共查询到20条相似文献，搜索用时 31 毫秒
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Data on everyday music listening obtained via the Experience Sampling Method indicated that selection method was related to liking for and emotional response to the music, attention paid to the music, and perceived consequences of hearing the music. Individual listener's characteristics (e.g., age and level of engagement with music) were associated with selection behaviors. Negative effects resulted when individuals perceived they did not have control over music selection. In contrast, possessing control led to positive consequences such as enjoyment and motivation. These results indicate that control is an important aspect of one's everyday music experiences. 相似文献
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Lukasz Szulc 《亚洲交流杂志》2015,25(6):551-566
In this paper, we analyze the Turkish film Zenne Dancer (2012), which is largely based on what has been called a first gay honor killing in Turkey. We employ a framing analysis to both the film's content and its Western reviews to compare how different media texts frame the murder. The results indicate that while both the film and the reviews recognize tradition, understood here as native and archaic values as well as Islamic religion, as a key factor behind the murder, they locate this tradition quite differently: the film relegates it to the eastern Turkey, and thus implicitly to Kurds, while the reviews tend to extend it to the entire country or even the whole Middle East. We relate these results to the Western progressive narrative that positions the West as a civic and moral ideal that could be achieved by others over time. In particular, we employ Puar's concept of homonationalism to show how different media texts challenge or exploit the Western imperative to ‘come out’ and what effects it has for the East–West juxtapositions. 相似文献
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Graham D. Bodie Michelle E. Pence Michael Rold M. Daniel Chapman Jamie Lejune Lisa Anzalone 《Communication Studies》2013,64(5):528-548
This article explores the relative placement of listening competence within other implicit theories used to form judgments of interlocutor competence. Two studies explore the relations among communicative competence, social skills, and listening competence and various attributes that are purportedly implied by each. Study 1 reveals that very few attributes are uniquely related to any one implicit theory. Study 2 demonstrates that listening competence is located subordinately to communicative competence. The discussion focuses on what these studies add to the competency literature and how future research can continue to explore implicit competency theories. 相似文献
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Pat Gehrke 《Critical Studies in Media Communication》2013,30(3):270-284
–The expansion of social scientific models for controlling crime and deviancy provided the context for both Stanley Kubrick's film A Clockwork Orange and much of Foucault's writing. This essay examines how Foucault's writings and Kubrick's film lay out congruent critiques of social scientific and criminological attempts to define and constitute deviancy and subjectivity. Foucault's texts and Kubrick's film ask us to remember the violence of our everyday existence and to recognize our modern nightmares as portents of what lies along the path that we have followed. 相似文献
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Joshua N. Morrison 《传播与批判/文化研究》2020,17(2):149-165
ABSTRACT In this essay, I theorize the lifestyle celebrity as a figure whose fame is premised on their aspirational status. I offer lifestyle celebrity as a complementary analytic to ordinary celebrity that allows for more precise distinction between celebrity figures. I engage Sofia Coppola's The Bling Ring as a film that positions the desire for lifestyle celebrity as dangerous and irresponsible. I argue that the film places the burden of maintaining a “healthy” relationship with celebrity culture entirely on consumer-participants and affirms the class and gender performance hierarchies that structure the valuation and distribution of lifestyle celebrity. 相似文献
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《Journal of Radio & Audio Media》2013,20(1):118-119
This historical account examines the Federal Communications Commission's investigation and hearings into newspaper ownership of radio stations. The hearing, which lasted from 1941 to 1944, were the opening round in what has proved to be a long‐term concern of the commission—cross‐media ownership in local markets. In the years since the newspaper hearings, the FCC has held to its decision to police cross‐media ownership case‐by‐case with the goal to avoid local monopolies. FCC ridings blocking cross ownership have been argued repeatedly, but the commission's authority has been upheld. Thus the hearings had an important result: The FCC reasserted its responsibility to ensure ownership diversification of broadcast stations. The hearings set the stage for future action by the FCC to police cross ownership, action that has been upheld by the U.S. Supreme Court. 相似文献
