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1.
Motion Pictures     
George Rehrauer, THE MACMILLAN BIBLIOGRAPHY: A CRITICAL GUIDE TO THE LITERATURE OF THE MOTION PICTURE (New York: Macmillan, 1982 2 vol. —the first volume is the bibliography itself, $90.00; the second is the index, $50.00).

Paula Rohrlick, EXPLORING THE ARTS: FILM AND VIDEO PROGRAMS FOR YOUNG VIEWERS (New York: R. R. Bowker, 1982—$24.95, paper, plus shipping and handling).

Jason E. Squire, THE MOVIE BUSINESS BOOK (Englewood Cliffs, N.J.: Prentice-Hall, 1983—$13.95, paper).

Gregory Goodell INDEPENDENT FEATURE FILM PRODUCTION: A COMPLETE GUIDE FROM CONCEPT TO DISTRIBUTION (New York: St. Martins's Press, 1982—$17.95).

James Curtis, JAMES WHALE, (Metuchen, N.J.: The Scarecrow Press—$16.50 and $16.00, respectively).

William Schelly, HARRY LANGDON (Metuchen, N.J.: The Scarecrow Press—$16.50 and $16.00, respectively).

Bruce Cook, BRECHT IN EXILE (New York: Holt, Rinehart & Winston, 1983—$16.50).

Marsha McCreadle, WOMEN ON FILM: THE CRITICAL EYE (New York: Praeger, 1983—$21.95).

William Luhr RAYMOND CHANDLER AND FILM (New York: Frederick Ungar, 1982- $14.95/7.95).

Allen L. Woll, THE HOLLYWOOD MUSICAL GOES TO WAR (Chicago: Nelson-Hall, 1983—no price given).

Norma Kagan, AMERICAN SKEPTIC: ROBERT ALTMAN'S GENRE-COMMENTARY FILMS (Ann Arbor: Pierian Press, 1982—$17.95).

David Wilson, SIGHT AND SOUND: A FIFTIETH ANNIVERSARY SFIECTION (London: Faber and Faber, distributed in the United States by Harper dc Row, 1982—$19.95).

Nicholas Pronay and D. W. Spring, PROPAGANDA, POLITICS AND FILM, 1918-45 (London: The Macmillan Press, 1982—$40.00; order in the United States from Humanities Press, Atlantic Highlands, N.J.).

Ina Bertrand and Diane Collins, GOVERNMENT AND FILM (Sydney: Currency Press, 1982- A$14.95).

John Tulloch, LEGENDS OF THE SCREEN: THE NARRATIVE FILM IN AUSTRALIA, 1919-1929 (Sydney: Currency Press, 1981—A$19.95) (order from The Currency Press, 87 Jersey Road, Woollahra NSW 2025).

Roy Armes, THE FILMS OF ALAIN ROBBE-GRILLET (Amsterdam: John Benjamins B. V., 1981) (order in the United States from John Benjamins North America, Inc., One Buttonwood Square, 202, Philadelphia, Pennsylvania 19130—$25.00).

Bruce F. Kawin, FAULKNER'S MGM SCREENPLAYS (Knoxville: University of Tennessee Press, 1982—$32.50/14.95).

Peter Rollins, HOLLYWOOD AS HISTORIAN: AMERICAN FILM IN A CULTURAL CONTEXT (Lexington: University of Kentucky Press, 1983—no price given, paper).

Susan Myrick WHITE COLUMNS IN HOLLYWOOD: REPORTS FROM THE GWTW SETS (Mercer, Ga.: Mercer University Press, 1982—$14.95).

Frank Beaver of the University of Michigan: ON FILM: A HISTORY OF THE MOTION PICTURE and DICTIONARY OF FILM TERMS (both New York: McGraw-Hill, 1983—no price given).  相似文献   

2.
Stephen Heath, QUESTIONS OF CINEMA (Bloomington: Indiana University Press, 1981—$22.50/$9.95)

Rick Altman, ed., GENRE: THE MUSICAL (London: Routledge and Regan Paul, 1981—$19.95)

A.J. Prats, THE ALTIONOMOUS IMAGE: CINEMATIC NARRATION AND HUMANISM (Lexington: The University Press of Kentucky, 1981—$14.50)

Thomas Allen Nelson, KUBRICK: INSIDE A FILM ARTIST'S MAZE (Bloomington: Indiana University Press, 1982—$37.50/$9.95)

Ingmar Bergman can be found in Paisley Livingston, INGMAR BERGMAN AND THE RITUALS OF ART (Ithaca: Cornell University Press, 1982—$19.95)

Annette Kuhn, WOMEN'S PICTURES: FEMINISM AND CINEMA (London: Routledge Et Kegan Paul, 1982—$9.95 paper)

Herbert Eagle ( ed . ) , RUSSIAN FORMALIST FILM THEORY (Av ailable from Michigan Slavic Publications, 3040 MLB, Department of Slavic Languages and Literatures, University of Michigan, Ann Arbor'48109 —no price given)

Robert Edmonds, THE SIGHTS AND SOUNDS OF CINEMA AND TELEVISION: HOW THE AESTHETIC EXPERIENCE INFLUENCES OUR FEELINGS (New York: Teachers College Press, 1982—no price given)

Gerald Mast, HOWARD HAWKS, STORYTELLER (New York: Oxford University Press, 1982—$29 95)

John R. May and Michael Bird (ed.), RELIGION IN FILM (Knoxville: University of Tennessee Press, 1982—$16.50/$7.95)  相似文献   

3.
CABLE TELEVISION AND OTHER NONBROADCAST VIDEO: LAW AND POLICY by Daniel L. Brenner and Monroe E. Price (Clark Boardman Co., 435 Hudson St., New York 10014, 1986—$85.00)

THE JOURNALIST'S HANDBOOK ON LIBEL AND PRIVACY by Barbara Dill (New York: Free Press, 1986—$19.95)

THE PRESS AND THE STATE: SOCIOHISTORICAL AND CONTEMPORARY INTERPRETATIONS by Walter M. Brasch and Dana R. Ulloth (Lanham, MD: University Press of America, 1986—$47.50/24.95)

THE TOLERANT SOCIETY: FREEDOM OF SPEECH AND EXTREMIST SPEECH IN AMERICA by Lee C. Bollinger (New York: Oxford University Press, 1986—$19.95)

CURRENT DEVELOPMENTS IN COPYRIGHT LAU 1986 (922 pp.)

