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1.
Abstract Furunori (aged paste) is a conservation material that is used for Japanese painting conservation. Furunori is a smoother and weaker adhesive than fresh paste, and it enables the surfaces to be easily peeled apart, with application of water, in a future conservation. Due to these characteristics, furunori has traditionally been used for attaching the backing paper to paintings in Japan, because it is considered that furunori causes less stress on the paintings than fresh paste. This study aims to clarify the characteristics of furunori based on chemical analysis and examination of the microorganisms involved in the early stage of furunori generation. Based on the results obtained, a polysaccharide similar to furunori was prepared. 相似文献
2.
《文物保护研究》2013,58(1):168-174
AbstractThe history, materials and technique of an early fifteenth-century wall painting, St Michael Weighing Souls, are described. The pigments are typical of mediaeval Spain but the methods by which they were applied show a sophisticated understanding of their optical properties. Complex mechanisms of deterioration in some areas of colour are discussed, together with the rationale, materials and methods used in the conservation treatment. 相似文献
3.
SummaryA Roman wall painting of the first century AD, recently discovered in Rome, has been studied extensively, in situ, by non-destructive X-ray fluorescence (XRF) analysis. The coloured pigments, the medium and the plaster were all examined. The presence of potassium and calcium in all coloured layers demonstrates that the painting technique is of a type very similar to that used in Pompeian wall paintings, and described in the 1950s by Selim Augusti. In this type of wall painting, the pigments were dissolved in a lime/soap/water solution, the function of the soap being to mitigate the negative effects of lime on alkali-sensitive mineral-based colours. 相似文献
4.
ABSTRACTSticky rice paste is a viscous material commonly used in traditional Chinese construction. It has the basic properties of high viscosity and viscoelasticity, good corrosion and weather resistance, and a small coefficient of expansion. Sticky rice paste is usually added to site soils to modify their basic physical and mechanical properties. This study found that gelatinized sticky rice-paste-modified site soils have clearly improved physical and mechanical properties compared to 20 and 100°C water-modified soils when 1% (wt%) sticky rice paste is added as the soil modifier. The liquid and plastic limits, and the plastic index of the soil are improved upon modification, to 27.4, 17.7, and 9.7%, respectively. The unconfined compressive strength and hydraulic conductivity were significantly increased and reduced, respectively. In addition, there was a reduction in the rate of disintegration by water, while the water resistance of the soil was improved. X-ray diffraction, Fourier transform infrared, and thermogravimetry/differential scanning calorimetry studies reveal that the improved properties arise through physical processes between the sticky rice paste and the soil. Scanning electron microscopy reveals that dispersed branched-chain sticky rice-paste molecules extensively infiltrate the surfaces of the soil particles on the nanoscale and become attached to them to form a good adhesive colloid that solidifies the soil particles after water evaporation, resulting in a compact structure. 相似文献
5.
《图书馆管理杂志》2013,53(3-4):397-410
AbstractThis paper informally presents the results of a study using a combined survey/interview technique that asked experienced extended, distance and/or distributed library services librarians for their advice to novice librarians in the field. The primary recommendation is to build relationships. Other strategies are offered in the areas of marketing, gathering information, evaluating policies, remaining flexible, keeping up with technology, and using the ACRL Guidelines for Distance Library Services. 相似文献
6.
《文物保护研究》2013,58(1):46-53
AbstractThe collection of paintings by Velázquez in the Museo del Prado is important both because of the number of works — about 50 — and because of their quality and significance. It includes the Feast of Bacchus (The Drunkards), the Forge of Vulcan, Christ on the Cross, the Surrender of Breda (The Lances), the Fable of Arachne (The Spinners), Las Meninas and various royal portraits. Most of these works are in very good condition, which is essential for a proper study of the painter's technique and his development; in addition, since their source is the royal collection, they are well documented. Since 1982 most of the works by Velázquez in the Museo del Prado have been submitted to technical examination and to restoration. The technical studies included X-radiography, infrared reflectography, and analysis of the supports and materials, allowing us to establish the characteristics of each painting (technique, changes in composition, condition, history) and the development ofthe artist through the changes in his technique. Restoration consisted basically of consolidating the paint layers, moderate cleaning and the inpainting oflacunae. The only exception to the general good condition of the paintings was The Spinners, which presented a serious problem of craquelure and lack of adhesion in the paint layer. 相似文献
7.
