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Kelly E. Miller 《Slavic & East European Information Resources》2013,14(1):43-52
ABSTRACT. This article offers a brief discussion of two projects—the creation of a set of digital images of Russian art and an exhibit of modern Russian children's books—developed in collaborative partnership between a Slavist and librarians at the University of Virginia. Both of these projects were designed to create shareable, flexible, and sustainable resources for research and educational use. The challenges and benefits of collaborative partnerships between scholars and librarians are discussed, and models for conceptualizing the relationships are also proposed. 相似文献
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ABSTRACTThe Strathfieldsaye Estate collection at the University of Melbourne Archives is discussed in relation to recognising, protecting and reclaiming Koori (First Peoples of southeast Australia) heritage. The settler collection includes early 1900s photographs of Koori people within two distinct albums – a family album that includes a series of studio portraits of Koori adults and children, and an album depicting Koori families on Ramahyuck Aboriginal Mission Station. In the past, these albums have been defined by, and limited to, traditional archiving practices excluding Koori interpretation, authorship and social context. Restoring Koori ownership and authorship of intangible heritage plays a large part in consolidating ancestor photographs with Koori perspectives of identity and culture. 相似文献
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《The Reference Librarian》2013,54(57):147-151
Abstract Key architecture reference sites are highlighted and discussed, grouped into the following areas: directory and biographical information, bibliographical databases, architectural education, product information, databases of buildings, and search engines. 相似文献
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《Slavic & East European Information Resources》2013,14(2-3):65-78
SUMMARY Since 2000, researchers and staff at the University of Washington have been developing a unified Geographic Information Systems database of Russian Federation socioeconomic, demographic, and political information at the raion and city (gorsovet) level. The Central Eurasian Interactive Atlas (CEIA) that has grown from this effort serves both to archive and to provide access to annual progressions of standardized geographic and tabular data covering the entire Russian Federation at a level of geographic detail not readily available elsewhere. As the CEIA grows, it will serve as a curricular and research focus of the UW's Russian, East European, and Central Asian Studies program. 相似文献
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Joseph B. Everett 《Slavic & East European Information Resources》2018,19(1-2):49-67
ABSTRACTOne of the most important resources for social and family historians researching the former Russian Empire are the revision lists, a series of ten enumerations of the population conducted between 1719 and 1858. Listing the members of each household among taxable classes of people across the Russian Empire, the revision lists are useful for studying historical population demographics and reconstructing family relationships. An awareness of these records and where to access them can be useful for Slavic librarians to facilitate the research of Russian historians and genealogists. This article provides an overview of the history and content of the revision lists with a survey of available collections online and offline. 相似文献
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《Behavioral & Social Sciences Librarian》2013,32(2):21-35
Abstract This is a second part of a bibliography of books and articles on women in Russia, published in the early 1990s. While the first part dealt with the women's issues of the 1990s, the second part concentrates on the evaluation and re-evaluation of Russian history as related to the woman's question. The emphasis has been on scholarly works. 相似文献
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Nicole Maurantonio 《Media History》2014,20(1):88-102
