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1.
《文物保护研究》2013,58(4):181-196
AbstractSince the late nineteenth century, museums in New Zealand have intermittently painted Maori wood sculpture matt red in the mistaken belief that they were continuing a tradition of red-coloured carving pre-dating the arrival of the European in New Zealand. Conservation work at AucklandMuseum has restored some of these back to their original surfaces. The article describes the history of the carvings under discussion, the conservation carried out, and some of the ramifications of the results achieved. 相似文献
2.
《文物保护研究》2013,58(4):141-152
AbstractThe archaeological evidence for dating a linen tunic found amongst other pieces from the Petrie Museum of Egyptian Archaeology, UCL, is weighed against the evidence from Carbon-14 dating. An account of the structure, conservation and mounting of the tunic is then given. 相似文献
3.
AbstractThe long-term stabilization of marine archaeological iron, whether cast or wrought, continues to challenge conservators responsible for treatment of this material. Results and observations obtained from past treatments highlight the daunting, prolonged, and laborious efforts required to desalinate large and complex ferrous artifacts recovered from the ocean. In general, the higher an artifact's chloride level, the less stable it is. Consequently, any stabilization treatment must involve the removal of as much Cl?1 as possible without affecting the integrity of the corroded artifact. This problem is particularly acute with corroding cast iron objects that have formed thick, fragile, and highly unstable corrosion layers. Over the course of the twentieth century, conservators have used a variety of techniques in an attempt to mitigate the negative effects of chloride ions on iron artifacts and prevent disintegration. In spite of early promise, each of these stabilization techniques has significant disadvantages, particularly with regard to treatment efficiency, duration of treatment, and/or unacceptable risks to the artifact during treatment. For these reasons, conservators and conservation scientists at the Warren Lasch Conservation Center in Charleston, South Carolina, decided to look at the possibility of using subcritical fluids to stabilize archaeological iron. This paper compares the efficiency and effectiveness of traditional stabilization techniques (i.e. alkaline soaking and cathodic polarization) to subcritical fluids on wrought iron rivets and metal shavings from the H.L. Hunley submarine as well as Civil War era cast iron artillery shells recovered from a marine environment. 相似文献
4.
Nesrin M. N. El Hadidi 《文物保护研究》2017,62(2):83-95
Hardwoods and softwoods were used side by side throughout Egyptian history, and importing softwoods that had an attractive color and texture was common. Over the decades, artifacts based on hardwoods and softwoods underwent deterioration phenomena, sometimes reaching either a level of brittleness or turning into a wood powder that may easily crumble. These levels of decay/degradation are often difficult to handle in terms of conservation treatments. To study or identify the reasons for decay has always been a point of interest for conservation purposes, but to assess decay and choose an appropriate treatment according to the state of preservation for the sake of keeping an artifact intact has become a subject of major importance. It is difficult at times to understand the deterioration process, because hardwoods and softwoods are different in structure, properties, and chemical composition. For this preliminary study, decayed samples from three commonly used softwood types, cypress (Cupressus sp.), cedar (Cedrus sp.), and pine (Pinus sp.), were identified and chosen. Scanning electron microscopy (SEM) of the samples indicated the degree of decay. Decayed and non-aged samples of the same wood type were analyzed using Fourier transform infrared spectroscopy (FTIR), and all the major carbohydrate and lignin bands were recorded. The strong hydrogen bonded (O–H) stretching absorption associated with water linked by hydrogen bonds to the –OH groups of cellulose and hemicelluloses in all decayed samples increased with decay. The brown powdery, fragile samples that had been evidently affected by microbial decay had a higher amount of lignin. The lignin/carbohydrate ratio was calculated and results compared. The increase of either lignin percentage or extractives in some of the samples had caused a darkening of color in both cypress and cedar samples, but the pine sample did not have the same texture and appearance. In cases where the lignin percentage decreased the samples had changed to a slightly lighter color. FTIR results explained the decay phenomena observed in SEM micrographs and helped assess wood decay and also confirmed results that had been previously obtained while applying traditional chemical analysis on wood. 相似文献
5.