Yujun Zhou 《文物保护研究》2020,65(6):346-357
ABSTRACT The forms of traditional Chinese painting and calligraphy are varied, including hanging scrolls, horizontal scrolls, screens, hand scrolls, and albums. Hanging scrolls are hung on the wall for display, but curling edges often appear on both sides of the hanging scroll. Various factors influence the deformation of paintings and calligraphy, such as temperature and relative humidity and the susceptibility of materials in scrolls as well as mounting techniques. The influences of structural components, such as tian gan (hanging rod), hanging rope, and di gan (lower rod) have received little attention. This paper focuses on the influences of tian gan deflection on the deformation of hanging scrolls, with the help of DIC (digital image correlation) visualization. Deflections of tian gan in two types of hanging methods were compared with a theoretical study. It was suggested that the influence of axial force was of great importance on the increase in deflection and bending moment. To reduce the bending of tian gan as much as possible, the vertical hanging method with appropriate position for the hanging rope should be chosen for mounting hanging scrolls. 相似文献
8.
AbstractPolyethylene glycols (PEG) can be detected in wood by their in situ formation of coloured complex compounds. Solutions of potassium bismuth iodide/barium chloride and of bromine/potassium iodide are suitable for sprayingdirectly onto wood, and may even be used on dark-coloured wood by mixing chalk powder into the reagent. By adopting a print-off technique onto damp filter paper, the distribution of PEG in wood can be demonstrated even more exactly, even from very small samples. Print-offs are developed into differentiated coloured pictures withsolutions of potassium bismuth iodide/barium chloride, iodine/potassium iodide or ammonium cobalt (II) thiocyanate. 相似文献
9.
ABSTRACTDuring recent conservation work carried out on the Etruscan mural paintings in the Tomba degli Scudi, (Tarquinia, 4th C. BCE), the study of the execution techniques led to an amazing discovery: human figures were composed using templates of single body parts. In the Tomba degli Scudi, the perfect overlap of limbs, chests, and heads was confirmed after processing rectified photogrammetric images of the wall paintings with photo editing software. The study also highlighted that such templates were probably made of rigid material and each one had three different sizes, in order to represent the hierarchical organization of the painted characters. In the past, scholars have demonstrated that templates were used to realize a number of Etruscan wall paintings. However, they had reported that only whole figures were reproduced. The notion that such templates consisted of single anatomical parts purposely created to portray figures in different poses never occurs in their studies. In fact, the use of modular templates, also called patroni and antibola, is acknowledged only from the Middle Ages onwards both in western and eastern art. Earlier evidence had never been found. This article aims to predate the use of modular shapes by about ten centuries, thus changing our knowledge of technologies whose tradition spans from the Classical Antiquity to the Middle Ages. Consequently, a new approach to the study of transfer techniques of preparatory drawings in Etruscan wall paintings is established. Furthermore, this article shows that, as in the Middle Ages, the size of such templates was scaled up or down to create hierarchies among the painted characters. 相似文献
10.
ABSTRACTThe preservation of artefacts in museum collections is profoundly affected by fluctuations in temperature and, especially, relative humidity (RH). Since the late nineteenth century, many studies have been carried out on the best way to control hygrothermal conditions. In old buildings located in maritime temperate climate zones (such as Portugal) with strong thermal inertia, and which have low ventilation rate (relative to the volume and number of visitors), daily and seasonal hygroscopic inertia may help to assure the maintenance of RH stabilization conditions. The use of expensive active systems may be minimized through the passive behaviour of internal finishing building materials. This work presents the results of an experimental laboratory study conducted in a flow chamber to demonstrate the enormous potential of hygroscopic materials in stabilizing interior relative humidity. Based in these results and in-situ monitoring in a museum housed in a building, located in Porto, with a typical construction of the 1950s (granite masonry and reinforced concrete slabs), a numerical analysis was done to quantify the influence of hygroscopic materials in stabilizing the interior relative humidity. 相似文献
11.
