共查询到20条相似文献，搜索用时 31 毫秒
1.
《Cultural and Social History》2013,10(3):439-456
ABSTRACTThis article examines various reactions to new forms of dance music and dance in Britain during the 1920s. It shows how these new cultural forms were part of broader social and economic changes, and notes how they are seen to represent a considerable break with previous cultural forms. In particular, such changes have been seen as symbolic of the widespread ‘Americanization’ of British culture. This article questions the degree to which this was true. It thus examines attempts by ‘professionals' to fashion ‘British’ versions of both dance music and social dances. In addition, it examines how audiences resisted and exacerbated these developments. 相似文献
2.
Abstract The embedization of Islam in Malaysia has gone through a long and complex process that involved an interaction with three major world civilizations (Indian, Chinese and European) and two colonial systems (Dutch and British) during which many aspects of its practices were reconfigured. This paper provides a brief critical survey of the evolution of the said embedization process during which Islam and the Muslims in Malaysia were moulded by a series of sociological realities, namely plural society, secularism and modernity. This has resulted, we argue, in the creation of 'moderate' Islam in Malaysia, one that is quite different from the fundamentalist image of Islam profiled in the contemporary worldwide discourse on global Islam 相似文献
3.
《Cultural and Social History》2013,10(2):227-235
ABSTRACTThis article focuses on theatrical representations of India in the late eighteenth and early nineteenth century, with special reference to two stage productions, Ramah Droog (1798) and The Cataract of the Ganges (1823). It argues that whilst the plays may have intended to deploy India as a space upon which to outline a militaristic British national identity and bourgeois gender norms, they in fact reflected contemporary anxieties about the fragility of British imperial masculinity. Moreover, it proposes that though theatre directors sought to impress upon audiences a sense of imperial dominance over the subcontinent through the deployment of visual technologies, such attempts were not wholly successful, with spectators having the capacity to deconstruct the façade that lay before their eyes. 相似文献
4.
Henry Irving 《Cultural and Social History》2013,10(2):165-184
ABSTRACTThis article reveals the role of volunteers in the British government’s campaign to increase recycling during the Second World War. It uses their experience to deconstuct the idea of a 'people's war', showing how this concept was invoked in several different ways. The article demonstrates that voluntary recycling schemes were led from the bottom-up, shifted the balance of power between private citizens and local authorities, and highlighted difference based on age, socio-economic status, gender, and geographical location. It concludes that official appeals may have invoked the ‘people’s war’, but the way that these messages were received was of most importance. 相似文献
5.
《Cultural and Social History》2013,10(4):461-479
ABSTRACTDespite widespread assertions as to the ‘Americanization’ of British culture in the first half of the twentieth century, the true extent of this cultural transfer remains open to question. This article considers what the British people actually knew about ‘America’, its institutions, culture and way of life, in this period through an analysis of coverage of the USA in the British news media (press, newsreels and wireless) in the inter-war years. Specific attention is paid to the attempts of the BBC – in particular through the broadcasting work of Raymond Gram Swing and Alistair Cooke – to provide an understanding of contemporary America beyond the widely cited stereotypes of ‘Chicago gangsters and Hollywood blondes'. 相似文献
6.
《Cultural and Social History》2013,10(1):53-73
ABSTRACTThis article concerns the making of bourgeois cultural identity by way of analysing and comparing the ethos and organization of Leipzig's Gewandhaus and Birmingham's Triennial Festival during the nineteenth century. Whilst the origins of Leipzig's music culture are placed firmly within the emergent tradition of Kantian and Romantic idealism and the eighteenth-century revival of classicism which informed the cultural and educational ethos of the German Bürgertum, the beginnings of Birmingham's music culture are placed within the context of British empiricism. Both are then substantiated through an empirical analysis of concert repertoires, journals, newspapers and attitudes towards conductors and artists. 相似文献
7.
Peichi Chung 《Inter-Asia Cultural Studies》2013,14(3):414-424
ABSTRACT This paper examines the cultural significance of three emerging Chinese kung fu films in their recent box office success in global film market. The paper aims to provide an integrative framework that shows how Hollywood’s global dominance in both film consumption and production contributes to the success of the newly Chinese Kung Fu films. Focusing on marketing strategies of Crouching Tiger, Hidden Dragon, Hero and House of Flying Daggers, this study argues that the economic success of the three films represent further regulation of Hollywood. In production, the NICL thesis is at work with a particular collaboration pattern among the transnational Chinese film talent communities. In distribution and exhibition, this paper contends that global box office achievement fails to contribute directly to any Chinese film industry. Autonomy is seen between Hollywood film majors and Chinese filmmakers when consumption of these films becomes a global phenomenon. 相似文献
8.
