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1.
Bruce A. Seaman 《Journal of Cultural Economics》2004,28(3):167-193
The recent industrial organization focus on transaction costs and vertical contracting within the cultural industries (Caves, R.E. 2000, Creative Industries: Contracts between Arts and Commerce. Harvard University Press, Cambridge) stands in contrast to the near abandonment of an earlier literature on horizontal firm interaction and competitive conditions within the performing arts (e.g., Throsby, C.D. and Withers, G.A. 1979, The Economics of the Performing Arts. Edward Arnold, London.; Gapinski, J.H. 1986, J.H. American Economic Review 76(2): 20–25). That incomplete but promising agenda was overwhelmed by the emphasis on non-profit arts firms acting as near natural monopolies, as reflected by Throsby himself (Throsby, D., 1994, Journal of Economic Literature 32: 1–29) and Blaug's survey (Blaug, M., 2001, Journal of Economic Surveys 15: 123–143). This paper resuscitates these earlier inter-firm hypotheses, identifies surprising contrasts with Caves' less frequent horizontal observations, and encourages a revival of interest in studying the effects of competition in the non-profit arts. 相似文献
2.
Gordon Tullock 《Journal of Cultural Economics》1994,18(2):149-150
Karl Eller Professor of Economics and Political Science, The University of Arizona, Tucson, Arizona, U.S.A. 相似文献
3.
ABSTRACTBanned from the U.S. during the “war on terror,” the British/Sri Lankan hip-hop artist M.I.A. responded by recording her 2007 album Kala in multiple locations throughout the global South, collating indigenous musical styles and unorthodox recording techniques. Via a critical/cultural analysis, this paper explores M.I.A.’s work on Kala as subaltern resistance mobilized by “differential movement,” particularly in its mode of production, which operated outside of, and in opposition to, institutional mechanisms designed to expunge or neutralize politically subversive art and artists. Yet M.I.A.’s musical sampling also surfaces conflicts between creative freedom and cultural appropriation, emblematizing “postcolonialist/postmodern schizophrenia” (Vályi, 2011. Remixing cultures: Bartók and Kodály in the age of indigenous cultural rights. In K. McLeod & R. Kuenzli (Eds.), Cutting across media: Appropriation art, interventionist collage, and copyright law (pp. 219–236). Durham, NC: Duke University Press.). 相似文献
4.
Mary Grace Antony Ryan J. Thomas 《Journal of International and Intercultural Communication》2017,10(1):4-24
The recent migration of 65,000 children across the southwestern border, coupled with allegations of abuse by the U.S. Border Patrol, enables the investigation of an overlooked immigrant category: the unaccompanied youth migrant. Analyzing audience responses to news reports of the abuse, we find that established disparaging immigrant tropes apply, describing the children as an economic burden, disease carriers, and offspring of irresponsible families. We uncover two new themes: Youth migrants are channels whereby criminals may infiltrate the U.S., and manipulate legal authorities to remain in the U.S. Finally, we demonstrate how global compassion is strategically deployed to qualify harsh retaliatory measures. 相似文献
5.
Richard Swedberg 《Journal of Cultural Economics》2006,30(4):243-261
In this paper on the creative industries and cultural entrepreneurship I take my point of departure in Richard Caves’ Creative Industries [Caves, R. (2000). Creative industries: Contacts between art and commerce. Cambridge, MA: Harvard University Press.]. While Caves draws heavily on economic analysis and contemporary sociology in his excellent analysis of these two topics, he does not use the sociological classics at all. The main purpose of the paper is an attempt to remedy this, by drawing attention to the possible contribution that the works of Max Weber, Emile Durkheim, and Georg Simmel can make to our understanding of the creative industries and cultural entrepreneurship. Since this paper was prepared as a keynote address for the 2006 conference of the Association for Cultural Economics International in Vienna, I also discuss Schumpeter’s ideas on art and entrepreneurship, ideas which grew out of Viennese culture.