That technologies often govern the realm of possible research is a reality of the historian's enterprise. Although much attention has been paid to considering both the promises and pitfalls of newspaper digitization—specifically the increased speed with which searches can be conducted and archives culled for information alongside the drawbacks of proprietary databases and software—these are not the only transformations to the research-scape. Using her research examining news coverage of the controversial 1985 bombing of the MOVE1 house in Philadelphia, PA as a case study, the author explores the challenges of using digital newspaper archives that configure articles as plain text rather than as image files. The author considers how the absence of visuals, specifically photographs, from such databases complicates the work of media historians. Such databases, the author argues, stifle the otherwise productive communicative tension between ‘seeing and saying.’ 相似文献
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Anna Rakityanskaya Svetlana Rukhelman 《Slavic & East European Information Resources》2013,14(3-4):201-215
ABSTRACTTasked with organizing and promoting an exhibit of Russian Revolution-related materials from Harvard University’s vast library holdings in a relatively small space, the curators faced both advantages and challenges. This article describes the curatorial choices and logistical solutions reached via a collaboration between staff at several units across the university: Houghton, Widener, and Fung Libraries, the Davis Center for Russian and Eurasian Studies, and the Weissman Preservation Center. 相似文献
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《Slavic & East European Information Resources》2013,14(4):5-12
SUMMARY This article is the first attempt to introduce Boris Aleksandrovich Bakhmeteff, the last Russian ambassador to the United States before the Bolsheviks' seizure of power and a many-sided Russian intellectual with a variety of interests, as a political thinker. Of particular interest to researchers are materials concerning two specific collections held at the Hoover Institution and Bakhmeteff Archive at Columbia University. 相似文献
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《Slavic & East European Information Resources》2013,14(3-4):99-106
Abstract The article discusses online sources dealing with current Russian laws and regulations. Included are websites from branches of the federal government, commercial databases and commercial information systems. 相似文献
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Bruce A. Austin Eleanor Block Chris Sterling Robert Huesca Gary R. Edgerton 《Communication Booknotes Quarterly》2013,44(4):196-198
ON THE HISTORY OF FILM STYLE by David Bordwell (Cambridge: Harvard University Press, 1997‐$60.00/24.95, ISBN 0–674–63428–4 hard, 0–674–63429–2 paper, 322 pp., photographs, chapter notes, index) MASKED MEN: MASCULINITY AND THE MOVIES IN THE FIFTIES by Steven Cohan (Bloomington: Indiana University Press “Arts and Politics of the Everyday,”; 1997‐$39.95/8.95, ISBN 0–253–33297–4 hard, 0–253–21127–1 paper, 376 pp., photographs, selected filmography, chapter notes, references, index) THE EXPLODING EYE: A RE‐VISIONARY HISTORY OF 1960s AMERICAN EXPERIMENTAL CINEMA by Wheeler Winston Dixon (Albany: State University of New York Press “SUNY Series, Cultural Studies in Cinema/Video,”; 1997‐$57.50/18.95, ISBN 0–7914–3565–2 hard, 0–7914–3566–0 paper, 250 pp., photos, bibliography, index) THE KING OF THE MOVIES: FILM PIONEER SIEGMUND LUBIN by Joseph P. Eckhardt (Madison, NJ: Fairleigh Dickinson University Press, 1997‐$55.00, ISBN 0–8386–3728–0, 286 pp., B&;.W photos, notes, bibliography, index) WITHIN OUR GATES: ETHNICITY IN AMERICAN FEATURE FILMS, 1911–1960: AMERICAN FILM INSTITUTE CATALOG edited by Alan Gevinson (Berkeley: University of California Press, 1997‐$150.00, ISBN 0–520–20964–833, 1571 pp., abbreviations list, indexes, bibliography) FRAME BY FRAME II: A FILMOGRAPHY OF THE AFRICAN AMERICAN IMAGE, 1978–1994 by Phyllis R. Kotman and Gloria J. Gibson (Bloomington: Indiana University Press, 1997‐$49.95/29.95, ISBN 0–253–33280‐X hard, 0–253–21120–4 paper, 771 pp., bibliography, indexes) FILMMAKERS AND FINANCING: BUSINESS PLANS FOR INDEPENDENTS by Louise Levison (Boston: Focal Press, 1998 [2nd ed.]