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1.
Film and Society     
Bill Nichols IDEOLOGY AND THE IMAGE: SOCIAL REPRESENTATION IN THE CINEMA AND OTHER MEDIA (Bloomington: Indiana University Press, 1981 —$29.95/$9.95)

David Pirie ANATOMY OF THE MOVIES (New York: Macmillan, 1981—$15.95)

Nancy Lynn Schwartz THE HOLLYWOOD WRITER'S WARS (New York: Alfred A. Knopf, 1982—$17.95)

Gilbert Ad air VIETNAM ON FILM: FROM THE GREEN BERETS TO APOCALYPSE NOW (New York: Proteus, 1981— $13.95). Adair begins with John Wayne's The Green Berets (1968)

Edward D. C. Campbell, Jr. THE CELLULOID SOUTH (Knoxville: The University of Tennessee Press, 1981—$17.50)

Elizabeth Weatherford NATIVE AMERICANS ON FILM AND VIDEO (Available from Museum of the American Indian, Broadway at 155th Street, New York, NY 10032— $4.95, paper)  相似文献   

2.
Motion Pictures     
George Rehrauer, THE MACMILLAN BIBLIOGRAPHY: A CRITICAL GUIDE TO THE LITERATURE OF THE MOTION PICTURE (New York: Macmillan, 1982 2 vol. —the first volume is the bibliography itself, $90.00; the second is the index, $50.00).

Paula Rohrlick, EXPLORING THE ARTS: FILM AND VIDEO PROGRAMS FOR YOUNG VIEWERS (New York: R. R. Bowker, 1982—$24.95, paper, plus shipping and handling).

Jason E. Squire, THE MOVIE BUSINESS BOOK (Englewood Cliffs, N.J.: Prentice-Hall, 1983—$13.95, paper).

Gregory Goodell INDEPENDENT FEATURE FILM PRODUCTION: A COMPLETE GUIDE FROM CONCEPT TO DISTRIBUTION (New York: St. Martins's Press, 1982—$17.95).

James Curtis, JAMES WHALE, (Metuchen, N.J.: The Scarecrow Press—$16.50 and $16.00, respectively).

William Schelly, HARRY LANGDON (Metuchen, N.J.: The Scarecrow Press—$16.50 and $16.00, respectively).

Bruce Cook, BRECHT IN EXILE (New York: Holt, Rinehart & Winston, 1983—$16.50).

Marsha McCreadle, WOMEN ON FILM: THE CRITICAL EYE (New York: Praeger, 1983—$21.95).

William Luhr RAYMOND CHANDLER AND FILM (New York: Frederick Ungar, 1982- $14.95/7.95).

Allen L. Woll, THE HOLLYWOOD MUSICAL GOES TO WAR (Chicago: Nelson-Hall, 1983—no price given).

Norma Kagan, AMERICAN SKEPTIC: ROBERT ALTMAN'S GENRE-COMMENTARY FILMS (Ann Arbor: Pierian Press, 1982—$17.95).

David Wilson, SIGHT AND SOUND: A FIFTIETH ANNIVERSARY SFIECTION (London: Faber and Faber, distributed in the United States by Harper dc Row, 1982—$19.95).

Nicholas Pronay and D. W. Spring, PROPAGANDA, POLITICS AND FILM, 1918-45 (London: The Macmillan Press, 1982—$40.00; order in the United States from Humanities Press, Atlantic Highlands, N.J.).

Ina Bertrand and Diane Collins, GOVERNMENT AND FILM (Sydney: Currency Press, 1982- A$14.95).

John Tulloch, LEGENDS OF THE SCREEN: THE NARRATIVE FILM IN AUSTRALIA, 1919-1929 (Sydney: Currency Press, 1981—A$19.95) (order from The Currency Press, 87 Jersey Road, Woollahra NSW 2025).

Roy Armes, THE FILMS OF ALAIN ROBBE-GRILLET (Amsterdam: John Benjamins B. V., 1981) (order in the United States from John Benjamins North America, Inc., One Buttonwood Square, 202, Philadelphia, Pennsylvania 19130—$25.00).

Bruce F. Kawin, FAULKNER'S MGM SCREENPLAYS (Knoxville: University of Tennessee Press, 1982—$32.50/14.95).

Peter Rollins, HOLLYWOOD AS HISTORIAN: AMERICAN FILM IN A CULTURAL CONTEXT (Lexington: University of Kentucky Press, 1983—no price given, paper).

Susan Myrick WHITE COLUMNS IN HOLLYWOOD: REPORTS FROM THE GWTW SETS (Mercer, Ga.: Mercer University Press, 1982—$14.95).

Frank Beaver of the University of Michigan: ON FILM: A HISTORY OF THE MOTION PICTURE and DICTIONARY OF FILM TERMS (both New York: McGraw-Hill, 1983—no price given).  相似文献   

3.
ON THE HISTORY OF FILM STYLE by David Bordwell (Cambridge: Harvard University Press, 1997‐$60.00/24.95, ISBN 0–674–63428–4 hard, 0–674–63429–2 paper, 322 pp., photographs, chapter notes, index)

MASKED MEN: MASCULINITY AND THE MOVIES IN THE FIFTIES by Steven Cohan (Bloomington: Indiana University Press “Arts and Politics of the Everyday,”; 1997‐$39.95/8.95, ISBN 0–253–33297–4 hard, 0–253–21127–1 paper, 376 pp., photographs, selected filmography, chapter notes, references, index)

THE EXPLODING EYE: A RE‐VISIONARY HISTORY OF 1960s AMERICAN EXPERIMENTAL CINEMA by Wheeler Winston Dixon (Albany: State University of New York Press “SUNY Series, Cultural Studies in Cinema/Video,”; 1997‐$57.50/18.95, ISBN 0–7914–3565–2 hard, 0–7914–3566–0 paper, 250 pp., photos, bibliography, index)

THE KING OF THE MOVIES: FILM PIONEER SIEGMUND LUBIN by Joseph P. Eckhardt (Madison, NJ: Fairleigh Dickinson University Press, 1997‐$55.00, ISBN 0–8386–3728–0, 286 pp., B&;.W photos, notes, bibliography, index)

