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1.
8. JOURNALISM     
  相似文献   

2.
9. GENERAL MEDIA     

CONVERGENCE: INTEGRATING MEDIA, INFORMATION &; COMMUNICATION by Thomas F. Baldwin, D. Stevens McVoy, and Charles Steinfield (Thousand Oaks, CA: Sage Publications, 1996—$48.00/$22.00, ISBN 0–8039–5904–4 hard, ISBN 0–8039–5905–2 paper, 430 pp., figures, notes, index)

PLUNKETT'S INFOTECH INDUSTRY ALMANAC: THE ONLY COMPLETE GUIDE TO THE TECHNOLOGY AND THE COMPANIES THAT ARE CHANGING THE WAY THE WORLD THINKS, WORKS AND COMMUNICATES by Jack W. Plunkett (Galveston, TX: Plunkett Research, 1996—$125.00, paper, ISBN 0–96382–682–4, 697 pp.)

COMMUNICATION SATELLITES: 1958–1995 by Donald H. Martin (Aerospace Press [PO Box 80966, Los Angeles, CA 90080–0966], 1996 [3rd ed.]— $35.00, paper, ISBN 1–884989–02–0, 484 pp., diagrams, tables, maps, glossary, bibliography)

SATELLITE TECHNOLOGY: AN INTRODUCTION by Andrew F. Inglis and Arch C. Luther (Woburn, MA: Focal Press, 1997 [2nd ed.]—$24.95, paper, ISBN 0–240–80295–0, 134 pp., diagrams, tables, appendices, glossary, bibliography, index)

COMMUNICATIONS TECHNOLOGY HANDBOOK by Geoff Lewis (Woburn, MA: Focal Press, 1997 [2nd ed.]—$79.95, ISBN 0–2405–1461–0, 467 pp., diagrams, tables, appendices, index)  相似文献   

3.
4. PROPAGANDA     
RESIDENTIAL BROADBAND by George Abe (Indianapolis: Macmillan Technical Publishing “Cisco Press Design and Implementation Series,”; 1997—$55.00, ISBN 1–57870–020–5, 500 pp., charts, graphs, acronyms list [inside covers], appendix directory of companies, index)

INTRODUCTION TO TELECOMMUNICATIONS NETWORK ENGINEERING by Tarmo Anttalainen (Norwood, MA: Artech House “Communications Library,”; 1998—price not given, ISBN 0–89006–984–0, 297 pp., diagrams, chapter problem and review sets, references, index)

MOBILE TELECOMMUNICATIONS: STANDARDS, REGULATION, AND APPLICATIONS by Rudi Bekkers and Jan Smits (Norwood, MA: Artech House “Mobile Communications Series,”; 1998—$95.00, ISBN 0–89006–806–2, 467 pp., diagrams, tables, glossary, bibliography, notes, index)

HIGH PERFORMANCE NETWORKS, PERSONAL COMMUNICATIONS AND MOBILE COMPUTING by Dimitris Chorafas (Basingstoke: Macmillan “Business,”; 1997—£45.00, ISBN 0–333–66683–6, 340 pp., figures, tables, charts, list of contacts, index)

DIGITAL VIDEO BROADCASTING: TECHNOLOGY, STANDARDS, AND REGULATIONS by Ronald de Bruin and Jan Smits (Norwood, MA: Artech House “Digital Audio and Video Library,”; 1999—$73.00, ISBN 0–89006–743–0, 315 pp., diagrams, references, glossary, index)

FROM TALKING DRUMS TO THE INTERNET: AN ENCYCLOPEDIA OF COMMUNICATIONS TECHNOLOGY by Robert Gardner and Dennis Shortelle (Santa Barbara, CA: ABC‐Clio, 1997—$65.00, ISBN 0–87436–832–4, 355 pp., photos, diagrams, references, bibliography, index)

COMMUNICATION TECHNOLOGY UPDATE edited by August E. Grant and Jennifer Harman Meadows (Woburn, MA: Focal Press, 1998 [6th ed.]—$35.00, paper, ISBN 0–240–80326–4, charts, diagrams, tables, notes, chapter bibliographies, glossary)

ISDN EXPLAINED: WORLDWIDE NETWORK AND APPLICATIONS TECHNOLOGY edited by John M. Griffiths (Chichester, England and New York: John Wiley, 1998 [3rd ed.]—$74.95, ISBN 0–471–97905–8, 291 pp., charts, tables, notes, glossary, index)

DICTIONARY OF COMMUNICATIONS TECHNOLOGY: TERMS, DEFINITIONS AND ABBREVIATIONS by Gilbert Held (New York: John Wiley, 1998 [3rd ed.]—$160.00, paper, ISBN 0–471–97517–6, 672 pp., tables, charts, appendices)

RESIDENTIAL BROADBAND: AN INSIDER'S GUIDE TO THE BATTLE FOR THE LAST MILE by Kim Maxwell (New York: Wiley, 1998—$39.99, paper, ISBN 0–471–25165–8, 390 pp., diagrams, tables, bibliography, index)

MAKING MICROCHIPS: POLICY, GLOBALIZATION, AND ECONOMIC RESTRUCTURING IN THE SEMICONDUCTOR INDUSTRY by Jan Mazurek (Cambridge, MA: MIT Press “Urban and Industrial Environments,”; 1999—$30.00, ISBN 0–262–13345–8, 245 pp., charts, references, index)

UNDERSTANDING MODERN TELECOMMUNICATIONS AND THE INFORMATION SUPERHIGHWAY by John G. Nellist and Elliott M. Gilbert (Norwood, MA: Artech House, 1999—$49.00, ISBN 0–89006–322–2, 285 pp., photos, diagrams, charts, chapter bibliographies, glossary, index)

WORLD‐CLASS TELECOMMUNICATIONS SERVICE DEVELOPMENT by Ellen Ward (Norwood, MA: Artech House “Telecommunications Library,”; 1998—$59.00, ISBN 0–89006–922–0, 260 pp., diagrams, acronyms list, index)

UNDERSTANDING CELLULAR RADIO by William Webb (Norwood, MA: Artech House “Mobile Communications Series,”; 1998—$59.00, ISBN 0–89006–994–8, 283 pp., diagrams, glossary, index)  相似文献   

4.
Electronic media     

SMOOTH TALKERS: THE LINGUISTIC PERFORMANCE OF AUCTIONEERS AND SPORTSCASTERS by Koenraad Kuiper (Mahwah, NJ: Erlbaum, 1996—$16.50, paper, ISBN 0–8058–1720–4, 110 pp.)

PUBLIC INTIMACIES: TALK SHOW PARTICIPANTS AND TELL‐ALL TV by. Patricia Joyner Priest (Creskill, NJ: Hampton Press, 1995—$19.95, paper, ISBN 1–57273–003‐X, 246 pp.)

Dominick, Joseph R. et al. BROADCASTING/CABLE AND BEYOND: AN INTRODUCTION TO MODERN ELECTRONIC MEDIA (New York: McGraw‐Hill, 1996—price not given, ISBN 0–07–017988–3, 493 pp.)

BASICS OF VIDEO PRODUCTION by Des Lyver and Graham Swainson (Newton, MA: Focal Press, 1995—$14.95, paper, ISBN 0–240–51409–2, 128 pp.)

DUNCAN'S RADIO MARKET GUIDE: 1996 EDITION by James H. Duncan Jr. (Duncan's American Radio, PO Box 90284, Indianapolis, IN 46290—$325, spiral bound, no ISBN given, about 400 pages)

THE CAMERA ASSISTANT: A COMPLETE PROFESSIONAL HANDBOOK by Douglas C. Hart (Newton, MA: Focal Press, 1996—price not given, ISBN 0–240–80042–7, 421 pp.)

STUDIO MONITORING DESIGN: A PERSONAL VIEW by Philip Newell (Newton, MA: Focal Press, 1995—price not given, ISBN 0–240–51407–6, 393 pp.)

TIMECODE: A USER'S GUIDE by John Ratcliffe (Newton, MA: Focal Press, 1996—price not given, ISBN 0–240–51404–1, 236 pp.)

BROADCAST SOUND TECHNOLOGY by Mike Talbot‐Smith (Newton, MA: Focal Press, 1995—$32.95, paper, ISBN 0–240–51436‐X, 224 pp.)

