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1.
ABSTRACT

This article proposes a triple legacy of the expressive culture of the 1960s and 70s. Late twentieth century feminism, discourses of gender equality and the advent of modern confessional culture liberated women’s women’s voices, producing self-realising narratives and a shift in women’s facility to produce authentic ‘reflexive projects of the self’. Drawing on oral history interviews with women born in the 1940s in the United Kingdom, Australia and North America, a new concept for a distinct genre of women’s oral history narrative is advanced– the feminography – in which we hear women owning their voices and the stories those voices tell.  相似文献   

2.
ABSTRACT

This article studies the Nazis' enthusiastic embrace of theatre in the period before and during the Second World War, and places this in a longer tradition of political power and the theatre in Germany. It argues that Hitler, Goering and Goebbels oversaw a ‘restoration’ of German theatre in the later 1930s, aiming to restore the emotional link between audience, Kultur and nation, for their own political purposes.  相似文献   

3.
Abstract

This article presents a new analysis of representations of T. E. Lawrence to explore how the media created celebrity identities in interwar Britain. Examining his appearance in seventeen national newspapers and in newsreels between 1919 and 1935, it shows how earlier press depictions that borrowed from Lowell Thomas’s portrayal of him as the mythical ‘Lawrence of Arabia’ were disrupted by a nascent media-driven celebrity culture which aimed to uncover intimate details of the lives of the so-called ‘real’ people that were believed to exist behind the outward personae of the famous. By the late 1920s, the press’s attention had switched from Lawrence as an imperial adventurer to focus on the intensely private man who lay behind the public image of the ‘Blonde Bedouin’. This shift in emphasis denoted a significant change in the way celebrities were presented by the news media in interwar Britain. Journalists intensified their exposure of celebrities’ private lives to amplify the empathetic connection between the public and the famous at a time when new modes of self-fashioning were configured through expression in private, domestic life. This shift was also informed by growing anxieties regarding how public figures communicated their social authority to the new audiences of the interwar mass media, newspapers and newsreels exposing famous people’s private lives to generate emotional connections with members of the public which would strengthen concepts of social leadership and trust.  相似文献   

4.
This article examines how marital violence was articulated in and around particular places, spaces, and objects, to reveal the tensions embedded in the physical structure of the household and its control. It also demonstrates that space and objects shaped marital violence both as an idea and an act and did ‘emotional work’ in the sense that they operated upon people’s emotions and behaviour. Finally, it argues that an imagined material culture of marital violence contributed to the construction and maintenance of class stereotypes.  相似文献   

5.
ABSTRACT

This article critically engages with a contemporary play, Aur Kitne Tukde, staged in the Hindi language in various cities and towns in India and Pakistan, about gendered violence during Partition. It unsettles the master narrative of ‘honour’, ‘martyrdom’, ‘choice’ and women's ‘agency’ on Partition. The article also highlights the significance of the play in breaking the silences around Partition in the theatre, which, as compared with other cultural and literary mediums, reaches out to a larger section of people in unique ways. It underlines how the whole production of the play was a process of traversing and sharing the journey and trauma of Partition not only for the actors but also for the audiences. The article also tries to problematize the whole question of violence and its representation.  相似文献   

6.
ABSTRACT

This article examines various reactions to new forms of dance music and dance in Britain during the 1920s. It shows how these new cultural forms were part of broader social and economic changes, and notes how they are seen to represent a considerable break with previous cultural forms. In particular, such changes have been seen as symbolic of the widespread ‘Americanization’ of British culture. This article questions the degree to which this was true. It thus examines attempts by ‘professionals' to fashion ‘British’ versions of both dance music and social dances. In addition, it examines how audiences resisted and exacerbated these developments.  相似文献   

7.
ABSTRACT

This article explores the experiences of nineteenth and early twentieth century Indigenous and Euroamerican men who worked as guides in the Adirondacks for urban, upper-class sportsmen. It also examines entanglements between Indigenous and non-Indigenous Adirondackers in work and family contexts. The results create a complex understanding of the term ‘Native’ there as outsiders combined the two inhabitants to describe their wilderness vacation. This article argues that scholars who study the history of Indigenous societies should consider rural and urban culture alongside ethnicity, class and gender as important categories of analysis, especially in the nineteenth century and later.  相似文献   

8.
Abstract

This article examines the strategies and tactics of surveillance that were used by Manchester City Police in relation to anxieties about gender, sexuality, juvenile delinquency and drugs misuse in post-war England. In the early 1960s the members-only ‘coffee beat club’ became a target of police activity, resulting in a series of raids, minor prosecutions and the intensification of the licensing laws. Commenting on the relationship between police culture and youth culture, including the leisure practices of adolescent girls, this article argues that the targeting of the ‘coffee beat club’ became a motif for the defence of an older imagined social order.  相似文献   

