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1.
This essay considers the rhetoric of space in a rapidly transforming culture. Using Michel Foucault's concept of “heterotopias” to understand the rhetorical power of a building's disposition, it is argued that the Jewish Museum Berlin contains two heterotopias, one within the other. The first is Daniel Libeskind's original building design in relation to the surrounding city, but the second is the placement of an art installation, Menashe Kadishman's Shalechet, in a central location within the museum. The doubling of heterotopian space uses dialectical–rhetorical transcendence to build identification with the museum's message for an increasingly international audience.  相似文献   

2.
With the rise of poststructuralist critiques of the autonomous subject, attention has shifted from the nature of “intentional persuasion” to the constitutive nature of discourse. Although this turn has led to valuable new insights into the nature of rhetoric, it also threatens to discount one of the most vital contributions of the rhetorical tradition—the nature of rhetorical invention. This essay seeks to recover the notion of invention by drawing from John Dewey's naturalistic interpretation of experience. In Dewey's framework, “consciousness” is neither the private contents of thought nor a point of articulation for social discourse, but a practice of manipulating public meanings as a means of responding to problematic situations. I then use Dewey's notion to advance the concept of a “rhetorical consciousness,” which I define in terms of the sophistical principles of imitatio and dissoi logoi. To demonstrate the pragmatic significance of this concept, I then show, through an analysis of Charles Darwin's notebooks, how Darwin employed his own rhetorical consciousness within his struggle to invent the revolutionary arguments that led up to his publication of On the Origin of Species. My hope is that this naturalistic interpretation of rhetorical invention will contribute to the ongoing project of cultivating a more intelligent, critical, and creative citizenry through the application of classical rhetorical principles to contemporary democratic forms of education in both the arts and sciences.  相似文献   

3.
By employing one kind of a materialist rhetorical analysis, this article demonstrates that the 1964 Berkeley student protests functioned as détournement, resituating college students from a life governed by in loco parentis to becoming “student citizens.” This study has implications for the political activism of American college students today and rhetorical studies of materiality.  相似文献   

4.
Though the drive to limit US citizenship often takes shape through the symbolic and material exclusion of “aliens,” immigrants also engage in rhetorical struggles over the limits of the US civic imaginary. This essay examines one such challenge to the bordering logics of US citizenship—La Gran Marcha, one of the largest immigration protests of 2006. Rather than see the protest as wholly “alien,” as it was conceived of by anti-immigrant forces, or as purely “American,” as an attempt for mere recognition, La Gran Marcha can best be understood as performing a hybrid US citizenship. This hybrid rhetoric problematizes contemporary understandings of citizenship and elucidates immigrants' agency within US democracy.  相似文献   

5.
This essay analyzes the hegemonic representations of whiteness in contemporary Hollywood cinema. By specifically focusing on the 1992 Hollywood film City of Joy, this essay examines the rhetorical strategies through which whiteness is enacted in popular culture in relation to non‐white “natives” of the “third world.” The essay also illustrates the rhetorical intersections between whiteness and gender. A central argument of this essay is that an understanding of the politics through which non‐white groups are culturally marginalized simultaneously requires an examination of the politics through which whites are centered and legitimized in cultural practices.  相似文献   

6.
J. M. Barrie's 1922 address Courageconstitutes a paradoxical rhetorical text. In his oratorical debut, Barrie offered seniors at St. Andrews poignant and explicit advice concerning life's liminal passages, even as he carefully obfuscated his own identity. This essay offers two readings of the text to illuminate an alternative relationship between text and context in rhetorical criticism. The first interpretation focuses on the obvious textual paradox related to liminality. The second reading moves from the “textual context” to the social and ideological context, and argues that working within the address is the rhetorical form of “the closet.” Recontextualizing Barrie's address from within “the closet,” renders visible a second “invisible context” related to homosexuality, opening a new interpretive doorway for the critic.  相似文献   

7.
ABSTRACT

This article employs the topographical metaphors of terrain and territory to examine how, upon the 2015 death of Cecil the lion at the hands of the dentist Walter Palmer, outrage was channeled into and captured by digital topoi. Digital rhetoric is organized into a topical system that is topographical, composed of not just “places” but “levels” that organize and orient rhetorical expressions into particular topoi. Users “navigate” and “move” through the channels of the digital topical system, and in the process arrive at or pass by topoi. I further argue that the digital topical system is composed of the terrain of digital spaces and the territory of global capitalism. The terrain of digital spaces shapes digital rhetoric through material affordances, cultural conventions, and the power of institutional logics. Digital rhetoric is further shaped by the macro-level territorial accretions of political and economic power in Empire. By mapping the topoi present in the case of Cecil the lion’s death, I show how scholars can better understand and articulate the ways that power ossifies into a digital topical system that shapes contemporary discourses.  相似文献   