BASICS OF VIDEO SOUND by Des Lyver (Newton, MA: Focal Press, 1996—$14.95, paper, ISBN 0–240–51410–6, 128 pp.)  相似文献   

5.
Electronic media     
RADIO'S NICHE MARKETING REVOLUTION: FUTURESELL by Godfrey W. and Ashley Page Herweg (Boston: Focal Press, 1997‐$37.95, paper, ISBN 0–240–80202–0, 274 pp., figures, bibliography, notes, index)

THE RECORDING INDUSTRY by Geoffrey P. Hull (Boston: Allyn & Bacon “Series in Mass Communication,”; 1998‐$24.00, ISBN 0–205–19689–6, 304 pp., Internet sources list, notes, bibliography, glossary, index)

THE CABLE AND SATELLITE TELEVISION INDUSTRIES by Patrick R. Parsons and Robert M. Frieden (Boston: Allyn & Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20013–3, 370 pp., diagrams, tables, bibliography, index)

THE BROADCAST TELEVISION INDUSTRY by James R. Walker & Douglas A. Ferguson, with contributions by John F. Long and Kevin Sauter (Boston: Allyn & Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–18950–4, 228 pp., figures, glossary, bibliography, index)

“DENY ALL KNOWLEDGE:” READING THE X FILES edited by David Lavery, Angela Hague, and Maria Cartwright (Syracuse, NY: Syracuse University Press “Television Series,”; 1996‐$45.00/16.95, ISBN 0–8156–2717–3 hard, 0–8156–0407–6 paper, 233 pp., notes, appendix, works cited, index)

MINORITY COMMERCIAL BROADCAST OWNERSHIP IN THE UNITED STATES by NTIA's Minority Telecommunications Development Program (Washington: National Telecommunications and Information Administration, U.S. Department of Commerce, 1997‐price not given, paper, no ISBN provided, 50 pp., tables)

THE BROADCASTER'S GUIDE TO RDS by Scott Wright (Boston: Focal Press, 1997‐$36.95, paper, ISBN 0–240–80278–0, 203 pp., figures, glossary, bibliography, index)  相似文献   

6.

NARRATIVES AND SPACES: TECHNOLOGY AND THE CONSTRUCTION OF AMERICAN CULTURE by David E. Nye (New York: Columbia University Press, 1997—$45.00/17.50, ISBN 0–231–11196–7 hard, 0–231–11197–5 paper, 224 pp., index)

NEW MEDIA TECHNOLOGY: CULTURAL AND COMMERCIAL PERSPECTIVES by John V. Pavlik (Boston: Allyn and Bacon “Allyn &; Bacon Series in Mass Communication,”; 1998 [2d ed.]—$24.00, paper, ISBN 0–205–27093‐X, 400 pp., glossary, bibliography, index)

CULTURES OF INTERNET: VIRTUAL SPACES, REAL HISTORIES, LIVING BODIES edited by Rob Shields (London and Thousand Oaks, CA: Sage Publications, 1996—$69.95/22.95, ISBN 0–8039–7518‐X hard, 0–8039–7519–8 paper, 196 pp., index)

VISUAL CULTURE: AN INTRODUCTION by John A. Walker and Sarah Chaplin (Manchester, England: Manchester University Press / New York: St. Martin's Press, 1998—$79.95/24.95, ISBN 0–7190–5019–7 hard, 0–7190–5020–0 paper, 231 pp., index, appendix, black and white illustrations and photographs, summaries at end of each chapter)  相似文献   

7.
AUDIO IN MEDIA by Stanley R. Alten (Belmont, CA: Wadsworth Publishing, 1990—price not given, ISBN 0-534-12132-2, 644 pp.)

RADIO PRODUCTION WORKTEXT: STUDIO AND EQUIPMENT by Lynne Gross and David E. Reese (Stoneham, MA: Focal Press, 1990—$19.95, paper, ISBN 0-240-80045-1,146 pp.)

BROADCAST/CABLECOPYWRITING by Peter B. Orlik (Needham Heights, MA: Allyn & Bacon, 1990—price not given, ISBN 0-205-12325-2, 746 pp.)

REWRITING NETWORK NEWS: WORDWATCHING TIPS FROM 345 TV AND RADIO SCRIPTS by Mervin Block (Chicago: Bonus Books, 1990—price not given, ISBN 0-929387-15-5, 221 pp.)

SCRIPT SUPERVISING AND FILM CONTINUITY by Pat Miller (Stoneham, MA Focal Press, 1990—$24.95, paper, ISBN 0-240-80018-4, 228 pp.)

PUBLIC RELATIONS WRITING by E. W. Brody and Dan L. Lattimore (New York: Praeger, 1990—$16.95, ISBN 0-275-92896-9, 267 pp.)

SIGHT SOUND MOTION: APPLIED MEDIA AESTHETICS by Herbert Zettl (Belmont, CA: Wadsworth, 1990—price not given, ISBN 0-534-07952-0, 408 pp.)

THE TECHNIQUE OF TELEVISION PRODUCTION by Gerald Millerson (Stoneham, MA: Focal Press, 1990—price not given, paper, ISBN 0-240-51289-8, 566 pp.)

TV SCENIC DESIGN HANDBOOK by Gerald Millerson (Stoneham, MA: Focal Press, 1989—price not given, paper, ISBN 0-240-51285-5, 249 pp.)

THE VIDEO STUDIO by Alan Bermingham, et al. (Stoneham, MA: Focal Press, 1990—$18.95, paper, ISBN 0-240-51267-7,192 pp.)

ELECTRONIC POST-PRODUCTION TERMS AND CONCEPTS by Arthur Schneider (Stoneham, MA: Focal Press, 1990—$19.95, paper, ISBN 0-240-80006-0,152 pp.)

INTRODUCTION TO TELEVISION PRODUCTION by Ken Fielding (White Plains, NY: Longman, 1990—price notgiven, ISBN 0-8013-0313-3, 307 pp.)

CORPORATE TELEVISION: A PRODUCER'S HANDBOOK by Ray DiZazzo (Stoneham, MA: Focal Press, 1990—price not given, paper, ISBN 0-240-80023-0, 201 pp.)  相似文献   

8.
CRITICAL IDEAS IN TELEVISION STUDIES by John Corner (New York: Oxford University Press “Oxford Television Studies,”; 1999—$52.00/19.95, ISBN 0–19–874221–5 hard, ISBN 0–19–874220–7 paper, 139 pp., references, index)

USES OF TELEVISION by John Hartley (London: Routledge, 1999—$75.00/22.99, ISBN 0–415–08508‐X hard, 0–415–08509–8 paper, 246 pp., figures and pictures, appendixes, references, index)

WAVES OF RANCOR: TUNING IN THE RADICAL RIGHT by Robert L Hilliard and Michael C. Keith (Armonk, NY: M.E. Sharpe “Media, Communication, and Culture in America,”; 1999—$32.95, ISBN 0–7656–0131–1, 288 pp., appendices, notes, index)

THE HIDDEN SCREEN: LOW‐POWER TELEVISION IN AMERICA by Robert C. Hilliard and Michael C. Keith (Armonk, NY: M.E. Sharpe, 1999—prices not given, ISBN 0–7656–0419–1 hard, 0–7656–0420–5, 212 pp., photos, notes, further reading, index)

ACTIVE RADIO: PACIFICA'S BRASH EXPERIMENT by Jeff Land (St. Paul: University of Minnesota Press “Commerce and Mass Culture,”; 1999—$42.95/16.95, ISBN 0–8166–3156–5 hard, 0–8166–3157–3 paper, 179 pp., photos, notes, bibliography, program index, text index)

MAKING SENSE OF TELEVISION: THE PSYCHOLOGY OF AUDIENCE INTERPRETATION by Sonia Livingstone (London: Routledge “International Series in Social Psychology,”; 1998 [2nd ed.]—$85.00/25.99, ISBN 0–415–18623–4 hard, 0–415–18536‐X paper, 212 pp., tables, bibliography, author and subject indexes)

TELEVISION: A MEDIA STUDENT'S GUIDE by David McQueen (London: Arnold, 1998—$55.00/18.95, ISBN 0–340–719764 hard, 0–340–70604‐X paper, 275 pp., illustrations, suggested readings, index)

HANDBOOK ON RADIO AND TELEVISION AUDIENCE RESEARCH by Graham Mytton (New York: UNICEF House, 1999 [Rev. and expanded ed.]—$20.95, paper, ISBN 92–806–3393–7, 191 pp., appendices, bibliography, glossary, references)

A BROADCAST ENGINEERING TUTORIAL FOR NON ENGINEERS (Washington, DC: NAB, 1999 [2nd ed.]—$49.95/29.97, paper, ISBN 0–89324–275–6, 209 pp., diagrams, index)

DIGITAL TELEVISION IN A DIGITAL ECONOMY: OPPORTUNITIES FOR BROADCASTERS by A. T. Kearney (Washington, DC: NAB, 1998— $164.99/98.99, paper, ISBN 0–89324–316–7, about 100 pp., charts, tables, notes, glossary)

NAB ENGINEERING HANDBOOK edited by Jerry Whitaker, et al (Washington, DC: NAB, 1999 [9th ed.]—$379.95/228.00, ISBN 0–089324–258–6, 1,572 pp., charts, diagrams, tables, chapter references and bibliography, CD‐ROM disc, index)