《文物保护研究》2013,58(2):44-108
AbstractThomas Bardwell (1704–67), an English portrait painter, wrote a technical treatise entitled The Practice of Painting and Perspective Made Easy which was published in 1756. The section on painting deals exclusively with the oil technique and may be considered one of the most original productions of its kind written in England. A total of 153 paint samples were taken from 15 of Bardwell’s paintings dating between 1740 and 1766, the better part of his active career. Through cross-sections, and likewise numerous analyses, made from these paint samples it was possible to reconstruct Bardwell’s actual practice. This in turn could be compared with the suggested technique as explained in his book. Bardwell’s actual practice follows his written advice rather closely; however, in general it was discovered to be less complicated. 相似文献
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13.
《文物保护研究》2013,58(4):198-201
AbstractAn improved technique for the accurate reassembly of large plaster piece-moulds made in the field is described. The proposed method relies on the construction, within the main mould, of supporting detachable plaster arches which are accurately surveyed and planned in situ and subsequently easily reassembled prior to the making of the final cast. 相似文献
14.
《Communication monographs》2012,79(4):457-478
ABSTRACTHigh-choice media environments allow people to cocoon themselves with like-minded messages (confirmation bias), which could shape both individual attitudes and perceived prevalence of opinions. This study builds on motivated cognition and spiral of silence theory to disentangle how browsing political messages (both selective exposure as viewing full articles and incidental exposure as encountering leads only) shapes perceived public opinion and subsequently attitudes. Participants (N?=?115) browsed online articles on controversial topics; related attitudes and public opinion perceptions were captured before and after. Multi-level modeling demonstrated a confirmation bias. Both selective and incidental exposure affected attitudes per message stance, with stronger impacts for selective exposure. Opinion climate perceptions mediated selective exposure impacts on attitudes. 相似文献
15.
ABSTRACT This study investigates the impact that pre-tests have on the effectiveness of library instruction when students are given feedback on their pre-test performance. Librarians and academic faculty partnered to measure library instruction outcomes in two Master's degree classes. The Research Readiness Self-Assessment (RRSA) was used as a pre-test (before instruction) and a post-test (after instruction) in Class 1 and as a post-test only in Class 2. Students who completed both tests performed significantly better on a post-test, earning higher scores on obtaining information and overall information literacy. They reported greater library/research experience and less reliance on browsing. Compared to students who did not take a pre-test, students who received pre-test-based feedback had higher scores on library/research experience and lower scores on reliance on browsing. To enhance the effectiveness of library instruction, students can be given pre-test-based feedback that compares their actual and perceived literacy and encourages the use of library databases. 相似文献
16.
Charles B. Moore 《广播与电子媒介杂志》2013,57(4):387-396
In this time of increasing pressure against incumbent licensees at renewal time, all aspects of the renewal process have come into sharper focus and importance. One topic of special interest has been the licensee's “Ascertainment of Community Needs”; section of his renewal form. Hoping to make the process more realistic, the FCC issued revised guidelines on the ascertainment process early in 1971. This issue of the Journal offers four articles exploring the present status of ascertainment, beginning with this overview of a sample of western television licensees which compares ascertainment filings in 1968 (before the FCC Primer) and 1971 (among the first filed afterwards) and demonstrates that the new FCC policy is having a telling effect. Dr. Joseph Foley is assistant professor of speech communications at Ohio State University. 相似文献
17.
