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1.
Although Richard Rorty's controversial thought has been the subject of many works, there has not been much discussion about his approach to cultural difference. The purpose of this article is to examine how Rorty sees cultural differences philosophically and how he deals with them politically. For him, rationality, morality and even the scope of moral responsibility towards others are defined in terms of solidarity with a particular community and ‘ethnocentrism’, rather than in terms of a universal and metaphysically derived set of criteria. It can be argued that since language, language games and values are mainly components of culture, the latter is one of the most significant communities with which Rorty is concerned, though he is not explicit about it. Nevertheless, Rorty does not think that the moral and philosophical significance of communities, particularly cultural communities, should be reflected in politics. The main argument of the article is that there is an unresolved tension in Rorty's thought between philosophical, moral and emotional attribution of significance to communities and arguably cultural communities, and a disregard for them in the political sphere. This paves the way for outlining an approach to cultural difference that is more just and even more in harmony with Rorty's own philosophy.  相似文献   

2.
This article focuses upon a crucial aspect of Max Weber's work, one that has been largely neglected by scholars of organization, in cultural economy as much as in economic sociology more generally. That is Lebensführung, the conduct of life. The article argues that Weber's approach to questions of Lebensführung locates him as a late but prodigious practitioner in a tradition of the ethics of office, particularly as the latter becomes a defensive doctrine. In making this case, the vocabulary of office in Weber's work is explored and its importance for an understanding of the ethico-cultural constitution of a variety of instituted personae is highlighted. The article concludes by briefly suggesting why and how a Weberian ethics of office remains a key resource for scholars of organizational life, including those operating in the emergent field of ‘cultural economy’.  相似文献   

3.
In this essay I propose a new reading of Michel Foucault's main thesis about biopower and biopolitics. I argue that organisation represents the neglected key to Foucault's new conceptualisation of power as something that is less political and more organisational. This unique contribution was lost even on his closest interlocutors. Foucault's work on power had a strong influence on organisation and management theory but interestingly not for the reasons I am proposing. In fact, although theorists in management and organisation studies have emphasised power in relation to discipline, control and subjectivity they have overlooked the transformative meaning of Foucault's organisation. His work on biopolitics has attracted opposition, too, as evidenced by the controversy sparked by Giorgio Agamben about Foucault's biopolitics. From Agamben's critique, it appears that Foucault's notions of politics and power do not allow a deconstruction of the violence of the concentration camp. However, a critical reading of Primo Levi's biographical narratives reveals the camp as a place where the prisoners’ ability to organise their daily lives secured survival. To make sense of Levi's revelation, I use John Dewey's notion of habits as forms of organisation and reconnect it to Foucault's organisation. A shared understanding of the objective conditions of human activity and experience highlights the similarities between Dewey's pragmatism and Foucault's pragmatic metaphysics. In the end, however, Foucault's metaphysical background has caught up with him, pushing him away from his own most radical proposal that organisation was the new form of power and the new substance of politics.  相似文献   

4.
Karmen Gei (2001) by Senegalese filmmaker Joseph Gai Ramaka is the first African adaptation of Carmen. The film garnered attention for its indulgent sexuo-erotic rhetoric and its reinvention of Carmen as a bisexual libertine. Most critical assessments of Karmen Gei have accordingly applauded Joseph Gai Ramaka's ‘daring’ and ‘innovative’ intervention into the political and heteropatriarchal landscape of postcolonial Senegal, a country with a strong, increasingly radicalised, Moslem majority and a nascent yet burgeoning homophobia. Yet the peculiar trajectory outlined in the title of my essay, whereby Bizet's Carmen travels to the African postcolony and gets queered by/in the postcolonial moment, grounds the queer in the postcolonial and asserts that the queer is organic to the postcolonial. More precisely, the postcolonial adaptation of Bizet's Carmen offers a theoretical template for rethinking the interface between the postcolonial and the queer by showing how Carmen goes effortlessly if not inevitably queer in the postcolony as a result of intrinsic postcolonial modalities of power, resistance and subjectivity.  相似文献   

5.
Abstract

This essay discusses Nietzsche's tragic moral psychology and its significance for liberal political philosophy. In the essay, I sketch out what I view to be the basic features of Nietzsche's tragic psychology, which is strongly opposed to the Socratic and Stoic traditions, and I show how this perspective can be distinguished from the moral psychology that informs liberalism's position on issues such as personhood and political history. I conclude with a few suggestions for viewing Nietzsche's thought as a necessary corrective to a certain dogmatism that still inhabits liberal theory, in this way enabling liberal thought to conceptualise human nature and the human good in more creative and complex ways.  相似文献   