COUNSELING CLIENTS IN THE ENTERTAINMENT INDUSTRY (793 pp.)  相似文献   

4.
Journalism     
THE AMERICAN JOURNALIST: A PORTRAIT OF U.S. NEWS PEOPLE AND THEIR WORK by David H. Weaver and G. Cleveland Wilhoit (Bloomington: Indiana University Press, 1986—$25.00)

THE “UNCENSORED WAR:” THE MEDIA AND VIETNAM by Daniel C. Hallin (New York: Oxford, 1986—$22.50)

THE PRESIDENTIAL ELECTION SHOW: CAMPAIGN '84 AND BEYOND ON THE NIGHTLY NEWS by Keith Blume (Bergin & Garvey Publishers, 670 South Amherst Rd., South Hadley, MA 01075—$29.95/12.95)

POLITICAL COMMUNICATION IN AMERICA by Robert E. Denton, Jr. and Gary C. Woodward (New York: Praeger, 1985—$42.95/15.95)

NEWS MEDIA AND PUBLIC POLICY: AN ANNOTATED BIBLIOGRAPHY edited by Joseph P. McKerns (New York: Garland, 1985—$39.00)

COMMITTED JOURNALISM: AN ETHIC FOR THE PROFESSION by Edmund B. Lambeth (Bloomington: Indiana University Press, 1986—$25.00/8.95)

SUING THE PRESS: LIBEL, THE MEDIA & POWER by Rodney A. Smolla (New York: Oxford University Press, 1986—$18.95)

WORLDLY POWER: THE MAKING OF THE WALL STREET JOURNAL by Edward E. Scharff (Beaufort Books, 9 East 40th St., New York 10016—$18.95)

THE ULTIMATE INSIDERS: U.S. SENATORS IN THE NATIONAL MEDIA by Stephen Hess (Washington, DC: Brookings Institution, 1986—price not given, cloth and paper)

THE FLACKS OF WASHINGTON: GOVERNMENT INFORMATION AND THE PUBLIC AGENDA by David Morgan (Westport, CN: Greenwood Press, 1986—$29.95)

ISSUES MANAGEMENT: CORPORATE POLICYMAKING IN AN INFORMATION SOCIETY by Robert L. Heath and Richard Alan Nelson (Beverly Hills, CA: Sage, 1986—no price given)

BEHIND THE LINES: CASE STUDIES IN INVESTIGATIVE REPORTING by Margaret Jones Patterson and Robert H. Russell (New York: Columbia University Press, 1986—$28.50)

GOVERNING THE PRESS: MEDIA FREEDOM IN THE U.S. AND GREAT BRITAIN by Deborah Holmes (Boulder, CO: Westview Press, 1986—$16.50, paper)

THE UNTAPPED POWER OF THE PRESS: EXPLAINING GOVERNMENT TO THE PEOPLE by Lewis W. Wolfson (New York: Praeger, 1985—$28.95/9/95)  相似文献   

5.
Film History     
John W. Landon BEYOND THE MIGHTY WURLITZER: THE HISTORY OF THE THEATRE PIPE ORGAN (Westport, Connecticut: Greenwood Press,,1983—$29.95).

Susannah Harris Stone THE OAKLAND PARAMOUNT (Berkeley California: Lancaster-Miller Publishers, 1981—$11.95).

John Fell FILM BEFORE GRIFFTTH (Berkeley, California: University of California Press, 1984—$24.50/$10.95).

Herbert Marshall MASTERS OF THE SOVIET CINEMA: CRIPPLED CREATIVE BIOGRAPHIES (London: Routledge 8 Kegan Paul, 1983—$29.95).

John Kobal and V.A. Wilson FOYER PLEASURE: THE GOLDEN AGE OF CINEMA LOBBY CARDS (New York: Deliliah Books, 1983—$12.95).

Don Graham COWBOYS AND CADILLACS: HOW HOLLYWOOD LOOKS AT TEXAS (Texas Monthly Press, P.O. Box 1569, Austin, Texas 78767—$10.95).  相似文献   

6.
ON THE HISTORY OF FILM STYLE by David Bordwell (Cambridge: Harvard University Press, 1997‐$60.00/24.95, ISBN 0–674–63428–4 hard, 0–674–63429–2 paper, 322 pp., photographs, chapter notes, index)

MASKED MEN: MASCULINITY AND THE MOVIES IN THE FIFTIES by Steven Cohan (Bloomington: Indiana University Press “Arts and Politics of the Everyday,”; 1997‐$39.95/8.95, ISBN 0–253–33297–4 hard, 0–253–21127–1 paper, 376 pp., photographs, selected filmography, chapter notes, references, index)