9.
Abstract

This paper not only gives an overview of the transgender word in contemporary Japan but also attempts to illustrate the male to female cross‐dressing (MTFCD) community in Shinjuku, Tokyo, which plays an important role in the overall transgender world and how people in the community think and live, by conducting comprehensive fieldwork. The MTFCD community consists of amateur cross‐dressers and their patrons, and it is formed around about ten bars/clubs in Shinjuku. This community differentiates itself from the gay community in their customs and consciousness; they tend to recognize gender based on gender performance rather than biological sex, which is usually accepted for distinguishing sex. Therefore, a MTF cross‐dresser with feminine performance is considered as a ‘woman,’ regardless of one’s physical and biological conditions. Because of this recognition of gender based on gender performance, people in the community are able to develop the ‘quasi‐heterosexual’ relationships as men and ‘women.’  相似文献   

10.
ABSTRACT

The present article uses Nell Dunn's Up the Junction (1963) to explore class, gender and the city in the 1960s. It focuses on three elements: the book's representation of post-war, urban working-class identity; the place of gender and sexuality within that representation; and, finally, Nell Dunn's own position as a middle-class observer. It argues for the continuing relevance and dynamism of class as a social referent in post-war, ‘affluent’ Britain. The article also explores the meaning of ‘slumming’ in the context of the mid-twentiethcentury city, against the background of ‘affluence’ and the emergence of the ‘permissive society’. What becomes particularly apparent in both contexts is the importance of femininity and female sexuality in the representation of mid-twentieth-century London, whether in terms of the portrayal of working-class women or the position of the middle-class author.  相似文献   

11.
ABSTRACT

This article reconsiders Peter Mandler’s essay ‘The Problem with Cultural History,’ and the complexities of locating evidence of culture’s impact upon ordinary people, or ‘throw.’ A brief examination of the history of market research and public opinion surveys in the 20th century offers important lessons for the cultural historian faced with locating and interpreting evidence of audience response that is either rarely there, or more disturbingly, rarely meaningful by our current standards of interpretation. Ultimately this paper asks of my fellow cultural historians: Does culture matter as much as we cultural historians want it to?  相似文献   

12.
ABSTRACT

This article tracks the development of French social history from its Labroussian origins through to the uncertainties that beset the subject in the 1970s and 1980s, and the call for a tournant critique (‘critical turning point’) in response to the conceptual challenges to its traditional methodological approaches. It then describes the responses that emerged in the wake of the tournant critique, as social historians attempted to renew their field. Instead of pursuing the debate about whether ‘class' or ‘order’ was a more useful category of analysis for early modern historians, French social historians have attempted, like their colleagues in the social sciences, to make the individual rather than collectivities the central focus of their research. The article outlines three approaches which try to capture the agency of individuals: prosopography, micro-history, and network analysis. Finally, the article makes the case that longitudinal studies can provide a means through which social history's traditional concerns with explaining the ‘social’ can be met whilst not losing sight of the exciting questions posed by cultural history in the last two decades.  相似文献   

13.
ABSTRACT

This article examines the narratives of three political prisoners transported to New South Wales and Van Diemen's Land: the French-Canadian François-Xavier Prieur, the American Linus Miller, and the Irishman John Mitchel. It shows that the three ‘politicals’ sought to portray the suffering of political convicts as greater than that of the convict majority, from which they distanced themselves in terms of class, piety and honour. It also demonstrates how the three men critiqued the British Empire and the convict system in Australia, how they wrote (in some instances, re-wrote) their lives for their audience, and how they defined themselves in the convict colonies.  相似文献   

14.
ABSTRACT

This article reveals the role of volunteers in the British government’s campaign to increase recycling during the Second World War. It uses their experience to deconstuct the idea of a 'people's war', showing how this concept was invoked in several different ways. The article demonstrates that voluntary recycling schemes were led from the bottom-up, shifted the balance of power between private citizens and local authorities, and highlighted difference based on age, socio-economic status, gender, and geographical location. It concludes that official appeals may have invoked the ‘people’s war’, but the way that these messages were received was of most importance.  相似文献   

