共查询到20条相似文献，搜索用时 234 毫秒
1.
Sean Brayton 《传播与批判/文化研究》2017,14(1):66-82
This paper examines representations of mental illness in popular film, particularly Richard Ayoade’s The Double and Dan Gilroy’s Nightcrawler. As I argue, both films trouble typical Hollywood narratives of mental illness by situating schizophrenia and psychopathy, for instance, within a socioeconomic context, specifically relations of production under late capitalism and the unfettered self-interest of neoliberalism. If mental illness is a product of the postindustrial workplace in The Double, it becomes a prerequisite for success in Nightcrawler, providing a cinematic depiction of mental illness at odds with the “personal pathology” paradigm that dominates the current neoliberal landscape. 相似文献
2.
Emily D. Ryalls 《Critical Studies in Media Communication》2018,35(2):166-179
In September 2015, Scream Queens premiered on FOX. In the show, mass murderers at the fictional Wallace University brutalize and torture college students. At first glance, Scream Queens shows promise to disrupt heteronormativity, as the show’s lead characters include an overtly feminist university Dean, an acerbic and bright sorority president, and a gay scholar athlete. I argue that when the camp aesthetic enters the show’s post-(feminism and sexuality) context what emerges is “pop-camp”—an affected form of camp bereft of resistive promise. This analysis extends previous explorations of pop-camp to ask how camp may restore sexism and homophobia through discourses of the post- infused with an impulse toward nostalgia. The post- presents a distorted view of past inequality. When combined with humor, satire, and irony, this camping of the post- can be outright dangerous in restoring sexism and homophobia. This analysis of Scream Queens explores how camp responds to the post- rhetoric that has come to define contemporary times. 相似文献
3.
《Journalism Practice》2013,7(2):264-279
Based on a production study of the distinct and unique children's news programme, BBC Newsround, this paper explores the place of the professional understanding of the target audience as a “missing link” within the news-making process. Approaching programme production with this concern uncovers the particular understandings of the target audience that inform journalists’ news culture and professional views. Further revealed is how such ideas, when traced within the news production process, explain the particularised practices that condition and shape “appropriate” news representations for the audience. The paper concludes with an assessment of the impact of these professional ideas on the dialogical possibilities of the children's news programme. 相似文献
4.
Helene A. Shugart 《Critical Studies in Media Communication》2013,30(1):67-91
In recent years, the gay man/heterosexual woman couple configuration has become a genre unto itself in mediated popular culture, resulting in unprecedented mainstream visibility for gay men. Major mainstream films, such as My Best Friend's Wedding, Object of My Affection, and The Next Best Thing, showcase this combination as their centerpiece, as does the highly rated prime-time network situation comedy, Will & Grace. In this essay, I assess this particular performance of gay identity in order to discern what qualities render it – as presented in this configuration – not only acceptable but popular, given the heteronormative sensibilities that characterize the mainstream audience to which it is directed. I argue that, in these texts, homosexuality is not only recoded and normalized in these representations as consistent with privileged male heterosexuality but is articulated as extending heterosexual male privilege. In so doing, blatant sexism is reinvented and legitimized, and gay male identity simultaneously is defined by and renormalizes heteronormativity. 相似文献
5.
This article analyzes Free Rice within the context of “the rise of the ludic sublime,” where video games are hailed as the solution to highly sophisticated political problems. As part of what we call practices of “philitainment,” Free Rice, we argue, functions within the political domain of what Jodi Dean has termed “communicative capitalism” and therefore both captures resistance and actually solidifies global capitalism. Ultimately, this case study of Free Rice reveals ways in which practices of philitainment signal the proliferation of a convergence between the technological sublime and neoliberal politics through which the disinvestment of the state from social problems is legitimized and reproduced through a reconfiguration of citizenship in terms of techno-consumerism. 相似文献
6.
This article examines one market-based intervention to combat gender discrimination in China, beauty brand SK-II’s #changedestiny campaign, and in particular an accompanying video, Marriage Market Takeover, which attempts to challenge the cultural stigma of “leftover women” (single women over 25). By mobilizing affect and highlighting the self-optimizing subject, SK-II, through the #changedestiny campaign, positions itself as a key instigator of women’s empowerment, and ultimately of not only familial, but also societal, change. In this regard, it follows the logic of what Banet-Weiser and Mukherjee (in Commodity activism: Cultural resistance in neoliberal times [NYU Press, 2012]) call commodity activism, or the merging of consumer behavior with efforts at social change within neoliberal brand culture. However, in a context we call “neo/non-liberal China,” modes of authoritarian and therapeutic governance intersect, and consumer subjects, not consumer citizens, are encouraged. We argue that through offering resistance to, and a resolution situated within familial relationships, the #changedestiny campaign does little to challenge the patriarchal “leftover women” discourse. We further argue that gender discrimination is raised in the #changedestiny campaign as a way to rationalize a neoliberal emphasis on consumption, self-care, and personal fulfillment, and that ultimately gender—as well as class—norms are reaffirmed despite the campaign’s efforts to promote meaningful social change. 相似文献
7.