THE EXPLODING EYE: A RE‐VISIONARY HISTORY OF 1960s AMERICAN EXPERIMENTAL CINEMA by Wheeler Winston Dixon (Albany: State University of New York Press “SUNY Series, Cultural Studies in Cinema/Video,”; 1997‐$57.50/18.95, ISBN 0–7914–3565–2 hard, 0–7914–3566–0 paper, 250 pp., photos, bibliography, index)

THE KING OF THE MOVIES: FILM PIONEER SIEGMUND LUBIN by Joseph P. Eckhardt (Madison, NJ: Fairleigh Dickinson University Press, 1997‐$55.00, ISBN 0–8386–3728–0, 286 pp., B&;.W photos, notes, bibliography, index)

WITHIN OUR GATES: ETHNICITY IN AMERICAN FEATURE FILMS, 1911–1960: AMERICAN FILM INSTITUTE CATALOG edited by Alan Gevinson (Berkeley: University of California Press, 1997‐$150.00, ISBN 0–520–20964–833, 1571 pp., abbreviations list, indexes, bibliography)

FRAME BY FRAME II: A FILMOGRAPHY OF THE AFRICAN AMERICAN IMAGE, 1978–1994 by Phyllis R. Kotman and Gloria J. Gibson (Bloomington: Indiana University Press, 1997‐$49.95/29.95, ISBN 0–253–33280‐X hard, 0–253–21120–4 paper, 771 pp., bibliography, indexes)

FILMMAKERS AND FINANCING: BUSINESS PLANS FOR INDEPENDENTS by Louise Levison (Boston: Focal Press, 1998 [2nd ed.]‐$22.95, paper, ISBN 0–240–80300–0, 190 pp., tables, index)

FEMINISM, FILM, FASCISM: WOMEN'S AUTO/BIOGRAPHICAL FILM IN POSTWAR GERMANY by Susan E. Linville (Austin: University of Texas Press, 1998‐$30.00/14.95, ISBN 0–292–74696–2 hard, 0–292–74697–0 paper, 208 pp., photos, chapter notes, bibliography, index)

THE MOTION PICTURE MEGA‐INDUSTRY by Barry R. Litman (Boston: Allyn &; Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20026–5, 321 pp., charts, tables, notes, references, index)

FROM HEADLINE HUNTER TO SUPERMAN: A JOURNALISM FIL‐MOGRAPHY by Richard R. Ness (Lanham, MD: Scarecrow Press, 1997‐$89.50, ISBN 0–8108–3291–7, 787 pp., references, appendices, black‐and‐white photographs, index)

Chile v/s Hollywood / CHILE vs HOLLYWOOD by Daniel Olave (Santiago, Chile: Editorial Grijalbo, 1997‐no price available, ISBN 956–258–051–2, 208 pp., photographs)

TRIANGULATED VISIONS: WOMEN IN RECENT GERMAN CINEMA edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow (Albany: State University of New York Press “SUNY Series in Feminist Criticism and Theory,”; and “SUNY Series, Cultural Studies in Cinema/Video,”; 1998‐$65.50/21.95, ISBN 0–7914–3717–5 hard, 0–7914–3718–3 paper, 290 pp., photos, chapter notes, index)

FILM AND THE NUCLEAR AGE: REPRESENTING CULTURAL ANXIETY by Toni A. Perrine (New York: Garland “Garland Studies in American Popular History and Culture,”; 1998‐$68.00, ISBN 0–8153–2932–6, 304 pp., index, bibliography, chronology, filmography)

CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART by Pauline Rogers (Boston: Focal Press, 1998‐$19.95, paper, ISBN 0–240–80309–4, 223 pp.)

HOLLYWOOD'S WORLD WAR I: MOTION PICTURE IMAGES edited by Peter C. Rollins and John E. O'Connor (Bowling Green, OH: Bowling Green State University Popular Press, 1998‐$49.95/19.95, ISBN 0–87972–755–1 hard, 0–87972–756‐X paper, 304 pp., illustrations, notes, general index, film/TV index)

DOCUMENTING OURSELVES: FILM, VIDEO, AND CULTURE by Sharon R. Sherman (Lexington: University Press of Kentucky, 1998‐$22.95, paper, ISBN 0–8131–0934–5, 336 pp., photographs, filmography, chapter notes, references, index)

JAMES WILLIAMSON: STUDIES AND DOCUMENTS OF A PIONEER IN THE FILM NARRATIVE by Martin Sopocy (Cranbury, NJ: Fairleigh Dickinson University Press, 1998‐$52.50, ISBN 0–8386–3716–7, 337 pp., photographs, chapter notes, bibliography, index)

HISTORY BY HOLLYWOOD: THE USE AND ABUSE OF THE AMERICAN PAST by Robert Brent Toplin (Urbana: University of Illinois Press, 1996— 288 pp., $36.95/16.95, ISBN 0–252–02073–1, 0–252–06536–0 paper, photos, chapter notes, selected bibliography, index)  相似文献   

7.
Dana H. Hodgdon and Stuart M. Kaminsky BASIC FILMMAKING (New York: Arco Publishing, 1982—$12.95/$7.95)

Stewart Bronfeld WRITING FOR FILM AND TELEVISION (Englewood Cliffs, NJ: Prentice-Hall, 1981—$11.95)

Leonard Maltin TV MOVIES (New York: New American Library, 1982— $4.95)

Alan Frank THE HORROR FILM HANDBOOK (Totowa, NJ: Barnes E. Noble Books, 1982—$24.95)

Richard Dyer MacCann and Jack C. Ellis CINEMA EXAMINED: SELECTIONS FROM CINEMA JOURNAL (New York: E. P. Dutton, 1982—$9.95 paper)  相似文献   

8.
THE GENERAL: DAVID SARNOFF AND THE RISE OF THE COMMUNICATIONS INDUSTRY by Kenneth Bilby (New York: Harper & Row, 1986—$20.95)

THE BBC: ITS FIRST FIFTY YEARS by Asa Briggs (New York: Oxford University Press. 1985—$24.95)

BETWEEN COVERS: THE RISE AND TRANSFORMATION OF AMERICAN BOOK PUBLISHING by John Tebbel (New York: Oxford University Press, 1987—$24.95)  相似文献   

9.
Anthony Slide A COLLECTOR'S GUIDE TO MOVIE MEMORABILIA—WITH PRICES (Wallace Homestead Book Company, 1912 Grand Avenue, Des Moines, Iowa 50305—$12.95).

