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Katie Day Good 《Journal of Radio & Audio Media》2016,23(2):364-368
Some of the most ambitious experiments in early radio programming involved the coordination of sounds and visuals. This essay explores the phenomenon of “illustrated radio,” or radio broadcasts enhanced with accompanying visual media such as lantern slides, museum exhibits, and filmstrips. Newspapers, museums, and schools experimented with this format in the 1920s–40s in an effort to expand their audiences and adapt their informational missions to a changing media environment. While relatively short-lived, illustrated radio constituted a significant form of audiovisual broadcasting before television and highlights the range of uses that were envisioned for radio when it was new. 相似文献
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《Journal of Radio & Audio Media》2013,20(2):182-183
In 1928, the fledgling National Broadcasting Company hired Boston-based marketing consultant Daniel Starch to conduct the first wide-ranging survey of the national radio audience. Starch oversaw more than 5,000 interviews of U.S. radio families living in states east of the Rocky Mountains. The survey's findings provide a glimpse of the early network radio audience prior to the Federal Radio Commission's 1928 reorganization of frequency and power allocations and the industry's subsequent expansion. This paper examines Starch's findings and places them within the historical context of the developing radio industry. 相似文献
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A sample of 114 radio stations measured attitudes toward the adoption of HD Radio? and found that stations that have gone digital were motivated the most by 2 of 5 identified factors: image enhancement and programming considerations. The lesser factors were competition, revenue, and cost. The study also examined the relation between risk and survival. The data confirmed the importance of managerial attitudes toward disruptive technologies and their relation to image, programming, and competition. 相似文献
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Phil Ramsey 《Journal of Radio & Audio Media》2016,23(1):144-163
BBC radio has been broadcast in Northern Ireland since shortly after the establishment of the country in the early 1920s. Throughout this period it has been faced by the challenge of how to deliver public service radio in a divided society, one that has for many years experienced violent conflict. Today as BBC Radio Ulster, the station has the highest audience reach of any BBC network radio service or those nations services in Scotland and Wales. This article outlines how BBC policy serves to deliver this performance, by examining a BBC Trust Service Review in relation to culture and diversity. 相似文献
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This article aims to rediscover the tactile aspects of radio listening, which until now have been underestimated by radio scholars, and to describe how haptic radio listening has evolved, from the beginning of broadcasting to the arrival of digital media. This article will first perform an overview of the studies that have dealt with the haptic dimension of media, then focus on what we call “haptically mediated” radio listening, a specific form of listening made possible by the interaction with radio content through mobile digital devices, and conclude with a critical depiction of the implications of haptically mediated listening for audience commodification. 相似文献
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Richard Rudin 《Journal of Radio & Audio Media》2018,25(2):284-297
This article is principally concerned with how and why these 2 types of radio news developed. It discusses the culture, ethos and practices of the 2 services and, in particular, if and how each was influenced by the other. Much of the article is concerned about how the new commercial stations developed practices and styles that were consciously different from, and in some cases in direct opposition to, those at the BBC, both nationally and locally. The article argues that it was the BBC which adopted and integrated commercial radio’s style and practices, rather than, as is often supposed, the other way around. 相似文献
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李萍 《中国广播电视学刊》2013,(1):79
模拟广播向数字广播转化是现代广播的发展趋势。广播界普遍认为可以提供高质量音频和附加数据服务的数字音频广播(DAB-Digital Audio Broadcasting)将对传统模拟广播业产生巨大影响。我国广播专业技术领域的专家正密切关注发达国家DAB的研发成果及其市场应用,其中包括美国HD Radio的推广与应用。然而,我们注意 相似文献
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随着移动电视、高清数字电视频道开播、CMMB技术以及IPTV电视已在全国大部份省市逐步推进,预示着电视数字化时代已经到来。数字必然代替模拟。在数字电视已基本定下发展途径并初见成效的情况下,越来越多的人把目光转到了数字广播—HD Radio。 相似文献
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随着新媒体大潮一波一波地汹涌来袭,所有媒体甚至包括新媒体自身,都面临着一轮又一轮的生存危机。广播作为传统媒体,如果不能顺应新媒体时代的潮流,找准自己的定位,则会面临不断丢失受众的窘境。英国广播公司Radio 1频道作为享誉全世界的音乐电台,在音乐处理、网台互动等方面做了积极探索,值得各国音乐电台从中吸取优秀的经验。 相似文献
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Local Radio—A Different Sort of Animal 总被引：1，自引：1，他引：0
Tony Stoller 《Journal of Radio & Audio Media》2018,25(2):311-320
There was extensive mutual influence between BBC Local Radio and Independent Local Radio (ILR), particularly during the set-up periods for both systems. Although they competed for locations and frequencies, often fiercely, they developed through a single governmental mechanism and came to feel at times a close affinity. Had the proposals of the Annan Committee been agreed, that these 2 systems of local radio should be brought together under a single regulator, both could have benefited and the long-term prospects for local radio in the UK might have been enhanced. 相似文献
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《Journal of Radio & Audio Media》2013,20(2):236-250