WITHIN OUR GATES: ETHNICITY IN AMERICAN FEATURE FILMS, 1911–1960: AMERICAN FILM INSTITUTE CATALOG edited by Alan Gevinson (Berkeley: University of California Press, 1997‐$150.00, ISBN 0–520–20964–833, 1571 pp., abbreviations list, indexes, bibliography)

FRAME BY FRAME II: A FILMOGRAPHY OF THE AFRICAN AMERICAN IMAGE, 1978–1994 by Phyllis R. Kotman and Gloria J. Gibson (Bloomington: Indiana University Press, 1997‐$49.95/29.95, ISBN 0–253–33280‐X hard, 0–253–21120–4 paper, 771 pp., bibliography, indexes)

FILMMAKERS AND FINANCING: BUSINESS PLANS FOR INDEPENDENTS by Louise Levison (Boston: Focal Press, 1998 [2nd ed.]‐$22.95, paper, ISBN 0–240–80300–0, 190 pp., tables, index)

FEMINISM, FILM, FASCISM: WOMEN'S AUTO/BIOGRAPHICAL FILM IN POSTWAR GERMANY by Susan E. Linville (Austin: University of Texas Press, 1998‐$30.00/14.95, ISBN 0–292–74696–2 hard, 0–292–74697–0 paper, 208 pp., photos, chapter notes, bibliography, index)

THE MOTION PICTURE MEGA‐INDUSTRY by Barry R. Litman (Boston: Allyn &; Bacon “Series in Mass Communication,”; 1998‐$24.00, paper, ISBN 0–205–20026–5, 321 pp., charts, tables, notes, references, index)

FROM HEADLINE HUNTER TO SUPERMAN: A JOURNALISM FIL‐MOGRAPHY by Richard R. Ness (Lanham, MD: Scarecrow Press, 1997‐$89.50, ISBN 0–8108–3291–7, 787 pp., references, appendices, black‐and‐white photographs, index)

Chile v/s Hollywood / CHILE vs HOLLYWOOD by Daniel Olave (Santiago, Chile: Editorial Grijalbo, 1997‐no price available, ISBN 956–258–051–2, 208 pp., photographs)

TRIANGULATED VISIONS: WOMEN IN RECENT GERMAN CINEMA edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow (Albany: State University of New York Press “SUNY Series in Feminist Criticism and Theory,”; and “SUNY Series, Cultural Studies in Cinema/Video,”; 1998‐$65.50/21.95, ISBN 0–7914–3717–5 hard, 0–7914–3718–3 paper, 290 pp., photos, chapter notes, index)

FILM AND THE NUCLEAR AGE: REPRESENTING CULTURAL ANXIETY by Toni A. Perrine (New York: Garland “Garland Studies in American Popular History and Culture,”; 1998‐$68.00, ISBN 0–8153–2932–6, 304 pp., index, bibliography, chronology, filmography)

CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART by Pauline Rogers (Boston: Focal Press, 1998‐$19.95, paper, ISBN 0–240–80309–4, 223 pp.)

HOLLYWOOD'S WORLD WAR I: MOTION PICTURE IMAGES edited by Peter C. Rollins and John E. O'Connor (Bowling Green, OH: Bowling Green State University Popular Press, 1998‐$49.95/19.95, ISBN 0–87972–755–1 hard, 0–87972–756‐X paper, 304 pp., illustrations, notes, general index, film/TV index)

DOCUMENTING OURSELVES: FILM, VIDEO, AND CULTURE by Sharon R. Sherman (Lexington: University Press of Kentucky, 1998‐$22.95, paper, ISBN 0–8131–0934–5, 336 pp., photographs, filmography, chapter notes, references, index)

JAMES WILLIAMSON: STUDIES AND DOCUMENTS OF A PIONEER IN THE FILM NARRATIVE by Martin Sopocy (Cranbury, NJ: Fairleigh Dickinson University Press, 1998‐$52.50, ISBN 0–8386–3716–7, 337 pp., photographs, chapter notes, bibliography, index)

HISTORY BY HOLLYWOOD: THE USE AND ABUSE OF THE AMERICAN PAST by Robert Brent Toplin (Urbana: University of Illinois Press, 1996— 288 pp., $36.95/16.95, ISBN 0–252–02073–1, 0–252–06536–0 paper, photos, chapter notes, selected bibliography, index)  相似文献   

4.
Film History     
John W. Landon BEYOND THE MIGHTY WURLITZER: THE HISTORY OF THE THEATRE PIPE ORGAN (Westport, Connecticut: Greenwood Press,,1983—$29.95).

Susannah Harris Stone THE OAKLAND PARAMOUNT (Berkeley California: Lancaster-Miller Publishers, 1981—$11.95).

John Fell FILM BEFORE GRIFFTTH (Berkeley, California: University of California Press, 1984—$24.50/$10.95).

Herbert Marshall MASTERS OF THE SOVIET CINEMA: CRIPPLED CREATIVE BIOGRAPHIES (London: Routledge 8 Kegan Paul, 1983—$29.95).

John Kobal and V.A. Wilson FOYER PLEASURE: THE GOLDEN AGE OF CINEMA LOBBY CARDS (New York: Deliliah Books, 1983—$12.95).

Don Graham COWBOYS AND CADILLACS: HOW HOLLYWOOD LOOKS AT TEXAS (Texas Monthly Press, P.O. Box 1569, Austin, Texas 78767—$10.95).  相似文献   

5.
Anthony Slide A COLLECTOR'S GUIDE TO MOVIE MEMORABILIA—WITH PRICES (Wallace Homestead Book Company, 1912 Grand Avenue, Des Moines, Iowa 50305—$12.95).

Richard L. Stromgren and Martin F. Norden. MOVIES: A LANGUAGE IN LIGHT (Englewood Cliffs, New Jersey: Prentice-Hall, 1984—$15.95).

Jonathan Rosenbaum, FILM: THE FRONT LINE 1983 (Arden Press, 1127 Pennsylvania Street, Denver. Colorado 80203—$10.95).

James L. Limbacher's SEXUALITY IN WORLD CINEMA (Metuchen. New Jersey: Scarecrow Press, 1983—$72.50 for two volumes).

Al Clark: THE FILM YEARBOOK-1984(New York: Grove Press, 1984—$12.95, paperback).