Richard L. Stromgren and Martin F. Norden. MOVIES: A LANGUAGE IN LIGHT (Englewood Cliffs, New Jersey: Prentice-Hall, 1984—$15.95).

Jonathan Rosenbaum, FILM: THE FRONT LINE 1983 (Arden Press, 1127 Pennsylvania Street, Denver. Colorado 80203—$10.95).

James L. Limbacher's SEXUALITY IN WORLD CINEMA (Metuchen. New Jersey: Scarecrow Press, 1983—$72.50 for two volumes).

Al Clark: THE FILM YEARBOOK-1984(New York: Grove Press, 1984—$12.95, paperback).

ANNUAL INDEX TO MOTION PICTURE CREDITS: 1982 (Westport, Connecticut: Greenwood Press, 1983—$150.00).

Nancy Allen and Robert L. Carringer AN ANNOTATED CATALOG OF UNPUBLISHED FILM AND TELEVISION SCRIPTS (Graduate School of Library and Information Science. Publications Office, 249 Armory Building, 505 E. Armbry Street, Champaign, Illinois 61820—$15.00, paper).  相似文献   

10.

THE HIGHWAYMEN: WARRIORS OF THE INFORMATION SUPER‐HIGHWAY by Ken Auletta (New York: Random House, 1997—$27.50, ISBN 0–679–45378–0, 346 pp., index)

THE BARRY DILLER STORY: THE LIFE AND TIMES OF AMERICA'S GREATEST ENTERTAINMENT MOGUL by George Mair (New York: John Wiley, 1997—$24.95, ISBN 0–471–13082–6, 348 pp., notes, photos, index)

MONOPOLY TELEVISION: MTV'S QUEST TO CONTROL THE MUSIC by Jack Banks (Boulder, CO: Westview Press, 1996—$22.00, ISBN 0–8133–1820–3, 291 pp., notes, references, index)

BE SEEING YOU ...DECODING THE PRISONER by Chris Gregory (Luton, England: John Libbey Media/University of Luton Press, 1997—$24.00, paper, ISBN 1–86020–521–6, 228 pp., bibliography and filmography, index)

GLOBAL SPOTLIGHTS ON LILLEHAMMER: HOW THE WORLD VIEWED NORWAY DURING THE 1994 WINTER OLYMPICS edited by Roel Puijk (Luton, England: John Libbey Media/ University of Luton Press, 1997— $40.00, ISBN 1–86020–520–8, 285 pp., appendix)

BROADCAST/CABLE PROGRAMMING: STRATEGIES AND PRACTICES by Susan Tyler Eastman and Douglas A. Ferguson (Belmont, CA: Wadsworth Publishing, 1997 [5th ed.]— $58.95, ISBN 0–534–50744–1, 471 pp., abbreviations and acronyms, glossary, annotated bibliography, bookmarks for the world wide web, index to program titles, general index)

TV DRAMA IN TRANSITION: FORMS, VALUES AND CULTURAL CHANGE by Robin Nelson (New York: St. Martin's Press, 1997—$55.00, ISBN 0–312–17276–1, 277 pp., notes, references, index)

GLUED TO THE SET: THE 60 TELEVISION SHOWS AND EVENTS THAT MADE US WHO WE ARE TODAY by Steven D. Stark (New York: Free Press, 1997—$17.50, ISBN 0–684–82817–0, 340 pp., appendix, bibliography, index)

GEN X TV: THE BRADY BUNCH TO MELROSE PLACE by Rob Owen (Syracuse, NY: Syracuse University Press, 1997—$24.95, ISBN 0–8156–0443–2, 240 pp., photos, bibliography, index)  相似文献   

11.
Gary Prebula and Mario Berguiristain: INSTRUCTOR'S MANUAL—A COMPLETE COURSE OUTLINE FOR THE HOLLYWOOD REPORTER (Hollywood: The Hollywood Reporter, 1983—$10.00).

John P. Driscoll's COMMUNICATING ON FILM (available from Stipes Publishing Company, 10-12 Chester Street, P.O. Box 526, Champaign, Illinois 61820—$4.80, paper).

Peter Von Arx, FILM DESIGN (New York: Van Nostrand Reinhold, 1983—$40.50).

Marc Sigoloff's THE FILMS OF THE SEVENTIES: A FILMOGRAPHY OF AMERICAN, BRITISH, AND CANADIAN FILMS 1970-1979 (McFarland & Company, Box 611, Jefferson, North Carolina 28640—$29.95).