STATION CONSOLIDATION: A TECHNICAL PLANNING GUIDE FOR RADIO STATIONS by the NAB Science &; Technology Department (Washington, DC: NAB, 1997—$89.95/53.97, paper, ISBN 0–89324–311–6, 80 pp., diagrams, maps, appendices)

TOWER SITE REGULATION HANDBOOK by the NAB Science &;. Technology Department (Washington, DC: NAB, 1998—$99.95/59.95, paper, ISBN 0–89324–312–4, 533 pp., tables, diagrams, appendices)

UNITED STATES RBDS STANDARD: SPECIFICATION OF THE RADIO BROADCAST DATA SYSTEM (RBDS) by the National Radio Systems Committee of the Electronic Industries Association and the National Association of Broadcasters (Washington, DC: NAB, 1998—$49.95/29.97, paper, no ISBN provided, 202 pp., diagrams, tables, glossary, annexes)

RACE IN SPACE: THE REPRESENTATION OF ETHNICITY IN STAR TREK AND STAR TREK: THE NEXT GENERATION by Micheal C. Pounds (Lanham, MD: Scarecrow Press, 1999—$32.50, ISBN 0–8108–3322–0, 252 pp., figures, tables, notes, references, index)

PLAYERS ALL: PERFORMANCE IN CONTEMPORARY SPORT by Robert E. Rinehart (Bloomington: Indiana University Press “Drama and Performance Studies,”; 1998—$35.00 /15.95, ISBN 0–253–33426–8 hard, 0–253–21223–5 paper, 188 pp., notes, index)

DIRECTING FOR TELEVISION: CONVERSATIONS WITH AMERICAN TV DIRECTORS by Brian G. Rose (Lanham, MD: Scarecrow Press, 1999—$32.50, ISBN 0–8108–3591–6, 227 pp., index)

BROADCASTING FREEDOM: RADIO, WAR, AND THE POLITICS OF RACE, 1938–1948 by Barbara Dianne Savage (Chapel Hill: University of North Carolina Press “John Hope Franklin Series in African American History and Culture,”; 1999—$45.00/18.95, ISBN 0–8078–2477–1 hard, 0–8078–4804–2 paper, 391 pp., illustrations, photos, notes, bibliography, and index)

TELEVISION AND NEW MEDIA AUDIENCES by Ellen Seiter (New York: Oxford University Press “Oxford Television Studies,”; 1999—$65.00/19.95, ISBN 0–19–871152–5 hard, 0–19–871141–7 paper, 154 pp., photos, bibliography, index)

UNTOUCHABLES by Tise Vahimagi (London: British Film Institute, 1998 [available from Indiana University Press]—$19.95, paper, ISBN 0–85170–563–4, 112 pp., photographs, index)  相似文献   

9.
ON THE HISTORY OF FILM STYLE by David Bordwell (Cambridge: Harvard University Press, 1997‐$60.00/24.95, ISBN 0–674–63428–4 hard, 0–674–63429–2 paper, 322 pp., photographs, chapter notes, index)

MASKED MEN: MASCULINITY AND THE MOVIES IN THE FIFTIES by Steven Cohan (Bloomington: Indiana University Press “Arts and Politics of the Everyday,”; 1997‐$39.95/8.95, ISBN 0–253–33297–4 hard, 0–253–21127–1 paper, 376 pp., photographs, selected filmography, chapter notes, references, index)

THE EXPLODING EYE: A RE‐VISIONARY HISTORY OF 1960s AMERICAN EXPERIMENTAL CINEMA by Wheeler Winston Dixon (Albany: State University of New York Press “SUNY Series, Cultural Studies in Cinema/Video,”; 1997‐$57.50/18.95, ISBN 0–7914–3565–2 hard, 0–7914–3566–0 paper, 250 pp., photos, bibliography, index)

THE KING OF THE MOVIES: FILM PIONEER SIEGMUND LUBIN by Joseph P. Eckhardt (Madison, NJ: Fairleigh Dickinson University Press, 1997‐$55.00, ISBN 0–8386–3728–0, 286 pp., B&;.W photos, notes, bibliography, index)

WITHIN OUR GATES: ETHNICITY IN AMERICAN FEATURE FILMS, 1911–1960: AMERICAN FILM INSTITUTE CATALOG edited by Alan Gevinson (Berkeley: University of California Press, 1997‐$150.00, ISBN 0–520–20964–833, 1571 pp., abbreviations list, indexes, bibliography)

FRAME BY FRAME II: A FILMOGRAPHY OF THE AFRICAN AMERICAN IMAGE, 1978–1994 by Phyllis R. Kotman and Gloria J. Gibson (Bloomington: Indiana University Press, 1997‐$49.95/29.95, ISBN 0–253–33280‐X hard, 0–253–21120–4 paper, 771 pp., bibliography, indexes)

FILMMAKERS AND FINANCING: BUSINESS PLANS FOR INDEPENDENTS by Louise Levison (Boston: Focal Press, 1998 [2nd ed.]‐$22.95, paper, ISBN 0–240–80300–0, 190 pp., tables, index)

FEMINISM, FILM, FASCISM: WOMEN'S AUTO/BIOGRAPHICAL FILM IN POSTWAR GERMANY by Susan E. Linville (Austin: University of Texas Press, 1998‐$30.00/14.95, ISBN 0–292–74696–2 hard, 0–292–74697–0 paper, 208 pp., photos, chapter notes, bibliography, index)

THE MOTION PICTURE MEGA‐INDUSTRY by Barry R. Litman (Boston: Allyn &; Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20026–5, 321 pp., charts, tables, notes, references, index)

FROM HEADLINE HUNTER TO SUPERMAN: A JOURNALISM FIL‐MOGRAPHY by Richard R. Ness (Lanham, MD: Scarecrow Press, 1997‐$89.50, ISBN 0–8108–3291–7, 787 pp., references, appendices, black‐and‐white photographs, index)

Chile v/s Hollywood / CHILE vs HOLLYWOOD by Daniel Olave (Santiago, Chile: Editorial Grijalbo, 1997‐no price available, ISBN 956–258–051–2, 208 pp., photographs)

TRIANGULATED VISIONS: WOMEN IN RECENT GERMAN CINEMA edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow (Albany: State University of New York Press “SUNY Series in Feminist Criticism and Theory,”; and “SUNY Series, Cultural Studies in Cinema/Video,”; 1998‐$65.50/21.95, ISBN 0–7914–3717–5 hard, 0–7914–3718–3 paper, 290 pp., photos, chapter notes, index)

FILM AND THE NUCLEAR AGE: REPRESENTING CULTURAL ANXIETY by Toni A. Perrine (New York: Garland “Garland Studies in American Popular History and Culture,”; 1998‐$68.00, ISBN 0–8153–2932–6, 304 pp., index, bibliography, chronology, filmography)

CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART by Pauline Rogers (Boston: Focal Press, 1998‐$19.95, paper, ISBN 0–240–80309–4, 223 pp.)

HOLLYWOOD'S WORLD WAR I: MOTION PICTURE IMAGES edited by Peter C. Rollins and John E. O'Connor (Bowling Green, OH: Bowling Green State University Popular Press, 1998‐$49.95/19.95, ISBN 0–87972–755–1 hard, 0–87972–756‐X paper, 304 pp., illustrations, notes, general index, film/TV index)

DOCUMENTING OURSELVES: FILM, VIDEO, AND CULTURE by Sharon R. Sherman (Lexington: University Press of Kentucky, 1998‐$22.95, paper, ISBN 0–8131–0934–5, 336 pp., photographs, filmography, chapter notes, references, index)

JAMES WILLIAMSON: STUDIES AND DOCUMENTS OF A PIONEER IN THE FILM NARRATIVE by Martin Sopocy (Cranbury, NJ: Fairleigh Dickinson University Press, 1998‐$52.50, ISBN 0–8386–3716–7, 337 pp., photographs, chapter notes, bibliography, index)

HISTORY BY HOLLYWOOD: THE USE AND ABUSE OF THE AMERICAN PAST by Robert Brent Toplin (Urbana: University of Illinois Press, 1996— 288 pp., $36.95/16.95, ISBN 0–252–02073–1, 0–252–06536–0 paper, photos, chapter notes, selected bibliography, index)  相似文献   

10.

TELEVISION TODAY AND TOMORROW: IT WON'T BE WHAT YOU THINK by Gene F. Jankowski and David C. Fuchs (New York: Oxford University Press, 1995—$25.00, ISBN 0–19–507487–4, 237 pp.)

THE REMAKING OF RADIO by Vincent M. Ditingto (Newton, MA: Focal Press, 1995—$24.95, paper, ISBN 0–240–80174–1, 142 pp.)

