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1.
王作亮 《黑龙江教育学院学报》2005,24(3):37-38
教育的创新根本在于教师的创新,教师的创新意识和创新观念是实施创新教育的基础。教师要尊重学生的创造潜能,创设情境,诱导思维,在课堂教学中培养学生的创新能力。 相似文献
2.
Gro Ellen Mathisen Kolbjorn S. Bronnick 《International Journal of Educational Research》2009,48(1):21-29
This study examined the effects of creativity training on creative self-efficacy. We developed a creativity course based on social cognitive theory. The course was conducted in two formats: a five-day course and a condensed one-day course. Samples consisted of students and municipality employees (five-day course), and special education teachers (one-day course). Students from a mathematics and statistics course constituted a control group. We measured creative self-efficacy before and after the intervention, and self-efficacy improved significantly for both the five-day and the one-day courses, while the control group showed no changes in creative self-efficacy. Self-efficacy levels increased significantly for both students and municipality employees. A follow-up assessment two months after completing the five-day course showed no decline in creative self-efficacy. 相似文献
3.
吴卫东 《湖北广播电视大学学报》2010,30(7):54-55
学生创造性思维的培养是教育的重要任务之一,为此,学校和教师应该为学生创造性思维的发展提供和谐、宽松的良好环境,重视培养他们的创造性人格特征。另外,作为教育过程主导者的教师,自身更应该具有创造性,也要善于借助各种途径对学生进行创造性思维的训练。 相似文献
4.
Eugene F. Dix 《Clearing house (Menasha, Wis.)》2013,86(5):219-220
Current research indicates that creativity in teaching can and should be enhanced in order to promote student learning. This article begins by stressing the importance of creativity in education and the ways in which creative teaching benefits students. Next, it addresses key points for better understanding classroom creativity by identifying common barriers that counteract or hinder teacher creativity. After identifying the characteristics of teachers who are considered creative educators, this article concludes with general recommendations, as well as specific strategies, for increasing the level of creative teaching in today's classrooms. 相似文献
5.
遇艳 《黑龙江教育学院学报》2005,24(5):154-155
英语教学过程就是一个创造和创新的过程。教师要善于抓住学生对新事物怀有好奇心和强烈求知欲的特点,在教学中善于启发、诱导,突出“新”字,以“新”来吸引学生,使学生感到自己是一个发现者、探索者、研究者,从而培养他们的创新能力。 相似文献
6.
《理论付诸实践》2012,51(3):167-178
This article describes the use of a visual-based construct elicitation tool developed from the use of critical incident charting for the purpose of reflecting on our creative learning journeys either at significant points as music learners in childhood, in adult life, or as preservice or experienced teachers. In this article, I introduce diverse applications of this reflective tool called “Rivers of Musical Experience” that can help us to represent, construct, and reconstruct significant milestones or significant events in our creative learning journeys. It also considers what we can learn from each other's reflections on and about our learning journeys that enable us to reflect on the assumptions underpinning our own practice. In this article, by creative teaching or teaching for creativity, I mean creating a positive learning environment in which both teachers and students can take risks, engage in imaginative activity, and do things differently. 相似文献
7.
谈小学信息技术教学中创造性思维的培养 总被引：1，自引：0，他引：1
陈岩 《齐齐哈尔师范高等专科学校学报》2009,(6):112-113
创造性思维作为人类思维的精华,是引发创造活动的前导。信息技术教师在教育教学过程中应该注重开发学生的创造潜力,培养学生的创造性思维,鼓励并启发学生进行主动的创造性思考,突出创新意识的培养,强调创新能力的提高。 相似文献
8.
Curriculum and pedagogy in undergraduate fine art can promote an approach to learning creativity that is more about being an artist than knowing about art. Lecturers can provide a road map for developing particular dispositions, in relation to student ideas and perceptions, to foster personalised creativity. This requires that lecturers have an ability to harness the range of learning approaches and interests that students bring to their studio learning environments. One way of doing this is to construct learning activities in ways that engage students' multiple intelligences so they may acquire deeper understandings of their own creative processes. Fostering this kind of creative think tank is artistry of an educational kind. In this article we explore such a creative think tank by examining a particular lecturer's pedagogical approach. We discuss how and why this lecturer designs activities in a way that draws on multiple intelligences to stimulate learning and foster creativity. Using narratives, we analyse this particular curriculum through the lens of multiple intelligence theory and explore how the pedagogical approach develops the whole person. We found that by attending to relationships and focusing on a plurality of intellect this particular curriculum and pedagogy promotes transformative learning in students studying fine art. 相似文献
9.