ANNUAL INDEX TO MOTION PICTURE CREDITS: 1982 (Westport, Connecticut: Greenwood Press, 1983—$150.00).

Nancy Allen and Robert L. Carringer AN ANNOTATED CATALOG OF UNPUBLISHED FILM AND TELEVISION SCRIPTS (Graduate School of Library and Information Science. Publications Office, 249 Armory Building, 505 E. Armbry Street, Champaign, Illinois 61820—$15.00, paper).  相似文献   

6.
Motion pictures     
THE FILMS OF MICHELANGELO ANTONIONI by Peter Brunette (New York: Cambridge University Press “Cambridge Film Classics,”; 1998—$49.95/paper price not given, ISBN 0–521–38085–5 hard, 0–521–38992–5 paper, 186 pp., selected bibliography, filmography, notes, photos, index)

BACK IN THE SADDLE AGAIN: NEW ESSAYS ON THE WESTERN edited by Edward Buscombe and Roberta E. Pearson (London: British Film Institute, 1998—$60.00/22.50, ISBN 0–85170–660–6 hard, 0–85170–661–4 paper, 218 pp., chapter notes, photos, color advertising plates, index)

REPRESENTING THE WOMAN: CINEMA AND PSYCHOANALYSIS by Elizabeth Cowie (Minneapolis: University of Minnesota Press, 1997—$18.95 paper, ISBN 0–8166–2913–7 hard, 0–8166–2913–7 paper, 397 pp., chapter notes, photos, index)

TRACKING KING KONG: A HOLLYWOOD ICON IN WORLD CULTURE by Cynthia Erb (Detroit, MI: Wayne State University Press “Contemporary Film and Television Series,”; 1998—$24.95, paper, ISBN 0–8143–2686–2, 238 pp., bibliography, chapter notes, index)

IMAGES OF THE PASSION: THE SACRAMENTAL MODE IN FILM by Peter Fraser (Westport, CT: Praeger, 1998—$65.00/22.95, ISBN 0–275–96464–7 hard, 0–275–96465–5 paper, 201 pp., bibliography, filmography, chapter notes, photos, index)

DOCUMENTING THE DOCUMENTARY: CLOSE READINGS OF DOCUMENTARY FILM AND VIDEO edited by Barry Keith Grant and Jeannette Sloniowski (Detroit, MI: Wayne State University Press, 1998—$27.50, paper, ISBN 0–8143–2639–0, 488 pp., film and video distributors’ address list, chapter notes, general bibliography, index)

HOLLYWOOD RENAISSANCE: THE CINEMA OF DEMOCRACY IN THE ERA OF FORD, CAPRA, AND KAZAN by Sam B. Girgus (New York: Cambridge University Press, 1998—$59.95/paper price not given, ISBN 0–521–62388‐X hard, 0–521–62552–1 paper, 258 pp., index, chapter notes, filmography, B&W photos)

IN THE COMPANY OF WOMEN: CONTEMPORARY FEMALE FRIENDSHIP FILMS by Karen Hollinger (Minneapolis: University of Minnesota Press, 1998—$47.95/18.95, ISBN 0–8166–3177–8 hard, 0–8166–3178–6 paper, 275 pp., chapter notes, photos, index)

INDIGENOUS AESTHETICS: NATIVE ART MEDIA AND IDENTITY by Steven Leuthold (Austin: University of Texas Press, 1998—$35.00/16.95, ISBN 0–292–74702–0 hard, 0–292–74703–9 paper, 238 pp., bibliography, filmography, photos, index)

PASSPORT TO HOLLYWOOD: HOLLYWOOD FILMS, EUROPEAN DIRECTORS by James Morrison (Albany: State University of New York Press “SUNY Series in Postmodern Culture,”; 1998—$65.00/21.95, ISBN 0–7914–3937–2 hard, 0–7914–3938–0 paper, 310 pp., bibliography, chapter notes, photos, index)

EDISON MOTION PICTURES, 1890–1900: AN ANNOTATED FILMOGRAPHY by Charles Musser (Washington, DC: Smithsonian Institution Press, 1998—$75.00, ISBN 1–56098–567–4, 720 pp., illustrations, bibliography, indexes for film titles, personal and corporate names, subjects, and locations)

THE FILMS OF JOHN FRANKENHEIMER: FORTY YEARS IN FILM: JOHN FRANKENHEIMER TALKS ABOUT HIS LIFE IN THE CINEMA TO GERALD PRATLEY by Gerald Pratley (Bethlehem, PA: Lehigh University Press, 1998—$55.00, ISBN 1–900541–40–8, 294 pp., photos, film credits, index)

SAVAGE CINEMA: SAM PECKINPAH AND THE RISE OF ULTRAVIOLENT MOVIES by Stephen Prince (Austin: University of Texas Press, 1998— $35.00/18.95, ISBN 0–292–76581–9 hard, 0–292–76582–7 paper, 282 pp., bibliography, chapter notes, photos, index)

FOR THE LOVE OF PLEASURE: WOMEN, MOVIES, AND CULTURE IN THE TURN‐OF‐THE‐CENTURY CHICAGO by Lauren Rabinovitz (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2533–0 hard, 0–8135–2534–9 paper, 233 pp., film index, bibliography, chapter notes, photos, index)

REALITY TRANSFORMED: FILM AS MEANING AND TECHNIQUE by Irving Singer (Cambridge, MA: MIT Press, 1998—$25.00, ISBN 0–262–19403–1, 216 pp., notes, photos, index)

THE NEW HISTORICAL DICTIONARY OF THE AMERICAN FILM INDUSTRY by Anthony Slide (Lanham, MD: Scarecrow Press, 1998—$55.00, ISBN 0–8108–3426‐X, 267 pp., resource libraries and institutions addresses, index)

FRAMING LATIN AMERICAN CINEMA: CONTEMPORARY CRITICAL PERSPECTIVES edited by Ann Marie Stock (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 15,”; 1997—$47.95/18.95, ISBN 0–8166–2972–2 hard, 0–8166–2973–0 paper, 269 pp., chapter notes, photos, index)