Fanny Louvier 《Cultural and Social History》2019,16(5):581-602
ABSTRACTFar from being a trivial detail, clothes fundamentally define who we are and how we are perceived by others. Drawing on a large sample of French and British servants’ memoirs, this article explores how dress served a crucial but contrasting role in the way French and British servants articulated their identities within and outside the home between 1900 and 1939. It argues that servants’ dress was deeply linked to the nature of the occupation in each country and the structure of their respective female labour markets. 相似文献
9.
《Cultural and Social History》2013,10(4):575-583
ABSTRACTThis article examines the intersections of prostitution and race in Cardiff, and shows that racialized concepts of predatory sexuality framed ideas of prostitution in twentieth-century British ports. These were linked to wider concerns over miscegenation in the dockside district of Butetown, a space historically linked to prostitution and seen as distinctly ‘foreign’ and ‘contagious' by the interwar years. These debates were informed by local demographics and geographies, and were dominated by continuities in nineteenth-century ideas over race and sex. This evidence demonstrates the ongoing fractured development of sexual knowledge and ideas of multiculturalism in twentieth-century Britain. 相似文献
10.
《Cultural and Social History》2013,10(3):419-438
ABSTRACTHistorians of nineteenth-century British tea consumption have highlighted the function of the substance as an index of middle-class civility and marker of national identity. In this article, I maintain that concerns about tea drinking were equally prominent throughout the late Victorian period. As medical practitioners increasingly intervened in food matters, apprehension about the physiological and psychological consequences of increasing access to tea in working-class communities proliferated. This pessimistic discourse can be firmly situated in the context of broader debates about national decline, physical and mental deterioration, the subversion of gender roles in the domestic sphere and Imperial expansion. 相似文献
11.
Andrea Major 《Cultural and Social History》2013,10(4):531-549
ABSTRACTImages of maternal distress and maternal deviance were frequently invoked in order to mobilise British women in support of her ‘heathen’ sisters overseas. Yet these accounts were not uniform in their interpretation of Indian maternity, or its relationship to emerging Victorian ideals of motherhood. This paper explores ideas of maternal danger, distress and deviance as they appeared in evangelical and colonial discourses of the late eighteenth and early nineteenth century, revealing complex and ambivalent responses and challenging the idea that Indian woman were simply one-dimensional signifiers of victimhood within gendered constructions of the ‘civilising mission’. 相似文献
12.
《Cultural and Social History》2013,10(1):129-131
ABSTRACTThis article explores the political, economic, media and social reactions to the Sex Pistols' Anarchy Tour of December 1976. A critical reading of the sociological concept of ‘moral panic’ is used to examine the ways in which responses to the Sex Pistols were related to the notion of post-war decline, immorality, delinquent youth and the changing nature of the British working class. The responses to the Anarchy Tour constitute a further episode in the cycle of ‘moral panics' that emerged in British society in connection with the development of youth culture, juvenile delinquency and popular music. The exploration that follows posits the view that although ‘moral panic’ is useful for understanding particular aspects of popular music, it also conceals the complexity of the differing responses of political/social groups to the appearance of such phenomena. The article also forms a critique of recent revisionist characterizations of Britain in the 1970s. The ‘moral panic’ surrounding the Sex Pistols was in part ‘socially constructed’ by the media, yet reactions by trade unionists, students, feminists and socialists show that concerns about British society in 1976 were not confined to religious pressure groups, conservative media commentators and political elites. 相似文献
13.
Marcus Morris 《Cultural and Social History》2013,10(3):315-330
AbstractNew political histories of late nineteenth-century British political culture have closely analysed the role of language and rhetoric in popular politics. The focus on the content of political messages has meant that the ways such messages were communicated has often been overlooked, as have the varied forms of political communication in the period. This article follows on from recent work that has sought to examine the place of material and visual culture in popular politics in the period. In particular, it focuses on the links between dress, class and politics. It suggests that visual, along with material, forms of political communication remained important and that they illuminate the political culture of the period. 相似文献
14.