A bulk of research has shown strong relationships between metacognition, creative thinking, autonomy support, and self-efficacy among teachers. However, we could not find research with a large sample of teachers exploring the mediating effects of creative thinking and metacognition on the relationship between autonomy support and self-efficacy. A need for a novel structural equation model (Covariance-based) underlying psychological rationality of said relationships was deemed actual. To that end, firstly the effects of teachers' autonomy support (opportunity and decision-making) on teachers' creative thinking, metacognition, and self-efficacy were tested. Then, the mediating effects of metacognition and creative thinking on the relationship between teachers' autonomy support and teachers' self-efficacy were explored. A simple random-sampling method was utilized to gather 787 teachers' data. The results revealed that decision-making and autonomy opportunity predicted creative thinking, metacognition, and self-efficacy positively and meaningfully. Subsequently, creative thinking as well as metacognition had mediating effects on the effects of autonomy opportunity and decision-making on self-efficacy. In closing, for boosting teachers' skills in autonomy support and self-efficacy, attention should be given to fostering their creative thinking as well as metacognition. The study provides implications and suggestions for research on school psychology and improvement. 相似文献
10.
林雁 《中国教育科研与探索》2007,(3):3-5
创新教育是以开发创新性思维为核心、以培养创新性人才为基本价值取向的教育。在英语教学中实施创新教育，以人为本；在语言学习的过程中培养学生的创新性思维，引导学生进行创新性学习。教师应在英语教学中将凝聚在教学内容和教学过程中的创造性因素发掘出来，展现开来，在教学活动中随时随地去引导学生进行创造性思维，培养其创新个性。 相似文献
11.
Stephanie J. Hathcock Daniel L. Dickerson Angela Eckhoff Petros Katsioloudis 《Research in Science Education》2015,45(5):727-748
Creativity can and should play a role in students’ science experiences. Beghetto (Roeper Review 29(4):265–270, 2007) suggested a framework for teachers to assist students in transforming their creative ideas into creative products. This framework involves taking time to listen to students’ ideas, helping them recognize the constraints of a task, and giving them multiple opportunities to think through and try their ideas. Ill-structured problems, such as those found in inquiry and engineering design activities, provide excellent opportunities for students to experience creative processing and express their creativity through product creation. These types of problems are typically challenging, but the use of appropriate questioning has been shown to assist students in solving problems. This multiple case study investigated the use of inquiry-based questioning as a means of supporting creativity within a design-based science, technology, engineering, and mathematics (STEM) activity. Findings suggest that groups facilitated by inquiry-based questioning strategies were better able to solve an ill-structured problem and achieved a more linear progression toward creative products than groups who were not facilitated by inquiry-based questions. 相似文献
12.
The concept of the ‘creative’ in creative writing has a vexed history. This article explores the myths surrounding creativity and how they have influenced the way teachers have approached playwriting pedagogy. It reports on research into the teaching and learning experiences of students and teachers in secondary schools, focusing on the participants’ understanding of creativity and the impact this had on the pedagogical process. The research found that a counterproductive idealist view of creativity persists in classrooms: the teachers and students were operating on a conception of creativity and creative practice that reflected a belief in a mystical and unknowable creative process. This article explores the experiences of creativity through systems theory and argues that this approach can inform teaching and learning for creative processes and products. The article concludes that the teaching and learning practices were unnecessarily tentative and that knowledge of creativity theory would improve the students’ development of both playwriting proficiency as well as creativity-relevant skills. It suggests that demystifying the creative process should result in greater student proficiency and improved teaching and learning experiences for teachers and students. 相似文献
13.
This paper explores the impact of an art-based learning experience on former Education students' professional practice. Feedback from trainee teachers indicated that the true value of the creative process was only realised after they had graduated – what I have come to term ‘deferred creativity’. The findings suggest that focusing on the development of their own creative characteristics, skills and attitudes helped students to become more creative practitioners. By drawing on the reflections of our alumni, we can help future students to develop the key creative competencies and skills required for 21st century life. 相似文献
14.