MODES OF REPRESENTATION IN SPANISH CINEMA edited by Jenaro Talens and Santos Zunzunegui (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 16,”; 1998—$54.95/21.95, ISBN 0–8166–2974–9 hard, 0–8166–2975–7 paper, 346 pp., chapter notes, index)

WORKING GIRLS: GENDER AND SEXUALITY IN POPULAR CINEMA by Yvonne Tasker (New York: Routledge, 1998—hardcover price not given/$19.99, ISBN 0–415–14004–8 hard, 0–415–14005–6 paper, 234 pp., bibliography, chapter notes, filmography, photos, index)

THE ENCYCLOPEDIA OF NOVELS INTO FILM edited by John C. Tibbetts and James M. Welsh (New York: Facts on File, 1998—$48.00, ISBN 0–8160–3317‐X, 522 pp., filmographies, references, appendices including biographical sketches of authors, selected bibliography, index)

GUIDE TO AMERICAN CINEMA, 1930–1965 by Thomas R. Whissen (Westport, CT: Greenwood Press “Reference Guides to the World's Cinema,”; 1998—$79.50, ISBN 0–313–29487–9, 389 pp., appendixes, bibliography, index)

ALLEGORIES OF UNDERDEVELOPMENT: AESTHETICS AND POLITICS IN MODERN BRAZILIAN CINEMA by Ismail Xavier (Minneapolis: University of Minnesota Press, 1997—$54.95/21.95, ISBN 0–8166–2676–6 hard, 0–8166–2677–4 paper, 285 pp., chapter notes, photos, index)  相似文献   

7.
Dana H. Hodgdon and Stuart M. Kaminsky BASIC FILMMAKING (New York: Arco Publishing, 1982—$12.95/$7.95)

Stewart Bronfeld WRITING FOR FILM AND TELEVISION (Englewood Cliffs, NJ: Prentice-Hall, 1981—$11.95)

Leonard Maltin TV MOVIES (New York: New American Library, 1982— $4.95)

Alan Frank THE HORROR FILM HANDBOOK (Totowa, NJ: Barnes E. Noble Books, 1982—$24.95)

Richard Dyer MacCann and Jack C. Ellis CINEMA EXAMINED: SELECTIONS FROM CINEMA JOURNAL (New York: E. P. Dutton, 1982—$9.95 paper)  相似文献   

8.
TELEVISION COVERAGE OF THE 1983 GENERAL ELECTION by Barrie Gunter, et al. (Brookfield, VT: Gower, 1986—$37.95)

COMMUNICATIONS: THE MOST COMPREHENSIVE GUIDE TO THE UK TELECOMMUNICATIONS INDUSTRY edited by Manus Egan (London: Macmillan/Dedham, MA: Artech House, 1986—price not given, paper)

GEOGRAPHY, THE MEDIA AND POPULAR CULTURE edited by Jacquelin Burgess and John R. Gold (London: Croom Helm, 1985—price not given, 273 pp.)

TELEVISION, SEX ROLES AND CHILDREN: A DEVELOPMENTAL SOCIAL PSYCHOLOGICAL ACCOUNT by Kevin Durkin (Milton Keynes, UK: Open University Press, 1985—148 pp.)

HEALTH EDUCATION AND THE MEDIA edited by D.S. Leathar, et al. (Oxford: Pergamon Press, 1981 and 1986—602 and 262 pp.)

THE DESIGN DIMENSION: PRODUCT STRATEGY AND THE CHALLENGE OF GLOBAL MARKETING by Christopher Lorenz (Oxford: Basil Blackwell, 1986—167 pp.)

LANGUAGE AND THE NUCLEAR ARMS DEBATE: NUKESPEAK TODAY (London: Francis Pinter, 1985—244 pp.)

STUDENTS IN THE PRESS: 1955–75 by Michael Clarke (Dept of Sociology, University of Birmingham, PO Box 363, Birmingham BI5 2TT—L5.00, 185 pp.)

TEACHING THE MEDIA by Len Masterman (London: Comedia, 1985—L14.00/6.95, 341 pp.)

LAW AND THE MEDIA edited by Stuart M. Robertson (Ottawa: Canadian Bar Foundation, 1984–86—$38.00 for five paperback volumes)

TELLING TALES by John Fraser (Toronto: Collins, 1986—$19.95, 218 pp)

A FUNNY WAY TO RUN A COUNTRY: FURTHER MEMOIRS OF A POLITICAL VOYEUR (Edmonton: Hurtig, 1986—$19.95, 217 pp.)

CHINS AND NEEDLES: POLITICAL CARTOONS by Andy Donato (Toronto: Key Porter Books, 1986—$10.95, paper, 206 pp.)

PHOTOGRAPHY AND THE LAW by Christopher Du Vernet (Vancouver: International Self-Counsel Press, 1986—$7.95, paper, 150 pp.)

FROM COAST TO COAST: A PERSONAL HISTORY OF RADIO IN CANADA by Sandy Stewart (Toronto: CBC Enterprises, 1986—$12.95, paper, 191 pp.)

INSIDE SEVEN DAYS: THE SHOW THAT SHOOK THE NATION by Eric Koch (Toronto: Prentice-Hall of Canada, 1986—$19.95, 350 pp.)

KOOKS AND KUKES, COUNTS AND NOACCOUNTS by William C. Heine (Edmonton: Hurtig, 1986—$24.95, 200 pp.)

THE NEWSMONGERS: HOW THE MEDIA DISTORT THE POLITICAL NEWS by Mary Anne Comber and Robert S. Mayne (Toronto: McClelland & Stewart, 1986—$22.95, 178 pp.)

THE MEDIA, THE COURTS AND THE CHARTER edited by Philip Anisman and Allen Linden (Toronto: Carswell, 1986—$45.00, 488 pp.)

THE JOURNALIST'S LEGAL GUIDE by Michael G. Crawford (Toronto: Carswell, 1986—$35.00, 288 pp.)

