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1.
With the pre-service student portfolio process and product well in hand in a paper-based format, in the Bachelor of Education (Primary) (B.Ed. Primary) at University of Western Sydney (UWS), new horizons have presented themselves. These new possibilities are facilitated but not driven by developments in Information and Communication Technology (ICT). The impetus for this study comes from the changing context in which the students will work and from the rapidly evolving mediums of communication employed by the society these future teachers will serve. With new technologies being developed the use of digital portfolios could give an extra dimension to student learning as well as giving choice and variety to the reporting and presenting of that learning. This paper aims to report on the process of the development of digital portfolios as an alternative method of reporting and presenting student learning, as opposed to the current paper-based portfolios used in Pre-service Teacher Education at UWS. A study of the processes employed by nine students who elected to develop their portfolios digitally was carried out over a three-semester period. This resulted in a procedure that assisted students in using ICT to showcase their learning. The advantages and limitations of the use of such technology and the results of this process during its initial implementation are discussed.  相似文献   

2.
This study reports on student teachers' views of portfolios as a learning tool when they are combined with a weekly test conducted at the end of each lesson to help student teachers self‐evaluate. Student teachers' written reflections during the process provided data for the study. Analysis of the data showed that a majority of student teachers initially felt that compiling a portfolio would be time‐consuming and an extra burden added to their already busy schedule. However, later on they all found that the process was a useful learning experience. Moreover, the portfolio process – especially combining self‐reflection with weekly tests – encouraged students to study regularly, increased retention and made learning more enjoyable. Suggestions for the successful portfolio implementation include the following: guiding students both at the beginning of and during the process, providing continuous and prompt feedback during the process and making self‐reflection – especially guided by reflection prompts – an essential part of the process.  相似文献   

3.
This study explores the perspectives of students, teachers and parents to evaluate the use of digital portfolios as an additional way to capture and enhance the learning of elementary students in a public school setting and as an opportunity to communicate this learning to parents. The research questions address four problems: complex assessment of learning, parental participation, and student and teacher satisfaction and the impact of the portfolio on teaching methods. Particularly, we are interested in the subjective satisfaction of students, teachers and parents in the portfolio development process. We are also interested in whether students learn to reflect constructively on their work, whether teachers have changed their teaching methods and whether parents believe the portfolio was used or could be used for enhanced communications.  相似文献   

4.
Teaching portfolios have been used in the preservice teacher education program at Monash University to help student teachers to reflect on their learning about learning and teaching and to help them to convey this to others. The portfolio is an open-ended and un-graded task designed to explore teaching from many different vantage points. It is organised as a dynamic assessment task, not simply a static end product. This is done by considering teaching portfolios as comprising two important aspects, one is the process the other is the product. The process involves learning from the variety of experiences offered in the preservice education program and encouraging student teachers to reflect on these. The product is the development of the individual portfolio items that are used to demonstrate this learning to others. The portfolio comprises a number of individual items which act as a prompt to “tap” the creator's understanding of what it means to be a (science) teacher. This paper reports on the effectiveness and value of portfolios from the student-teachers' perspective by exploring how their understanding of the task evolved as they completed their preservice teacher education program.  相似文献   

5.
The premise that underlies the preservice‐teacher‐education programme at Monash University is the need to focus on the nature of learning (for example, Gunstone et al., 1993). One approach currently being used to enhance this process is the use of portfolios. The portfolio is an open‐ended task designed to explore teaching from many different vantage points. It is organised as a dynamic assessment task through which the student teachers work on developing their understanding of what it means to be a science teacher, and the teaching portfolio itself is a mixture of artefacts designed to help student teachers demonstrate this to others. This paper reports on the effectiveness and value of portfolios in helping preservice teachers learn about learning and teaching.  相似文献   

6.
Although many authors claim benefits of teaching portfolios for use in higher education settings, there are few empirical studies that investigate these benefits.This article deals with the question of whether teaching portfolios are used in higher education, and if so, which effects they bring about. Furthermore, the attitude of teachers towards the use of teaching portfolios is examined. The study shows that currently not very many teachers are using teaching portfolios. When used, a teaching portfolio is an instrument that can bring about some important positive effects. Respondents report that, due to the use of portfolios, they were stimulated to reflect on their own teaching, to actualise the learning content, to improve their course materials, to search for alternative educational methods, etc. When teachers are using teaching portfolios it is important that, besides any negative effects, they also experience positive effects. If this is not the case, teachers will see the teaching portfolio only as an extra administrative inconvenience.  相似文献   

7.
The premise that underlies the pre-service science teacher education program at Monash University is the need to focus on the nature of learning in ways that encourage student-teachers to reconsider their conceptions of learning and how this relates to their view of teaching. The purpose of teaching portfolios is to act as a prompt for student-teachers to reconsider these conceptions and as a way of helping them to better articulate their professional knowledge. The Science (Stream 3) student teachers construct a portfolio of teaching strategies, episodes, ideas, etc. that demonstrate how they see their role as science teachers. The portfolio is ungraded, openended and organised as a dynamic assessment task, not just a static end product. This paper reports on student-teachers' understanding of, and approach to portfolios as they come to understand its purpose and value. Specializations: chemistry and science education, technology and industry links with science curriculum Specializations: science education, reflection, curriculum and evaluation  相似文献   