6.
Abstract

Using sources from popular media, and ethnographic data collected from a university‐based urban design studio, I challenge Paul Virilio’s assertion that the modern human condition is dominated by a process of emotional synchronisation based on fear (the result, according to Virilio, of a collusion of technology and speed), and offer the analogous idea that contemporary consumer capitalism works toward a synchronisation of desire, operating, at least in part, through the ideologies and machinations of the idea of design. To do this, I analyse designerly approaches to problem‐solving as potential disciplining forces, or technologies of governmentality, which help to create order by manufacturing certain subjectivities like consumer, community member, or sense‐of‐place – subjectivities that are amenable to neo‐liberal notions of civil society in consumer‐capitalism. Ultimately, I argue that Virilio’s ‘art criticism of technology’, but also common critiques thereof, both depoliticise aesthetic judgement and work together toward the obfuscation of power within the symbolic economy of neo‐liberal consumer capitalism.  相似文献   

7.
Abstract

The representation of Rushdie’s The Satanic Verses by confessional postcolonial critics is based on a reading that asserts one truth over the rest. I focus in particular on commentaries by two influential postcolonial confessional Muslim reviewers in Britain: Ahmed Akbar and Ziauddin Sardar. Their readings are critically assessed by simultaneously exploring the views of secular postcolonial critics and Muslim modernists who read Islam outside the conceptual framework of orthodoxy, especially Mohammad Arkoun and Abdefatah Kilito. I examine the way in which confessional postcolonial critics have appropriated religious rationalism along with postcolonial vocabulary. In my last section I discuss the ethical limitations of the confessional critics’ readings of The Satanic Verses. In the light of Bataille’s theory of the relation between sacrifice and divine justice as well as Derrida’s reflections on religion, I suggest that the dismissal of Rushdie’s fiction by such eminent commentators is localisable not only in the perception of metaphysics as origin, but also in a strategic reconstruction of an unthematisable sphere of al‐Fitra; that is, the scholar’s actual or imagined birth‐in‐Islam: his experience of circumcision and absolute dependence on faith.  相似文献   

8.
HALDANE'S GAMBIT     
This article considers the body of work which Andrew Haldane has published since the onset of financial crisis. It draws a distinction between two kinds of criticism in that work: Haldane's interference through political arithmetic on the costs of finance and Haldane's big concept of the financial network using metaphors drawn from the life sciences. His readers have mainly focused on Haldane's innovation through concept and network metaphor while neglecting his political arithmetic and empirics on the costs of finance. But this article argues that Haldane's political arithmetic on costs is an important radical intervention when the finance sector is deflecting reform with a trade narrative about the social benefits of finance.  相似文献   

9.
ABSTRACT

What is the role of imagination in the constitution of finance capitalism? How do the fictions, myths, and (ir)rationalities of finance shape society's ability to imagine the future in the face of mounting political instability? Well over a decade since the Global Financial Crisis of 2008, today's financialised economies are still marred by stagnation and uncertainty. Against this backdrop, the increasingly speculative nature of economic forecasting, and the accelerated trading of promises of all sorts (from algorithmic and derivative markets to contemporary electoral politics) put the role of imagination centre stage. This special issue contends that, contrary to conventional wisdom, imagining the future is not necessarily equal to ‘fantasising' or to ‘irrational exuberance' or the ‘animal spirits'. Rather, it points to something much more fundamental: the power of finance to produce new social and political morphologies under conditions of radical uncertainty. The articles of the special issue confront these issues by mapping out a novel field of investigation into different, unique types of imagination undergirding finance capitalism in the years since its most recent crisis: from the future-making practices of mineral exploration and agricultural derivative markets, to the imagined futures of financial education programmes, the financialisation of creative work, and the role of future-oriented legitimacy in today’s populist politics.  相似文献   

10.
ABSTRACT

This essay examines the contested dynamics of postcolonial remembering in Taiwan. Focusing on the long-suppressed 228 massacre in particular and the White Terror period in general, we bring Taiwan’s postcolonial remembering into international and intercultural communication studies by analyzing two contemporary sites: Taipei’s 228 Memorial Museum and the Cihu Memorial Sculpture Park. As our case studies demonstrate, Taiwan’s postcolonial remembering offers unique indications of how public memory work can help move a culture toward a sense of reconciliation, thus promoting what one of our collaborators called “the end of fear.”  相似文献   