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《Journal of Radio & Audio Media》2013,20(1):146-160
Although much of the world basks in the glory of the Internet and availability of competitive media outlets, Africa's media landscape remains bleak. Radio, newspapers, and television continue to be government controlled: Radio's power to reach the masses suggests that many governments may never fully privatize the electronic media. Zambia has experienced growth of private media. Private radio stations in Lusaka have attracted nearly half of the listening audience away from government radio. Listeners rate radio as their most important source for news and the medium is highly regarded for accuracy and fairness. Yet these few private stations lack national coverage and political and economic clout to challenge government broadcasting. 相似文献
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E. Johanna Hartelius 《传播与批判/文化研究》2016,13(2):130-149
Among immigrant rights activists, journalists, and scholars the term “undocumented” has gained support as an alternative to the criminalizing and dehumanizing “illegal.” By contrast, this essay critiques so-called DREAMers' articulation of an “undocumented” subjectivity, arguing that the term, invoking a Weberian bureaucracy, undermines activists' cooptive intent and subversive agenda. To be undocumented in what Robert Hariman calls “a polity of offices,” which privileges the written text, is to be both unintelligible and powerless. These constraints, however, may be circumvented by the use of web-text for mobilization, recruitment, and networking. Informed by Gregory Ulmer's notion of “electracy,” I posit web-text as transitional, potentially capable of contesting the authority of the bureaucracy. 相似文献
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This essay proposes the notion of the “jazz vernacular” as a tool specific to the Creole culture in New Orleans for understanding racial discourses of disposability both geographically and historically. We argue that the jazz vernacular is a discourse structured by musical repertoire. The jazz vernacular provides a channel for the historical pain of the black diaspora by playing in the background, both literally and figuratively, of communication in and about New Orleans. This essay considers Spike Lee's documentary When The Levees Broke to understand how the jazz vernacular frames hurricane Katrina as well as how it frames Lee's film as an intervention into “neoliberal” racial discourses. We argue that Lee's film utilizes the jazz vernacular as a metadiscourse to reinforce the ways in which residents used jazz to restructure cultural memory around the rhetoric of the dispossessed in New Orleans after Katrina. When the Levees Broke uses testimonials and affective communication to structure the narrative of Katrina through elements of the jazz vernacular like: displacement, embodiment, brashness, and improvisation to connect contemporary Creole New Orleanians to a long history of structural oppression and violence. By harnessing performative elements, Lee's film performs a jazz intervention into neoliberal discourses about freedom, defense, safety, and heroism that contrasts these discourses with the despair and the resistance of black America. Consequently, Lee's use of the jazz vernacular relies on native musical culture to recontextualize what neoliberalism had erased. 相似文献
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Eric King Watts 《Critical Studies in Media Communication》2013,30(3):187-206
This essay argues that the semi-biographical film 8 Mile represents Eminem as being both racially distinctive and as possessing universal commercial appeal. 8 Mile accomplishes this paradoxical construction by portraying “Rabbit” as “white trash,” a discursively “dark” (white) object, and as an American mythological white subject. The film makes whiteness hyper-visible by subjecting it to raced and gendered struggles. Through real and symbolic violence, Rabbit battles “dark” villains and grapples with “dark” women, initiating a rite of passage. The film grounds Eminem's hip hop authenticity in Rabbit's discursive darkness, but attaches to this image the marketable allure of mythic whiteness. I conclude by contemplating how the film's conservatism reifies “blackness.” 相似文献
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《Communication monographs》2012,79(3):131-142
The principle of congruity was proposed several years ago as an explanation for certain behavioral changes in communication situations. In this article the principle of congruity is offered as an explanation for attitude change in an oral communication situation. A predictive model is developed, taking a listener's attitude toward the speaker, the speech topic, the speaker's delivery, and the stylistic treatment of the speech topic as the significant variables in determining what the listener's attitude toward the speaker and the speech topic will be after listening to the speech. An experiment to test the predictive model is reported. The results generally support a principle of congruity in this type of oral communication situation. 相似文献