《文物保护研究》2013,58(1):168-174
AbstractThe history, materials and technique of an early fifteenth-century wall painting, St Michael Weighing Souls, are described. The pigments are typical of mediaeval Spain but the methods by which they were applied show a sophisticated understanding of their optical properties. Complex mechanisms of deterioration in some areas of colour are discussed, together with the rationale, materials and methods used in the conservation treatment. 相似文献
6.
Natural polymers as alternative consolidants for the preservation of waterlogged archaeological wood
In recent years, there has been increased interest in examining alternative polymers for the conservation of archaeological artefacts, particularly waterlogged timbers, providing better, renewable, greener alternatives to poly(ethylene glycol) (PEG). The degradation of PEG consolidants in the timbers of the sixteenth century warship Mary Rose has been examined and the rheological and thermal properties of PEG have been compared with its monomethyl and dimethyl ethers and several polysaccharide consolidants (chitosan, guar, and 2-hydroxyethyl cellulose) in order to evaluate their potential as alternative consolidants for the conservation of waterlogged wooden artefacts. Additionally, the effect of the polymers on the archaeological wood was characterised by thermogravimetric analysis and solid-state nuclear magnetic resonance spectroscopy. The results suggest that the future of conservation technologies lies with polysaccharide consolidant materials, which show enhanced compatibility with wooden artefacts with no detectable side effects while also being cheap, with extremely low toxicity, renewable, and sustainably resourced. 相似文献
7.
《文物保护研究》2013,58(4):147-152
AbstractIn order to test some of the methods of archaeological bronze conservation, a procedure was perfected that reproduces the structure and composition of original patinas. Then the most common methods of treatment were applied on test samples thus prepared and on archaeological items. This experiment has allowed us to choose the best treatment in accordance with the following requirements: restraint of corrosion, speed of operation, lack of colour alteration and avoidance of break-up or solution of patina. 相似文献
8.
《Public Services Quarterly》2013,9(2-3):3-18
Abstract The Reference Department at the University of Colorado at Boulder provides a research consultation service to undergraduates enrolled in the mandatory introductory writing course. The Research Center is staffed by graduate students trained in providing reference assistance. Librarians in the Reference Department administered a patron satisfaction survey to 415 students to evaluate the effectiveness of the Research Center. The survey addressed patron response to the research tutors, services offered, and overall satisfaction. Responses are overwhelmingly positive. Students used the Research Center most often on Mondays and between weeks 7 and 13 of the semester. 相似文献
9.
AbstractBasketry artifacts fabricated from spruce and cedar limb wood and root and the inner bark of yellow and western red cedar have been found in water-saturated archaeological sites in the Pacific Northwest since the mid-twentieth century. These artifacts range in age from a few centuries to more than 5000 years old. While these materials retain their overall physical structure due to burial in an anoxic environment they are degraded on the cellular level. Experiments and treatments performed by archaeologists and conservators over the past 50 years have attempted to stabilize these degraded structures and minimize splitting, crumbing, and distortion of the woven structures as they dried. Many of these tests and treatments are published in out-of-print conference proceedings or remain unpublished in conservation lab records. This review of tests and treatments as well as a current condition assessment of several collections brings this information together for the first time and allows conservators and archaeologists specializing in these treatments to see the broader arch of success and failure of the preservation of waterlogged basketry materials. 相似文献
10.
ABSTRACTAspects of preventive conservation are central to the long-term preservation of archaeological sites such as Pompeii. Mitigating moisture ingress and its manifold effects on decay mechanisms such as salt degradation are of critical importance when planning durable conservation strategies. A suite of non-destructive techniques was used to diagnose decay mechanisms at an ancient tomb monument at the Porta Nocera Necropolis. Rising damp and salt contamination are shown to be actively contributing to on-going deterioration of the plaster surfaces. An existing shelter is shown to be inadequate in its protection. These initial results are used to inform a more in-depth, long-term survey as well as the design of a holistic preventive strategy. 相似文献
11.