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| Richard SwedbergEmail: |
6.
《Journal of International and Intercultural Communication》2013,6(4):318-343
Abstract The purpose of our study was to understand how self-construals affect the intensity of perceived face threats and the subsequent deployment of coping strategies within compliance-seeking situations involving three different influence goals (giving advice, asking favors, or enforcing unfulfilled obligations). Five-hundred and seventy-six students from four different ethnic backgrounds (African American, Asian American, Latino, and European American) at six universities in the U.S.A. indicated their levels of independence and interdependence. Then they wrote what they would say to a same-sex friend in a hypothetical advice, favor, or obligation scenario, and whether they would persist in the face of initial resistance from their friend. They also evaluated the degree to which seeking compliance would threaten the target's negative face, the target's positive face, their own negative face, and their own positive face. Written messages were coded for how many reasons participants provided for seeking compliance. As levels of interdependence increased and independence decreased, participants perceived a larger total threat to both the target's face as well as one's own face when pursuing influence goals. Furthermore, people provided more reasons for compliance as well as persisted more after initial refusal as the level of independence increased. Implications for future research on culture, influence goals, and face are discussed. 相似文献
7.
8.
《Journal of International and Intercultural Communication》2013,6(4):311-329
This study examined the dynamic interplays between emotions (i.e., anger and compassion), face threat, forgiveness, and reconciliation in relational transgressions in U.S. and Chinese cultures. Results indicated that Chinese participants reported more relationship-oriented forgiveness than U.S. participants, but no distinction was uncovered in self-oriented forgiveness. Results also showed that, relative to preforgiveness, there was less postforgiveness anger but more postforgiveness compassion in both cultures. Anger had a negative association, but compassion had a positive association, with forgiveness and reconciliation in both cultures. Perceived face threat first evoked initial emotions, which influenced forgiveness and counterinfluenced reactive emotions, which then affected reconciliation. 相似文献
9.
James W. Neuliep Morgan Johnson 《Journal of International and Intercultural Communication》2016,9(1):1-19
This study applied and extended face-negotiation theory in a cross-cultural comparison of face, facework, and conflict management styles between Ecuador and the United States (US). Participants included students from the United States and Ecuador. Participants completed a questionnaire that measured face, facework, and conflict style preference in one of two recalled conflict situations that varied in relational closeness (i.e., intimate, nonintimate). Results reveal that Ecuadorian and U.S. students did not differ in their self-face, other-face, and mutual-face concerns. Ecuadorian and U.S. students differed significantly in their preference for facework and conflict style preferences across the two conflict situations, however. 相似文献
10.
《Journal of International and Intercultural Communication》2013,6(3):169-188
Abstract Guided by the intergroup contact hypothesis, this study tested two models examining the associations among Korean young adults' consumption of U.S. dramas, direct contact with a U.S. American person, and their attitudes toward U.S. Americans in general. Results demonstrated that personal contact and mediated contact had a positive effect on intergroup attitudes, but that frequency of personal contact was a negative contributor. Mediated contact had different and stronger influences on participants' intergroup attitudes when they did not have personal contact with U.S. Americans. In addition, intergroup anxiety played a significant role in the contact modes and attitudes links. 相似文献
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12.
James Heilbrun 《Journal of Cultural Economics》2001,25(1):63-72
Using data published by Opera America, this paperexamines the aggregate repertory of U.S.companies by calculating the total numberof companies and productions at six dates; thenumber of 20th century operas produced; theDiMaggio–Stenberg Index of conformity; andthe Herfindahl index of concentration. It is shownthat opera is a growth industry, butchanges in the character of repertory over timesuggest that since the early 1990s U.S.companies have been shifting their programming towarda more popular, less demandingrepertory. Presumably, this is done to ward offfinancial pressure. 相似文献
13.