THE OFFICIAL HOLLYWOOD HANDBOOK (New York: Pocket Books, 1984- $6.95, paper).  相似文献   

12.
WALT DISNEY'S FANTASIA by John Culhane (New York: Harry N. Abrams, 1983---$35.00)

The Wisconsin/Warner Brothers Screenplay series has produced two new volumes this year (both University of Wisconsin Press, 1983 for $17.50/6.95)

THREE SCREEN COMEDIES by Samson Raphaelson (Madison: University of Wisconsin Press, 1983---$19.95)

FILM PLOTS by Leonard J. Leff (Ann Arbor: Pierian Press, 1983---no price given)

NAPOLEON: ABEL GANCE'S CLASSIC FILM by Kevin Brownlow (New York: Knopf, 1983---$14.95)

FIFTY YEARS OF SERIAL THRILLS by Roy Kinnard (Metuchen, N.J.: Scarecrow Press, 1983---$15.00)

FILM AND RADIO PROPAGANDA IN WORLD WAR II edited by K.R.M. Short (Knoxville: The University of Tennessee Press, 1983---$23.95)

STRANGERS IN PARADISE: THE HOLLYWOOD EMIGRES, 1933-1950 by John Russell Taylor (New York: Holt, Rinehart and Winston, 1983---$16.95)

THE JAMES BOND FILMS: A BEHIND THE SCE/413S HISTORY by Steven Jay Rubin (New York: Crown Books, 1983---$9.95)

THE UNIVERSAL STORY by Clive Hirschorn (New York: Crown, 1983---$35.00)

STAR MYTHS: SHOW-BUSINESS BIOGRAPHIES ON FILM by Robert Milton Miller (Metuchen, N.J.: Scarecrow, 1983---$27.50)

REDISCOVERING FRENCH FILM edited by Mary Lea Bandy (distributed by New York Graphic Society Books through Little, Brown of Boston, 1983---$15.00 paper)  相似文献   

13.
THE ELECTRONIC MEDIA AND THE TRANSFORMATION OF LAW by M. Ethan Katsh (New York: Oxford University Press, 1989—$38.00, ISBN 0-19-504590-4)

COPYRIGHT LAW: A PRACTITIONER'S GUIDE and 1989 SUPPLEMENT by Harry G. Henn (Practising Law Institute, 810 Seventh Ave, New York, NY 10019—$85.00 for both, ISBN not provided)

USING COPYRIGHTED VIDEOCASSETTES IN CLASSROOMS, LIBRARIES, AND TRAINING CENTERS by Jerome K. Miller (1988,2nd ed.—$19.95, ISBN 0-914143-14-X)

A COPYRIGHT PRIMER FOR EDUCATIONAL AND INDUSTRIAL MEDIA PRODUCERS by Esther Sinofsky (1988—$29.95, ISBN 0-914143-12-3)

VIDEO COPYRIGHT PERMISSIONS: A GUIDE TO SECURING PERMISSION TO RETAIN, PERFORM, AND TRANSMIT TELEVISION PROGRAMS VIDEOTAPED OFF THE AIR by Jerome K. Miller and others (1989—price not given, ISBN 0-914143-13-1)

PRIVATE RIGHTS, PUBLIC WRONGS: THE COMPUTER AND PERSONAL PRIVACY by Michael Rogers Rubin (Norwood, NJ: Ablex, 1988—$32.50, ISBN 0-89391-518-1)

SUBJECTS IN PHOTOGRAPHS, FILM AND TELEVISION edited by Larry Gross, John Stuart Katz, and Jay Ruby (New York: Oxford University Press, 1988—$29.95, ISBN 0- 19-505433-4)

COMPENSATING CREATORS OF INTELLECTUAL PROPERTY: COLLECTIVES THAT COLLECT by Stanley M. Besen and Sheila Nataraj Kirby (Rand Corporation, 1700 Main St., PO Box 2138, Santa Monica, CA 90406—price not given, paper, ISBN 0-8330-0967-2)  相似文献   

14.
5. Journalism     
MANUFACTURING THE FUTURE: A HISTORY OF WESTERN ELECTRIC by Stephen B. Adams and Orville R. Butler (New York: Cambridge University Press, 1999—$34.95, ISBN 0–521–65118–2, 270 pp., photos, appendices, notes, bibliographic essay, index)

HITLER'S AIRWAVES: THE INSIDE STORY OF NAZI RADIO BROADCASTING AND PROPAGANDA SWING by Horst J. P. Bermeier and Rainer E. Lotz (New Haven: Yale University Press, 1997—price not given, ISBN 0–300–06709–7, 368 pp., photos, notes, appendices, sources, index, compact disc inside back cover)

HOWARD AIKEN: PORTRAIT OF A COMPUTER PIONEER by I. Bernard Cohen (Cambridge, MA: MIT Press “History of Computing,”; 1999—$34.95, ISBN 0–262–03262–7, 329 pp., photos, appendices, source notes, index)

COMMUNICATION, COMMERCE AND POWER: THE POLITICAL ECONOMY OF AMERICA AND THE DIRECT BROADCAST SATELLITE, 1960–2000 by Edward A. Comor (New York: St Martin's Press, 1998—price not given, ISBN 0–312–21071‐X, 253 pp., notes, bibliography, index)

THE GREAT RADIO SOAP OPERAS by Jim Cox (Jefferson, NC: McFarland, 1999—$55.00, ISBN 0–7864–0589–9, 331 pp., photos, credits, appendices, annotated bibliography, index)

INFORMATION AGES: LITERACY, NUMERACY, AND THE COMPUTER REVOLUTION by Michael E. Hobart and Zachary S. Schiffman (Baltimore: Johns Hopkins University Press, 1998—$29.95, ISBN 0–818–5881‐X, 301 pp., photos, notes, bibliographic essay, index)

ENIAC: THE TRIUMPHS AND TRAGEDIES OF THE WORLD'S FIRST COMPUTER by Scott McCartney (New York: Walker, 1999—price not given, ISBN 0–8027–1348–3, 262 pp., photos, notes, bibliography, index)