SUPER‐HIGH‐DEFINITION IMAGES: BEYOND HDTV by Sadayasu Ono, et al. (Norwood, MA: Artech House, 1995—price not given, ISBN 0–89006–674–4, 154 pp.)

AN INTRODUCTION TO DIGITAL AUDIO by John Watkinson (Newton, MA: Focal Press, 1994—$34.95, paper, ISBN 0–240–51378–9, 392 pp.)

DIGITAL MULTIMEDIA CROSS‐INDUSTRY GUIDE edited by Philip V.W. Dodds (Newton, MA: Focal Press, 1995— $49.95, ISBN 0–240–80205–5, 321 pp.)

TELECOMMUNICATIONS MANAGEMENT: BROADCAST/CABLE AND THE NEW TECHNOLOGIES by Barry L. Sherman (New York: McGraw‐Hill, 1995—price not given, ISBN 0–07–056698–4, 431 pp.)

FILM INTO VIDEO: A GUIDE TO MERGING THE TECHNOLOGIES by Richard H. Kallenberger and George D. Cvjetnicanin (Newton, MA: Focal Press, 1994—$44.95, paper, ISBN 0–240–80215–2, 369 pp.)

THE CABLE NETWORKS HANDBOOK edited by Robert G. Picard (Carpelan Publishing, PO Box 2726, Riverside, CA 92516–2726—$39.95, no ISBN given)

AMERICA'S WATCHING: PUBLIC ATTITUDES TOWARD TELEVISION 1995 (Washington: National Association of Broadcasters, 1995—free on request, paper, no ISBN given, 40 pp.)

RADIO: THE FORGOTTEN MEDIUM edited by Edward C. Pease, and Everette E. Dennis (New Brunswick, NJ: Transaction Books, 1995—$19.95, paper, ISBN 1–56000–798–2, 213 pp.)  相似文献   

11.

INTERFACE CULTURE: HOW NEW TECHNOLOGY TRANSFORMS THE WAY WE CREATE AND COMMUNICATE by Steven Johnson (San Francisco: HarperEdge, 1997‐$24.00, ISBN 0–06–251433–4, 272 pp., index)

IMMERSED IN TECHNOLOGY: ART AND VIRTUAL ENVIRONMENTS edited by Mary Anne Moser with Douglas MacLeod (Cambridge, MA: MIT Press, 1997‐$22.50, ISBN 0–262–63183–0, 368 pp., technical glossary, 64 illustrations, 18 in color)

INTERNET DREAMS: ARCHETYPES, MYTHS, AND METAPHORS by Mark Stefik (Cambridge, MA: MIT Press, 1996‐$30.00/$15.00, ISBN 0–262–19373–6 hard, 0–262–69202–3 paper, 412 pp., further reading, sources, contributors, index)

POSTMORTEM FOR A POSTMODERNIST by Arthur Asa Berger (Walnut Creek, CA: AltaMira Press/Sage, 1997‐$36.00/17.95, ISBN 0–8039–8910–2 hard, 0–8039–8911–0 paper, 184 pp., cartoons, bibliography, index)

THE NETWORKED SOCIETY: HOW TECHNOLOGIES ARE TRANSFORMING MARKETS, ORGANIZATIONS, AND SOCIAL RELATIONSHIPS: A Report of The Fifth Annual Aspen Institute Roundtable on Information Technology, Aspen, Colorado, August 15–18, 1996 by David Bollier and Charles M. Firestone (Washington: The Aspen Institute, 1997‐$10.00, ISBN 0–89843–213–8, 43 pp., endnotes, appendix)

THE McDONALDIZATION OF SOCIETY: AN INVESTIGATION INTO THE CHANGING CHARACTER OF CONTEMPORARY SOCIAL LIFE by George Ritzer (Thousand Oaks, CA: Pine Forge Press, 1997 [2nd ed.]—$17.95, paper, ISBN 0–8039–9076–6 hard, 0–8039–9077–4 paper, 265 pp., bibliography, index)

PARCHMENT, PRINTING, AND HYPERMEDIA: COMMUNICATION IN WORLD ORDER TRANSFORMATION by Ronald J. Deibert (New York: Columbia University Press “New Directions in World Politics,”; 1997‐$49.50/$ 17.50, paper, ISBN 0–231–10712–9 hard, 0–231–10713–7 paper, 329 pp., illustrations, charts, index)

BEYOND THE HORIZON: COMMUNICATIONS TECHNOLOGIES PAST, PRESENT, AND FUTURE by Stephen Lax (Luton, England: John Libbey Media/University of Luton Press, 1997—price not given, ISBN 1–860–20514–3 paper, 133 pp., technical illustrations, index)

CYBERSCHOOLS: AN EDUCATION RENAISSANCE by Glenn R. Jones (Englewood, MA: Jones Digital Century, Inc., 1997—$19.95, ISBN 1–885400–60–8, 180 pp., appendices, index)

THE ORYX GUIDE TO DISTANCE LEARNING: A COMPREHENSIVE LISTING OF ELECTRONIC AND OTHER MEDIA‐ASSISTED COURSES by William E. Burgess (Phoenix, AZ: Oryx Press, 1997 [2nd ed.]—$98.50, ISBN 1–57356–073–1, 497 pp.)

THE U.S. ALL MEDIA E‐MAIL DIRECTORY: COMMUNICATE VIA ELECTRONIC MAIL WITH MAGAZINE, NEWSPAPER, TV AND RADIO MEDIA AND CONTACTS NATIONWIDE by Paul J. Krupin (Kennewick, WA: Direct Contact Publishing, 1997‐$49.00, ISBN 1–885035–03–9, 229 pp., index)

THE RISE, DECLINE, AND RENEWAL OF SILICON VALLEY'S HIGH TECHNOLOGY INDUSTRY by Dan M. Khanna (New York: Garland “Garland Studies on Industrial Productivity,”; 1997‐$52.00, ISBN 0–8153–2724–2, 182 pp., tables, notes, bibliography, index)

THE COMPETITIVE ADVANTAGE OF KNOWLEDGE‐BASED RESOURCES IN THE SEMICONDUCTOR INDUSTRY by Russell W. Wright (New York: Garland “Garland Studies on Industrial Productivity,”; 1997‐$37.00, ISBN 0–8153–2785–4, 108 pp., tables, diagrams, bibliography, index)

MOTHS TO THE FLAME: THE SEDUCTIONS OF COMPUTER TECHNOLOGY by Gregory J. E. Rawlins (Cambridge, MA: MIT Press, 1997‐$10.00, paper, ISBN 0–262–68097–1, 184 pp., subject index)

TIME DETECTIVES: HOW SCIENTISTS USE MODERN TECHNOLOGY TO UNRAVEL THE SECRETS OF THE PAST by Brian Fagan (New York: Touchstone/Simon & Schuster, 1995‐$14.00, paper, ISBN 0–684–81828–0, 288 pp., index)

COMMUNICATION, TECHNOLOGY, AND POLITICS IN THE INFORMATION AGE by Gerald Sussman (Thousand Oaks, CA: Sage Publications, 1997‐$56.00/$27.95, ISBN 0–8039–5139–6 hard, 0–8039–5140‐x paper, 317 pp., tables, references, subject index)

THE NEW COMMUNICATIONS TECHNOLOGIES by Michael M.A. Mirabito with contributions by Barbara Morgenstern (Boston, MA: Focal Press, 1997 [3rd ed.]—$32.95, paper, ISBN 0–240–80258–6, 256 pp., index)

COORDINATING THE INTERNET edited by Brian Kahin and James H. Keller (Cambridge, MA: MIT Press “Publication of the Harvard Information Infrastructure Project,”; 1997‐$25.00, paper, ISBN 0–262–11230–2 hard, 0–262–61136–8 paper, 491 pp., glossary of acronyms, tables, charts, notes, index)

THE INTERNET & WORLD WIDE WEB: THE ROUGH GUIDE by Angus J. Kennedy (London and New York: Rough Guides [distribution by Penguin Group], 1997‐$8.95, paper, ISBN 1–85828–288–8, 432 pp., illustrations, index)

TELECOMMUTING: MODELING THE EMPLOYER'S AND THE EMPLOYEE'S DECISION‐MAKING PROCESS by Adriana Bernardino (New York: Garland “Garland Studies on Industrial Productivity,”; 1996‐$46.00, ISBN 0–8153–2723–4, 169 pp., tables, charts, references survey instruments, index)  相似文献   

12.
VIDEO COMMUNICATION: STRUCTURING CONTENT FOR MAXIMUM PROGRAM EFFECTIVENESS by David L. Smith (Belmont, CA: Wadsworth Publishing, 1991—price not given, paper, ISBN 0-534-13146-8, 412 pp.)