Gillian Doyle 《Journal of Cultural Economics》2000,24(1):1-26
Since the early 1990s, regulators across the globehave faced increasing pressure from media firms toliberalise domestic media and cross-media ownershiprestrictions. Based on empirical research carried outin the U.K., this paper examines the ``economic' case putforward in favour of deregulation. Findings suggestthat, although factors other than size will affectperformance, there is generally a strong and positivecorrelation between the market share and the operatingprofitability of firms involved in either televisionor radio broadcasting or newspaperpublishing. But, with regard to cross-media ownershipof television and newspapers, there is nocompelling evidence that diagonal integration bringsabout inherent synergies, economies of scope or othereconomic benefits. Thus, whereas a variety ofeconomic efficiency gains may be available to justifya relaxation of restrictions over monomedia expansion,few such benefits can be found in support ofderegulating cross-ownership of television andnewspapers. 相似文献
14.
《Journal of International and Intercultural Communication》2013,6(4):309-326
Abstract This essay analyzes the contemporary constructions of Latina/o identity, Latina/o gender and Latina/o nationality as evidenced in the self-proclaimed “first major studio comedy to reflect the Hispanic cultural experience in America,” Chasing Papi. The contradictions between the film's progressive mission and the film's representations are teased out by a cross-reading of the film's usage of the popular Chicana/o mythic figure, La Llorona. Invoking La Lorona as muse and means, we find that the Latin Lover stereotype succeeds in its anti-assimilationist task while concurrently furthering confusion on who and what is a U.S. Latina/o. However, the authors also demonstrate how cultural cross-readings can provide hope out of delimiting discursive constructions. 相似文献
15.
《Journal of International and Intercultural Communication》2013,6(1):59-81
Abstract This study explored how a cohort of Asian Indians who migrated to the U.S. nearly 40 years ago have become acculturated to the U.S. by watching American television when they first arrived. The study used two concepts of the integrative communication theory: enculturation and acculturation. The study described how these Asian Indians did not grow up watching television in India. Hence, they became enculturated into American television. This cohort also watched television to learn how to act “American,” and thus became acculturated to the U.S. Furthermore, the study created linkage between the uses and gratifications theoretical perspective and the need for acculturation. 相似文献
16.
Patrick Petitjean 《Minerva》2008,46(2):247-270
The World Federation of Scientific Workers (WFScW) and UNESCO share roots in the Social Relations of Science (SRS) movements
and in the Franco-British scientific relations which developed in the 1930s. In this historical context (the Great Depression,
the rise of Fascism and the Nazi use of science, the social and intellectual fascination for the USSR), a new model of scientific
internationalism emerged, where science and politics mixed. Many progressive scientists were involved in the war efforts against
Nazism, and tried to prolong their international commitments into peacetime. They contributed to the establishment of the
WFScW and of UNESCO in 1945–1946. Neither the WFScW nor UNESCO succeeded in achieving their initial aims. Another world emerged
from the immediate post-war years, but it was not the world fancied by the progressive scientists from the mould of scientific
internationalism. The aim of this article is to follow the path from the Franco-British networks towards the establishment
of the WFScW and UNESCO; from an ideological scientific internationalism towards practical projects. It is to understand how
these two bodies came to embody two different scientific internationalisms during the Cold War.
