共查询到20条相似文献，搜索用时 15 毫秒
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The38-year-oldZhouXiaolinhaseyesforscenicbeauty.Withacollegedegreeinhistory,helovestotravel.HeusedtobeatourguideforyearsandoneofthetoptenmodelguidesinSichuanProvince.Helovestodiscovertheunknownbeautynaturehidesinthewilderness.Heisgoodatdiscoveringwellhiddennaturalfascinations.Andhehasthecouragetogoallthewayinordertomakeimportantdiscoveries.Zhou'sdesiretofindnaturalbeautywasprovokedbyhischanceencounterwithamid-agedmaninamountainwhenhejuststartedworkingasatourguide.Hemetthefarmeronhiswaydownf… 相似文献
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In order to make a program called DreamsCome True to be aired on February 11 onOriental TV, two leading actresses and theplaywright of the Dreams of Red Mansion wereinvited to a talk show. They talked about thingsmost people didn't know in the past. Xu Yu… 相似文献
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Year 2004 is the Year of the Monkey in theChinese lunar calendar and it marks the busiestyear for China's busiest Monkey King: six-year-old kid junior. He was so busy that I did not seehim in his home in Shanghai till he finished hiswork as the Monkey King in two spring festivalgala celebrations. Six-year-old kid junior is hisstage name marking the year when he startedhis acting career at age 6. When I finally metthe famed Monkey King, he was dressed inbright red all over. He explained, … 相似文献
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Li Tiefu's unique position in China's oil painting history is testified by An Anthology of Best works of the 20th Century Oil Painting Exhibitions of China. Li's masterpiece, An Unfinished Portrait of An Old Man, is in the first page of the authoritative collection.Li Tiefu was the first Chinese painter who went overseas and studied Western oil painting. He lived in Britain, the United States and Canada for over 40 years in pursuit of the Western art. In order to absorb the essence of the Western art, he followed several masters and devoted himself to the study for more than 60 years. In order to put all his heart and soul into the painting, he never married. 相似文献
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The Church of the Maddalena was built between 1763 and 1778 by Tommaso Temanza. The building has a central plan and is surmounted by a copper-covered brick masonry dome. The conservation work conducted on the façade has highlighted the superb quality workmanship of the Istrian stone surfaces, which feature extremely fine grain, perfectly regular tooth-chiselling. This finish has led, however, to very specific conditions of decay and laser treatment provided appreciably better results than traditional chemical and mechanical methods. In addition to laser, however, other methods of cleaning were used in order to find the best response to each of the various situations encountered. Indeed it should be emphasized that in restoration it is often appropriate to exploit the potential of several systems, combining their action on the basis of careful preliminary analyses. 相似文献
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Luoyang in central China’s Henan Provinceis where the Eastern Zhou Dynasty(770-256B.C.)once prospered and ruled the large empirefor 515 years.In Luoyang’s history of severalthousands of years,altogether 12 dynasties chosethe city as their capitals.Of the 12,the EasternZhou enjoyed the longest rule there. In 2002,the city government decided tobuild a landmark square in the center ofdowntown.Before construction work began,archaeologists dug into the site to see if there 相似文献
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~~Hall of Fame in a NamelessTownHall of Famein a Nameless Town@David 相似文献
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Yiwu, in central Zhejiang, is a major domestic and international trading center of commodities in the country. Over 6,000 merchants from more than 100 countries and regions now work in Yiwu. Some have bought houses and cars there. Some live in rented apartments. Local people call communities where foreigners live together UN communities. 相似文献
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Colin Davis 《Culture, Theory & Critique》2013,54(1):77-89
The worlds of the living and the dead might seem irrevocably cut off from one another. Nevertheless, an important strand of modern thought attempts to find some form of intelligibility emanating from the dead. Paul de Man's discussion of prosopopoeia suggests the possibility of giving voice to the dead, though this turns out to be a form of delusion inherent in language. Emmanuel Levinas, arguing against Heidegger, seeks to maintain a relationship with the other beyond death, and Giorgio Agamben tries to find meaning in the silent testimony of victims of the Holocaust. This article examines these various attempts to mediate with the dead and suggests that it may be impossible to eliminate the risk of imposing our own words on those who cannot speak. However, a readiness to be surprised by unanticipated meanings may be the necessary condition to finding signifying sources outside ourselves. 相似文献
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Francisco Javier Blasco-López Francisco Javier Alejandre Sánchez 《Journal of Cultural Heritage》2013,14(2):169-173
Plasterwork, a very typical element of Islamic art, comprises highly artistic decorative elements on wall, arches, and vaults. Due to their gypsum composition, such elements are easily weathered, primarily because of low mechanical strength and slight solubility in water. This work has studied the traditional Islamic plasterwork in the halls and patios of the Mudéjar Palace (13–16th centuries) in the Real Alcázar of Seville. This palace complex was declared a World Heritage Site by UNESCO in 1987. The analysis of its porosity and shore C surface hardness has allowed determination of the mathematical correlation between them. Consequently, future evaluations can merely measure the hardness (a non-destructive test) to estimate the plasterwork's porosity (which reveals its mechanical strength and its degree of weathering). These elements must be maintained in order to prevent the spread of pathologies. In addition to requiring an in-depth knowledge of its materials, application techniques, and properties, to do so also demands simple techniques for regular assessments and criteria to prioritize interventions if they become necessary. 相似文献
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Although economies of scale are relatively well studied in the arts, economies of scope have received less attention. Yet recent trends toward freelancing and technological connectivity make scope economies especially timely in addressing structural challenges to artist-led incubators. This paper offers a conceptual framework for cooperative strategies that employ economies of scope both in the economic sense of joint production and in the financial sense of risk pooling. This framework distinguishes franchise, federation, and resource-sharing organizational structures as developed through case studies of two US-based organizations: ArtBuilt and REC (Resources for Every Creator), placed in a larger context of cooperative organizational strategy in the USA and Europe. The proposed strategies of cooperative networks (quasi-franchises, federations, or resource-sharing networks) also draw on a literature of spatial agglomeration in creative industries. The framework leads to more speculative ideas of “balance-sheet philanthropy” through credit backstopping by foundations, and of novel investment trusts that can be piloted across a range organizations including foundations, grant-makers, artist residency programs, and even for-profit companies engaged in reinsurance. The paper contributes managerial tools and strategies for the creative engagement of capacity building in arts organizations.