石贤玮 《阿坝师范高等专科学校学报》2000,(2)
本文就语文学科如何实施创造性教学 ,提出了自己的看法 ,笔者认为要培养创造性人才 ,教师必须是创造型教师 ,教师应从培养学生的创造性个性品质入手 ,实施创造性教学策略 ,给学生创造合适的教学环境 ,充分调动学生主体的创造性积极性 ,并使学生获得创造的快乐 ,优化教学活动切实有效地实施素质教育 相似文献
15.
刘世英 《安顺师范高等专科学校学报》2008,10(2):52-53
培养学生的创新能力已经成为我们老师的艰巨任务,创新教育需要渗透到语文学科中,在语文教学中运用创新教育,以提高课堂教学效率和质量,全面提高学生素质。 相似文献
16.
在外语教学中培养学生的创新思维能力 总被引：1，自引：0，他引：1
罗建明 《湖南师范大学教育科学学报》2002,1(4):127-128
创新教育强调以学生为主体，通过“启发式”教学，让学生主动参与教学过程，并在自主学习中培养独立思考和创造的能力。外语学科是学生学习语言及跨文化知识的独特学科，如何使学生在语言学习中拓展他们的创造性思维及开发个人潜力，这是值得每一位教师研究的问题。 相似文献
17.
While educators in many parts of the world grapple with what creativity means in practice, discussions about creative pedagogy usually include the elements of creative teaching, teaching for creativity and creative learning. This article stems from a research project that occurred at a Preparatory to Year 9 school in Australia where we worked with staff to explore their understandings of creativity and creative learning in the Arts. We found that while students’ creative learning is a fundamental element in a creative pedagogy framework, the notion of creative learning of teachers is largely overlooked in discourses of teachers’ professional learning. Given the important role teachers play in student learning, we argue that teachers need to be informed not only about how to teach creatively and for creativity, but also how to consider possibilities and understand things in new ways, thereby making a case that a teacher’s own creative learning is crucial. 相似文献
18.
Cheung On Tam 《The International Journal of Art & Design Education》2023,42(1):16-32
Although there has been increasing international emphasis on creativity in education, many creativity training programmes have focused on enhancing students' creative thinking skills with few studies on how these skills can be integrated into the teaching of subject disciplines. As a member of a Community of Practice project that ran from spring 2021 to summer 2022 at my university, I worked with ten university teachers from multiple disciplines to develop and implement instructional strategies to foster students' creative thinking skills. The paper documented the development, implementation and evaluation of creative thinking skills teaching strategies for a higher education course in visual arts. Both the development of the teaching strategies and the measurement of the impact on student learning have undergone vigorous research procedures and made reference to the existing literature. The effectiveness of the activities was assessed using multiple methods including the Torrance Test of Creative Thinking, a self-report inventory, and a focus group interview. The results indicated the new learning activities enhanced students' creative thinking skills. They also showed that creativity can be developed through teaching while revealing that playfulness, freedom and structure, group interactions, and problem-solving activities are beneficial for the development of creative thinking skills. Readers may better understand the different ways in which creative thinking skills instruction materials can be developed and incorporated into teaching of visual arts by making reference to the strategies suggested and the process of development in the paper. 相似文献
19.
The objective of this paper is to describe a pedagogical strategy for gradual enhancement of creative performance among students by using interdisciplinary hands-on projects. A study was conducted comparing 66 students' performances on creativity in three classes—Fall 1996, Spring 1997 and Fall 1997—consisting of juniors and seniors at Temple University. All the students were tested on the creative opportunities actually taught by the projects presented to the students, theoretical aspects of creativity on a specially designed test and the learning process. The results of evaluation on the creativity of the models, the theory tests and the learning process indicated that the pedagogical strategy did help in gradually enhancing the creativity performance of the students. 相似文献
20.
徐世洁 《四川教育学院学报》2013,(8):56-58
在表演教学中,对创造型人才的培养是至关重要的。这就要求教师不断地改进教学方法,提高自身专业技能和素质,使学员在学习过程当中开拓思维,成为具有创造性的艺术人才。培养学生的创造力离不开对学生想象力的培养。想象是演员进行形象思维的重要前提,在整个创作中,想象是引导演员的先锋。艺术教育有别于其他的教育,"一"对"一"的教学是它的教学特点,在教学中不能一刀切,要有针对性,做到对每一个学生因材施教,激发学生的创造性,拓展学生的想象空间。通过提升教师的自身素质和创造能力能使教学更加良性互动。 相似文献