ABSTRACTIt was decided to display the whole collection of King Tutankhamun in the Grand Egyptian Museum (GEM). The collection comprises approx. 5640 objects different in material and state of conservation. The conservation centre in the Grand Egyptian Museum (GEM-CC) bears the responsibility of conserving GEM collection, and contributing to the exhibition production processes to ensure the optimal preservation for the collection on display. In this paper, a survey of the collection's materials and condition was undertaken to evaluate the risks and corresponding deterioration occurred in the former location which should be mitigated in the new one. It also reports on the parameters which were fulfilled in the designs of King Tutankhamun galleries to guarantee implementing preventive conservation programmes in order to preserve the collection for future generations. 相似文献
12.
ABSTRACT This article presents historical and scientific analysis, as well as the conservation treatment of a newly rediscovered Roman wall painting fragment, now in the collection of the Harvard Art Museums. Although the piece has not previously been published, it was among a group of fragments removed from a Roman villa near Boscotrecase in southern Italy, an area that has been key to the study of Roman wall painting and other decoration. Technical imaging confirms the use of painting techniques consistent with other high-quality paintings in the area. Materials analysis revealed a palette consistent with published findings of Roman wall paintings, including abundant use of Egyptian blue and green earth. Of interest was the use of Egyptian blue as an optical brightener in select white passages. Despite the high quality of the painting, no cinnabar was present, and all red passages were achieved using hematite. Multiple different white minerals were identified including calcite, aragonite, and gypsum. The widespread presence of gypsum is unusual and may point to alteration. 相似文献
13.
《文物保护研究》2013,58(1):127-129
AbstractThe restoration of the seventeenth-century adobe church at Carabuco, Bolivia, offers a model of how to conduct the preservation of the Latin American cultural heritage at remote sites. This paper details the conservation of the church's polychromed wooden choirloft, which had previously been restored in 1765-66 after this and other portions of the church collapsed. The choirloft is made oflocally grown eucalyptus wood painted all over with a tempera-based medium. It was executed by a local artist whose style draws on local folk-art traditions while reinterpreting European Renaissance decorative schemes. The choirloft conservation project had two goals: to guarantee its structural integrity and to stabilize the decorative paint layers. These goals were accomplished in a four-month conservation project which formed part of a larger effort to restore the church. 相似文献
14.
Mariana Pinto 《文物保护研究》2013,58(7):381-386
ABSTRACTDuring the nineteenth century, chemists became increasingly engaged in the conservation treatment of polychrome surfaces. While collaborations between chemists and museum workers in charge of easel painting collections were mostly oriented towards the improvement of conservation practices, the involvement of chemists in the nascent field of archaeology was oriented towards material characterization, such as pigment analysis of polychrome surfaces. Since this type of analysis is destructive and damages the artwork, it could, therefore, be assumed that chemists were in these cases less concerned with the conservation of objects with an archaeological and historical provenance. On the contrary, my new reading of nineteenth-century English primary sources reporting pigment analysis shows that chemists also had ethical concerns about the physical integrity of archaeological objects and their conservation. This is apparent in the process in which paint samples were taken from the artworks for their subsequent analysis. 相似文献
15.
ABSTRACTCultural heritage is wonderfully diverse and as heritage preservation professionals, it is our duty to address the preventive conservation of all cultural heritages. However, there is no one set of guidelines, practices or rules that can be applied in all situations. A preventive conservator with strong technical and soft skills is essential in this situation. At the Winterthur/University of Delaware Program in Art Conservation (WUDPAC), preventive conservation has been an identifiable part of the curriculum since the early 1980s. From its establishment, the curriculum has evolved to include the teaching of both current day technical skills for the practice of preventive conservation and soft skills in teamwork, leadership, institutional priorities and goals identification, and written and oral communication. These are taught to all students in their first year and those that select the option of a preventive conservation minor in their second year. Recently, it has become clear that it is not possible to teach adequately both the technical and soft skills needed for the practice of preventive conservation within WUDPAC's existing minor area of study. Additional time is needed to study and develop the complex theories, abilities and requisite skills that characterize the preventive conservation specialty. This paper discusses the work to develop a curriculum for a WUDPAC preventive conservation major, the strong mandate to continue to teach both technical and soft skills, and the surprising resistance to the establishment of a preventive conservation major. 相似文献
16.