Jessica A. Nodulman 《Communication Teacher》2019,33(1):11-15
Using the philosophy of mindfulness is an innovative way to teach about perception. By participating in a mindfulness awareness practice, engaging in an activity with all your senses and being in the moment without judgment, students learn about the concepts of perception and mindfulness; analyze their personal perception process before and after the activity; and reflect individually and in group discussion on how mindfulness can change the perception process.
Courses: Any course where perception and the perception process are taught including: Introduction to Communication, Interpersonal Communication, Intercultural Communication, and Health Communication.
Objectives: Students will (a) learn about the concepts of perception and mindfulness, (b) apply their knowledge by participating in a hands-on mindfulness awareness practice, (c) analyze their personal perception process before and after the activity, and (d) reflect individually and in group discussion on how mindfulness can change the perception process. 相似文献
18.
《文物保护研究》2013,58(3):165-184
AbstractThis study investigates the effects of a selection of alkaline reagents, including solutions, pastes and soap gels, used to remove an artificially aged mastic film applied over a primed canvas. Surface changes were examined using visible light and scanning electron microscopy (SEM). Ammonia, whether in solution or gelled with hydroxypropylmethylcellulose (HPMC), required a pH of 10 or higher to remove varnish at an appreciable rate, whereas ammonia in wax paste worked at pH 9. Soap gels based on deoxycholic acid (DCA) were effective at pH 9·5. The rate of removal increases significantly with the addition of benzyl alcohol, while anthracene-9-carboxylic acid (A9C) and 9-fluorenone-4-carboxylic acid (9FOC) soap gels of pH 7·9 worked quickly without the addition of alcohol. Where reagents with a pH of more than 9 were used, some erosion of the priming was observed under SEM. Examination of the topography of residual varnish after treatment and Fourier transform infrared spectroscopy (FTIR) measurements provided evidence in support of models for the mode of action of reagents and soap gels on aged varnish. Ammonia, whether in solution, gel or paste, removes varnish by fracturing on a multi-molecular scale; soap gels not -specifically tailored to remove the varnish act similarly. A9C and 9FOC gels remove the varnish by thinning from the upper surface without fracturing. 相似文献
19.
《文物保护研究》2013,58(3):209-216
AbstractMost artworks require a stable microclimate and a field study has been undertaken to understand the environmental risks in a mountain church that is heated once a week. The church was selected on the basis of the artworks present and the existing heating system: a hot-air system which is popular due to its low cost and rapid response. The heating system is switched on only during the liturgical services and generates rapid temperature and humidity changes which, in the long run, are very damaging. The temperature stratification leaves people with their feet in cold air, whereas the air in the upper levels is too hot and dry. Moisture condenses on the cold walls. Deliquescent salts in masonry and frescoes undergo dangerous crystallization cycles. Wooden artifacts contract and expand in line with humidity cycles. Deposition of candle and incense smoke is increased, darkening the artworks. The paper discusses these problems, some common errors, and possible methods to mitigate the risk factors. 相似文献
20.
ABSTRACTThis work presents a study of samples of the mural painting The Allegory of the Industrial Development of São Paulo (Alegoria ao Desenvolvimento Industrial Paulista), made in the city of São Paulo, Brazil, by the artist Fulvio Pennacchi. Using transmitted light petrographic microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry, and X-ray fluorescence, the stratigraphy, the textures, the mineralogy, and the chemical compositions of the mural were established; therefore the painting techniques, pigments, and materials applied by the artist were identified. The mural was painted with the fresco technique and variations. This technique involves the use of materials of mineral origin, both in the support and for the pigments. About the artist’s relevance, Fulvio Pennacchi is considered an important muralist of his time, being one of the pioneers in the production of frescoes in Brazil. The mural, measuring approximately 11?×?6?m, painted in 1954, was removed from where it was originally made, in consequence of a fire that affected the place. Specialized engineers transported it, and today it is stored awaiting restoration. The data presented here can support the process of restoration of the mural, as well as contribute to the improvement of protocols for the analysis of works of art, and to the historical record of mural painting techniques over time. 相似文献