HENRY MAYER'S “IMMORTAL WORKS:” SCHOLARLY, SEMI-SCHOLARLY AMD NOT VERY SCHOLARLY AT ALL: A DESCRIPTIVE BIBLIOGRAPHY WITH INDEX, 1940–1985 by Murray Goot (Canberra: Department of Political Science/Australian National University, 1986—price not given)

COMMERCIAL MEDIA IN AUSTRALIA: ECONOMICS, OWNERSHIP, TECHNOLOGY, AND REGULATION by Allan Brown (Manchester, NH: University of Queensland Press, 1986—$43.50)

ABORIGINAL INVENTION OF TELEVISION: CENTRAL AUSTRALIA 1982–1986 by Eric Michaels (Australian Institute of Aboriginal Studies, GPO Box 553, Canberra ACT 2601—price not given, paper)

GIRLS AND TELEVISION by Patricia Palmer (Social Policy Unit, Ministry of Education, GPO Box 33, Sydney 2001)

AN AUSTRALIAN FILM READER edited by Albert Moran and Tom O'Regan (Sydney: Currency Press, 1985—A$24.96)  相似文献   

9.
CABLE TELEVISION AND OTHER NONBROADCAST VIDEO: LAW AND POLICY by Daniel L. Brenner and Monroe E. Price (Clark Boardman Co., 435 Hudson St., New York 10014, 1986—$85.00)

THE JOURNALIST'S HANDBOOK ON LIBEL AND PRIVACY by Barbara Dill (New York: Free Press, 1986—$19.95)

THE PRESS AND THE STATE: SOCIOHISTORICAL AND CONTEMPORARY INTERPRETATIONS by Walter M. Brasch and Dana R. Ulloth (Lanham, MD: University Press of America, 1986—$47.50/24.95)

THE TOLERANT SOCIETY: FREEDOM OF SPEECH AND EXTREMIST SPEECH IN AMERICA by Lee C. Bollinger (New York: Oxford University Press, 1986—$19.95)

CURRENT DEVELOPMENTS IN COPYRIGHT LAU 1986 (922 pp.)

COUNSELING CLIENTS IN THE ENTERTAINMENT INDUSTRY (793 pp.)  相似文献   

10.
Film and Society     
MIDNIGHT MOVIES by J. Hoberman and Jonathan Rosenbaum (New York: Harper and Row, 1983---$19.50)

MIDNIGHT MOVIES by Stuart Samuels (New York: Collier Books, 1983---$9.95 paper)

INTERVIEWS: ON THE ART AND POLITICS OF THE CINEMA by Dan Georgakas and Lenny Rubenstein, eds. (Chicago: Lake View Press, 1983---$25.00/11.95)

NEW GERMAN CINEMA: FROM OBERHAUSEN TO HAMBURG by James Franklin (Boston: Twayne, 1983---no price given)

FROM HESTER STREET TO HOLLYWOOD: THE JEWISH-AMERICAN STAGE AND SCREEN by Sarah Blacher Cohen, ed. (Bloomington: Indiana University Press, 1983---$22.50)  相似文献   

11.
Journalism     
THE AMERICAN JOURNALIST: A PORTRAIT OF U.S. NEWS PEOPLE AND THEIR WORK by David H. Weaver and G. Cleveland Wilhoit (Bloomington: Indiana University Press, 1986—$25.00)

THE “UNCENSORED WAR:” THE MEDIA AND VIETNAM by Daniel C. Hallin (New York: Oxford, 1986—$22.50)

THE PRESIDENTIAL ELECTION SHOW: CAMPAIGN '84 AND BEYOND ON THE NIGHTLY NEWS by Keith Blume (Bergin & Garvey Publishers, 670 South Amherst Rd., South Hadley, MA 01075—$29.95/12.95)

POLITICAL COMMUNICATION IN AMERICA by Robert E. Denton, Jr. and Gary C. Woodward (New York: Praeger, 1985—$42.95/15.95)

NEWS MEDIA AND PUBLIC POLICY: AN ANNOTATED BIBLIOGRAPHY edited by Joseph P. McKerns (New York: Garland, 1985—$39.00)

COMMITTED JOURNALISM: AN ETHIC FOR THE PROFESSION by Edmund B. Lambeth (Bloomington: Indiana University Press, 1986—$25.00/8.95)

SUING THE PRESS: LIBEL, THE MEDIA & POWER by Rodney A. Smolla (New York: Oxford University Press, 1986—$18.95)

WORLDLY POWER: THE MAKING OF THE WALL STREET JOURNAL by Edward E. Scharff (Beaufort Books, 9 East 40th St., New York 10016—$18.95)

THE ULTIMATE INSIDERS: U.S. SENATORS IN THE NATIONAL MEDIA by Stephen Hess (Washington, DC: Brookings Institution, 1986—price not given, cloth and paper)

THE FLACKS OF WASHINGTON: GOVERNMENT INFORMATION AND THE PUBLIC AGENDA by David Morgan (Westport, CN: Greenwood Press, 1986—$29.95)

ISSUES MANAGEMENT: CORPORATE POLICYMAKING IN AN INFORMATION SOCIETY by Robert L. Heath and Richard Alan Nelson (Beverly Hills, CA: Sage, 1986—no price given)

BEHIND THE LINES: CASE STUDIES IN INVESTIGATIVE REPORTING by Margaret Jones Patterson and Robert H. Russell (New York: Columbia University Press, 1986—$28.50)

GOVERNING THE PRESS: MEDIA FREEDOM IN THE U.S. AND GREAT BRITAIN by Deborah Holmes (Boulder, CO: Westview Press, 1986—$16.50, paper)

THE UNTAPPED POWER OF THE PRESS: EXPLAINING GOVERNMENT TO THE PEOPLE by Lewis W. Wolfson (New York: Praeger, 1985—$28.95/9/95)  相似文献   

12.