Helen Morgan Parmett 《传播与批判/文化研究》2016,13(1):3-22
This paper contends with how postbroadcast television branding subsumes viewers’ affective interactivities with place to produce brand value. Focusing on the HBO series Treme, I argue that Treme engendered HBO's postbroadcast brand mutation by producing “passionate engagement,” where viewers were invited to interact with the show by touring New Orleans, thus adding place to online interactivity and multiscreen engagement as a means of constructing an “authentic” brand identity. The desire for viewers to connect to New Orleans’ culture is thus transformed into a vehicle for profit making for HBO and an assurance to shareholders that the brand still holds value. 相似文献
8.
Katherine Sender 《Critical Studies in Media Communication》2013,30(2):131-151
This paper moves beyond a conventional critique of gay stereotyping on Bravo's popular makeover show Queer Eye for the Straight Guy to consider how the show puts gay cultural expertise to work to reform a heterosexual masculinity that is compatible with the neoliberal moment. At issue are the newly public acknowledgement of gay taste and consumer expertise; the “crisis of masculinity” that requires that heterosexual men must now attend to their relationships, image, and domestic habitus; and the remaking of the straight guy as not only an improved romantic partner—the metrosexual—but a more flexible, employable worker. The author concludes by considering how camp deconstructs some of Queer Eye's most heteronormative aims, even while leaving its class and consumption rationales intact. 相似文献
9.
Radhika Gajjala 《The Communication Review》2015,18(1):23-36
New domesticity—which is a return to a lifestyle that centers domesticity “in the service of environmentalism, DIY culture, and personal fulfillment”—is taking shape in mostly Westernized DIY spaces. New domesticity exists in a neoliberal and digital DIY ontology that distinguishes itself from the domesticity of previous generations while also making claims to a “return.” This essay lays out some key issues that need to be taken into account regarding this emerging form of Wi-Fi gadget facilitated public engagement through domestic space while noting how the issue of unwaged labor resurfaces in the context of digital labor by women. 相似文献
10.
Alyssa A. Samek 《传播与批判/文化研究》2016,13(3):232-249
This essay examines 1970s lesbian-feminist identity rhetorics to interrogate the exclusionary logics of visibility and gender normativity. Lesbian-feminists used such logics to exclude women living “in the closet,” performing gender in nonnormative ways, or avowing a transgender identity. Those struggles form a dynamic context to situate and critically analyze Robin Morgan's keynote address at the 1973 West Coast Lesbian Conference, “Lesbianism and Feminism: Synonyms or Contradictions?” Though Morgan's address exemplifies rhetorical violence of identity politics and transphobia within lesbian-feminist communities, I explore its radically queer possibilities to shed fresh light on persistent struggles that shape contemporary queer politics. 相似文献
11.
D. Travers Scott 《Critical Studies in Media Communication》2016,33(5):424-437
ABSTRACTThis essay addresses Stuart Hall and discourse theory, focusing on his essay “Signification, representation, ideology.” Reflecting upon recent events involving representation and identity—US legalization of gay marriage, murders at a gay nightclub, removal of the “Rebel Flag” from the South Carolina state capitol, Donald Trump’s presidential campaign—I attempt to destabilize the counterproductive dualism of material/discourse in Hall’s critique of poststructural discourse theory. Finding amenability between Hall and Foucaultian discourse theory, I describe Hall’s utility for discourse scholars, such as his perspectives on ideological practices and generation of new discourses as an interventionist act. 相似文献
12.
This essay explores how communication research on “at-risk” students relies on under-theorized understandings of identity as seemingly stable traits and characteristics. In this sense, “at-riskness,” as a cultural identity, is dangerous precisely because it encourages researchers to link identity difference with failure, rather than to explore the presence and perpetuation of particular ideologies. We illuminate such ideological tensions through our analysis of a complex educational identity—an in-depth interview with an “at-risk” student—where we locate strategic rhetorics (i.e., discursive constructions that reify normalized assumptions about educational success and failure) that demonstrate how ideology constitutes the phenomenon of educational risk. 相似文献
13.
Helene A. Shugart 《传播与批判/文化研究》2013,10(1):52-76
This essay addresses why Rosie O'Donnell's “coming out” as a lesbian, as a gay parent, and as an advocate for gay adoption generated such little and lukewarm response, arguing that O'Donnell's lesbianism was rationalized in the public discourse by powerful preexisting narratives that constructed her as both maternal and childlike. These narratives converged with the narrative alterity of O'Donnell's homosexuality in such a way as to sharpen and strengthen established heteronormative discursive margins. The O'Donnell case contributes to an understanding of how dominant narratives negotiate competing narratives of resistance and offers an opportunity to examine mediated representations of “coming out.” 相似文献
14.