11.
ABSTRACT

Catherine Malabou's opinion of non-essentialist models of gender identity and art is unambiguous: in her words, they are ‘catastrophic’ to women and to artists (Malabou [2014]. ‘Sujet: Femme'. de(s)générations des féminismes 21, 29-38: 135). What, then, are the implications of Malabou's hallmark concept of ‘plasticity’ on theories of performativity? Has plasticity come to supplant performativity, just as Malabou believes that it has come to supplant Derridean writing? Or if, as Malabou suggests, philosophical concepts are inherently plastic, may we maintain that performativity was always already plastic? In the following article, I read Malabou's work on writing alongside her work on the feminine in order to question how plasticity and performativity might be examined together to theorise the ways in which the discursive and the material interact in the production of subjectivities. By highlighting the performativity at play within Malabou's own writing about the end of writing, I propose that her work challenges her claim that literature cannot deconstruct philosophy. In response to Malabou's anti-essentialist plastic theory of the essence of woman, I underline the parallels between performativity and plasticity and suggest that the two concepts overlap in their mutual configuration of identity and form as mutable and transformable.  相似文献   

12.
ABSTRACT

The global spread of finance capitalism has ushered in a speculative nature of currency trade and has given rise to new forms of subjectivity. Narrowing the ethnographic gaze on a thirty-seven year old currency trader in Karachi, this paper advances two arguments. The first argument relates to the materiality of foreign exchange and their effects on traders’ bodies. In spot trading, the currency traders experience foreign currency as an affective quality breathing down heavily on the senses. The second argument points to an interconnected nature of foreign exchange markets. Using Knorr Cetina and Breugger's notion of ‘global microstructures,’ I demonstrate the ways in which a currency trader, operating in a post-9/11 counter-terrorist surveillance milieu in the country, negotiates the micro and global scales of economy. Grounded in ethnographic research in Pakistan, this paper explores the ways in which foreign currency, especially of the metropole, is circulated, exchanged, and imagined in a postcolonial context, and hence contributes to an emerging scholarship of anthropology of money and finance.  相似文献   

13.
Recent debates in economic sociology have focused on the question of long-term calculation specific to capitalism. With a renewed interest in Max Weber’s work, particularly his seminal essay, The protestant ethic and the spirit of capitalism, scholars such as Arjun Appadurai and Jens Beckert have analysed calculative devices intrinsic to long-term accounting. Appadurai highlights the charismatic figure of the financial player who speculates on uncertainty, the same realm of uncertainty that in Beckert’s work becomes intelligible through the creation of market fictions. In this paper, I instead explore calculation as it unfolds in bazaars selling contraband and pirated electronic goods. Based on an ethnographic account of Delhi’s Lajpat Rai market, Palika Bazaar, and Nehru Place, I argue that calculation in the pirate bazaars is of a short-term nature and oriented to an embedded economic rationality that is closely entangled with the longue durée of everyday life. Rather than future-oriented fictions, small-scale traders employ moral stories and piracy-related discourses to meet day-to-day survival needs.  相似文献   

14.
This article extends research on transnational feminist networks (TFNs), organizations that bring women together across national borders for collective action. A case study of World Pulse, a TFN with online community members from 190 countries that aims to amplify women's voices globally, reveals the nonprofit organization engages in ongoing reflexive practices to negotiate tensions related to voice. Using the analytical lens of postcolonial reflexivity, two themes of reflexive practices were identified: speaking from within (direct and formal inclusion of members’ voices) and speaking for (staff displaying ethical consciousness around members’ voices). Questions TFNs can ask to promote reflexivity are proposed.  相似文献   

15.
Over the last two decades the field of ‘Girard studies’ – the application of René Girard's theories on mimetic desire and sacrificial violence to cultural artifacts – has tended to focus increasingly on Biblical texts and theological implications of Girard's interpretation of Christianity as a ‘theory of man.’ After summarizing Girardian theory in its current form, this essay stresses the applicability of the theory to François Furet's reading of the crisis of bourgeois culture and to Pascal Bruckner's reading of the malaise of the post Cold War world and the ethnic crises associated with the break‐up of the former Yugoslavia. This essay also demonstrates how Girardian theory illuminates the recent historical and judicial crises associated with France's efforts to come to terms with the memory and legacy of the collaborationist Vichy regime during World War II. The essay concludes with a brief assessment of the advantages as well as the pitfalls of employing Girardian theory to demystify the crises of modernity.  相似文献   