There are numerous local radio stations across Iran. Considering the ethnic, linguistic, and cultural characteristics of their audiences, local stations endeavor to produce and broadcast diverse programs. One local station is “Sabalan” situated in Ardebil province in northwest Iran. Since the audience of this station speaks the same language as the inhabitants of the neighboring countries of Azerbaijan and Turkey, whether Sabalan can attract and satisfy its audience becomes significant. The paper is the result of a research project done in relation to the extent to which the Ardebilian audience is satisfied by Sabalan and trusts its programs. The findings reveal that the audience is less than satisfied with Sabalan and has almost no trust in the news, information, and programs. The reasons they mention for their attitude are: censorship of the news and little reflection of reality, lack of respect for indigenous culture and language, and broadcasting too many programs in Persian. 相似文献
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《Journal of Radio & Audio Media》2013,20(2):80-83
Radio stations were organized in Europe during the 1920s as state‐regulated public service institutions. Contrary to the model in the U.S., radio thus was embedded in the cultural and political spheres and accordingly kept outside of the market forces, although some countries allowed limited advertising. Radio's role as a national service faced increasing legitimation problems, and in most Western European countries, local radio was introduced as a divergence measure to balance political and cultural convergence of national radio. Generally, local radio activities were initially an attempt to revitalize a vivid public sphere. This article describes the development in the Scandinavian countries, where local radio developed in different ways with a rather strong commercial component that filled the “commercial deficit”; resulting from public service policies and a rather fragile component of noncommercial community stations. Although the structural development in many ways showed a different pattern than expected and wanted, local radio will have an ever greater role to play in a globalized media and information society. 相似文献
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Matthew Linfoot 《Media History》2013,19(3):324-335
In the early 1960s, the BBC was given the opportunity to demonstrate that it had the skills and resources to create localized broadcasting, by organizing a series of experimental stations across the UK. Although the output was not heard publicly, the results were played to the Pilkington Committee on Broadcasting, who were deliberating about the future direction of radio and television. Using archival research, featuring contemporary BBC documents, this paper argues that these experimental stations helped senior managers at the BBC to harness technological innovation with changing attitudes in society and culture, thus enabling them to formulate a strategy that put the BBC in the leading position to launch local radio a few years later in 1967. 相似文献
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《Journal of Radio & Audio Media》2013,20(1):258-273
The history of French noncommercial, community radio is traced in this article, and its current status in relationship to state‐owned and commercial radio is described. The author concludes that community stations have been put at a disadvantage through regulatory policy, especially in the relatively low power that has been assigned them, but that they play an important role by offering an alternative to the rationalized and bureau‐cratized services of Radio France and the commercial stations. 相似文献
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Radio personalities or presenters are important to music radio stations, as their individual personalities influence if, how, and to what extent listeners want to interact with radio stations and presenters during programs. Both parasocial interaction with the presenter and flow experiences are believed to mediate the listener–presenter relationship. With this in mind, we conducted an experiment in which 236 German radio listeners aged 14 to 49 were asked to listen to the same radio show, but with varying presenters. Mediation analysis revealed notable effects of presenters’ personalities on listeners’ behavioral intentions. Both parasocial interaction and flow were found to be important mediators of the discovered effects. 相似文献
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《Journal of Radio & Audio Media》2013,20(2):441-463
This article surveys the prehistory of broadcasting in the German Reich. It focuses on wireless telegraphy, where the Telefunken Company succeeded internationally with its quenched spark system on the eve of the war. Telefunken's system was developed as an efficient military technology between 1905 and 1908, and it soon became the core of Telefunken's successful attempt to break Marconi's monopoly in maritime radio communication. Encouraged by this success, Telefunken started to establish wireless transoceanic connections to build a global German radio network. The properties of radio broadcasting as a possible new mass medium only gradually became evident before 1918. 相似文献
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This article explores how Ireland’s first LGBT radio station, Open FM, attempted to offer LGBT radio in a heteronormative media landscape. It uses semi-structured interviews with two of the stations founders as well as posts from online LGBT message bulletin boards to argue how Open FM ultimately became ambivalent about its LGBT status and adopted a dualcasting strategy. Despite its ambitions to be a community-led radio station for Ireland's LGBT community, the dualcasting strategy of the station framed many of its endeavors between the mainstream standards of radio broadcasting and the community of interest that their licence claimed to serve. 相似文献