This essay proposes the notion of the “jazz vernacular” as a tool specific to the Creole culture in New Orleans for understanding racial discourses of disposability both geographically and historically. We argue that the jazz vernacular is a discourse structured by musical repertoire. The jazz vernacular provides a channel for the historical pain of the black diaspora by playing in the background, both literally and figuratively, of communication in and about New Orleans. This essay considers Spike Lee's documentary When The Levees Broke to understand how the jazz vernacular frames hurricane Katrina as well as how it frames Lee's film as an intervention into “neoliberal” racial discourses. We argue that Lee's film utilizes the jazz vernacular as a metadiscourse to reinforce the ways in which residents used jazz to restructure cultural memory around the rhetoric of the dispossessed in New Orleans after Katrina. When the Levees Broke uses testimonials and affective communication to structure the narrative of Katrina through elements of the jazz vernacular like: displacement, embodiment, brashness, and improvisation to connect contemporary Creole New Orleanians to a long history of structural oppression and violence. By harnessing performative elements, Lee's film performs a jazz intervention into neoliberal discourses about freedom, defense, safety, and heroism that contrasts these discourses with the despair and the resistance of black America. Consequently, Lee's use of the jazz vernacular relies on native musical culture to recontextualize what neoliberalism had erased. 相似文献
15.
Harrod Suarez 《传播与批判/文化研究》2013,10(1):67-84
In this paper, I argue that listening to a film is as significant as watching it; in spite of what seems like a formalist argument, I examine in what ways such an approach intervenes in the production of knowledge around Philippine history and Filipina/o bodies. In Kidlat Tahimik's film, Mababangong Bangungot, an overprivileging of the visual aids and abets the film's masculinist nationalism, despite the best efforts of critics to find a “third term.” That third term just might come from listening to the film, which delivers its own kind of postcolonial and feminist critique, one which impacts how we think about contemporary communication and cultural studies. 相似文献
16.
Tasha R. Rennels 《传播与批判/文化研究》2013,10(3):271-288
Depictions of white working-class people are steadily on the rise in reality television. To understand this phenomenon, and the ways in which it articulates white working-class people in the United States today, I analyze Here Comes Honey Boo Boo, a popular reality series on TLC featuring a self-described “redneck” family. I argue that this series highlights the family's inability—because of their working-class status—to conform to “ideal whiteness,” a whiteness that displays dominant cultural standards bolstered by neoliberalism, such as wealth, rationality, personal responsibility, and self-control. The family members consequently become exemplars of “inappropriate whiteness,” a marginal identity presented as humorous and, through the use of surveillance and spectacle, authentic. 相似文献
17.
We examine how the makeover paradigm is mobilized in contemporary humanitarian communications—a practice we call “humanitarian makeover.” We demonstrate its operation in the Finnish television programme Arman and the Children of Cameroon and Plan's 2013 International Day of the Girl event. The analysis shows how helping distant others is configured within a makeover and self-transformation narrative, providing a stage for performance of an “ethical self.” We argue that while the humanitarian impetus is to disturb and redress global inequality and injustice, which includes exposing and interrupting the failures of neoliberalism, the makeover paradigm is intimately connected to and reinforces individualized “moral citizenship,” which conforms to and reinforces neoliberal values. 相似文献
18.
Cara Wallis 《传播与批判/文化研究》2013,10(4):341-358
This article presents an ethnography of a group of young women from rural China who attended a three-month computer-training course and then were placed in a data input company in China. Building upon scholarship on “Chinese governmentality,” I argue that although the training emphasized individual “quality” (suzhi) and the attainment of “useful” skills, once the women were employed their choices as autonomous individuals were severely limited through workplace disciplines that problematize notions of self government. I show how multiple modes of power were deployed to produce rural women as low-tech laboring subjects necessary for China's domestic development and participation in global capitalism. 相似文献
19.
Christine J. Gardner 《传播与批判/文化研究》2017,14(1):31-47
This study offers liminality as an analytic tool to investigate the discursive strategies of the negotiation of oppositional identities. Interviews with lesbian, gay, bisexual, transgender, and queer/questioning Christian college students reveal appeals to essentialism, labeling, and identification. Specific findings include appeals to being “created gay,” the naming of identity labels that support and resist both traditional sexual minority and religious labels, and the deployment of a gay Christian identity as evangelism. This essay explores how disciplinary rhetorics create the conditions for the emergence of rhetorical agency, allowing for a nuanced understanding of the transformative possibilities of minority sexual identity formation. 相似文献
20.
Karma R. Chávez 《传播与批判/文化研究》2013,10(2):136-155
This essay demonstrates the ways in which some lesbian, gay, bisexual, transgender, or queer (LGBTQ) rights and immigrant rights organizations enact a form of cultural citizenship that relies upon normative belonging with their depiction of LGBTQ and immigrant rights. It also shows how other groups engender what Aimee Carrillo Rowe refers to as “differential belonging,” by directly confronting normative and exclusionary discourses. This paper first justifies linking these two issues by establishing the notion of the “stranger” as a way to describe how both migrants and queers threaten the way the nation state sees itself. It then unpacks both the normative and differential discourses of belonging in relation to two prominent neoliberal values: family values and good citizenship. Finally, this essay considers the implications of differential belonging as a strategy of cultural citizenship that may confront the exclusions that currently constitute the way the US nation-state imagines belonging. 相似文献