8.
The essay argues for a reconsideration of the role of the “literate revolution” in the disciplining of rhetorical practice in the fourth century BCE. Specifically, the argument addresses the tension between oral memory and literate rationality in Isocrates and Aristotle to illustrate two divergent possibilities of appropriating oral linguistic resources of a culture. Aristotle's literate classification of endoxa (received opinions) and pisteis (proofs) depoliticizes the oral utterances and maxims of contemporary Greek culture, thereby rendering discourse a mere accessory of a political agent. By contrast, Isocrates conceives of rhetorical performance as constitutive of political agency and civic identity.  相似文献   

9.
This essay reads the NBC drama The West Wing against the cultural anxieties and ambivalences about the contemporary presidency, arguing that the program presents a powerful and meaningful “presidentiality,” a discursive construction of the presidency with ideological and rhetorical relevance. Specifically, The West Wing mimetically captures a view of the presidency, offering, in the process, a romantic vision of the institution that reflects the postmodernity of U.S. politics and the uncertainty that pervades questions of heroism and hierarchy at the turn of the twenty‐first century. In part, the political drama disrupts images of traditional power politics, presenting a more chaotic, inclusive, and communal portrayal of the presidency. Against this narrative backdrop, however, we contend that the program situates its postmodern rendition of presidentiality within a cathartic portrayal of the presidency, relying on conservative demarcations of presidential leadership ordered by commitments to intellectualism, militarism, masculinity, and whiteness.  相似文献   

10.
Campbell's reputation has suffered from modem conceptions that assume Aristotle's Rhetoric as the paradigm for rhetorical theory and from modern commitments to epistemic and dialogic rhetorics. A focus on the place of the passions and emotional appeal in Campbell's Philosophy of Rhetoric (POR) brings his achievement more clearly into view. The “sentiments, passions, dispositions,” three key terms in Campbell's definition of the “grand art of communication,” are an index to his consideration of non‐rational response, a consideration informed by a discussion of “the passions” in the moral psychology of the period and that culminates in Book II of Hume's Treatise on Human Nature. What emerges when POR is seen from this perspective has significance for our understanding of the relationship between reason and passion in persuasion and for our appreciation of POR, which is arguably the most coherent conception of rhetoric that we have.  相似文献   

11.
In the lexicon of contemporary liberal‐democratic legal practice, to “think like a lawyer” is to have mastered the fundamental, rational principles of “the law, “ a mastery which confers a technical, professional understanding of legal practices unavailable to ordinary, untrained people. This essay invites critics to take a different approach to jurisprudence, one that looks at the ways in which laws are negotiated within the broader rhetorical culture and then transformed into legal edicts. Using a case study of the “Separate But Equal” doctrine, the authors offer a set of characteristics that demarcate the rhetorical substance of legal practices within American rhetorical culture.  相似文献   

12.
Many rhetoricians treat argument from example as a kind of induction, an illustration of a general principle. Although this is one function of example, consistent with Aristotle's statements about the paradeigma and The New Rhetoric's “argumentation by example,” it camouflages the practice of exemplary proof that has contributed to our richest sense of rhetorical understanding. Inductive example allies itself with the principles of theoretical science and contradicts Aristotle's insight that rhetoric functions where rules or systems are wanting. A properly rhetorical understanding of the exemplum does not work through a universal, implicit or otherwise, but follows a sideways movement from particular to particular. This essay traces the alliance of the paradeigma with inductive science to an unstable fault-line in our Aristotelian heritage, then retraces the path of the prudential tradition by following the long and distinguished career of the rhetorical example in the West in order to reclaim this heritage and to challenge the pre-eminence of inductive subsumption.  相似文献   

13.
In US v. Williams (2008), the Supreme Court upheld the PROTECT Act; this law's “pandering provision” prohibits the distribution and solicitation of child pornography, but does not distinguish between real child pornography and “virtual” child pornography (images that are digitally created or manipulated and do not depict a real child). Situating this case at the intersection of rhetorical studies of the law and queer studies, I read the Court's opinions as rhetorical and cultural texts that circulate a strategic figuration of the child that emphasizes its sexual purity, vulnerability, and whiteness, and disavows the queerness of childhood desires. I argue that the Court's decision virtualizes the figuration of the child through the performative “collateral speech” act, ultimately conflating virtual materials with real children. Furthermore, I contend that the language of the law, as it taxonomizes and disciplines illicit desires, also expresses desire through its passionate figurations of childhood innocence and adult sexual morality.  相似文献   

14.
This essay proposes the genealogical study of remembering and forgetting as recursive rhetorical capacities that enable discourse to place itself in an ever-changing present. Mnesis is a meta-concept for the arrangements of remembering and forgetting that enable rhetoric to function. Most of the essay defines the materiality of mnesis, first noting the limitations of studying recursivity within dominant approaches remembering and forgetting in rhetorical studies, then describing mnesis as the performative necessity to fold the past into the present so as to provide “now” with a sense of place. After setting a foundation, the essay closes with a sketch of how to produce a genealogy of recursion.  相似文献   