RADIO PRODUCTION: ART AND SCIENCE by Michael C. Keith (Stoneham, MA: Focal Press, 1990—price not given, paper, ISBN 0-240-80017-6, 255 pp.)

TELEVISION AND RADIO ANNOUNCING by Stuart W. Hyde (Boston: Houghton Mifflin, 1991—price not given, ISBN 0-395-54446-7, 576 pp.)

BROADCAST VOICE HANDBOOK: HOW TO POLISH YOUR ON-AIR DELIVERY by Ann S. Utterback (Chicago: Bonus Books, 1990—$26.95, ISBN 0-929387-16-3, 264 pp.)

HOW TO READ COPY: PROFESSIONAL'S GUIDE TO DELIVERING VOICE-OVERS AND BROADCAST COMMERCIALS by Adrian Cronauer (Chicago: Basic Books, 1990—$29.95, ISBN 0-929387-14-7, 208 pp.)

INSTITUTIONAL VIDEO: PLANNING, BUDGETING, PRODUCTION AND EVALUATION by Carl Hausman (Belmont, CA: Wadsworth, 1991—price not given, ISBN 0-534-12786-X, 295 pp.)

ELECTRONIC MOVIEMAKING by Lynne S. Gross and Larry W. Ward (Belmont: Wadsworth, 1991—no price given, paper, ISBN 0-534-13620-6, 313 pp.)

WRITING FOR TELEVISION AND RADIO by Robert L. Hilliard (Belmont, CA: Wadsworth Publishing, 1991—no price given, paper, ISBN 0-534-14262-1, 485 pp.)

THE ESSENTIAL FEATURE: WRITING FOR MAGAZINES AND NEWSPAPERS by Vicky Hay (New York: Columbia University Press, 1990—$45.00/20.00, ISBN 0-231-06886-7 hard, 0-231-06887-5 paper, 289 pp.)

MUSIC IN FILM AND VIDEO PRODUCTIONS by Dan Carlin, Sr. (Stoneham, MA: Focal Press, 1991—$21.95, paper, ISBN 0-240-80009-5, 173 pp.)

SPECIAL MAKE-UP EFFECTS by Vincent J-R Kehoe (Stoneham, MA: Focal Press, 1991—$19.95, paper, ISBN 0-240-80099-0, 134 pp.)

BROADCAST NEWS: WRITING AND REPORTING by Peter E. Mayeux (Dubuque, IA: Wm. C. Brown, 1991—price and ISBN not given, paper, 414 pp.)  相似文献   

13.

FILMS AND BRITISH NATIONAL IDENTITY: FROM DICKENS TO DAD'S ARMY by Jeffrey Richards (Manchester, England: Manchester University Press “Studies in Popular Culture,”; 1997—£45.00 /14.99, ISBN 0–7190–4742–0 hard, 0–7190–4743–9 paper, 387 pp., illustrations, bibliography, index of film titles, general index)

FORBIDDEN ANIMATION: CENSORED CARTOONS AND BLACKLISTED ANIMATORS IN AMERICA by Karl F. Cohen (Jefferson, NC: McFarland, 1997—$35.00, ISBN 0–7864–0395–0, 216 pp., illustrations, notes, appendix, index)

A READER IN ANIMATION STUDIES edited by Jayne Pilling (Luton, England: University of Luton Press/John Libbey Media, 1997—no price given, paper, ISBN 1–86462–000–5, 283 pp., illustrations, notes)

TEX AVERY: THE MGM YEARS, 1942–1955 by John Canemaker (Atlanta, GA: Turner Publishing, 1996—$34.95, ISBN 1–57036–291–2, 224 pp., illustrations, filmography, bibliography)

GILLES DELEUZE'S TIME MACHINE by David N. Rodowick (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–1962–4/0–8223–1970–5, 258 pp., illustrations, notes, bibliography, index)

RECREATIONAL TERROR: WOMEN AND THE PLEASURES OF HORROR FILM VIEWING by Isabel Cristina Pinedo (Albany: State University of New York Press “SUNY Series, Interruptions: Border Testimony(ies) and Critical Discourse/s,”; 1997—$44.50/14.95 paper, ISBN 0–7914–3441–9 hard, 0–7914–3442–7 paper, 177 pp., illustrations, films cited listing, notes, bibliography, index)

SELZNICK'S VISION: GONE WITH THE WIND AND HOLLYWOOD FILMMAKING by Alan David Vertrees (Austin: University of Texas Press “Texas Film Studies Series,”; 1997—$30.00, paper, ISBN 0–292–78728–6 hard, 0–292–78729–4 paper, 242 pp., illustrations, notes, bibliography, index)

THE PASSION OF DAVID LYNCH: WILD AT HEART IN HOLLYWOOD by Martha P. Nochimson (Austin: University of Texas Press, 1997—$40.00/19.95, ISBN 0–292–75566‐X hard, 0–292–75565–1 paper, 272 pp., illustrations, notes, bibliography, index)

CINEMA, THEORY, AND POLITICAL RESPONSIBILITY IN CONTEMPORARY CULTURE by Patrick McGee (Port Chester, NY: Cambridge University Press “Literature, Culture, Theory, No. 24,”; 1997—$59.95/19.95, ISBN 0–521–58130–3 hard, 0–521–58908–8 paper, 235 pp., bibliography, index)

ADAPTATIONS AS IMITATIONS: FILMS FROM NOVELS by James Griffith (Newark: University of Delaware Press, 1997—$39.50, ISBN 0–87413–633–4, 272 pp., notes, works cited, index)

DEFINING CINEMA edited by Peter Lehman (New Brunswick, NJ: Rutgers University Press “Rutgers Depth of Field Series,”; 1997—$48.00/18.00, ISBN 0–8135–2301‐X hard, 0–8135–2302–8 paper, 216 pp., notes, index)

FROM PEEP SHOW TO PALACE: THE BIRTH OF AMERICAN FILM by David Robinson (New York: Columbia University Press, 1996—$17.50, paper, ISBN 0–231–10338–7 hard, 0–231–10339–5 paper, 213 pp., illustrations, bibliography, index)

IN THE EYE OF THE BEHOLDER: CRITICAL PERSPECTIVES IN POPULAR FILM AND TELEVISION edited by Gary R. Edgerton, Michael T. Marsden, and Jack Nachbar (Bowling Green, OH: Bowling Green State University Popular Press, 1997—$49.95/$24.95, ISBN 0–89972–753–5 hard, 0–87972–754–3 paper, 274 pp., illustrations, index)

HIGH CONTRAST: RACE AND GENDER IN CONTEMPORARY HOLLYWOOD FILMS by Sharon Willis (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–2029–0 hard, 0–8223–2041‐X paper, 266 pp., notes, index)

MAMMIES NO MORE: THE CHANGING IMAGE OF BLACK WOMEN ON STAGE AND SCREEN by Lisa M. Anderson (Lanham, MD: Rowman &; Littlefield, 1997—$22.95, ISBN 0–8476–8419–9, 147 pp., illustrations, bibliography, index)

HEMINGWAY AND HIS CONSPIRATORS: HOLLYWOOD, SCRIBNERS, AND THE MAKING OF AMERICAN CELEBRITY CULTURE by Leonard J. Leff (Lanham, MD: Rowman &; Littlefield, 1997—$24.95, ISBN 0–8476–8544–6, 255 pp., illustrations, notes, works cited, index)

FOOTAGE: THE WORLDWIDE MOVING IMAGE SOURCEBOOK (New York: Second Line Search, [3rd ed.] 1997—$195.00, ISBN 1–890979–24–4, 1098 pp., glossary, index to advertisers)  相似文献   

14.
Media ethics     

ETHICS IN INTERCULTURAL AND INTERNATIONAL COMMUNICATION edited by Fred L. Casmir (Mahwah, NJ: Lawrence Erlbaum Associates “LEA's Communication Series,”; 1997—prices not available, ISBN 0–8058–2352–2 hard, 0–8058–2353–0 paper, 307 pp., chapter references, author biographies, author and subject indices)

SCREENING THE LOS ANGELES “RIOTS”;: RACE, SEEING AND RESISTANCE by Darnell M. Hunt (New York: Cambridge University Press “Cambridge Cultural Social Studies,”; 1997—$59.95/19.95, ISBN 0–521–57087–5 hard, 0–521–57814–0 paper, 328 pp., figures, tables, appendices, notes, references, index)

MEDIA ETHICS: A PHILOSOPHICAL APPROACH by Matthew Kieran (Westport, CT: Praeger, 1997—$55.00, ISBN 0–275–95634–2, 178 pp., chapter notes, bibliography, index)

IMAGES THAT INJURE: PICTORIAL STEREOTYPES IN THE MEDIA edited by Paul Martin Lester (Westport, CT: Praeger, 1996—$59.95/19.95, ISBN 0–275–94928–1 hard, 0–275–95357–2 paper, 294 pp., notes, bibliography, index)

COMMUNITY OVER CHAOS: AN ECOLOGICAL PERSPECTIVE ON COMMUNICATION ETHICS by James A. Mackin, Jr. (Tuscaloosa: University of Alabama Press “Studies in Rhetoric and Communication,”; 1997—$34.95, ISBN 0–8173–0860–1, 282 pp., notes, bibliography, index)

JOURNALISM ETHICS: PHILOSOPHICAL FOUNDATIONS FOR NEWS MEDIA by John C. Merrill (New York: St. Martin's Press, 1997—$16.00 paper, ISBN 0–312–13899–7, 263 pp., chapter references, figures, glossary, appendix, brief issues/cases, index)

REPORTING ON RISKS: THE PRACTICE AND ETHICS OF HEALTH AND SAFETY COMMUNICATION by Jim Willis with Albert Adelowo Okunade (Westport, CT: Praeger, 1997—$65.00/24.95, ISBN 0–275–95296–7 hard, 0–275–95298–3 paper, 240 pp., appendix, in‐depth reporting examples, bibliography, index)  相似文献   

15.

