共查询到20条相似文献，搜索用时 15 毫秒
1.
《Journal of Radio & Audio Media》2013,20(1):30-49
Various radio and pulp incarnations of The Shadow have played a pivotal role in shaping American superhero mythology and cultural unconscious. This essay explores The Shadow's origins within the 1930s, and then utilizes Fantasy Theme Analysis to uncover mythic tensions and conflicts within The Shadow's transition from noir-like dystopian antihero into the more romantic utopian superhero of Orson Welles' 1937 radio program. We conclude by contemplating rhetorical implications for The Shadow's “symbolic divergence,” a fantasy evolving into contradictory counter-fantasies and rhetorical visions in radio and pulps, as a provocative illustration of theoretical debates regarding the psychodynamic functions of rhetorical fantasy. 相似文献
2.
J. Louis Campbell III 《Communication Studies》2013,64(2):174-186
Jimmy Carter's unusual success in the Presidential Primaries of 1976 has been the subject of much discussion. One rhetorical explanation posits that Carter's message may be described in terms of Weber's concept of charisma, and Bormann's theory of rhetorical vision. The charismatic message was caught up in a unique rhetorical situation, the social fantasies attending the Bicentennial Celebration. Carter's rhetoric and the people's fantasies transcended along similar lines. This confluence helped to carry Carter to the White House. 相似文献
3.
《Communication monographs》2012,79(4):250-264
Students of public address have long admired the rhetorical works of two of the leading ministers of the eighteenth century—Hugh Blair and George Campbell. Little has been said, however, about the rhetorical theory of another eighteenth‐century preacher, John Wesley. The purpose of this paper is to analyze Wesley's views on rhetoric and belles lettres. Since most of the subjects covered by Blair in his Lectures on Rhetoric and Belles Lettres were also discussed by Wesley in his Journal, Letters, and essays, Blair's pattern of organization is followed here. Hence the study considers Wesley's precepts on taste, genius, style, the speaker's content and organization, delivery, poetry, and historical and philosophical writing. 相似文献
4.
–The DVD format has emerged as the dominant digital means of repackaging films for home consumption. In this essay, we theorize this new viewing experience and identify some of the challenges it poses for the media critic. We argue that the additional material DVDs typically offer, coupled with the format's interactivity, constitute a rhetorically powerful means of directing the consumer's viewing experience and protecting the commercial viability of the product. To illustrate, we offer a critical analysis of the DVD release of the controversial film Fight Club. Our analysis suggests that Fight Club's DVD “extra text” dissuades the viewer from acknowledging the film's homoerotic elements as representing homosexual experience. 相似文献
5.
Kristen Hoerl 《Critical Studies in Media Communication》2013,30(3):206-227
The 1995 movie Panther depicted the Black Panther Party for Self-Defense as a vibrant but ultimately doomed social movement for racial and economic justice during the late 1960s. Panther's narrative indicted the white-operated police for perpetuating violence against African-Americans and for undermining movements for black empowerment. As such, this film represented a rare source of filmic counter-memory that challenged hegemonic memories of U.S. race relations. Newspaper reports and reviews of Panther, however, questioned the film's veracity as a source of historical information. An analysis of these reviews and reports indicates the challenges counter-memories confront in popular culture. 相似文献
6.
Lukasz Szulc 《亚洲交流杂志》2015,25(6):551-566
In this paper, we analyze the Turkish film Zenne Dancer (2012), which is largely based on what has been called a first gay honor killing in Turkey. We employ a framing analysis to both the film's content and its Western reviews to compare how different media texts frame the murder. The results indicate that while both the film and the reviews recognize tradition, understood here as native and archaic values as well as Islamic religion, as a key factor behind the murder, they locate this tradition quite differently: the film relegates it to the eastern Turkey, and thus implicitly to Kurds, while the reviews tend to extend it to the entire country or even the whole Middle East. We relate these results to the Western progressive narrative that positions the West as a civic and moral ideal that could be achieved by others over time. In particular, we employ Puar's concept of homonationalism to show how different media texts challenge or exploit the Western imperative to ‘come out’ and what effects it has for the East–West juxtapositions. 相似文献
7.