‐$22.95, paper, ISBN 0–240–80300–0, 190 pp., tables, index) FEMINISM, FILM, FASCISM: WOMEN'S AUTO/BIOGRAPHICAL FILM IN POSTWAR GERMANY by Susan E. Linville (Austin: University of Texas Press, 1998‐$30.00/14.95, ISBN 0–292–74696–2 hard, 0–292–74697–0 paper, 208 pp., photos, chapter notes, bibliography, index) THE MOTION PICTURE MEGA‐INDUSTRY by Barry R. Litman (Boston: Allyn &; Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20026–5, 321 pp., charts, tables, notes, references, index) FROM HEADLINE HUNTER TO SUPERMAN: A JOURNALISM FIL‐MOGRAPHY by Richard R. Ness (Lanham, MD: Scarecrow Press, 1997‐$89.50, ISBN 0–8108–3291–7, 787 pp., references, appendices, black‐and‐white photographs, index) Chile v/s Hollywood / CHILE vs HOLLYWOOD by Daniel Olave (Santiago, Chile: Editorial Grijalbo, 1997‐no price available, ISBN 956–258–051–2, 208 pp., photographs) TRIANGULATED VISIONS: WOMEN IN RECENT GERMAN CINEMA edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow (Albany: State University of New York Press “SUNY Series in Feminist Criticism and Theory,”; and “SUNY Series, Cultural Studies in Cinema/Video,”; 1998‐$65.50/21.95, ISBN 0–7914–3717–5 hard, 0–7914–3718–3 paper, 290 pp., photos, chapter notes, index) FILM AND THE NUCLEAR AGE: REPRESENTING CULTURAL ANXIETY by Toni A. Perrine (New York: Garland “Garland Studies in American Popular History and Culture,”; 1998‐$68.00, ISBN 0–8153–2932–6, 304 pp., index, bibliography, chronology, filmography) CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART by Pauline Rogers (Boston: Focal Press, 1998‐$19.95, paper, ISBN 0–240–80309–4, 223 pp.) HOLLYWOOD'S WORLD WAR I: MOTION PICTURE IMAGES edited by Peter C. Rollins and John E. O'Connor (Bowling Green, OH: Bowling Green State University Popular Press, 1998‐$49.95/19.95, ISBN 0–87972–755–1 hard, 0–87972–756‐X paper, 304 pp., illustrations, notes, general index, film/TV index) DOCUMENTING OURSELVES: FILM, VIDEO, AND CULTURE by Sharon R. Sherman (Lexington: University Press of Kentucky, 1998‐$22.95, paper, ISBN 0–8131–0934–5, 336 pp., photographs, filmography, chapter notes, references, index) JAMES WILLIAMSON: STUDIES AND DOCUMENTS OF A PIONEER IN THE FILM NARRATIVE by Martin Sopocy (Cranbury, NJ: Fairleigh Dickinson University Press, 1998‐$52.50, ISBN 0–8386–3716–7, 337 pp., photographs, chapter notes, bibliography, index) HISTORY BY HOLLYWOOD: THE USE AND ABUSE OF THE AMERICAN PAST by Robert Brent Toplin (Urbana: University of Illinois Press, 1996— 288 pp., $36.95/16.95, ISBN 0–252–02073–1, 0–252–06536–0 paper, photos, chapter notes, selected bibliography, index) 相似文献
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《文物保护研究》2013,58(3):167-178
AbstractA photograph may be lined when its physical condition is so poor that an additional support is necessary to ensure its survival. Photographic prints may comprise a number of layers, often composed of dissimilar materials that react differently to moisture. As most traditional lining methods involve the use of water, lining can thus cause stresses within and between the various layers. These stresses are thought to exhibit as increased cracking of binder layers and increased curling of the photograph itself. This paper reviews the literature to date regarding the lining of photographs and examines possible future treatment pathways. From the literature, it would appear that the question of how best to line traditional photographic formats, such as albumen, collodion and silver gelatin prints, has not yet been answered. Standard water-based lining adhesives can cause damage to various types of traditional photographs. Heat and solvent-activated adhesives can also cause damage; however, they may allow better control over the physical changes that occur within some types of photographs during treatment. Further investigation of non-traditional adhesives for paper (e.g. waxes and synthetic polymers) is recommended. 相似文献
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Larry G. Hinman 《Communication Booknotes Quarterly》2013,44(4):203-205
RECIPES FOR READING: COMMUNITY COOKBOOKS, STORIES, HISTORIES edited by Anne L. Bower (Amherst: University of Massachusetts Press, 1997‐$45.00, ISBN 1–558–49088–4, 271 pp., photographs, bibliographical references) FROM A SINGLE WINDOW: MICHIGAN STATE UNIVERSITY AND ITS PRESS, 1947–1997 by Maurice Hungiville (East Lansing: Michigan State University Press, 1998‐no price available, ISBN 0–8701–3429–9, 150 pp., photos, notes, bibliography, index) COLLECTION DEVELOPMENT: ACCESS IN THE VIRTUAL LIBRARY edited by Maureen Pastine (Binghamton, NY: Haworth Press, 1997–149.95, ISBN 0–7890–0385–6, 225 pp., bibliographies), is an uneven collection of contributed essays co‐published as a special issue of the journal Collection Management (22: 1–2, 1997). SCHOLARLY PUBLISHING: THE ELECTRONIC FRONTIER edited by Robin P. Peek and Gregory B. Newby (Cambridge, MA: MIT Press, 1996‐price not given, ISBN 0–262–16157–5, 363 pp., notes, index) 相似文献