FILMS AND BRITISH NATIONAL IDENTITY: FROM DICKENS TO DAD'S ARMY by Jeffrey Richards (Manchester, England: Manchester University Press “Studies in Popular Culture,”; 1997—£45.00 /14.99, ISBN 0–7190–4742–0 hard, 0–7190–4743–9 paper, 387 pp., illustrations, bibliography, index of film titles, general index)

FORBIDDEN ANIMATION: CENSORED CARTOONS AND BLACKLISTED ANIMATORS IN AMERICA by Karl F. Cohen (Jefferson, NC: McFarland, 1997—$35.00, ISBN 0–7864–0395–0, 216 pp., illustrations, notes, appendix, index)

A READER IN ANIMATION STUDIES edited by Jayne Pilling (Luton, England: University of Luton Press/John Libbey Media, 1997—no price given, paper, ISBN 1–86462–000–5, 283 pp., illustrations, notes)

TEX AVERY: THE MGM YEARS, 1942–1955 by John Canemaker (Atlanta, GA: Turner Publishing, 1996—$34.95, ISBN 1–57036–291–2, 224 pp., illustrations, filmography, bibliography)

GILLES DELEUZE'S TIME MACHINE by David N. Rodowick (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–1962–4/0–8223–1970–5, 258 pp., illustrations, notes, bibliography, index)

RECREATIONAL TERROR: WOMEN AND THE PLEASURES OF HORROR FILM VIEWING by Isabel Cristina Pinedo (Albany: State University of New York Press “SUNY Series, Interruptions: Border Testimony(ies) and Critical Discourse/s,”; 1997—$44.50/14.95 paper, ISBN 0–7914–3441–9 hard, 0–7914–3442–7 paper, 177 pp., illustrations, films cited listing, notes, bibliography, index)

SELZNICK'S VISION: GONE WITH THE WIND AND HOLLYWOOD FILMMAKING by Alan David Vertrees (Austin: University of Texas Press “Texas Film Studies Series,”; 1997—$30.00, paper, ISBN 0–292–78728–6 hard, 0–292–78729–4 paper, 242 pp., illustrations, notes, bibliography, index)

THE PASSION OF DAVID LYNCH: WILD AT HEART IN HOLLYWOOD by Martha P. Nochimson (Austin: University of Texas Press, 1997—$40.00/19.95, ISBN 0–292–75566‐X hard, 0–292–75565–1 paper, 272 pp., illustrations, notes, bibliography, index)

CINEMA, THEORY, AND POLITICAL RESPONSIBILITY IN CONTEMPORARY CULTURE by Patrick McGee (Port Chester, NY: Cambridge University Press “Literature, Culture, Theory, No. 24,”; 1997—$59.95/19.95, ISBN 0–521–58130–3 hard, 0–521–58908–8 paper, 235 pp., bibliography, index)

ADAPTATIONS AS IMITATIONS: FILMS FROM NOVELS by James Griffith (Newark: University of Delaware Press, 1997—$39.50, ISBN 0–87413–633–4, 272 pp., notes, works cited, index)

DEFINING CINEMA edited by Peter Lehman (New Brunswick, NJ: Rutgers University Press “Rutgers Depth of Field Series,”; 1997—$48.00/18.00, ISBN 0–8135–2301‐X hard, 0–8135–2302–8 paper, 216 pp., notes, index)

FROM PEEP SHOW TO PALACE: THE BIRTH OF AMERICAN FILM by David Robinson (New York: Columbia University Press, 1996—$17.50, paper, ISBN 0–231–10338–7 hard, 0–231–10339–5 paper, 213 pp., illustrations, bibliography, index)

IN THE EYE OF THE BEHOLDER: CRITICAL PERSPECTIVES IN POPULAR FILM AND TELEVISION edited by Gary R. Edgerton, Michael T. Marsden, and Jack Nachbar (Bowling Green, OH: Bowling Green State University Popular Press, 1997—$49.95/$24.95, ISBN 0–89972–753–5 hard, 0–87972–754–3 paper, 274 pp., illustrations, index)

HIGH CONTRAST: RACE AND GENDER IN CONTEMPORARY HOLLYWOOD FILMS by Sharon Willis (Durham, NC: Duke University Press, 1997—$49.95/$16.95, ISBN 0–8223–2029–0 hard, 0–8223–2041‐X paper, 266 pp., notes, index)

MAMMIES NO MORE: THE CHANGING IMAGE OF BLACK WOMEN ON STAGE AND SCREEN by Lisa M. Anderson (Lanham, MD: Rowman &; Littlefield, 1997—$22.95, ISBN 0–8476–8419–9, 147 pp., illustrations, bibliography, index)

HEMINGWAY AND HIS CONSPIRATORS: HOLLYWOOD, SCRIBNERS, AND THE MAKING OF AMERICAN CELEBRITY CULTURE by Leonard J. Leff (Lanham, MD: Rowman &; Littlefield, 1997—$24.95, ISBN 0–8476–8544–6, 255 pp., illustrations, notes, works cited, index)

FOOTAGE: THE WORLDWIDE MOVING IMAGE SOURCEBOOK (New York: Second Line Search, [3rd ed.] 1997—$195.00, ISBN 1–890979–24–4, 1098 pp., glossary, index to advertisers)  相似文献   

13.
History     
EXHIBITING ELECTRICITY by K.G. Beauchamp (IEEE “History of Technology Series No. 21,”; IEEE Publishing and Information Services, 445 Hoes Lane, PO Box 1331, Piscataway, NJ 08855–1331—$85.00, ISBN 0–85296–895–7, 338 pp., photos, diagrams, tables, references, index)

WCFL: CHICAGO'S VOICE OF LABOR 1926–78 by Nathan Godfried (Urbana: University of Illinois Press “History of Communication Series,”; 1997— $49.95/19.95, ISBN 0–252–02287–4 hard, 0–252–06592–1 paper, 390 pp., photos, notes, bibliography, index)

THE MAN IN THE SHADOWS: FRED COE AND THE GOLDEN AGE OF TELEVISION by Jon Krampner (New Brunswick: Rutgers University Press, 1997—$32.95, ISBN 0–8135–2359–1, 243 pp., photos, notes, bibliography, appendices, index)

SPECIAL EDITION: A GUIDE TO NETWORK TELEVISION DOCUMENTARY SERIES AND SPECIAL NEWS REPORTS, 1980–1989 by Daniel Einstein (Lanham, MD: Scarecrow Press, 1997‐$110.00, ISBN 0–8108–3220–8,928 pp., several indexes)

TECHNOLOGIES OF SEEING: PHOTOGRAPHY, CINEMATOGRAPHY AND TELEVISION by Brian Winston (London: British Film Institute/ Bloomington: Indiana University Press, 1996—$49.95/24.95, ISBN0–85170–601–0 hard, 0–85170–602–9 paper, 176 pp., diagrams, notes, index)