MAXWELL ON THE ELECTROMAGNETIC FIELD: A GUIDED STUDY by Thomas K. Simpson (New Brunswick, NJ: Rutgers University Press “Masterworks of Discovery: Guided Studies of Great Texts in Science,”; 1997—prices not given, ISBN 0–8135–2362–1 hard, 0–8135–2363‐X paper, 440 pp., diagrams, selected readings, bibliography, index)

THE BRITISH LIBRARY GUIDE TO PRINTING: HISTORY AND TECHNIQUES by Michael Twyman (Toronto: University of Toronto Press, 1999—$19.95, paper, ISBN 0–8020–8179–7, 88 pp., further readings, illustrations, index)

THE SIGNIFICANCE OF THE PRINTED WORD IN EARLY AMERICA: COLONISTS’ THOUGHTS ON THE ROLE OF THE PRESS by Julie Hedgepeth Williams (Westport, CT: Greenwood Press “Contributions to the Study of Mass Media and Communications, No. 55,”; 1999—$65.00, ISBN , 0–313–30923‐X, 298 pp., bibliography, index)  相似文献   

15.
Media Regulation     
AMERICAN BROADCASTING AND THE FIRST AMENDMENT by Lucas A. Powe Jr. (Berkeley: University of California Press, 1987—$25)

BEYOND BROADCASTING: PATTERNS IN POLICY AND LAW by Don R. Le Due (New York: Longman, 1987—price not given)

CABLE TELEVISION AND THE FIRST AMENDMENT by Patrick Parsons (Lexington, MA: Lexington Books, 1987—$24.00)

THE QUESTION OF PORNOGRAPHY: RESEARCH FINDINGS AND POLICY IMPLICATIONS by Edward Donnerstein, et al. (New York: Free Press, 1987 $24.95)

PRIVACY IN A PUBLIC SOCIETY: HUMAN RIGHTS IN CONFLICT by Richard F. Hixson (New York: Oxford University Press, 1987—$19.95)  相似文献   

16.
Motion pictures     
THE FILMS OF MICHELANGELO ANTONIONI by Peter Brunette (New York: Cambridge University Press “Cambridge Film Classics,”; 1998—$49.95/paper price not given, ISBN 0–521–38085–5 hard, 0–521–38992–5 paper, 186 pp., selected bibliography, filmography, notes, photos, index)

BACK IN THE SADDLE AGAIN: NEW ESSAYS ON THE WESTERN edited by Edward Buscombe and Roberta E. Pearson (London: British Film Institute, 1998—$60.00/22.50, ISBN 0–85170–660–6 hard, 0–85170–661–4 paper, 218 pp., chapter notes, photos, color advertising plates, index)

REPRESENTING THE WOMAN: CINEMA AND PSYCHOANALYSIS by Elizabeth Cowie (Minneapolis: University of Minnesota Press, 1997—$18.95 paper, ISBN 0–8166–2913–7 hard, 0–8166–2913–7 paper, 397 pp., chapter notes, photos, index)

TRACKING KING KONG: A HOLLYWOOD ICON IN WORLD CULTURE by Cynthia Erb (Detroit, MI: Wayne State University Press “Contemporary Film and Television Series,”; 1998—$24.95, paper, ISBN 0–8143–2686–2, 238 pp., bibliography, chapter notes, index)

IMAGES OF THE PASSION: THE SACRAMENTAL MODE IN FILM by Peter Fraser (Westport, CT: Praeger, 1998—$65.00/22.95, ISBN 0–275–96464–7 hard, 0–275–96465–5 paper, 201 pp., bibliography, filmography, chapter notes, photos, index)

DOCUMENTING THE DOCUMENTARY: CLOSE READINGS OF DOCUMENTARY FILM AND VIDEO edited by Barry Keith Grant and Jeannette Sloniowski (Detroit, MI: Wayne State University Press, 1998—$27.50, paper, ISBN 0–8143–2639–0, 488 pp., film and video distributors’ address list, chapter notes, general bibliography, index)

HOLLYWOOD RENAISSANCE: THE CINEMA OF DEMOCRACY IN THE ERA OF FORD, CAPRA, AND KAZAN by Sam B. Girgus (New York: Cambridge University Press, 1998—$59.95/paper price not given, ISBN 0–521–62388‐X hard, 0–521–62552–1 paper, 258 pp., index, chapter notes, filmography, B&W photos)

IN THE COMPANY OF WOMEN: CONTEMPORARY FEMALE FRIENDSHIP FILMS by Karen Hollinger (Minneapolis: University of Minnesota Press, 1998—$47.95/18.95, ISBN 0–8166–3177–8 hard, 0–8166–3178–6 paper, 275 pp., chapter notes, photos, index)

INDIGENOUS AESTHETICS: NATIVE ART MEDIA AND IDENTITY by Steven Leuthold (Austin: University of Texas Press, 1998—$35.00/16.95, ISBN 0–292–74702–0 hard, 0–292–74703–9 paper, 238 pp., bibliography, filmography, photos, index)

PASSPORT TO HOLLYWOOD: HOLLYWOOD FILMS, EUROPEAN DIRECTORS by James Morrison (Albany: State University of New York Press “SUNY Series in Postmodern Culture,”; 1998—$65.00/21.95, ISBN 0–7914–3937–2 hard, 0–7914–3938–0 paper, 310 pp., bibliography, chapter notes, photos, index)

EDISON MOTION PICTURES, 1890–1900: AN ANNOTATED FILMOGRAPHY by Charles Musser (Washington, DC: Smithsonian Institution Press, 1998—$75.00, ISBN 1–56098–567–4, 720 pp., illustrations, bibliography, indexes for film titles, personal and corporate names, subjects, and locations)