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ABSTRACTThis article is an introduction to the New York Public Library’s revolutionary and post-revolutionary Soviet and East European photography holdings. It outlines the materials available to researchers from both the large and smaller collections, particularly those that are useful for studies of Revolutionary Russia and the History or World War II in Russia and Eastern Europe. Of particular note is the NYPL’s wealth of images documenting Poland during the Second World War and the Bessie Beatty album The Russian Revolution: An Album of Photographs. 相似文献
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Mark Yoffe 《Slavic & East European Information Resources》2020,21(1-2):112-132
ABSTRACT This memoir is my personal story about how I created and came to curate on the International Counterculture Archive collection, which is held in the Global Resources Center of the George Washington University’s (GWU) Gelman library. The first person narrative relates my first encounters with Soviet rock culture and describes how I turned my initial interest into a Ph.D. dissertation on the subculture of Soviet hippies and traditions of Soviet rock music, which subsequently led to my later work as a librarian and curator. I tell the story of my initial encounters with the members of Soviet/Russian rock music subculture and other countercultural personalities and activists during my first trip to Moscow in 1993 to collect samples of Soviet rock music recordings and rock music zines for the European Division of the Library of Congress. During this formative trip I met with a number of counterculture producers and collectors who were instrumental in helping me build the International Counterculture Archive. Upon leaving the Library of Congress, I continued collecting Soviet/Russian countercultural materials on behalf of the Global Resources Center of GWU’s Gelman Library. I talk about the process of creating the Archive at Gelman library, about bureaucratic and financial aspects of this work, and about my many acquisition trips to Moscow, former Soviet republics, and East Central Europe. Much of the narrative centers on my work with Russian collectors and content producers and describes the type of materials that are included in the collection. I also describe how I built the collection of historical Soviet/Russian rock music recordings, focusing on the phenomenon of Soviet/Russian rock music zines and the history of the unique zine collection within the International Counterculture Archive. 相似文献
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ABSTRACT Self-Serve Reserve is an application developed at the Kreitzberg Library of Norwich University to meet five needs. The system was to: ? be easy to use (without Librarian intervention) ? reduce or eliminate the need for paper copies of reserve reading articles ? deliver imaged documents (including maps, graphics and other images as well as text in a graphical medium) ? require modest start-up costs for hardware and software ? be scalable (from an initial stand-alone workstation configuration to full network access) In its first semester of student use, Self-Serve Reserve is meeting these goals. 相似文献
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Tobit Curteis 《文物保护研究》2018,63(5):70-75
ABSTRACTEnglish medieval cathedrals are a group of buildings of exceptional significance and they contain collections of equal importance. Both the historic building fabric and the artefacts are vulnerable to environmental deterioration. However, unlike buildings owned by heritage organisations, the primary purpose of cathedrals is to further the Christian mission, and the conservation of the building and collections is required to be conducted within these constraints. Increasing visitor numbers and the installation of sophisticated exhibitions makes the task of conservation all the more demanding. Next to mechanical damage, environmental factors are the greatest source of deterioration to sensitive fabric and collections. However, until recently, there has been little systematic study of English cathedral environments and the effects of different uses and control measures. Detailed studies undertaken on 20 cathedrals in the past two decades have provided an insight into their environmental performance and how they differ as a group from many other historic buildings, as well as the passive conservation measures that can be implemented within their primary function. 相似文献