RADIO VOICES: AMERICAN BROADCASTING, 1922–1952 by Michelle Hilmes (Minneapolis: University of Minnesota Press, 1997‐$49.95/19.95, ISBN 0–8166–2620–0 hard, 0–8166–2621–9 paper, 353 pp., photos, notes, index)

WRITTEN OUT OF TELEVISION: THE ENCYCLOPEDIA OF CAST CHANGES AND CHARACTER REPLACEMENTS, 1945–1994 by Steven Lance (Lanham, MD: Scarecrow Press, 1996—$89.50, ISBN 0–8108–2902–9, 528 pp., photos, index)

A REPORTER'S LIFE by Walter Cronkite (New York: Knopf, 1996— $26.95, ISBN 0–394–57879–1, 384 pp., photos)  相似文献   

14.
Broadcasting     
EMPIRE: WILLIAM S. PALEY AND THE MAKING OF CBS by Lewis J. Paper (New York: St. Martin's Press, 1987—$19.95)

INVENTING AMERICAN BROADCASTING: 1899-1922 by Susan J. Douglas (Baltimore: Johns Hopkins University Press, 1987—$29.50)

TELEVISION WESTERNS: MAJOR AND MINOR SERIES, 1946-1978 by Richard West (Jefferson, NC: McFarland, 1987—$19.95)

THE HISTORY OF PUBLIC BROADCASTING by John Witherspoon and Roselle Kovitz (Current, 2311 18th St. NW, Washington, DC 20009—$7.95, paper)

two illustrated discount books on TV history

RADIOS—THE GOLDEN AGE by Phillip Collins (San Francisco: Chronicle Books, 1987—$14.95, paper with a hardback available)

CHILDREN AND TELEVISION: A CHALLENGE FOR EDUCATION edited by Michael Manley-Casimir and Carmen Luke (New York: Praeger, 1987—$39.95)

PRIMETIME: NETWORK TELEVISION PROGRAMMING by Richard A. Blum and Richard D. Lindheim (Stoneham, MA: Focal Press, 1987—$19.95, paper)

three recent television texts from Sage Publications  相似文献   

15.
Media Regulation     
AMERICAN BROADCASTING AND THE FIRST AMENDMENT by Lucas A. Powe Jr. (Berkeley: University of California Press, 1987—$25)

BEYOND BROADCASTING: PATTERNS IN POLICY AND LAW by Don R. Le Due (New York: Longman, 1987—price not given)

CABLE TELEVISION AND THE FIRST AMENDMENT by Patrick Parsons (Lexington, MA: Lexington Books, 1987—$24.00)

THE QUESTION OF PORNOGRAPHY: RESEARCH FINDINGS AND POLICY IMPLICATIONS by Edward Donnerstein, et al. (New York: Free Press, 1987 $24.95)

PRIVACY IN A PUBLIC SOCIETY: HUMAN RIGHTS IN CONFLICT by Richard F. Hixson (New York: Oxford University Press, 1987—$19.95)  相似文献   

16.
Reference Works     
UNION LIST OF FILM PERIODICALS: HOLDINGS OF SELECTED AMERICAN COLLECTIONS, by Anna Brady (compiler and editor), Richard Wall (assistant editor), and Carolyn Newitt Weiner (computer editor), (Westport, Ct.: Greenwood Press, 1984—$35.00)

THE CIRCULATING FILM LIBRARY CATALOG, (Publication and Sales, The Museum of Modern Art, 11 West 53rd Street, New York, N.Y. 10019—$12.95 to the general public and $9.71 to members)

THE D.W. GRIFFITH PAPERS, (available on 36 microfilm reels, with printed guide and index from University Publications of America, 44 North Market Street, Frederick, Maryland 21701—$2,300.00)

THE NORTH DAKOTA QUARTERLY of Summer 1983 (but issued in the summer of 1984)

THE ANNUAL INDEX TO MOTION PICTURE CREDITS, edited by Byerly Woodward (Los Angeles: Academy of Motion Picture Arts and Sciences, 1984 —$80.00)

WHAT A BUNCH OF CHARACTERS! AN ENTERTAINING GUIDE TO WHO PLAYED WHAT IN THE MOVIES by Tom Scott Cadden (Englewood Cliffs, N. J.: Prentice Hall, 1984 — $9.95 paper)  相似文献   

17.
Regulation     
William E. Francois, MASS MEDIA LAW AND REGULATION (Columbus, Ohio: Grid Publishing, 1982—price not given)

R. Terry Ellmore, BROADCASTING LAW S REGULATION (Blue Ridge Summit, Pa.: TAB Books, 1982—$24.95)

Joseph J. Hemmer, Jr., COMMUNICATION UNDER LAW: VOLUME II: JOURNALISTIC FREEDOM (Met uc hen , N.J.: Scarecrow Press, 1980—$20.00)

Carol E. Jenson, THE NETWORK OF CONTROL: STATE SUPREME COURTS AND STATE SECURITY STATUTES, 1920-1970 (Westport, Conn.: Greenwood Press, 1982—$27.50)

CURRENT DEVELOPMENTS IN COPYRIGHT LAW 1982 Handbook 144, 1982, 894 pp.)

INFRINGEMENT OF COPYRIGHTS Handbook 134, 1981, 275 pp.)

MEDIA PLANNING: A QUICK AND EASY GUIDE by Jim Surmanek (1980—$9.95, paper)

ESSENTIALS OF MEDIA PLANNING: A MARKETING VIEWPOINT by Arnold Barban, et al. (1976(!)—$7.95, paper)

Huntley Baldwin, CREATING EFFECTIVE TV COMMERCIALS (1982—$22.95).

A MARKETING APPROACH TO BUILDING STORE TRAFFIC WITH BROADCAST ADVERTISING by William L. McGee and others (1978—$50.00, paper)  相似文献   

18.
Biographies     
THE MAKING OF CITIZEN KANE by Robert Carringer (Berkeley: University of California Press, 1985 -- $22.50)

ORSON WELLES: THE RISE AND FALL OF AN AMERICAN GENIUS (New York: St. Martin's, 1985 -- $19.95) by Charles Higham

ORSON WELLES by Barbara Learning (New York: Viking, 1985 -- $19.95)

CHAPLIN: HIS LIFE AND ART by David Robinson (New York: McGraw-Hill, 1985 — $24.95)

FRANKLIN J. SCHAFFNER by Erwin Kim (Metuchen, New Jersey: The Scarecrow Press, 1985 -- $35.00)  相似文献   

19.
WHATEVER HAPPENED TO MADISON AVENUE? ADVERTISING IN THE '90s by Martin Mayer (Boston: Little, Brown, 1991—$22.95, ISBN 0-316- 55154-6, 269 pp.)