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Casey Ryan Kelly 《传播与批判/文化研究》2013,10(3):240-265
After publishing a controversial essay on 9/11, Professor Ward Churchill's scholarship and personal identity were subjected to a hostile public investigation. Evidence that Churchill had invented his American Indian identity created vehemence among many professors and tribal leaders who dismissed Churchill because he was not a “real Indian.” This essay examines the discourses of racial authenticity employed to distance Churchill from tribal communities and American Indian scholarship. Responses to Churchill's academic and ethnic self-identification have retrenched a racialized definition of tribal identity defined by a narrow concept of blood. Employing what I term blood-speak, Churchill's opponents harness a biological concept of race that functions as an instrument of exclusion and a barrier to coalitional politics. 相似文献
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Dominick A. Barbara 《Communication Studies》2013,64(2):95-98
To listen with attuned ears, we must concentrate on keeping our listening paths open and readied for signals which originate from within ourselves and from others. To do so effectively, it is essential that we sharpen both our “inner and outer ears”; in an effort to remove those distractions and disturbances which interfere with harmonious listening. 相似文献
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Kristen Hoerl 《Communication Studies》2013,64(4):355-370
Spike Lee's film Malcolm X (1992) presented Malcolm X's life story using the narrative framework of the American Dream myth central to liberal ideology. Working from Gramsci's notion of common sense in the process of hegemony, I explain how Lee appealed to this mythic structure underlying American popular culture to give a platform to Malcolm X's controversial ideas. By adopting a common sense narrative to tell Malcolm X's life story, this movie functioned as a form of cinematic jujitsu that invited critical consciousness about the contradictions between liberal ideology and the life experiences of racially excluded groups. Other formal devices in Lee's film incorporated Malcolm X's rhetoric within the common sense of mainstream politics and connected Malcolm X to more contemporary racial struggles. This analysis suggests that common sense framings of controversial figures may provide a limited space to challenge institutionalized forms of racism within popular culture. 相似文献
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张旎 《自然科学博物馆研究》2016,1(4):53-60
儿童博物馆在过去二十年间由于种种原因,并没有在中国发展起来。一些相关的基本问题:“什么是儿童博物馆？儿童博物馆展示什么？为什么需要儿童博物馆？”在中国并不为大众熟悉,也没有受到太多博物馆专业领域人士的关注。本文将从影响儿童博物馆的理论及研究,儿童博物馆与其它场馆的区别,儿童博物馆的教育内容等几个方面来介绍儿童博物馆的核心教育理念。以期通过本文能够把儿童博物馆的精髓呈现出来,让更多的人了解并关注儿童博物馆,为中国儿童教育方式的发展提供一些参考。 相似文献
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《Communication monographs》2012,79(4):428-447
In this essay I use an updated approach to Richard Hofstadter's paranoid style to analyze the contemporary birther movement. While the paranoid style provides a set of characteristics that describes paranoid narratives, it does not account for why some narratives ring true for certain audiences. Thus, in order to explain how and why the birther narrative resonates with a substantial portion of Americans, I argue that the resonance of the birther narrative can be explained through Kenneth Burke's scapegoating process, which activates the conspiratorial story for the birther audience. I use an analysis of a popular birther film, materials on the birthers' website, and media commentary on the group to illustrate this position. 相似文献
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Kathleen Campbell 《Communication Studies》2013,64(3-4):258-268
In The Year of Living Dangerously, the philosophical position that is argued in the film's content is reflected also in the film's form; i.e., the film is an enactment of the argument it makes. Failure to recognize enactment as a viable rhetorical strategy may have led to a failure to recognize the film's rhetorical force. Further study of enactment and its rhetorical effectiveness are suggested. 相似文献
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Interpersonal transcendence is a phenomenon marked by total immersion in an interaction, a deep sense of understanding, feelings of mutuality, new insight, and playfulness. Such experiences can be exhilarating, memorable, and rare. This study examines relationships between various listening dispositions and people’s propensity to experience interpersonal transcendence. Participants (N = 300) completed the Interpersonal Transcendence Scale (ITS) along with the Listening Styles Inventory (LSI), the Active Empathic Listening scale (AEL), and the Listening Styles Profile–Revised (LSP-R). Results indicated substantial relationships between ITS responses and the LSI and AEL. The LSP-R dimensions of Relational Listening and Analytical Listening were also related to ITS responses. Other results indicate that propensity to experience interpersonal transcendence is associated with minority group status and age. 相似文献