8.
This study aimed at investigating the role of electronic portfolios in fostering pre‐service teachers’ reflective thinking. The research was conducted with pre‐service English language teachers enrolled in a practicum course in an undergraduate teacher education programme in Turkey. The data were collected through e‐portfolios and interviews. The findings revealed that e‐portfolios gave participants a sense of ownership, fostered reflecting thinking, supported collaboration and allowed them to make connections between theory and practice. With the on‐going nature of the e‐portfolio, participants had the chance of developing and reviewing their portfolio artefacts whenever and wherever they wanted. Therefore, electronic portfolios allowed teacher candidates to reflect more on their own work and thus engage in on‐going professional development.  相似文献   

9.
This study explores the impact academic teachers’ writing of a teaching portfolio can have on their professional learning. Through an open-ended questionnaire, 26 academics from three faculties reported on insights, effects on teaching practice, and effects on collegial exchange that the portfolio writing entailed. We discuss how the experienced impact relates to the three competence levels excellence, expertise and scholarship of teaching and learning. With regard to academic development, we conclude that the writing of reflective teaching portfolios has the potential of contributing to an emerging academic community of practice characterised by a scholarly approach to teaching and learning.  相似文献   

10.
This paper presents the results of a project conducted under the Greenfield Coalition concerning the development of an e-portfolio (a digital version of portfolios) assessment system. The goal of the system is to support student, course, instructor and curriculum assessment to enable continuous improvement of the educational process through the development of portfolios for each of them. In designing this system two areas of concern were identified: the development of an architecture for an easily maintainable system for structuring assessment portfolios and whether the system would be easy enough for first-year students to use. Two experiments were conducted to resolve these issues and verify that the architecture under development is proceeding appropriately. Toassure that the resulting system can properly structure and display the portfolios, a set of student and course data was entered into the system. Pages demonstrating the students' progress toward a course objective were automatically generated. To affirm that the mechanism identified for collecting the data is appropriate, a year-long digital portfolio collection was undertaken. Students submitted their coursework and supporting documents to a web server and used it to create their portfolio. Student reaction to the system was favourable. This project leads us to believe that the suggested architecture holds promise and merits continued development.  相似文献   

11.
This article interprets the repercussions of visual storytelling for art education and arts‐based narrative research and, particularly, it approaches visual storytelling as a critical tool for pre‐service teacher education. After reinterpreting storytelling from the perspective of visual critical pedagogy, I will narratively reconstruct the use of visual storytelling in three learning stories taking the form of students' portfolios. As a visual narrative researcher, I will examine the tactics for writing and reading that these students have developed in creating visual stories: the first narrative analyses the role of art during the reconstruction of the learning process by incorporating autobiography and reflexivity (Tanit's portfolio); the second narrative reflects on deconstruction and intertextuality in a multimedia portfolio, which mainly interrelates opera and cinema (Eulàlia's portfolio); and the third narrative introduces virtual storytelling and connects self‐awareness/meta‐awareness with multi‐literacy in narrative learning (Sonia's portfolios). This article also views improvisations, attempts, drafts and interactions in the process of writing and reading portfolios as part of visual experimentation to fabricate learning stories, in order to analyse the opportunities that visual storytelling offers for visual narrative pedagogy.  相似文献   

12.
Teaching portfolios have been widely used in pre-service teacher education programs for approximately two decades and often constitute exit requirements and/or function as a requirement for entry to the teaching profession. Yet much has been written about teacher candidate confusion as to whether the portfolio's purpose is to document their learning and their identity formation as teachers or to serve as evidence of their teaching competence. This paper applies a sociocultural historical lens to this issue, exploring the possible role of teaching portfolios as an effective tool both for the negotiation of identity and for the demonstration of teaching competence. Through examining the perceptions of teachers who are in their first five years of teaching, we seek to re-frame the above issues in relation to repertoires of practice, a sociocultural historical phrase referring to shared competencies within a given community. We conclude that this re-framing enables novice teachers to understand competencies as the repertoires of the teaching profession and that they can enact these repertoires, or competencies, through a range of different practices. Through this re-framing, the purposes of the teaching portfolio may be more apparent and less contradictory.  相似文献   

13.
This paper describes portfolio development by pre-service art teachers in a secondary teaching programme at California State University, Los Angeles, USA. A portfolio reflects knowledge, skills, and beliefs about teaching in general and teaching art specifically. It displays one’s learning experiences as they are collected, organized, and refined to provide a critical framework and rich portrayal of one’s best work. The article addresses the questions of what a portfolio in art education is, what its goals are, how one creates a portfolio, how one assesses portfolios once they are developed, what the issues and challenges surrounding the use of portfolios as assessment tools are, and finally, some likely future developments of portfolio assessment in teacher education.  相似文献   

