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1.
Editor's Remarks     
Radio is at its highest revenue levels ever while some of the industry's major mass formats are in flux. The Country boom of the early 90s has quieted, News/Talk and Alternative Rock formats are on the upswing. The changes in America's popular radio formats reflect changes in America itself The aging of the Baby Boom generation and the demassification of all media have changed radio in dramatic ways in just a few years. This paper studies where modern radio formats are today and how they got to this point.  相似文献   

2.
By the mid-1970s, the British Broadcasting Corporation (BBC) and the Independent Local Radio (ILR) sector started catering to the local Asian migrant listener community in England, by producing Asian radio programming output in English and in Asian languages such as Hindi and Urdu. In the 1980s, the Greater London Council (GLC) came up with its own initiatives to cater to London’s Asian migrant community. This article describes GLC’s initiatives through its Community Radio Unit, which encouraged independent British Asian radio broadcasting in England.  相似文献   

3.
媒介与传播研究领域在北欧是一个相对年轻的学科。国内学界对这一学科在北欧各国的产生、确立以及最新的变动知之甚少。本文在介绍该学科在北欧的产生历史与发展现状的基础上,着重描述了学科存在的问题与北欧学者的反思,问题及其反思或将促进我们对中国媒介与大众传播研究的进一步思考。  相似文献   

4.
Comrades at War     
Peter Busch 《Media History》2019,25(4):479-492
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5.
This article illustrates the case Radio Alice, a “free radio” active in late 1970s Italy, which challenged traditional forms of thinking and doing broadcasting. The author discusses how the station utilized the airwaves first to constitute an alternative arena in which different voices, experiences, and social groups utilized radio as a 2-way communication device; second, to convey a new political sensibility and sense of sociability resembling a contemporary social network site. Ultimately, this case illustrates how radio can be understood as a modality of social interaction in its own right, rather than a mere distributor/amplifier of messages.  相似文献   

6.
Diversity on Display: Framing in the Gay Perspective Radio Program   总被引：1，自引：1，他引：0  
This study explores the archived content of Gay Perspective, a 1970s radio program in Milwaukee as it frames LGBTQIA+ (queer) rights in a historical context. Gay Perspective was produced by the Gay People’s Union (GPU). The group was considered politically “moderate,” emphasizing educational and legal action through their engagement with radio and magazines. Gay Perspective focused much of its energy on trying to demonstrate the need for rights and attempts to demonstrate how the queer community’s members could be functioning members of mainstream society. Gay Perspective is a cultural artifact that not only allows for the examination of gay identity in a different era, but also demonstrates the struggles social movements face in trying to gain access to media. The program provided a public voice to a radically underserved group, a group that was struggling with its own identity. By trying to build a community through radio, sharing resources and experiences, the program found some limited success in airing the GPU’s message of tolerance. Applying the analysis through 3 frames, Cultured, Diversity, and Assimilation, this article explores how segments of the LGBTQIA+ community framed the discussion of gay rights in the 1970s and discusses how those frames have (and haven’t) changed in 2018.  相似文献   

7.
20 0 4年 5月在加拿大蒙特利尔举行的第 6届世界传媒经济学术会议上 ,我申办团成功获得第 7届世界传媒经济学术会议举办权。本文通过对世界传媒经济学术会议组织及主要负责人的背景介绍 ,对即将在我国召开的第 7届世界传媒经济学术会议的主题作了诠释 ,对中国传媒经济学研究所取得的成果 ,以及同世界其他国家之间存在的差距作了客观的评价 ,同时展望了世界传媒经济学的发展走向  相似文献   

8.
Educational, state, cultural, and university radio stations have already developed over more than 70 years of history in Brazilian radio broadcasting. Currently, there are hundreds of stations transmitting across the country, from the North to the South. Some of them—that in the 1990s included 100 broadcasting stations and among these, the oldest and nationally referenced—up to this decade operated and were referenced as a component of the educational radio system. Mainly from this period on, most of these stations began to call themselves public. And, especially due to their programming, they have been attempting to define themselves within the profile of public radio stations. The purpose of this article is to uncover the historical construction of this group of radio broadcasting stations, by means of a timeframe, from the advent of the non-commercial segment in the 1930s until today. It reconstructs referential models and presents main threads and features of the programming of these stations throughout these seven decades. In this way, it will also evince how Brazil is constructing its model of public radio.  相似文献   

9.
Popular recountings of radio's past tend to begin with KDKA's November 2, 1920 broadcast of the Coolidge-Harding election returns, in effect deligitimizing the complex pre-commercial period in American broadcasting. The effects of this are apparent in the neglect of the pre-commercial period in popular and scholarly histories of radio. In contributing to the bourgeoning body of revisionist work in radio scholarship, this essay reexamines the historical role of KDKA, Pittsburgh. Primarily, I focus on the maintenance and reinforcement of what I call “the KDKA myth” to examine how KDKA has managed its primacy claim throughout the station's history.  相似文献   

10.
Unlicensed broadcasting has been a surprisingly consistent phenomenon throughout the history of radio in the United States. This article sketches this history and the factors which have allowed pirate radio to flourish, and argues that radio scholars should engage more closely with the phenomenon in order to learn more about public aspirations regarding access to the airwaves. It is also incumbent on radio historians to preserve the legacy of stations that have risked persecution in order to manifest the “public airwaves” and “the public interest” as meaningful and tangible elements of radio history and contemporary practice.  相似文献   