Patrick Petitjean is “Chargé de Recherches” at the CNRS, Paris. He is an historian of science and belongs to the laboratory REHSEIS (Recherches Epistémologiques et Historiques sur les Sciences Exactes et les Institutions Scientifiques). He has co-edited Science and Empires—Historical Studies about Scientific Development and European Expansion (Dordrecht: Kluwer Academic Publishers, 1992); and Les Sciences colonials—figures et institutions (Paris: Orstom éditions, 1996). He has recently published some contributions on Unesco’s first years: Petitjean, P., Zharov, V., Glaser, G., Richardson, J., de Padirac, B. and Archibald, G. (eds), Sixty Years of Sciences at UNESCO, 1945–2005 (UNESCO, Paris, 2006). He is currently working on the history of international scientific relations from the 1930s to the 1950s, and on the influence of the science and society movements upon the Science Division of UNESCO. 相似文献
| Patrick PetitjeanEmail: |
Patrick Petitjean is “Chargé de Recherches” at the CNRS, Paris. He is an historian of science and belongs to the laboratory REHSEIS (Recherches Epistémologiques et Historiques sur les Sciences Exactes et les Institutions Scientifiques). He has co-edited Science and Empires—Historical Studies about Scientific Development and European Expansion (Dordrecht: Kluwer Academic Publishers, 1992); and Les Sciences colonials—figures et institutions (Paris: Orstom éditions, 1996). He has recently published some contributions on Unesco’s first years: Petitjean, P., Zharov, V., Glaser, G., Richardson, J., de Padirac, B. and Archibald, G. (eds), Sixty Years of Sciences at UNESCO, 1945–2005 (UNESCO, Paris, 2006). He is currently working on the history of international scientific relations from the 1930s to the 1950s, and on the influence of the science and society movements upon the Science Division of UNESCO. 相似文献
17.
We used R. S. Lazarus’ (Emotion and Adaptation. Oxford: Oxford University Press, 1991) appraisal theory of emotions to propose a theoretical model of anxiety, upon which we built two empirical models centering on intercultural communication apprehension (ICA), distinguished by timing. We tested the models in three samples: Chinese in the US (N?=?268), US Americans who studied abroad (N?=?419), and US Americans in the US (N?=?515). The models achieved good fit. The results showed that during an anticipated or actual intercultural interaction, people had multiple, potentially conflicting goals. The goal-related appraisals of the situation resulted in emotional reactions, such as ICA, as well as coping strategies. ICA and coping further influenced people’s immediacy behaviors and the intention to interact. Our empirical models supported the utility of the theoretical framework for all three samples, and provided advice for practitioners to improve sojourners’ time abroad. 相似文献
18.
本文展现一些虽然没有到过中国，但却十分推崇中国文化，渴望与中国进行交流的世界文化名人邮票。他们之中就有以中国事和物为背景，创作出具有浓郁中国韵味的作品，被外国邮政作为中国题材而印进了邮票。同时，在中外文化交流中，还涌现出一批以研究中国、传播中国文化为己任的汉学家。他们的面容，也在中国澳门、香港的邮票上亮相。 相似文献
19.
Alan L. Feld 《Journal of Cultural Economics》2008,32(4):275-279
This paper was presented at the symposium dedicated to the 25th anniversary of the publication of Patrons Despite Themselves: Taxpayers and Arts Policy (Feld et al. 1983), held by the Association for Cultural Economics International, Boston, June 2008. Patrons Despite Themselves raised and tried to answer a number of important questions of policy concerning indirect government support for the arts.
These questions have continued salience for what we see in our museums and hear in our concert halls. The primary source of
federal indirect aid in the U.S. continues to derive from the deduction in the federal income tax for contributions to not-for-profit
cultural institutions. On the other hand, there has been a series of recent challenges to the tax-exempt status of charitable
institutions.
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| Alan L. FeldEmail: |
20.
Albert N. Greco 《Journal of Cultural Economics》2000,24(4):321-336
While many scholars have studied the impact mergersand acquisitions have had on market concentrationlevels in various industries, few have addressed theconsumer book market, an important U.S. culturalindustry. This paper: (1) defines the consumer bookmarket; and (2) using consumer book mergers, salesdata, the U.S. Department of Justice's 1992 mergerguidelines, the Herfindahl–Hirschman Index, andfour-firm and eight-firm concentration ratios testswhether an illegal level of market concentration or aviolation of Justice's antitrust guidelines wereevident in 1995 and 1996. Data on market entrybarriers, outputs, and prices are also analyzed. 相似文献