《Cultural and Social History》2013,10(1):47-64
ABSTRACTThe family was a subject of prime importance to sociologists in the post-war period. Married life was one of the principal themes of British social surveys and community studies undertaken at this time. This article investigates the limitations associated with these contemporary analyses and how they can be explained. It will examine the relationship between the studies' findings and contemporary social developments, the variations in married life, and how the researchers' accounts related to their wider aims. It will conclude that such studies were more a product of the optimism of the post-war period than prompted by patriarchal beliefs. 相似文献
15.
《Cultural and Social History》2013,10(4):513-530
ABSTRACTThis article examines experiments in communal living in Britain and Denmark in the early 1970s, using life-story interviews from seventeen members of two British and two Danish communes. It examines communal living as a fusion of radical political principles with the practice of experimental collective living. It concludes that the movement's egalitarian principles of resource-sharing, gender equality and the avoidance of hierarchies were broadly achieved, even if the movement obviously did not realize its more ambitious objective of undermining the bourgeois family. Though none of the interviewees lives communally now, most remain faithful to the principles behind the movement. 相似文献
16.
Chris Renwick 《Cultural and Social History》2019,16(1):13-28
ABSTRACTThe enthusiasm for creating new histories of social mobility has grown at a moment when sociologists in Britain have been engaged in a high-profile project to update the models of class they have used for more than 50 years. These endeavours share the same intellectual ambition: to show class and social mobility are multi-dimensional phenomena. However, as this article shows, these developments recall the infancy of British social mobility research, during the first three decades of the twentieth century, when the relationships between disciplines, institutions and ideas had yet to take the shape we now recognise. 相似文献
17.
ABSTRACTMigrant assimilation into host societies has been the subject of intense theoretical debate, but the applicability of the resultant modelling to historical data is unclear. This article addresses that lacuna through a case-study of the assimilation trajectory of one Scottish family, the Monros, in England in the century after 1690. The Monro experience suggests that ‘classic’ assimilation modelling remains a useful, if imperfect, conceptual tool. At the same time, it acts as a counter-point to historiographical narratives about the rise of ‘Britishness’, since the main loci of this family’s identity were successively Scottish and English, but never ’British’. 相似文献
18.
《Cultural and Social History》2013,10(3):391-392
ABSTRACTScholarship on the relationship between China and Russia has largely focused on the political and ideological realms, neglecting cultural and social factors. Beginning with some general points about the role of ‘the cultural’ in interstate politics, this article assesses the cultural dynamics of Chinese–Russian relations during the first half of the twentieth century, primarily during the republican period and the first decade of the PRC. The final section of the article then reconsiders the legacy of emigration movements, which brought Chinese workers to the Russian Far East and Siberia, and Russian settlers and refugees to Manchuria and Shanghai. 相似文献
19.
Frank T.Y. Wang 《Inter-Asia Cultural Studies》2013,14(3):496-499
Abstract This is a personal narrative, which reflects upon my experiences of encountering cultural studies after attending the Teaching Cultural Studies Workshop. For me, the term ‘cultural studies’ represents something abstract, fancy, and thus difficult to understand, and which intimidates disciplines that emphasize application over theorization, such as social work. However, my fear of cultural studies was overcome in this workshop through the lived experiences of being respected for differences. This personal experience reflects the historical construction of social work within scientific hierarchy, so that the relevance of cultural studies and social work is not recognized by social workers. Despite the often difficult‐to‐understand style, cultural studies does provide important venues for social workers to obtain qualitative understanding of an individual's problems and crises within a social context, which is crucial to effect strategies of resistance among vulnerable populations. 相似文献
20.
《Cultural and Social History》2013,10(4):423-435
ABSTRACTThis article examines the narratives of three political prisoners transported to New South Wales and Van Diemen's Land: the French-Canadian François-Xavier Prieur, the American Linus Miller, and the Irishman John Mitchel. It shows that the three ‘politicals’ sought to portray the suffering of political convicts as greater than that of the convict majority, from which they distanced themselves in terms of class, piety and honour. It also demonstrates how the three men critiqued the British Empire and the convict system in Australia, how they wrote (in some instances, re-wrote) their lives for their audience, and how they defined themselves in the convict colonies. 相似文献