THE FILMS OF JOHN FRANKENHEIMER: FORTY YEARS IN FILM: JOHN FRANKENHEIMER TALKS ABOUT HIS LIFE IN THE CINEMA TO GERALD PRATLEY by Gerald Pratley (Bethlehem, PA: Lehigh University Press, 1998—$55.00, ISBN 1–900541–40–8, 294 pp., photos, film credits, index)

SAVAGE CINEMA: SAM PECKINPAH AND THE RISE OF ULTRAVIOLENT MOVIES by Stephen Prince (Austin: University of Texas Press, 1998— $35.00/18.95, ISBN 0–292–76581–9 hard, 0–292–76582–7 paper, 282 pp., bibliography, chapter notes, photos, index)

FOR THE LOVE OF PLEASURE: WOMEN, MOVIES, AND CULTURE IN THE TURN‐OF‐THE‐CENTURY CHICAGO by Lauren Rabinovitz (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2533–0 hard, 0–8135–2534–9 paper, 233 pp., film index, bibliography, chapter notes, photos, index)

REALITY TRANSFORMED: FILM AS MEANING AND TECHNIQUE by Irving Singer (Cambridge, MA: MIT Press, 1998—$25.00, ISBN 0–262–19403–1, 216 pp., notes, photos, index)

THE NEW HISTORICAL DICTIONARY OF THE AMERICAN FILM INDUSTRY by Anthony Slide (Lanham, MD: Scarecrow Press, 1998—$55.00, ISBN 0–8108–3426‐X, 267 pp., resource libraries and institutions addresses, index)

FRAMING LATIN AMERICAN CINEMA: CONTEMPORARY CRITICAL PERSPECTIVES edited by Ann Marie Stock (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 15,”; 1997—$47.95/18.95, ISBN 0–8166–2972–2 hard, 0–8166–2973–0 paper, 269 pp., chapter notes, photos, index)

MODES OF REPRESENTATION IN SPANISH CINEMA edited by Jenaro Talens and Santos Zunzunegui (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 16,”; 1998—$54.95/21.95, ISBN 0–8166–2974–9 hard, 0–8166–2975–7 paper, 346 pp., chapter notes, index)

WORKING GIRLS: GENDER AND SEXUALITY IN POPULAR CINEMA by Yvonne Tasker (New York: Routledge, 1998—hardcover price not given/$19.99, ISBN 0–415–14004–8 hard, 0–415–14005–6 paper, 234 pp., bibliography, chapter notes, filmography, photos, index)

THE ENCYCLOPEDIA OF NOVELS INTO FILM edited by John C. Tibbetts and James M. Welsh (New York: Facts on File, 1998—$48.00, ISBN 0–8160–3317‐X, 522 pp., filmographies, references, appendices including biographical sketches of authors, selected bibliography, index)

GUIDE TO AMERICAN CINEMA, 1930–1965 by Thomas R. Whissen (Westport, CT: Greenwood Press “Reference Guides to the World's Cinema,”; 1998—$79.50, ISBN 0–313–29487–9, 389 pp., appendixes, bibliography, index)

ALLEGORIES OF UNDERDEVELOPMENT: AESTHETICS AND POLITICS IN MODERN BRAZILIAN CINEMA by Ismail Xavier (Minneapolis: University of Minnesota Press, 1997—$54.95/21.95, ISBN 0–8166–2676–6 hard, 0–8166–2677–4 paper, 285 pp., chapter notes, photos, index)  相似文献   

17.
ELOQUENCE IN AN ELECTRONIC AGE: THE TRANSFORMATION OF POLITICAL SPEECHMAKING by Kathleen Hall Jamieson (New York: Oxford, 1988—$24.95, ISBN 0-10-503826-6)

TELEVISED PRESIDENTIAL DEBATES AND PUBLIC POLICY by Sidney Kraus (Hillsdale, NJ: Lawrence Erlbaum, 1988—$14.95, paper, ISBN 0-8058-0008-5)

THE SPOT: THE RISE OF POLITICAL ADVERTISING ON TELEVISION by Edwin Diamond and Stephen Bates (Cambridge, MA: MIT Press, 1988—$25.00/10.95, ISBNs 0-262-04095-6 and 0-262-54049-5)

THE ELECTRONIC COMMONWEALTH: THE IMPACT OF NEW MEDIA TECHNOLOGIES ON DEMOCRATIC POLITICS by Jeffrey B. Abramson, et al.(New York: Basic Books, 1988—$21.95, ISBN 0-465-01878-5)

TEE IOWA PRECINCT CAUCUSES: THE MAKING OF A MEDIA EVENT by Hugh Winebrenner (Ames: Iowa State University Press, 1987—$15.95, ISBN 0-8138-1001-9)  相似文献   

18.

FILMS AND BRITISH NATIONAL IDENTITY: FROM DICKENS TO DAD'S ARMY by Jeffrey Richards (Manchester, England: Manchester University Press “Studies in Popular Culture,”; 1997—£45.00 /14.99, ISBN 0–7190–4742–0 hard, 0–7190–4743–9 paper, 387 pp., illustrations, bibliography, index of film titles, general index)

FORBIDDEN ANIMATION: CENSORED CARTOONS AND BLACKLISTED ANIMATORS IN AMERICA by Karl F. Cohen (Jefferson, NC: McFarland, 1997—$35.00, ISBN 0–7864–0395–0, 216 pp., illustrations, notes, appendix, index)

A READER IN ANIMATION STUDIES edited by Jayne Pilling (Luton, England: University of Luton Press/John Libbey Media, 1997—no price given, paper, ISBN 1–86462–000–5, 283 pp., illustrations, notes)