Todd Cesaratto 《传播与批判/文化研究》2013,10(4):307-328
“The Good Will Hunting Technique” analyzes and enacts rhetorical paradigms present in popular culture. The main objects of examination are Gus van Sant's film, Good Will Hunting, and Eminem's music video “Mosh.” The author extracts positive aspects of popular culture to feature a rational-affective approach to rhetoric. The notion of mind–body rhetorical collaboration, which stems from Behavioral Doctrine developed during Germany's Weimar era, combines an emphasis on exteriority with traditional notions of rhetoric to establish a method for progressive action in lived reality. 相似文献
8.
《Communication monographs》2012,79(3):193-204
Stephano Guazzo's The Civile Conversation was a dominant contribution to the literature of manners in the Renaissance. The work, however, was far more than a Courtesybook. Guazzo's treatise helps explain the rhetorical influence in Renaissance thought and the relationship of that influence to humanism. A study of the rhetorical inheritance shows that Guazzo owed a substantial debt to classical theory and pedagogy, but it reveals also an extension of communication study to all aspects of life. A consideration of the humanistic impulse indicates that this extension emerges from a conception of man as communicator, a conception that expands upon some traditional notions concerning rhetoric and humanism in the Renaissance. 相似文献
9.
Harrod Suarez 《传播与批判/文化研究》2013,10(1):67-84
In this paper, I argue that listening to a film is as significant as watching it; in spite of what seems like a formalist argument, I examine in what ways such an approach intervenes in the production of knowledge around Philippine history and Filipina/o bodies. In Kidlat Tahimik's film, Mababangong Bangungot, an overprivileging of the visual aids and abets the film's masculinist nationalism, despite the best efforts of critics to find a “third term.” That third term just might come from listening to the film, which delivers its own kind of postcolonial and feminist critique, one which impacts how we think about contemporary communication and cultural studies. 相似文献
10.
William BENOIT Andrew KLYUKOVSKI John McHALE David AIRNE 《Critical Studies in Media Communication》2013,30(4):377-394
–We used Symbolic Convergence Theory to analyze 2,000 political cartoons on the investigation, impeachment, and trial of the president. The cartoonists' vision incorporates components from Starr's and Clinton's visions: “Our public figures (Clinton, Starr, Congress, the news media) are engaged in a tawdry burlesque drama.” The number of levels in a rhetorical vision depends on the vision's complexity. We show that multiple, independent, rhetors can create a rhetorical vision. These messages, highly visual and generally critical, freely use metaphor and allusions, allowing multiple interpretations and rendering the fantasy themes in these dramas accessible to readers with widely divergent attitudes. Despite their fictionality, these messages concern important issues and make moral judgments on these public figures. 相似文献
11.
Laura Lindenfeld 《传播与批判/文化研究》2013,10(3):303-320
This essay argues that the film Tortilla Soup constructs a mediated culinary touristic experience for mainstream spectators who are invited to vicariously visit a Mexican American family. Analysis of the film's neocolonialist discourse demonstrates how the commercialization and appropriation of food culture mirror hegemonic tendencies to market and consume ethnicity. Tortilla Soup attempts to deconstruct homogenizing notions of Latinidad. Yet it straddles and ultimately collapses these divergent discourses through its treatment of food, sound, gender, and space. Ultimately, Tortilla Soup reaffirms hegemonic ideologies about Latinos/as that privilege whiteness and contain ethnic “otherness.” 相似文献
12.
This article explores the “Great Speech” Nutuk, delivered in 1927 by Turkey's founder, Mustafa Kemal Atatürk. In analyzing Nutuk and its rhetorical features, we identify the mythic underpinnings Atatürk employed to construct a modern “Turkish people.” We use this case to further our understanding of the constitutive discourses of nationalism. We believe Atatürk's Nutuk provides a profitable discourse to think with as we attempt to understand Muslim nations and their negotiation of modernity. 相似文献
13.