MONOPOLY AND COMPETITION IN BRITISH TELECOMMUNICATIONS: THE PAST, THE PRESENT AND THE FUTURE by John Harper (London, Pinter, 1997 L50.00, ISBN 1–85567–455–6, 240pp, foreword, figures, notes glossary, index, appendices)

CELLULAR COMMUNICATIONS: WORLDWIDE MARKET DEVELOPMENT by Garry A. Garrard (Norwood, MA: Artech House “Mobile Communications Series,”; 1997—$85.00, ISBN 0–89006–923–9, 514 pp., tables, charts, bibliography, index)

TELECOMMUNICATIONS TAKE‐OFF IN TRANSITION COUNTRIES edited by Karl‐Ernst Schenk, Jorn Kruse and Jurgen Muller (Aldershot, England: Avebury, 1997— L37.50, ISBN 1–85972–572–4, 252 pp., tables, charts, glossary, index)

MASS COMMUNICATION IN JAPAN by Ann Cooper‐Chen with Miiko Kodama (Ames: Iowa State University Press, 1997—$39.95, ISBN 0–8138–2710–8, 276 pp., tables, photos, time‐line, references, index)

MASS MEDIA IN REVOLUTION AND NATIONAL DEVELOPMENT: THE ROMANIAN LABORATORY by Peter Gross (Ames: Iowa State University Press, 1996—$42.95, ISBN 0–8138–2670–5, 224 pp., tables, notes, bibliography, index)  相似文献   

16.
Motion pictures     
THE FILMS OF MICHELANGELO ANTONIONI by Peter Brunette (New York: Cambridge University Press “Cambridge Film Classics,”; 1998—$49.95/paper price not given, ISBN 0–521–38085–5 hard, 0–521–38992–5 paper, 186 pp., selected bibliography, filmography, notes, photos, index)

BACK IN THE SADDLE AGAIN: NEW ESSAYS ON THE WESTERN edited by Edward Buscombe and Roberta E. Pearson (London: British Film Institute, 1998—$60.00/22.50, ISBN 0–85170–660–6 hard, 0–85170–661–4 paper, 218 pp., chapter notes, photos, color advertising plates, index)

REPRESENTING THE WOMAN: CINEMA AND PSYCHOANALYSIS by Elizabeth Cowie (Minneapolis: University of Minnesota Press, 1997—$18.95 paper, ISBN 0–8166–2913–7 hard, 0–8166–2913–7 paper, 397 pp., chapter notes, photos, index)

TRACKING KING KONG: A HOLLYWOOD ICON IN WORLD CULTURE by Cynthia Erb (Detroit, MI: Wayne State University Press “Contemporary Film and Television Series,”; 1998—$24.95, paper, ISBN 0–8143–2686–2, 238 pp., bibliography, chapter notes, index)

IMAGES OF THE PASSION: THE SACRAMENTAL MODE IN FILM by Peter Fraser (Westport, CT: Praeger, 1998—$65.00/22.95, ISBN 0–275–96464–7 hard, 0–275–96465–5 paper, 201 pp., bibliography, filmography, chapter notes, photos, index)

DOCUMENTING THE DOCUMENTARY: CLOSE READINGS OF DOCUMENTARY FILM AND VIDEO edited by Barry Keith Grant and Jeannette Sloniowski (Detroit, MI: Wayne State University Press, 1998—$27.50, paper, ISBN 0–8143–2639–0, 488 pp., film and video distributors’ address list, chapter notes, general bibliography, index)

HOLLYWOOD RENAISSANCE: THE CINEMA OF DEMOCRACY IN THE ERA OF FORD, CAPRA, AND KAZAN by Sam B. Girgus (New York: Cambridge University Press, 1998—$59.95/paper price not given, ISBN 0–521–62388‐X hard, 0–521–62552–1 paper, 258 pp., index, chapter notes, filmography, B&W photos)

IN THE COMPANY OF WOMEN: CONTEMPORARY FEMALE FRIENDSHIP FILMS by Karen Hollinger (Minneapolis: University of Minnesota Press, 1998—$47.95/18.95, ISBN 0–8166–3177–8 hard, 0–8166–3178–6 paper, 275 pp., chapter notes, photos, index)

INDIGENOUS AESTHETICS: NATIVE ART MEDIA AND IDENTITY by Steven Leuthold (Austin: University of Texas Press, 1998—$35.00/16.95, ISBN 0–292–74702–0 hard, 0–292–74703–9 paper, 238 pp., bibliography, filmography, photos, index)

PASSPORT TO HOLLYWOOD: HOLLYWOOD FILMS, EUROPEAN DIRECTORS by James Morrison (Albany: State University of New York Press “SUNY Series in Postmodern Culture,”; 1998—$65.00/21.95, ISBN 0–7914–3937–2 hard, 0–7914–3938–0 paper, 310 pp., bibliography, chapter notes, photos, index)

EDISON MOTION PICTURES, 1890–1900: AN ANNOTATED FILMOGRAPHY by Charles Musser (Washington, DC: Smithsonian Institution Press, 1998—$75.00, ISBN 1–56098–567–4, 720 pp., illustrations, bibliography, indexes for film titles, personal and corporate names, subjects, and locations)

THE FILMS OF JOHN FRANKENHEIMER: FORTY YEARS IN FILM: JOHN FRANKENHEIMER TALKS ABOUT HIS LIFE IN THE CINEMA TO GERALD PRATLEY by Gerald Pratley (Bethlehem, PA: Lehigh University Press, 1998—$55.00, ISBN 1–900541–40–8, 294 pp., photos, film credits, index)

SAVAGE CINEMA: SAM PECKINPAH AND THE RISE OF ULTRAVIOLENT MOVIES by Stephen Prince (Austin: University of Texas Press, 1998— $35.00/18.95, ISBN 0–292–76581–9 hard, 0–292–76582–7 paper, 282 pp., bibliography, chapter notes, photos, index)

FOR THE LOVE OF PLEASURE: WOMEN, MOVIES, AND CULTURE IN THE TURN‐OF‐THE‐CENTURY CHICAGO by Lauren Rabinovitz (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2533–0 hard, 0–8135–2534–9 paper, 233 pp., film index, bibliography, chapter notes, photos, index)

REALITY TRANSFORMED: FILM AS MEANING AND TECHNIQUE by Irving Singer (Cambridge, MA: MIT Press, 1998—$25.00, ISBN 0–262–19403–1, 216 pp., notes, photos, index)

THE NEW HISTORICAL DICTIONARY OF THE AMERICAN FILM INDUSTRY by Anthony Slide (Lanham, MD: Scarecrow Press, 1998—$55.00, ISBN 0–8108–3426‐X, 267 pp., resource libraries and institutions addresses, index)

FRAMING LATIN AMERICAN CINEMA: CONTEMPORARY CRITICAL PERSPECTIVES edited by Ann Marie Stock (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 15,”; 1997—$47.95/18.95, ISBN 0–8166–2972–2 hard, 0–8166–2973–0 paper, 269 pp., chapter notes, photos, index)

MODES OF REPRESENTATION IN SPANISH CINEMA edited by Jenaro Talens and Santos Zunzunegui (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 16,”; 1998—$54.95/21.95, ISBN 0–8166–2974–9 hard, 0–8166–2975–7 paper, 346 pp., chapter notes, index)

WORKING GIRLS: GENDER AND SEXUALITY IN POPULAR CINEMA by Yvonne Tasker (New York: Routledge, 1998—hardcover price not given/$19.99, ISBN 0–415–14004–8 hard, 0–415–14005–6 paper, 234 pp., bibliography, chapter notes, filmography, photos, index)

