempted to offer LGBT radio in a heteronormative media landscape. It uses semi-structured interviews with two of the stations founders as well as posts from online LGBT message bulletin boards to argue how Open FM ultimately became ambivalent about its LGBT status and adopted a dualcasting strategy. Despite its ambitions to be a community-led radio station for Ireland's LGBT community, the dualcasting strategy of the station framed many of its endeavors between the mainstream standards of radio broadcasting and the community of interest that their licence claimed to serve.  相似文献   

6.
This study concerns an American-operated clandestine short-wave radio station that broadcast as both a strategic and tactical station during the Battle of the Bulge in Germany. Operation Annie's strategic mission was to generate distrust for the Nazi leadership among troops and increase their reliance on news reports emanating from the station. Her tactical mission was to then use her reputation for truthfulness to lure listeners into a military ambush known today as the Saar Pocket, thus facilitating the capture of the Rhineland. This research reviews the development of Operation Annie and its missions and evaluates the station's success as a model of effective wartime propaganda.  相似文献   

7.
While useful in establishing U.S. public media, the Public Broadcasting Act of 1967 is an imperfect instrument for moving public radio to a secure future. Policies governing public broadcasting are insufficient to address the economic, political, social, and technological changes upending media organizations, both commercial and non-commercial. The urgent need is for more flexible structural arrangements as public radio and public television stations merge, partner with non-profit media entities, and seek funding that builds on the strength of the local public radio network as well as responds to the demand for imaginative, on-demand content from national networks.  相似文献   

8.
9.
面对日益加剧的媒体竞争局面,单一做广播节目的年代已经过去了,广播媒体的建设是一项系统工程.广播电台一方面要明确电台的专业定位.另外更重要的是建立专业频道的品牌概念,塑造专业电台的视觉识别系统与听觉识别系统,确立专业电台的整体品牌形象.专业电台靠加强专业电台品牌的竞争力,一步步渗透到听众的耳中、心中.  相似文献   

10.
This article analyzes a youth organization's struggle to start a low-watt community radio station. The project was envisioned as a way to encourage at-risk youth to become media producers and gain technical and communication skills. It was also seen as a medium through which to communicate about important social and political issues affecting the station's predominantly low-income and minority constituency—concerns not prominently covered in the commercial media. Like hundreds of US urban communities excluded from operating low power FM stations under current FCC regulations, this group initiated a 100 milliwatt AM station with hopes of eventually becoming a 100 watt FM station if FCC regulations were to change. Funding, organizational, logistical, and regulatory issues are discussed, along with obstacles and successes of this initiative and the potential for such programs to engage youth in larger issues of democracy and non-commercial expression.  相似文献   

11.
Radio stations were organized in Europe during the 1920s as state‐regulated public service institutions. Contrary to the model in the U.S., radio thus was embedded in the cultural and political spheres and accordingly kept outside of the market forces, although some countries allowed limited advertising. Radio's role as a national service faced increasing legitimation problems, and in most Western European countries, local radio was introduced as a divergence measure to balance political and cultural convergence of national radio. Generally, local radio activities were initially an attempt to revitalize a vivid public sphere. This article describes the development in the Scandinavian countries, where local radio developed in different ways with a rather strong commercial component that filled the “commercial deficit”; resulting from public service policies and a rather fragile component of noncommercial community stations. Although the structural development in many ways showed a different pattern than expected and wanted, local radio will have an ever greater role to play in a globalized media and information society.  相似文献   

12.
13.
KMOX‐AM in St. Louis hired J.C. Corcoran to try to update its sound. Corcoran and KMOX represented two contrasting styles in talk radio— “shock”; and “community service.”; These styles can be seen as reflecting two visions of America—a modernist vision of civic discourse and public participation, and a postmodernist vision in which distinctions have blurred between the public and private spheres and between news and entertainment. The authors qualitatively examine the talk on a program hosted by a “shock jock”; on a respected news‐talk radio station.  相似文献   

14.
This research investigates why the government closed 70 Athenian radio stations in 2001 and explores the degree of pluralism able to develop in Greece since radio privatized in 1988. The results suggest a kind of pluralism emerged in which voices-independent of political or economic interests- are not cultivated or tolerated. The new media environment is dominated by wealthy businessmen with financial interests in shipping, telecommunications, and refining. The radio enthusiasts, who advocated free radio during the movement to privatize radio, are not being served. The station closings functioned to exacerbate the interplay between the media owners and politicians.  相似文献   

15.
The Telecommunications Act of 1996 and ensuing radio ownership consolidation are often blamed for harming radio localism and the public interest. The present research sought to determine effects of local-market radio ownership concentration on listener opinions and use of radio—potentially indicative of stations' localism and public service—by surveying listeners in markets categorized by ownership concentration. Findings suggest concentration does not strongly influence perceptions; however, overall results indicate potentially negative consequences from local and national consolidation on amounts of local music, news, and public-service programming; live-local programming; and station responsiveness.  相似文献   

16.
The Australian community radio sector has played an important role in the social movement of media democratization, both locally and more broadly, however, little attention has been paid to this sector as a social movement. This research maps the organizational history of Brisbane community radio station, 4ZZZ, to examine the impacts of institutionalism on the station, viewed as a social movement organization (SMO). It argues that while SMOs typically move from an oppositional position of protest to one that is increasingly institutional, this does not necessarily dilute the effectiveness of SMOs over time.  相似文献   

17.
This study investigates both the internal competition for advertising revenues among radio stations and the external competition with other media. The study of the advertising revenues of the Greek radio market from 1988 to 2007 shows that there is a low concentration in the sector, allowing low barriers to entry. However, the radio market is inferior to other media regarding advertising revenues. A key reason is the constant decrease of the advertising cost, something that in the future may affect the intensity of competition and the quality of radio station content.  相似文献   

18.
For decades, radio was primarily a hidden or unseen medium to listeners. In recent years, digital technologies have transformed radio to a medium that can both be seen and heard. In particular, visuals on social media have given audiences a real-time glimpse of broadcast operations and talent, while enhancing interaction with stations. This study examined how commercial stations across the United States portrayed themselves through posts on Instagram. Using a qualitative methodology and social semiotic theory, results of the study revealed two dominant themes of station posts—station promotion and community—that signified the essence of radio stations.  相似文献   

19.
This article focuses on Radio Bilingüe, a community driven Spanish-language public radio station that serves the information and entertainment needs of one of the most disenfranchised Latino communities across local, national, and transnational borders. The author discusses its establishment as a result of the formation of CPB’s Task Force on Minorities and explains the role Radio Bilingüe plays in helping elevate minority voices in public broadcasting. This case illustrates how a Latino owned and operated radio enterprise empowers traditionally underrepresented Latino communities by providing them a space where they can be heard and represented in culturally sensitive ways.  相似文献   

20.
This paper explores Judith Waller’s radio programming philosophy over her career that began in 1922 at WMAQ Chicago. In the 1940s, representing the interests of her employer NBC, Waller began to use the phrase “public service” as a way to break free of the “stigma” of educational radio. The concept of public service programming shifted during the 1930s and 1940s in the US, redefined and negotiated in response to assumptions about radio listeners, the financial motivations of commercial radio, and Federal Communications Commission rulings. This paper brings renewed attention to the past and present political economy of media in the US, providing a window into the historically complex relationship between commercial and noncommercial media that continues to this day.  相似文献   

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