共查询到12条相似文献，搜索用时 390 毫秒
1.
2.
文化是一定社会的政治和经济在意识形态上的反映,同时又对一定社会的政治和经济产生巨大影响。中华文明经过几千年的发展,构成了多元一体的文化格局。同时,在相互交流、渗透,渐趋一体化的基本态势下,也显现出鲜明的地域文化特征。徽文化就是我国的代表性地域文化之一,是中华传统文化的一个重要组成部分,是汇入中华文明历史长河的一股清澈奔放的激流。徽文化在历史的长河中星光灿烂安徽地处中原,由长江和淮河分割成为皖南、皖中和皖北三大板块。从北到南,依次为黄河故道、淮北平原、江淮丘陵和皖南山区,在一定意义上浓缩了中华文化的主要形态。自先秦以来,安徽文化由北向南,不断爆 相似文献
3.
4.
5.
软雕塑是以软质材料为主,根据一定创作目的的需要而创作出的浮雕或圆雕式艺术品。其创作媒材主要有毛、麻、丝、缎、棉、皮、木等纤维类材料。由于这些材料大都是自然之子,又具软性,所以很具亲和力,易与人的内心沟通。它可以作为纯艺术品置入博物馆供人欣赏,也可以进入酒店大堂、百姓书房作为摆设。它可以是厚重恢弘的,也可以是空灵隽秀的。软雕塑独有的以软材料为主形成的质地,是它区别于其他艺术门类的一个显著的特征。从某种角度来说,它属于一种发现与运用材料的艺术。由于材料的语言多种多样,变化无穷,创作过程中需要不断再认识再设计再创造,所以,这种艺术创作的过程,实际上也是灵性不断成长的过程。 相似文献
7.
就其本质而言,企业与文化的根本目的是一致的,都是为满足社会日益提高和不断增长的物质和精神需求服务的。从辨证关系上讲,经济基础决定上层建筑;上层建筑建立在经济基础上并反过来又为经济基础服务并保证它的正确发展方向。文化的发展离不开经济的支持;但一个单纯追求物质富裕的民族是没有前途的,文化的落后将限制劳动生产率的提高,激化内部矛盾,制约经济的发展。因此,如何使两者有机的结合起来,共同发展并相互促进,造福于人类社会,仍是我们应该关注的课题。 相似文献
8.
假如把广告看作是空中轰炸,那么对终端的争夺更像是阵地战.作为阵地战的工具,面向终端的宣传品是必不可少的,通过终端宣传品来直接跟消费者对话,并以此营造良好的销售气氛,从而影响消费者的购买选择,达到使消费者购买企业的产品、实现销售的目的.终端宣传品本质上是一种与消费者接触和沟通的方式,而且终端宣传品还具有大众媒体广告所无法比拟的销售力,因此,现在企业对此的重视程度在不断加大,利用一切可以宣传自己的机会,挖空心思地讨终端欢心来推广宣传品,但是情况恰恰相反,随着终端宣传竞争的加剧,反而使宣传品的使用难度加大. 相似文献
9.
一碗寒夜里热气腾腾的牛肉粉丝,一份俗 世中简简单单的相识心情,我和安徽卫视《超级大赢家》主持人李黎的对话就这样开始了。 坐在我面前的李黎思维一如节目中那样敏捷而跳跃,略微轻快的语速让我原本准备就绪的采访一下子有些混乱,我试图在她复杂的人生经历中寻找些可以为她的情感世界提供注解的支点,包括我们所熟悉的《超级大赢家》中的李黎,《卧虎藏龙》中的李黎,以及我们所不熟悉的那个还在完善自我的李黎,但李黎却不断地将这种“谈兴”发挥到了极致,海阔天空地聊着她的生活和她所钟爱的一方天地,我们的谈话也不得不以一种朋友聊天的方式无所顾忌地延续下去…… 相似文献
10.
11.
Geoff Mann 《Journal of Cultural Economy》2017,10(4):364-376
ABSTRACTThis paper examines a situation in which finance is perceived as imperialist – as immanent to, and serving the interests of, a single ‘culture’ in the colloquial sense. The analysis centres on the long-forgotten 1969 bombing of the trading floor of la Bourse de Montréal (the Montréal Stock Exchange), a moment in an intense phase of the Québécois movement for independence from Canada. Because of the way in which the bombers framed the attack, and its political-economic and discursive contexts, the bombing presents an opportunity to think about key features of the relation between finance and cultural domination or imperialism. These features relate to finance’s specific articulation to the future, uncertainty, and, in the words of the séparatistes of the time, cultural ‘destiny’. The paper has three parts. The first describes the bombing of la Bourse and the public, media, and state responses, linking it to Québécois cultural-political geographies at several scales. Part two places the bombing in the longer-run cultural-politicization of finance in the francophone independence movement, to outline a specifically Québecois critique of finance capital. The third part considers finance’s perceived and real connection to, and thus capacity to shape or constrain, the cultural-political construction of collective possibility. 相似文献
12.
The literature on Cultural Economics provides us with some examples for the measurement of technical efficiency. However, there are few case studies dedicated to the analysis of allocative efficiency. The aim of this paper is to fill this gap by incorporating a methodology that analyses both technical and allocative efficiency. We use the Shephard’s distance function, particularly suitable when affronted with non-profit-making firms or institutions that are not interested in cost minimization. As an empirical application, we analyse the efficiency of Fundación Princesa de Asturias (PAF), a Spanish non-governmental organization devoted to promoting the cultural, scientific and humanistic values of universal heritage, the period of study being 1988–2012. Our findings suggest that PAF could have used 7% less inputs to achieve the same level of output. On the other hand, we have found allocative inefficiency. Concretely, the input for other expenditures appears to have been over-utilized in relation to both the inputs for labour and current assets, with labour in turn being over-utilized in relation to current assets. Moreover, our results indicate that both technical and allocative efficiency have clearly improved during the period analysed. In summary, our empirical application shows how distance function methodology can be successfully implemented to measure allocative efficiency in cultural firms and institutions. 相似文献