15.
ABSTRACT

This investigation draws from Mouffe’s [2005, On the Political. London: Routledge] theoretical work on the politics of public togetherness, together with Biesta [2011, “The Ignorant Citizen: Mouffe, Rancière, and the Subject of Democratic Education.” Studies in Philosophy and Education 30 (2): 141–153] and Kamat’s [2014, “The new Development Architecture and the Post-political in the Global South.” In The Post-Political and its Discontents: Spaces of Depoliticization, Spectres of Radical Politics, edited by J. Wilson. Edinburgh: Edinburgh University Press] insights on democratic discourses centered on empowerment, inclusion, and participatory democracy, to show how popular education and social change movements in Buenos Aires conceive of partnership building in communities under the impediment of neoliberal governance. It provides an empirical account of former popular educators who together built the first and only school in Latin America to offer educational opportunities for transgender men and women, how they secured government recognition, but eventually how they lost their power within it. In making the shift from a community-based popular school, to one run under the thumb of Argentina’s Ministry of Education, these educators were forced to drop the more radical aspects of their work in favor of a pedagogy aligned with patriarchal, neoliberalist-sanctioned reform.  相似文献   

16.
The rhetorical history of Ecuador is rife with examples of politicians, intellectuals, and artists promoting visions of national identity through images of Ecuador's indigenous population. Between the late nineteenth and mid-twentieth centuries, such depictions became common and displayed increasing emphasis on the physical characteristics of indigenous people. This focus led to appropriations of indigeneity in which white and mestizo Ecuadorians spoke as if indigenous in order to construct arguments about their place in the nation. In the process, they engaged an “embodiable topos” that housed persuasive force within bodily performances of indigenous character. White-mestizo performances of indigeneity engaged embodiable topoi in order to appropriate specific positions associated with indigenous subjects and to establish access to otherwise unavailable forms of rhetorical legitimacy.  相似文献   

17.
Audiences have praised and criticized Martin Scorsese’s film The Wolf of Wall Street since its release. Despite projecting a portrait of Wall Street greed, the film’s cultural reception demonstrates a public ambiguously mesmerized by a wealthy individual and his “get rich quick” philosophy. This article argues that Scorsese’s film and rhetoric from the real Jordan Belfort act as a homology for America’s ambivalent attitude on the hegemonic power of money and celebrity. Connecting rhetorical homologies to Raymond Williams’s structure of feeling, this article illustrates how personal and public attitudes are constituted through a text’s form and content.  相似文献   

18.
“Dialectical disorientation” is a rhetorical form that creates uncertainty and ambiguity through confrontation between two competitive but complementary orientations. This essay examines its dynamics in four films addressing the war in Vietnam: The Deer Hunter, Apocalypse Now, Platoon, and Full Metal Jacket. We argue that the works subvert traditional American war mythology. The films present the war as destructive rather than regenerative and purposeless rather than meaningful. This divisive scene creates a context in which principles governing behavior in war—militarism and moralism—become inoperative. The essay first details the development of disorientation in the films and then examines the rhetorical and social implications of the analysis.  相似文献   

19.
Moving from opposition to participation, the Adolescent Family Life Act (1981) and the development of abstinence education marks the conservative movement's pivot to a rhetorical strategy of tolerance that enabled it to coopt the public culture of sex discourse. Working from Herbert Marcuse's theory of “surplus repression,” I argue that the New Right seized the liberationist argument for open public discourse about sexuality to sublimate libidinal desires into a national project of familial (re)productivity. The AFLA is significant in the rhetorical history of sex education because it demarcates the transition to a productive form of biopolitics that sought to manage sexuality by instrumentalizing rather than censuring bodily desire. Conservative sex talk illustrates how Eros—transgressive, creative, and erotic desires—is channeled into the discursive production of hyper-functional subjects invested in their own subjugation.  相似文献   

20.
Our paper conceptualizes protest rhetoric in order to theorize the underlying relationship between communication and subjectivity. We do this by highlighting how rhetorical protest challenges the sovereignty of voice. Our argument is that Martin Luther's Ninety-Five Theses is an example of a sign that protests. To make this argument, we use a materialist method from media studies that simultaneously examines the formal capacities of a sign that protests and maps its historical transformation. Our analysis opens with the two prevailing accounts of Luther's theses: disputation and dissemination. We extend both disputation and dissemination by placing them in a “universal history” of protest rhetoric that grounds many accepted critical rhetorical theories in specific systems of representation. Drawing together our findings, we conclude by urging the replacement of logos and logocentrism with the logistics of protest rhetoric in order to link together disputation and dissemination as a mechanism for both change and subjection.  相似文献   

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