15.
ABSTRACT

The protests of ‘1968’ are a powerful symbol of generational belonging and central to Germany's collective memory. The so-called ‘68ers’ have been transformed into a mythical yardstick of what constitutes a generation. Yet few people thought of themselves in this way in the late 1960s: the idea of the ‘68er’ only emerged from complex and often retrospective processes of generational building, which this article investigates. It is shown that such age-related affinities were not confined to members of the West German Left. Two alternative generational narratives that emerged out of the late 1960s are examined in this piece: those of the West German moderate right-wing ‘counter-generation’ and of the ‘East German 68ers’. The antagonistic character of the West German events and the subsequent public projection of left-wing activists as a ‘generation’ mobilized their political contemporaries and led to a growing desire to collectivize their experiences in their turn. East Germany's ‘1968’, on the other hand, may have been far less iconic than the West German revolt, but former East German activists have also given their memories generational form, particularly since the 1990s. This article addresses these manifold processes of generation building to show that they have much to reveal about how activists—and those who observed them—made sense of the events of 1968 and about how different groups mobilized the idea of a generational experience politically to powerful effect in the years that followed. We are not dealing with a single and monolithic generation of 1968, but with more diverse communities of German ‘68ers’.  相似文献   

16.
ABSTRACT

The article explores the nature of popular fears during the early years of the People's Republic of China by examining two types of rumour: those of a ‘secular’ type that told of China's defeat in the Korean War, a third world war or an imminent nuclear attack; and those of a ‘supernatural’ type that told of demons out to snatch vital organs or the end of the world. These rumours testified both to the resilience of ancient cosmological beliefs and values and to their capacity to fuse with elements of ‘modern’ politics. The article asks what they tell us about the relationship of the party-state to the populace.  相似文献   

17.
ABSTRACT

Migrant assimilation into host societies has been the subject of intense theoretical debate, but the applicability of the resultant modelling to historical data is unclear. This article addresses that lacuna through a case-study of the assimilation trajectory of one Scottish family, the Monros, in England in the century after 1690. The Monro experience suggests that ‘classic’ assimilation modelling remains a useful, if imperfect, conceptual tool. At the same time, it acts as a counter-point to historiographical narratives about the rise of ‘Britishness’, since the main loci of this family’s identity were successively Scottish and English, but never ’British’.  相似文献   

18.
Abstract

In this article, I would like to focus on an analysis of internal logic of the ‘Haruki phenomenon’ as a symptom in current East Asian public culture. In particular, I will discuss how Haruki searches for the healing method for the ‘60s complex’ among Japan’s ‘Sixties’ Kids,’ including Haruki himself, through an analysis of his novels Norwegian Wood (2000[1987]) and Kafka on the Shore (2005[2002]). In the process of analysis, we can witness that Haruki abandoned his task of ‘reconciliation with the 1960s’ through faith, rather than facing it directly, and fiznally stripped the 1960s of historicity and reality. He regarded the ‘reconciliation with the 1960s’ as something beyond an individual’s ability. Transforming the 1960s from a history of postwar Japan into an object of abstract and universal nostalgia, which is closed to the present, Haruki effectively met the latent desire of the East Asian people, who were experiencing the dissolution of their ideologies, at the right time. This is the essence of the Haruki phenomenon that emerged in East Asia over the last decade. I use the phrase ‘nostalgia that lost its nationality’ to describe the uncanny cultural phenomenon of East Asian readers longing for the 1960s pictured in Haruki’s novels as if this were their own past, despite their very different national memories. Nostalgia, a cultural symptom of the postmodern society, where remembering the nation’s past totally is impossible, is a blank imitation deprived of its original source. In short, the substance of the Haruki phenomenon is nostalgia that developed from a desire to forget the traumatic memories of the national histories in individual East Asian countries.  相似文献   

19.
ABSTRACT

This article seeks to place the debate about affluent working-class people in the inter-war and post-war periods within the broader context of long-term economic and social change. It explores why important structural changes were ignored for a long time, and how they came into view as the focus of professional social inquiry shifted following the Second World War, only to be reconceptualized as a new ‘social problem’ in the politically driven controversy about ‘affluence’ in the late 1950s. The article argues that we need to pay more attention to the gulf between official and vernacular understandings of social class in twentiethcentury Britain, drawing a distinction between everyday usage and professional languages of class.  相似文献   

20.
Abstract

Reflecting on a personal experience of ‘pre‐professional’ university education and reluctant engagement with Cultural Studies as an academic project, this article examines the now ambiguous role of undergraduate education under neo‐liberal management regimes. Arguing that a ‘new class politics in knowledge’ is emerging with the transnational policy‐sharing and international student exchange schemes with which diverse governmental cultures are responding to globalization, Morris suggests that the undergraduate classroom is becoming a ‘frontier’ of struggle over the future. Teaching cultural studies to undergraduates in a liberal arts environment is one way in which the discipline's emphasis on local knowledge can be put to institutionally creative uses.  相似文献   

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