TEX AVERY: THE MGM YEARS, 1942–1955 by John Canemaker (Atlanta, GA: Turner Publishing, 1996—$34.95, ISBN 1–57036–291–2, 224 pp., illustrations, filmography, bibliography)

GILLES DELEUZE'S TIME MACHINE by David N. Rodowick (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–1962–4/0–8223–1970–5, 258 pp., illustrations, notes, bibliography, index)

RECREATIONAL TERROR: WOMEN AND THE PLEASURES OF HORROR FILM VIEWING by Isabel Cristina Pinedo (Albany: State University of New York Press “SUNY Series, Interruptions: Border Testimony(ies) and Critical Discourse/s,”; 1997—$44.50/14.95 paper, ISBN 0–7914–3441–9 hard, 0–7914–3442–7 paper, 177 pp., illustrations, films cited listing, notes, bibliography, index)

SELZNICK'S VISION: GONE WITH THE WIND AND HOLLYWOOD FILMMAKING by Alan David Vertrees (Austin: University of Texas Press “Texas Film Studies Series,”; 1997—$30.00, paper, ISBN 0–292–78728–6 hard, 0–292–78729–4 paper, 242 pp., illustrations, notes, bibliography, index)

THE PASSION OF DAVID LYNCH: WILD AT HEART IN HOLLYWOOD by Martha P. Nochimson (Austin: University of Texas Press, 1997—$40.00/19.95, ISBN 0–292–75566‐X hard, 0–292–75565–1 paper, 272 pp., illustrations, notes, bibliography, index)

CINEMA, THEORY, AND POLITICAL RESPONSIBILITY IN CONTEMPORARY CULTURE by Patrick McGee (Port Chester, NY: Cambridge University Press “Literature, Culture, Theory, No. 24,”; 1997—$59.95/19.95, ISBN 0–521–58130–3 hard, 0–521–58908–8 paper, 235 pp., bibliography, index)

ADAPTATIONS AS IMITATIONS: FILMS FROM NOVELS by James Griffith (Newark: University of Delaware Press, 1997—$39.50, ISBN 0–87413–633–4, 272 pp., notes, works cited, index)

DEFINING CINEMA edited by Peter Lehman (New Brunswick, NJ: Rutgers University Press “Rutgers Depth of Field Series,”; 1997—$48.00/18.00, ISBN 0–8135–2301‐X hard, 0–8135–2302–8 paper, 216 pp., notes, index)

FROM PEEP SHOW TO PALACE: THE BIRTH OF AMERICAN FILM by David Robinson (New York: Columbia University Press, 1996—$17.50, paper, ISBN 0–231–10338–7 hard, 0–231–10339–5 paper, 213 pp., illustrations, bibliography, index)

IN THE EYE OF THE BEHOLDER: CRITICAL PERSPECTIVES IN POPULAR FILM AND TELEVISION edited by Gary R. Edgerton, Michael T. Marsden, and Jack Nachbar (Bowling Green, OH: Bowling Green State University Popular Press, 1997—$49.95/$24.95, ISBN 0–89972–753–5 hard, 0–87972–754–3 paper, 274 pp., illustrations, index)

HIGH CONTRAST: RACE AND GENDER IN CONTEMPORARY HOLLYWOOD FILMS by Sharon Willis (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–2029–0 hard, 0–8223–2041‐X paper, 266 pp., notes, index)

MAMMIES NO MORE: THE CHANGING IMAGE OF BLACK WOMEN ON STAGE AND SCREEN by Lisa M. Anderson (Lanham, MD: Rowman &; Littlefield, 1997—$22.95, ISBN 0–8476–8419–9, 147 pp., illustrations, bibliography, index)

HEMINGWAY AND HIS CONSPIRATORS: HOLLYWOOD, SCRIBNERS, AND THE MAKING OF AMERICAN CELEBRITY CULTURE by Leonard J. Leff (Lanham, MD: Rowman &; Littlefield, 1997—$24.95, ISBN 0–8476–8544–6, 255 pp., illustrations, notes, works cited, index)

FOOTAGE: THE WORLDWIDE MOVING IMAGE SOURCEBOOK (New York: Second Line Search, [3rd ed.] 1997—$195.00, ISBN 1–890979–24–4, 1098 pp., glossary, index to advertisers)  相似文献   

19.
Biographies     
THE MAKING OF CITIZEN KANE by Robert Carringer (Berkeley: University of California Press, 1985 -- $22.50)

ORSON WELLES: THE RISE AND FALL OF AN AMERICAN GENIUS (New York: St. Martin's, 1985 -- $19.95) by Charles Higham

ORSON WELLES by Barbara Learning (New York: Viking, 1985 -- $19.95)

CHAPLIN: HIS LIFE AND ART by David Robinson (New York: McGraw-Hill, 1985 — $24.95)

FRANKLIN J. SCHAFFNER by Erwin Kim (Metuchen, New Jersey: The Scarecrow Press, 1985 -- $35.00)  相似文献   

20.
THE DEAL OF THE CENTURY: THE BREAKUP OF AT&T by Steve Coll (New York: Atheneum, 1986—$18.95)

ENTERTAINMENT INDUSTRY ECONOMICS: A GUIDE FOR FINANCIAL ANALYSIS by Harold L. Vogel (New York: Cambridge University Press, 1986—$24.95)

THE CONTROL REVOLUTION: TECHNOLOGICAL AND ECONOMIC ORIGINS OF THE INFORMATION SOCIETY by James R. Beniger (Cambridge, MA: Harvard University Press, 1986—$25.00)  相似文献   

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