THE CODES OF ADVERTISING: FETISHISM AND THE POLITICAL ECONOMY OF MEANING IN THE CONSUMER SOCIETY by Sut Jhally (New York: Routledge, 1990—price not given, paper, ISBN 0-415-90353-X, 225 pp.)

ROCK AROUND THE BLOCK: A HISTORY OF ROCK MUSIC IN EASTERN EUROPE AND THE SOVIET UNION by Timothy W. Ryback (New York: Oxford University Press, 1990—$21.95, ISBN 0-19-505633-7, 272 pp.)

MUSIC AT THE MARGINS: POPULAR MUSIC AND GLOBAL CULTURAL DIVERSITY by Deanna Campbell Robinson, Elizabeth B. Buck, and Marlene Cuthbert (Newbury Park, CA: Sage, 1991—$39.95/19.95, ISBN 0-8039- 3192-1 hard, 0-8039-3193-X paper, 312 pp.)

THE MANY LIVES OF THE BATMAN: CRITICAL APPROACHES TO A SUPERHERO AND HIS MEDIA edited by Roberta E. Pearson and William Uricchio (New York: Routledge, 1991—$39.95/13.95, ISBN 0-415-90346-7 hard, 0-415-90347-5 paper, 213 pp.)

BROADCAST ADVERTISING: A COMPREHENSIVE WORKING TEXTBOOK by Sherilyn K. Zeigler and Herbert H. Howard (Ames: Iowa State University Press, 1991—$34.95, ISBN 0-8138-0072-2, 358 pp.)

FUNDAMENTALS OF ADVERTISING RESEARCH by Alan Fletcher and Thomas Bowers (Belmont, CA: Wadsworth, 1991—price not given, ISBN 0-534-14778-X, 364 pp.)

THIS BUSINESS OF MUSIC by Sidney Shemel and M. William Krasilovsky (New York: Billboard/Watson-Guptill, 1991—$27.50, ISBN 0-8230-7706-3, 688 pp.)  相似文献   

20.
Popular Culture     
WAITING FOR PRIME TIME: THE WOMEN OF TELEVISION NEWS by Marlene Sanders and Marcia Rock (Urbana: University of Illinois Press, 1988—$19.95, ISBN 0-252-01435-9)

FAIR PLAY: CBS, GENERAL WESTMORELAND, AND HOW A TELEVISION DOCUMENTARY WENT WRONG by Burton Benjamin (New York: Harper &; Row, 1988—$17.95, ISBN 0-06-015928-6)

BEHIND THE FRONT PAGE: A CANDID LOOK AT HOW THE NEWS IS MADE by David S. Broder (New York: Simon and Schuster, 1987—$8.95, paper, ISBN 0-671-65721-6)

BAD TIDINGS: COMMUNICATION AND CATASTROPHE edited by Lynne Masel Walters, Lee Wilkins, and Tim Walters ((Hillsdale, NJ: Lawrence Erlbaum Associates, 1989—price not given, ISBN 0-89859-951-2)

MEDIA, MYTHS AND NARRATIVES: TELEVISION AND THE PRESS edited by James W. Carey (Newbury Park, CA: Sage Publications, 1988—$35.00/16.95, ISBN 0-8039-3049-6, paper)

PREDICTIONS OF PUBLIC OPINION FROM THE MASS MEDIA: COMPUTER CONTENT ANALYSIS AND MATHEMATICAL MODELING by David P. Fan (Westport, CT: Greenwood Press, 1988—$42.95, ISBN 0-313-26296-9)

JOURNALISTS AT WAR: THE DYNAMICS OF NEWS REPORTING DURING THE FALKLAND'S CONFLICT by David E. Morrison and Howard Tumber (Newbury Park, CA: Sage Publications, 1988—$49.95/18.95, ISBN 0-8039-8057-4, hard 0-8039-8058-2, soft)

NEWS COVERAGE OF THE SANDINISTA REVOLUTION by Joshua Muravchik (American Enterprise Institute, 4720 Boston Way, Lanham, MD 20706—$19.95/9.95, ISBN 0-8447-3661-9 hard, and 0-8447-3662-7, soft)

IMAGE WARS: PROTECTING YOUR COMPANY WHEN THERE'S NO PLACE TO HIDE by Stan Sauerhaft and Chris Atkins (New York: John Wiley, 1989—$22.95, ISBN O471-60936-6)

THE IQ CONTROVERSY: THE MEDIA AND THE PUBLIC by Mark Snyderman and Stanley Rothman (Rutgers, NJ: Transaction Books, 1988—$24.95, ISBN 0-88738-151-0)

NEWS AS HEGEMONIC REALITY: AMERICAN POLITICAL CULTURE AND THE FRAMING OF NEWS ACCOUNTS by Allan Rachlin (New York: Praeger, 1988—$37.95, ISBN 0-275-92534-X)

BEYOND MALICE: THE MEDIA'S YEARS OF RECKONING by Richard M. Clurman (Transaction Books, Rutgers University, New Brunswick, NJ 08903—$24.95, ISBN 0-88738-234-7)

MASS MEDIA, CIVIC ORGANIZATIONS AND STREET GOSSIP: HOW COMMUNICATION AFFECTS THE QUALITY OF LIFE IN AN URBAN NEIGHBORHOOD by W. Phillips Davison (New York: Gannett Center for Media Studies, Columbia University, 1988—price not given, paper, ISBN not provided)

NEWS AND NUMBERS: A GUIDE TO REPORTING STATISTICAL CLAIMS AND CONTROVERSIES IN HEALTH AND OTHER FIELDS by Victor Cohn (Iowa State University Press, 2121 South State Ave., Ames, Iowa 50010—$17.95, ISBN 0-8138-1442-1)  相似文献   

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