THE ENCYCLOPEDIA OF NOVELS INTO FILM edited by John C. Tibbetts and James M. Welsh (New York: Facts on File, 1998—$48.00, ISBN 0–8160–3317‐X, 522 pp., filmographies, references, appendices including biographical sketches of authors, selected bibliography, index)

GUIDE TO AMERICAN CINEMA, 1930–1965 by Thomas R. Whissen (Westport, CT: Greenwood Press “Reference Guides to the World's Cinema,”; 1998—$79.50, ISBN 0–313–29487–9, 389 pp., appendixes, bibliography, index)

ALLEGORIES OF UNDERDEVELOPMENT: AESTHETICS AND POLITICS IN MODERN BRAZILIAN CINEMA by Ismail Xavier (Minneapolis: University of Minnesota Press, 1997—$54.95/21.95, ISBN 0–8166–2676–6 hard, 0–8166–2677–4 paper, 285 pp., chapter notes, photos, index)  相似文献   

17.
TECHNOLOGY AND PRIVACY: THE NEW LANDSCAPE edited by Philip E. Agre and Marc Rotenberg (Cambridge, MA: MIT Press, 1997—$30.00/15.00, ISBN 0–262–01162‐x hard, 0–262–51101–0 paper, 325 pp., diagrams, notes, index)

PRIVACY IN THE INFORMATION AGE by Fred H. Cate (Washington, DC: Brookings Institution, 1997—prices not given, ISBN 0–8157–1316–9 hard, 0–8157–1315–0 paper, 248 pp., appendices, notes, bibliography, index)

PRIVACY ON THE LINE: THE POLITICS OF WIRETAPPING AND ENCRYPTION by Whitfield Diffie and Susan Landau (Cambridge, MA: MIT Press, 1998—$30.00/15.00, ISBN 0–262–04167–7 hard, 0–262–54100–9 paper, 360 pp., notes, glossary, bibliography, index)

COMPETITION AND COOPERATION: FROM BIOLOGY TO BUSINESS REGULATION by P. H. Longstaff (October 1998—price not given, paper, ISBN 1–879716–51–8, Paper P‐98–4, 58 pp., charts, notes, glossary, bibliography)

UNDERSTANDING THE USE OF ELECTRONIC MONEY: THE MISSING FACTOR IN POLICY by Supriya Singh (November 1998—price not given, paper, ISBN 0–86444–758–2, 25 pp., charts, tables, notes, acronyms)

KNOWLEDGE AS A STRATEGIC BUSINESS RESOURCE by William H. Read (January 1999—price not given, ISBN 1–879716–53–4, 27 pp., tables, notes)

SEMINAR ON INTELLIGENCE, COMMAND, AND CONTROL: GUEST PRESENTATIONS, FALL 1997 (January 1999—price not given, paper, ISBN 1–879716–54–2, 186 pp., diagrams, tables, notes)

THE WORLD WIDE WEB: A MASS COMMUNICATION PERSPECTIVE by Barbara K. Kaye and Norman J. Medoff (Mountain View, CA: Mayfield Publishing, 1999—$24.95, paper, ISBN 0–7674–0030–5, 404 pp., chapter links, references, charts, tables, appendix, glossary, index)

STATE UNIVERSAL FUNDING AND POLICY: AN OVERVIEW AND SURVEY by Edwin A. Rosenberg and John D. Wilhelm (September 1998— price not given, paper, NRRI 98–20, 84 pp., tables, notes, appendix)

QUALITY‐OF‐SERVICE AND MARKET IMPLICATIONS OF ASYMMETRIC STANDARDS IN TELECOMMUNICATIONS by Michael Clements (October 1998—price not given, paper, NRRI 98–24, 32 pp., tables, figure, notes)

A TIME SERIES AND CROSS‐SECTIONAL CLASSIFICATION OF STATE REGULATORY POLICY ADOPTED FOR LOCAL EXCHANGE CARRIERS; DIVESTITURE TO PRESENT (1984–1998) by Jaison R. Abel and Michael E. Clements (December 1998—price not given, paper, NRRI 98–25, 107 pp., tables, references)

A COMPILATION OF “BEST PRACTICES”; TO IMPLEMENT THE TELECOMMUNICATIONS ACT OF 1996 by Bob Rowe and Vivian Witkind Davis (April 1999—price not given, paper, NRRI 99–07, 100 pp.)

DIGITAL CAPITALISM: NETWORKING THE GLOBAL MARKET SYSTEM by Dan Schiller (Cambridge: MIT Press, 1999—$29.95, ISBN 0–262–19417–1, 294 pp., notes, index)  相似文献   

18.

THE END OF NEWS by Roger Bird (Toronto: Irwin Publishing, 1997—$24.95 paper, ISBN 0–7725–2285–5, 165pp., notes, index)

CANADIAN INTERNET HANDBOOK, 1998 edition by Jim Carroll and Rick Broadhead (Scarborough, ON: Prentice Hall Canada, 1997—$24.95, paper, ISBN 0–13–897554‐X, 365pp., charts, tables, index)

THE JOURNALIST'S LEGAL GUIDE by Michael G. Crawford (Scarborough, ON: Carswell Thomson Professional Publishing, 1996 [3rd ed]—40.00 paper, ISBN 0–459–25425–1, 380pp., charts, notes, glossary, index)

GUIDE TO CANADIAN ENGLISH USAGE by Margery Fee and Janice McAlpine (Toronto: Oxford University Press, 1997—$50.00, ISBN 0–19–540841–1, 549pp., glossary, bibliography, index)

A CANADIAN WRITER'S POCKET GUIDE by Jack Finnbogason and Al Valleau (Toronto: ITP Nelson, 1998—$20.00 spiral‐bound paper, ISBN 0–17–616618–1, 180pp., index)

SUSTAINING DEMOCRACY? JOURNALISM AND THE POLITICS OF OBJECTIVITY by Robert A. Hackett and Yuezhi Zhao (Toronto: Garamond Press “Culture and Communication in Canada Series,”; 1998—$24.95 paper, ISBN 1–55193–013–7, 284 pp., notes, index)

CYBERLAW: WHAT YOU NEED TO KNOW ABOUT DOING BUSINESS ONLINE by David Johnston, Sunny Handa, and Charles Morgan (Toronto: Stoddart, 1997—U.S.$17.97 paper, no ISBN given, 282pp., notes, glossary, bibliography, index)

MASS COMMUNICATION IN CANADA edited by Rowland Lorimer and Jean McNulty (Toronto: Oxford University Press, 1996 [3rd ed]—$34.95 paper, ISBN 0–19–541208–7, 398pp., glossary, bibliography, index)

MEDIA LAW by Robert Martin (Concord, ON: Irwin Law “Essentials of Canadian Law,”; 1997—$34.95 paper, ISBN 1–55221–004–9, 193pp., charts, notes, index)

THE INTERNET HANDBOOK FOR WRITERS, RESEARCHERS, AND JOURNALISTS by Mary McGuire, Linda Stilborne, Melinda McAdams, and Laurel Hyatt (Toronto: Trifolium Books, 1997—$29.95 paper, ISBN 1–895579–17–1, 242pp., glossary, index)

THE CANADIAN REPORTER: NEWS WRITING AND REPORTING by Catherine McKercher and Carman Cumming (Toronto: HarcourtBrace Canada, 1998 [2d ed]—$47.95 paper, ISBN 0–7747–3562–7, 456pp., glossary, index)

ELECTRIC LANGUAGE: UNDERSTANDING THE MESSAGE by Eric McLuhan (Toronto: Stoddart, 1998—$29.95 paper, ISBN 0–7737–5972–7, 192 pp., color notes)

INTELLECTUAL PROPERTY LAW: COPYRIGHT, PATENT, TRADEMARKS by David Vaver (Concord, ON: Irwin Law, 1997—$39.95 paper, ISBN 1–55221–007–3, 345pp., notes, bibliography, glossary, table of cases, index)  相似文献   

19.
ON TELEVISION by Pierre Bourdieu, translated from the 1996 French original by Priscilla Ferguson (New York: The New Press, 1998—$18.95, paper, ISBN 1–56584–407–6, 104 pp., appendix, translator's note, bibliography, notes, index)

BUYER'S GUIDE TO FIFTY YEARS OF TV ON VIDEO by Sam Frank (Amherst, NY: Prometheus Books, 1999—$22.95, paper, ISBN 1–57392–226–9, 1,498 pp., index)

THE TELEVISION STUDIES BOOK edited by Christine Geraghty and David Lusted (London: Arnold / New York: St. Martin's Press, 1998—$59.95/18.95, ISBN 0–340–66232 hard, 0–340–66231‐X paper, 337 pp., index)