11.
The new competitive environment of radio broadcasting in the Nordic countries consists of three sectors: (1) public service radio channels, (2) commercial radio stations and networks, and (3) community radio. Commercial radio represents the latest phase in a long process of transformation that started with decentralization inside the national broadcasting corporations in the 1960s and continued with introduction of noncommercial forms of local and community radio since the late 1970s. In the 1990s, commercial radio represents a hegemonic cultural form whose values and meanings penetrate to all sectors of radio. As a response to commercialization, the public service broadcasting tradition is undergoing a serious rearticulation. In contrast with the radical liberalism of the 1980s, there seems to be a growing political will to safeguard a balanced dualism of noncommercial and commercial forms of broadcasting.  相似文献   

12.
This research examines dramatic old-time radio programs produced by the networks to identify prime-time shows that focused regularly and principally on ecclesiastics- people in service to the institutional church. Although many such programs appeared on prime-time broad- cast television, this study reveals that only one such program aired in the history of prime-time radio. The article draws a profile of this program, The Bishop and the Gargoyle, looking at how it represents ecclesiastics. The aim is to contribute to an understanding of how popular culture represents the institutional church and its leaders, here adding a review of radio to the existing literature that looks at the church's representation in television and movies. The study also considers why church-set network-produced prime-time programs were so scarce in old-time radio.  相似文献   

13.
This article contributes to scholarly literature on local stations in early radio broadcasting history. Taking KVOS in Bellingham, WA as a case study, it attends to how regional geography in conjunction with station operators, broadcasting policy, and audiences helped to define localism in relation to broader national, regional, and international identities forming at the beginnings of early radio and between 1930–1953. KVOS’ history demonstrates how radio was always bound up with the production of locality and how local identity was constituted in and through its relation to broader collective sensibilities taking shape at the time.  相似文献   

14.
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15.
In 2005–2006 the research group DRACE (Digital Radio Cultures in Europe) performed a study on how 43 people in key positions related to the radio industry in 4 European countries and Canada viewed the future of radio and which delivery technologies they considered would be most successful. In addition, it analyzed the motives and reasons certain technologies were seen as more promising than others. Finally, it presented 4 different future scenarios for radio media. The study was published in the Journal of Radio and Audio Media, May 2008.

In 2005 the future of radio was considered much less obvious and clear than it appeared 10 years previously. Instead of a transition from analog to digital audio broad- casting (DAB), there was a selection of alternative technological options for digital audio delivery. When looking back from 2015 and considering the results of expert interviews, the project group about Public Service Media in the HERA project: Transnational Radio Encounters found interesting perspectives in replicating this study—now looking forward to 2025. By using the same questionnaire and interviewing the same experts (or new persons in the same positions) they could compare the predictions with the present situation, looking for technological, regulatory, policy based, and user-oriented contexts. Furthermore, they could ask the experts to look 10 years forward to 2025. Besides from the interviews, desk studies were performed in order to explore the national similarities and differences as background for the analysis of the scenarios for the 2015 and 2025 studies.

This comparative study involves Denmark, Finland, Germany, Ireland, and the UK.  相似文献   


16.
This introductory essay serves to frame this special public radio symposium that commemorates the 50th anniversary of the Public Broadcasting Act of 1967, on November 7, 2017. Drawing from his earlier writings on public broadcasting history, the author tells the story of how educational radio got its start and continued to struggle for survival until the fledgling enterprise could be reborn as public radio, a result of what may be the most significant piece of communications legislation of the second half of the 20th century. The author argues that despite the enterprise’s marginalized roots and repeated political attacks that span a half century, public radio, in one form or another, will survive well into the future.  相似文献   

17.
Courses: Survey of Mass Media, Broadcast Journalism, News Writing, Media Programing, Communication Technology.

Objective: Employing the concept of a “hot-clock radio format,” the purpose of this unit activity is to motivate students’ collaborative learning in news reporting, interviewing, and media programing via smart phones.  相似文献   


18.
Student-run radio stations at colleges and universities have thrived for nearly a century, yet their stories have been largely excluded from broadcast histories outside the commonly cited and overly simplified “college radio” era in the 1980s. Offering a more accurate definition of college radio, this article demonstrates the need for broader methodologies to contextualize its history, and advocates for the preservation of unique materials containing the voices of generations of young broadcasters. Audiovisual archivists, scholars, and members of the college radio community must engage in collaborative, interdisciplinary efforts in order to save these materials and make them accessible for research.  相似文献   

19.
The following article is an edited abstract of a report on “Space Communication and the Mass Media” published by the United Nations Educational, Scientific and Cultural Organization on the occasion of the Extraordinary Administrative Radio Conference on Space Communications convened in October, 1963, by the International Telecommunications Union. The complete report, No. 41 in the series of Reports and Papers on Mass Communication, is available from the various national distributors of Unesco publications; in the United States, for fifty cents from the Unesco Publications Center, 317 E. 34th St., New York 22.  相似文献   

20.
Media Ecology Review (New York: NYU School of Education, 1972—$7.00 for 16 issues which make up the year's volume)

Frederick D. Wilhelmsen and Jane Bret's The War in Man: Media and Machines (Athens: University of Georgia Press, 1970—$4.50)

Carl Belz' The Story of Rock (New York: Oxford University Press, 1972—$7.50)

Roger Karshner's The Music Machine (Los Angeles: Nash, 1971—$7.95)

Ann Christine Heintz' Persuasion (Chicago: Loyola University Press, 1970—$3.20, paper)  相似文献   

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