《Communication monographs》2012,79(3):190-221
With an 1890 book called The Influence of Sea Power Upon History, Alfred Thayer Mahan had a profound and far‐reaching impact upon subsequent world events. In large measure, Mahan's effectiveness was derived from his style in discourse. Evidence for this assumption is found in the reactions of Mahan's readers, in their correspondence to him or about him. Analysis and synthesis of those situationally bound responses to discourse account for a rhetorical function of style in language as para‐message conducing to ethos. 相似文献
14.
Eric King Watts 《Critical Studies in Media Communication》2013,30(3):187-206
This essay argues that the semi-biographical film 8 Mile represents Eminem as being both racially distinctive and as possessing universal commercial appeal. 8 Mile accomplishes this paradoxical construction by portraying “Rabbit” as “white trash,” a discursively “dark” (white) object, and as an American mythological white subject. The film makes whiteness hyper-visible by subjecting it to raced and gendered struggles. Through real and symbolic violence, Rabbit battles “dark” villains and grapples with “dark” women, initiating a rite of passage. The film grounds Eminem's hip hop authenticity in Rabbit's discursive darkness, but attaches to this image the marketable allure of mythic whiteness. I conclude by contemplating how the film's conservatism reifies “blackness.” 相似文献
15.
On October 22, 1986, C. Everett Koop released the Surgeon General's Report on Acquired Immune Deficiency Syndrome. This essay examines that report as a rhetorical watershed in the national dialogue about AIDS. We suggest that this report—and the media attention that attended it—dramatically shifted the socio‐political environment concerning AIDS and contextual‐izfd Reagan's silence concerning the disease as a lack of presidential leadership on the issue. 相似文献
16.
In contrast with critics who interpret The Matrix by focusing primarily on either the film's dazzling visual effects or on its more fragmented “second coming” narrative, we work within the tension between the two. As a myth, the film updates an ancient initiation ritual in which the hero matures into a character capable of freeing humanity from its technological mirror image, represented here as a false mother. As a spectacle, however, the typically beneficial influence of feminine eroticism is displaced from women into the special effects, thereby diluting the impact of the narrative. The Matrix is, we believe, caught in this tension just as postmodern humanity is caught between its attraction to and its repulsion from its own technological extensions. 相似文献
17.
Richard Leo Enos 《Communication Studies》2013,64(2):77-83
Building on Ochs’ analysis of “rhetorical detailing” in Cicero's Verrine orations, this essay reveals that the disposition of arguments in the In Verrem shifted markedly from compositions which were structured for oral argument to those which were intended for public reading. 相似文献
18.
John Clarke 《传播与批判/文化研究》2013,10(3):309-313
Currently, scholars grapple with media that depict Third World women as either victims of unchanging contexts or agents of liberation. To explore how a widely distributed and popular documentary film can destabilize a First World gaze, this essay examines Iron Ladies of Liberia (ILL), which traced Ellen Johnson Sirleaf's first year as president of Liberia. ILL foregrounded women's rhetorical and political agencies to alter a postwar context, while it also situated their agencies within an enabling and constraining constellation of power relationships. Through its unique relationships between filmmaker and subject, ILL suggested a transnational feminist perspective on women in media. 相似文献
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20.
《Communication monographs》2012,79(4):248-253
Though the scope of Aristotle's Rhetoric is at once broader and more limited than Bacon's theory, the Englishman owes most of his primary rhetorical doctrines to his predecessor. The two philosophers agree on the nature and general function of rhetoric, its place among the arts and sciences, its psychological basis, and the use to which it puts logical, ethical, and pathetic proofs. Some of Aristotle's hints are expanded by Bacon, mainly those regarding the philosophical style, and Bacon often corrects what he takes to be inconsistencies and errors in Aristotle's work. Moreover, because he looks to the past only for material to change and augment, Bacon does original and important new things to Aristotle as he re‐works him for a new English rhetoric. 相似文献