WHY WE WATCH: THE ATTRACTIONS OF VIOLENT ENTERTAINMENT edited by Jeffrey H. Goldstein (New York: Oxford University Press, 1998—$49.95/17.95, ISBN 0–19–511820–0 hard, 0–19–511821–9 paper, 270 pp., illustrations, references, subject and name indexes)

BROADCASTING IN AMERICA: A SURVEY OF ELECTRONIC MEDIA by S. W. Head, C. H. Sterling, L. B. Schofield, T. Spann, and M. A. McGregor (Boston: Houghton Mifflin, 1998 [8th ed.]—$52.00, paper, ISBN 0–395–87371–1, 337 pp., 280 photos &; graphics, bibliography, index, instructor's manual)

PRIME TIME LAW: FICTIONAL TELEVISION AS LEGAL NARRATIVE edited by Robert M. Jarvis and Paul R. Joseph (Durham, NC: Carolina Academic Press, 1998—price not given, ISBN 0–89089–805–7 hard, 0–89089–808–1 paper, 323 pp., notes, index)

MASTERPIECE THEATRE AND THE POLITICS OF QUALITY by Lawrence A. Jarvik (Lanham, MD: Scarecrow Press, 1999—$60.00, ISBN 0–8108–3204–6, 261 pp., notes, bibliography, index)

TELEVISION VIOLENCE: A GUIDE TO THE LITERATURE edited by P.T. Kelly (Nova Science Publishers, 6080 Jericho Turnpike, Suite 207, Commack, NY 11725—price not given, ISBN 1–56072–299–1, 193 pp., index)

UNDERSTANDING SOCIETY, CULTURE, AND TELEVISION by Paul Monaco (Westport, CT: Praeger, 1998—$55.00, ISBN 0–275–96057–9, 152 pp., bibliography, index)

ENCYCLOPEDIA OF TELEVISION NEWS edited by Michael D. Murray (Phoenix: Oryx Press, 1999—price not given, ISBN 1–57356–108–8, 315 pp., photos, further reading, index)

STUDENT TELEVISION IN AMERICA: CHANNELS OF CHANGE by Tony Silvia and Nancy F. Kaplan (Ames, IA: Iowa State University Press, 1998— $29.95, paper, ISBN 0–8138–2160–6, 243 pp., illustrations, selected bibliography, appendixes, index)

LIVING COLOR: RACE AND TELEVISION IN THE UNITED STATES edited by Sasha Torres (Durham, NC: Duke University Press, 1998—$49.95/17.95, ISBN 0–8223–2178–5 hard, 0–8223–2195–5 paper, illustrations, selected bibliography, index)  相似文献   

20.
HISTORY OF THE MASS MEDIA IN THE UNITED STATES edited by Margaret A. Blanchard (Chicago: Fitzroy Dearborn, 1998—price not given, ISBN 1–57958–012–2, 752 pp., photos, bibliographies, index)

MANIPULATING THE ETHER: THE POWER OF BROADCAST RADIO IN THIRTIES AMERICA by Robert J. Brown (Jefferson, NC: McFarland, 1998— $45.00, ISBN 0–7864–0397–7, 312 pp., photos, notes, bibliography, sources of broadcast recordings, index)

SALANT, CBS, AND THE BATTLE FOR THE SOUL OF BROADCAST JOURNALISM: THE MEMOIRS OF RICHARD S. SALANT edited by Susan and Bill Buzenberg (Boulder, CO: Westview Press, 1998—$27.00, ISBN 0–8133–9091–5, 326 pp., photos, chronology, index)

FATHER CHARLES E. COUGHLIN: SURROGATE SPOKESMAN FOR THE DISAFFECTED by Ronald H. Carpenter (Westport, CT: Greenwood “Great American Orators No. 28,”; 1998—$69.50, ISBN 0–313–29040–7, 224 pp., bibliography, index)

A HISTORY OF MODERN COMPUTING by Paul E. Ceruzzi (Cambridge, MA: MIT Press “History of Computing,”; 1998—$35.00, ISBN 0–262–03255–4, 398 pp., photos, tables, notes, bibliography, index)

ELECTRONIC INVENTIONS AND DISCOVERIES: ELECTRONICS FROM ITS EARLIEST BEGINNINGS TO THE PRESENT DAY by G.W.A. Dummer (Bristol, England and Philadelphia: Institute of Physics Publishing, 1997 [4th ed]—$40.00, paper, ISBN 0–7503–0493–6, 284 pp., charts, tables, diagrams, bibliography, index)

ON THE AIR: THE ENCYCLOPEDIA OF OLD‐TIME RADIO by John Dunning (New York: Oxford University Press, 1998—$55.00, ISBN 0–19–507678–8, 822 pp., index)

RUBEN SALAZAR: BORDER CORRESPONDENT, SELECTED WRITINGS, 1955–1970 edited by Mario T. García (Berkeley: University of California Press, 1998—$18.95, paper, ISBN 0–520–21385–8, 283 pp., index)

EDISON: A LIFE OF INVENTION by Paul Israel (New York: John Wiley, 1998—$30.00, ISBN 0–471–52942–7, 552 pp., photos, diagrams, notes, index)

THE AIRWAVES OF NEW YORK: ILLUSTRATED HISTORIES OF 156 AM STATIONS IN THE METROPOLITAN AREA, 1921–1996 by Bill Jaker, Frank Sulek, and Peter Kanze (Jefferson, NC: McFarland, 1998—$55.00, ISBN 0–7864–0343–8, 205 pp., photos, bibliography, index)

ROUGH NEWS, DARING VIEWS: 1950s’ PIONEER GAY PRESS JOURNALISM by Jim Kepner (Binghampton, NY: Haworth Press “Gay and Lesbian Studies,”; 1998—$49.95/24.95, ISBN 0–7890–0140–3 hard, 0–56023–896–8 paper, 462 pp., notes, index)

BLACKLISTED: A JOURNALIST'S LIFE IN CENTRAL EUROPE by Paul Lendvai (New York: St. Martin's Press, 1998—$39.95, ISBN 1–86064–268–3, 213 pp. photos, index)

THE COMMERCE OF EVERYDAY LIFE: SELECTIONS FROM THE TATLER AND THE SPECTATOR edited by Erin Mackie (New York: St. Martin's Press “Bedford Cultural Editions,”; 1998—$45.00, ISBN 0–312–16371–1, 617 pp., selected bibliography)

THE DECADE THAT SHAPED TELEVISION NEWS: CBS IN THE 1950s by Sig Mickelson (Westport, CT: Praeger, 1998—$39.95, ISBN 0–275–95567–2, 242 pp., photos, notes, index)

MATHEW BRADY AND THE IMAGE OF HISTORY by Mary Panzer with an essay by Jeana K. Foley (Washington: Smithsonian Institution Press, 1997—$39.95, ISBN 1–56098–793–6, 232 pp., illustrations, chronology, notes, appendix, index)

THE CORONA PROJECT: AMERICA'S FIRST SPY SATELLITES by Curtis Peebles (Annapolis, MD: Naval Institute Press, 1997—price not given, ISBN 1–55750–688–4, 351pp., photos, notes, index)

EDISON'S KINETOSCOPE AND ITS FILMS: A HISTORY TO 1896 by Ray Phillips (Westport, CT: Greenwood Press “Contributions to the Study of Popular Culture No. 65,”; 1997—price not given, ISBN 0–313–30508–0, 209 pp., photos, diagrams, bibliography, index)

REPORTING VIETNAM: AMERICAN JOURNALISM 1959–1975 (New York: The Library of America, 1998—$35.00 each or $70.00 for the set, two vols., chronologies, notes, photos, glossary of military terms, index; as follows:)

Part One: 1959–1969 (ISBN 1–883011–58–2, 858 pp.)

Part Two: 1969–1975 (ISBN 1–883011–59–0, 857 pp.)

HISTORICAL DICTIONARY OF WAR JOURNALISM edited by Mitchel P. Roth (Westport, CT: Greenwood Press, 1997—$85.00, ISBN 0–313–29171–3, 496 pp., appendices, index)

TEXAS SIGNS ON: THE EARLY DAYS OF RADIO AND TELEVISION by Richard Schroeder (College Station: Texas A&;M University Press “Centennial Series of the Association of Former Students No. 75,”; 1998—$29.95, ISBN 0–89096–813–6, 247 pp., photos, notes, bibliography, index)

THE DAYS OF LIVE: TELEVISION'S GOLDEN AGE AS SEEN BY 21 DIRECTORS GUILD OF AMERICA MEMBERS edited by Ira Skutch (Lanham, MD: Scarecrow Press “Directors Guild of America Oral History No. 16,”; 1998—$49.50/26.00, ISBN 0–8108–3491‐X hard, 0–8108–3492–8 paper, 211 pp., index)  相似文献   

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