《文物保护研究》2013,58(3):203-209
AbstractTo inhibit the corrosion of lead objects and lead in high-lead bronzes, particularly in the presence of organic emanations from wood, paint, etc., and/or high humidity, is a difficult conservation problem. A method to prevent corrosion of lead in copper objects was therefore developed using benzotriazole (BTA). The most appropriate treatment method for the conservation of the objects was to immerse them in neutral BTA solution, for which a 0.5% (w/v) concentration of BTA was enough. For bigger objects, three or four coats of 1.0% solution applied by brushing were equally effective. The method was used successfully for the conservation of some ancient copper coins and bronze sculptures containing high amounts of lead; it can also be used to inhibit corrosion of lead objects. 相似文献
17.
Simon Lambert Catherine Antomarchi Kelly Johnson Julie Stevenson Marjolijn Debulpaep Theocharis Katrakazis 《文物保护研究》2018,63(5):156-163
ABSTRACTThe modern learning environment is evolving at a rapid pace. Technology can help developers of preventive conservation tools and learning resources for collections professionals to increase their impact and reach. However, it is crucial to keep the needs of users, and gaps in skills and knowledge at the forefront. This article examines preventive conservation tools and resources developed by the Canadian Conservation Institute (CCI) and ICCROM (International Centre for the Study of the Preservation and Restoration of Cultural Property) over the past 30 years. In light of the results from a recent survey and research in the learning and development field, a set of orientations for future tool development are highlighted; these tools must be: need driven, user centered, emulating everyday experiences, social and informal, concise, mobile friendly, curated and open access. 相似文献
18.
Probes for measuring oxygen concentration were installed inside large samples of conserved wood from archaeological shipwrecks to record oxygen profiles as a function of depth under the wood surface. The concentration of oxygen was lower inside the wood than outside indicating that the supply of oxygen is limited and that oxygen is consumed within the material. This was confirmed by oxygen consumption rates averaging 1.3 ± 0.42?µg O2/g wood/day. The diffusion properties were estimated by placing the wood samples in a nitrogen atmosphere and measuring nitrogen breakthrough time to the oxygen probes at different depths. A high level of variation was observed between the breakthrough times measured at different depths of the samples. This indicated that the access of oxygen is irregular, possibly due to wood heterogeneity and uneven distribution of conservation agent. By recording oxygen concentrations inside archaeological wood under stable environmental conditions, it was shown that oxygen concentration profiles are almost constant over a time span of seven years. This indicates that oxygen consumption, and thus oxidative degradation, is constant for an extended period of time. It also shows that the oxygen concentration inside conserved archaeological wood is a steady state value controlled by the local balance between oxygen supply and oxygen consumption. 相似文献
19.
20.
ABSTRACTConservation of wooden objects exposed outdoors is extremely difficult and complex due to their constant exposure to fluctuating weather conditions and biological degradation. Filling the gaps in such objects requires the use of specific materials that in particular can adapt to changes in wood dimensions in response to humidity variations. Various materials have been used so far for filling voids in wooden artefacts but none of them was entirely suitable. Therefore, the authors have attempted to provide the basic characteristics of the selected commonly used filling materials based on pine wood powder or glass microballoons as fillers and Paraloid® B-72, Klucel® G, or glutin glue as binders, as the first step in research aiming at developing new and more appropriate gap-fillers. Special attention was paid to the dimensional stability of filling materials upon drying and exposure to water vapour and liquid water. The overall results indicate that among the examined fills those consisting of Paraloid® B-72 and glass microballoons revealed best properties as they were relatively dimensionally stable upon drying and exposure to moisture – despite high absorption of water – and were quite easy to finish. Generally, better properties were observed for filling materials containing higher concentrations of adhesives and these materials will be modified in the next step of the research. Since the main drawbacks of the examined gap-fillers were low water resistance, poor dimensional stability upon drying or exposure to water vapour or liquid water, and fragility or friability, future research into their modification will head towards improvement of the above-mentioned properties. 相似文献