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Many Chinese characters hold archaeological information on the earliest development of Chinese ancient civilization. 城市: stands for a city in Chinese.By looking at implications of these and other related Chinese characters, we can have a rough idea of what a city was in ancient China.In the history of China, a city is called a state, represented by 国 in Chinese. The 相似文献
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The objective of this paper is to balance two major conceptual tendencies in science policy studies, continuity and discontinuity
theory. While the latter argue for fundamental and distinct changes in science policy in the late 20th century, continuity
theorists show how changes do occur but not as abrupt and fundamental as discontinuity theorists suggests. As a point of departure,
we will elaborate a typology of scientific governance developed by Hagendijk and Irwin (2006) and apply it to new empirical material. This makes possible a contextualization of the governance of science related to
the codification of the “third assignment” of the Swedish higher education law of 1977. The law defined the relation between
university science and Swedish citizens as a dissemination project, and did so despite that several earlier initiatives actually
went well beyond such a narrow conceptualisation. Our material reveals continuous interactive and rival arrangements linking
the state, public authorities, the universities and private industrial enterprises. We show how different but coexisting modes
of governance of science existed in Sweden during the 20th century, in clear contrast with the picture promoted by discontinuity
theorists. A close study of the historical development suggests that there were several periods of layered governance when
interactions and dynamics associated with continuity as well as discontinuity theories were prevalent. In addition, we conclude
that the typology of governance applied in the present paper is fruitful for carrying out historical analyses of the kind
embarked upon in spite of certain methodological shortcomings. 相似文献
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Minerva - While interdisciplinarity is not a new concept, the political and discursive mobilisation of interdisciplinarity is. Since the 1990s, this movement has intensified, and this has affected... 相似文献
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《Journal of Cultural Heritage》2014,15(5):522-527
A new possible methodology for recognizing the nature of gypsum in artworks, in particular for wall paintings, was developed. Calcium sulfate can be an alteration product of the calcium carbonate, or a component used by the Artist himself; the problem of identification of the presence and the nature of gypsum could be found detecting the presence of strontium. This element could be used as a marker since, differently from the alteration form, in mineral gypsum simultaneous presence of calcium and strontium occurs. The correlation between these two elements may be recognized using non-invasive in situ X-ray fluorescence measurements. In the present work, we tested this occurrence in various mineral samples of gypsum and alabaster as well in tempera, fresco and Egyptian paintings. Considering the new possible role of strontium indicating the presence of natural gypsum, we expect to provide a valuable tool for conservation scientists, restorers and art historians. 相似文献
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Anna Worobiec Lucyna Samek Agnieszka Krata Katleen Van Meel Barbara Krupinska Elżbieta Anna Stefaniak Paweł Karaszkiewicz René Van Grieken 《Journal of Cultural Heritage》2010,11(3):354-359
Historical buildings and castles that have been turned nowadays into museums, as an exhibition area for precious cultural heritage (CH) items, need more attention since they are CH objects by themselves. Moreover, the preservation techniques require often, significant interventions; however such changes are not always possible or are very limited. The aim of the present study was to investigate the influence of outdoor air pollution on the composition of particulate matter and gases inside the museum of Wawel Castle in Cracow, Poland. During this study a combination of micro and trace analysis techniques were applied, including energy dispersive X-ray fluorescence (EDXRF) and electron probe microanalysis (EPMA). An intensive transport of air pollutants coupled with accumulation of the particles inside the museum was noticed (considerably higher in winter than summer). A high content of carbon and organic matter agglomerated with inorganic particles was determined. Those particles are of special concern because of their adhesive properties and reactivity. It was also noted that the conditions inside the museum favour the reaction of the particles with gaseous pollutants. It was especially the case for nitrate particles. 相似文献