16.
Abstract

The study critically reviews China's cultural policy and counterhegemony strategy against global Hollywood from 1994 to 2000. The central argument is that the Chinese government's strategy of using the so-called main melody propagandistic films to battle against Hollywood from 1994 to 2000 is ineffective in terms of film market recouped and quality films produced, but may be considered partially successful in terms of the technological renovation of film exhibition infrastructure. The reason lies in the conflict between a planned production and a market demand, plus an ambivalent explanation of the function of the film industry and an unclear definition of the cultural policy. This conflict not only speaks to the complexity of global-local interplay, but also reflects the fundamental dilemma of China's “one-party market economy” (Kahn, 2002, ¶ 2), and its contradictory perspective on globalization. The study also revisits the thesis of “cultural imperialism” and calls for a more synthesized way to explain the complex global-local dialectic.  相似文献   

17.
In this essay we argue that there is an important but frequently overlooked link between Walter Benjamin’s and Julia Kristeva’s attempts to explore new modes of critical practice. What connects Benjamin and Kristeva, in our account, is a vital concern with the cost of critique, that is, with the question whether critical agency in its most productive modes is inherently related to certain forms of ethical violence. We aim to show that, once we read them together, these authors’ pivotal contribution consists of offering an alternative model of critique animated by an ethos of in(ter)-vention, which is keyed to techniques of criticism that are both disruptive and innovative. Ethical violence here refers to a strategic displacement of moral self-perception, which undercuts people’s aspirations toward maintaining a morally robust character in the face of political adversity and social injustice. To illustrate the stakes of such displacement, we turn to the figure of the ‘anti-journalist’ Karl Kraus whose in(ter)ventions display integrity in action rather than integrity of character. Specifically, under the rubric of ethical violence, we propose a dynamic interpretation of Kraus’ performance in terms of polemical witnessing, which combines the corrosive aspects of Benjamin’s ‘destructive character’ with the constructive aspects contained in Kristeva’s notions of ‘sharing singularity’ and ‘intimate revolt’.  相似文献   

18.
This essay is inspired by Benedict Anderson's theorisation that communities are products of collective imagination. Literature and cartography, as Anderson points out, exert considerable influence in marking the imaginary contour of a specific community. To Anderson's theorisation, this essay will add a few notes, suggesting that literary mapping and cartographic writing convey dialectic messages and thereby chart contending communities. Through an examination of Victorian adventure stories (The Coral Island, King Solomon's Mines and Kim), domestic novels (Wuthering Heights, The Way We Live Now and The Sign of Four), an imperial map and a fictional treasure map, this essay will unfold the ideological underpinnings of writing and charting, analyse the rhetoric of wish and anguish in both acts, and interrogate Britain's conflicting doctrines of global imperialism and insular nationalism. The ultimate aim is to argue that literary mapping, analogous to cartographic writing, captures a Britain that is at once an invincible empire flexing its muscle worldwide and a vulnerable island besieged by the Atlantic Ocean, Irish Sea, English Channel, and North Sea. Between Britain's wishes and anguish, Victorian writers sketch in their contemporaries' imagination a contour of the British Empire in which the centre itself is decentred.  相似文献   

19.
This essay revisits Meyer Schapiro's critique of Heidegger's interpretation of Van Gogh's painting of a pair of shoes in order to raise the question of the dispute between art history and philosophy as a contest increasingly ceded to the claim of the expert and the hegemony of the museum as culture and as cult or coded signifier. Following a discussion of museum culture, I offer a hermeneutic and phenomenological reading of Heidegger's ‘Origin of the Work of Art’ and conclude by taking Heidegger's discussion of the strife between earth and world to the site of the ancient temple of Apollo Epicurius at Bassae as an example of the insistent foreclosure of the ancient work of art and the conflicts of the pervasive efforts of modern conservation.  相似文献   

20.
ABSTRACT

The relationship between masculinity, neoliberalism, and capitalist economy is difficult to analyse. This is apparent when we consider recent studies of neoliberal capitalism, which are almost entirely books about men, and yet this feature consistently escapes critical attention. In contrast, this article brings this relation into focus, and suggests that the critique of hegemonic masculinities is an important feature of the critique of neoliberalism. The article first reviews existing literature on the intersection of masculinity and capitalism, which is increasingly being drawn towards the analysis of neoliberalism. It then briefly takes up Michel Foucault’s study of neoliberalism, especially his contention that classical liberalism’s concern with the nature of markets maintains an ambiguous persistence within the neoliberal project, in order to consider what it may have to offer to an analysis of masculinity and neoliberalism. Finally, I turn to one of the key thinkers in the intellectual development of neoliberalism – Ludwig von Mises – and provide a critical rereading of his 1944 book Bureaucracy. I argue that, beneath its veneer of economic rationality, the text mobilizes masculinity as a technology that is crucial to managing both the affective and economic insecurities generated by neoliberal conceptions of freedom in market-based societies.  相似文献   

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