14.
Abstract

This article describes the results of qualitative research using portfolios in a preservice teacher education program. Our study involved participant observation of 26 portfolio review sessions, and open‐ended interviews with 13 student teachers and 13 cooperating teachers. We sought to understand how portfolios might contribute to the assessment and professional development of prospective teachers. We discuss potential benefits and identify several important practical issues that others might consider when introducing portfolio assessment into their own preparation programs.  相似文献   

15.
Abstract

Digital portfolios in teacher education provide opportunities to conceptualize learning and growth over time. The digital portfolio experiences of two secondary teacher education students in the context of an entire preservice teaching experience are presented. These vignettes, along with programmatic observations from the past four years, indicate that high‐level uses of educational technology are difficult to facilitate in large teacher education programs using a technology infusion model that emphasizes general skills. Whereas many teacher education programs have abandoned required technology courses to jump start National Educational Technology Standards‐based competence, the authors argue that advanced courses in educational technology for teacher education majors are still necessary for curricular integration with technology. This article concludes with a discussion of the nature and level of technology competence in relation to portfolio development and makes recommendations for how programs might pursue similar models.  相似文献   

16.
This paper explored how the use of weblogs within the portfolio framework affected portfolio production and development for student teachers, and how the weblog-based electronic portfolio (WBEP) shaped student teachers’ reflective practice during the student teaching practicum. The individuals participating in this study consisted of 31 elementary school student teachers from a national university’s teacher education program in Taiwan. Qualitative data analysis revealed that about half the participants’ WBEP maturation level were at Level 2, the Curriculum Vitae WBEP. The two most prominent features of the WBEP platform on participants’ reflective practice were personal editorship and dialogues with others. Additionally, blog publicity promoted mandated dossier-like portfolios with which to evaluate performance with respect to external evaluation requirements. Thus, the reflective themes of most WBEP contents were rather uniform in the study.  相似文献   

17.
This article describes the findings of a qualitative study examining the extent to which participation in a portfolio-focused teacher learning community impacts pre-service teachers’ understanding and development of a teaching portfolio. Additionally, the author was interested in understanding how, whether, and in what ways the group's participants attribute their own professional development to the portfolio's construction. Findings indicate that most students found the process of selecting artifacts, reflecting on coursework and fieldwork experiences while constructing their teaching portfolios contributed to their growth and development. Students also reported the dialogic and collaborative nature of the teacher learning community enhanced their growth and development as well as their overall understanding of the portfolio requirement.  相似文献   

18.
ABSTRACT

Despite the growing importance of digital portfolios for justifying creative work and study opportunities, little is known about arts students’ creative appropriation of online portfolios in secondary school. In particular, there is a research gap concerning the challenges that young black women face when curating portfolios as visual arts students. This paper describes the key challenges that three such government school students negotiated when taught to creatively appropriate an online portfolio software for curating showcase visual arts e-portfolios: In formal contexts, art students’ e-portfolios are strongly shaped by assimilatory norms. Visual arts students who want to develop portfolios that follow local or global crafts and fandoms must negotiate their low status in, or complete exclusion from, the national syllabus. Students in under-resourced school and home settings may already be using other online portfolio solutions that suit their purposes better than the particular software prescribed in arts lessons. Online portfolios are public by default and young women negotiated this risk by using pseudonymous self-presentations. Each student's classroom practices were also constrained by a technology selected for its minimalist exhibition aesthetic. Students curated showcase exhibitions, but the prescribed service did not facilitate a wider exploration of contemporary digital practices.  相似文献   

19.
Addressing recent calls for investigating the specific quality of reflection associated with the uses of portfolios in teacher education, this paper describes and interprets the ‘practice of portfolio construction’ as revealed in the construction and presentation of two kinds of portfolio in two in-service courses for mentors of teachers in Israel: a ‘process’ portfolio and a ‘product’ portfolio. The study revealed that the language of practice and form of reflection bore striking similarities across the two practices of portfolio construction, regardless of their differences in content, purpose, organization and the degree of intervention of the course instructors in its construction. In both types of portfolios, the mentors described their learning mostly at technical levels of reflection. This tendency raises the question of whether the genre of portfolio writing, inevitably bound by institutional constraints, is generically conducive to reflecting on controversial experiences at interpretative, critical levels. The study suggests that within a centralized educational system, as in the case of Israel, the documentation of critical reflection is problematic.  相似文献   

20.
This paper forms part of an exploration of assessment on one part‐time higher education (HE) course: an in‐service, professional qualification for teachers and trainers in the learning and skills sector which is delivered on a franchise basis across a network of further education colleges in the north of England. This paper proposes that the validity and reliability of portfolio‐based assessment, a key component of many HE programmes in addition to the course being researched here, is contestable. Analysis of the processes of compiling portfolios for assessment, through the conceptual framework of the New Literacy Studies, suggests that the ways in which portfolios are assessed and the ways in which the crucial requisites of validity and reliability are assigned to them, mask complexities and contradictions in their creation by the student. This paper argues for a new, critical analysis of portfolio production and raises a number of questions about the validity, reliability and authenticity of the assessment process that the portfolios reify.  相似文献   

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