共查询到20条相似文献，搜索用时 31 毫秒
1.
E. Cram 《传播与批判/文化研究》2016,13(2):109-129
The shift to archives as rhetorical places creates opportunities to examine environmental accessibility, the role of archives in legitimating official public memory, and tactics to evoke memory at the margins. I conceptualize the relation between archival environments, feeling, and memory as “archival ambience.” Ambience challenges modern theories of invention and foregrounds the entanglements of sensory culture, corporeality, sensation, feeling, and memory. Ambience reimagines invention and circulation as the relational materiality of bodies and as central to the generation of intimacies. This essay models a sensory engagement with archives at the American Heritage Center and Grace Hebard and Agnes Wergeland collections. Guided by the settler colonial environment of the American Heritage Center (AHC) and what remains of Hebard and Wergeland, I craft a queer sense of their “intimate friendship” and argue that perception of Hebard and Wergeland's intimate friendship takes shape through the sensory culture of the AHC and that their queerness is an effect of the archive. 相似文献
2.
《Communication monographs》2012,79(4):287-295
Attempts to circumscribe “the Burkean method” of rhetorical criticism can be frustrating. Critics more profitably might use Burke as an example and a prod, appropriating—as was done in this study—whichever of Burke's concepts, methods, and metaphors seem applicable to a given rhetorical event. Burke's “chart‐prayer‐dream” trilogy, together with his understanding of “strategies,” was employed to examine Morley's “Home Rule” speech before the Oxford Union in 1888. Morley's reply to Randolph Churchill abandoned propositional argument in favor of reviv‐alistic‐exhortation early in the speech; his strategies of form, argument, labelling, style, and mimesis are best understood as those of the High Priest seeking a confessional and an act of expiation from his auditors. 相似文献
3.
Emmanuel Levinas writes of how the “call of conscience”; is a “primordial discourse”; that “interrupts”; the routines and language‐games that help organize and give meaning to a person's everyday existence. Levinas thus provides a way of thinking about the relationship between the call of conscience and rhetoric that advances what rhetorical theorists have so far claimed about this relationship. This essay develops the position that the call of conscience is a rhetorical interruption in its purest form. A case study is offered to illustrate how such an interruption manifests itself in the debate over the justifiability and social acceptability of physician‐assisted suicide. The specific rhetorical transaction in question occurred in cyberspace and lasted five months; it began when members of a disability civil rights group known as “Not Dead Yet!”; conducted what their opponents described as an “invasion”; of an electronic mailing list operated by the Euthanasia Research and Guidance Organization. 相似文献
4.
Todd Cesaratto 《传播与批判/文化研究》2013,10(4):307-328
“The Good Will Hunting Technique” analyzes and enacts rhetorical paradigms present in popular culture. The main objects of examination are Gus van Sant's film, Good Will Hunting, and Eminem's music video “Mosh.” The author extracts positive aspects of popular culture to feature a rational-affective approach to rhetoric. The notion of mind–body rhetorical collaboration, which stems from Behavioral Doctrine developed during Germany's Weimar era, combines an emphasis on exteriority with traditional notions of rhetoric to establish a method for progressive action in lived reality. 相似文献
5.
《Communication monographs》2012,79(4):380-394
Among “corporate rhetors,” none has been regarded as more creative and aggressive than Mobil Oil. This essay examines Mobil's use of “Observations"—half‐page Sunday newspaper magazine section ads—during the years of 1976–1980. The first focus is upon “Observations” as epideictic discourse developed in response to Mobil's 1975 rhetorical situation. Attention is then turned to examples of the discourse itself and a summary of 149 “Observations.” Following the analysis are treatments of the identificational strategies used by Mobil and the Promethean myth which gives those strategies universal appeal. Finally, Mobil's “epideictic advocacy” is evaluated by the standards of effect, ethics, and art. Through “Observations” Mobil intends to be—like the Sunday newspaper—a part of America's afternoon. 相似文献
6.
This article explores how Barack Obama's oratory positions “the people” as a site of ongoing rhetorical negotiation regarding national identity, ideology, and potentiality. Like the subjects implicated in Charland's consideration of constitutive rhetoric, “the people” of Obama's rhetoric emerge as the choosers, deciders, and accomplishers of collaborative identity performance. Unlike Charland's subjects, however, Obama's rhetoric of imperfection and dissent positions “the people” as never fully constituted but always engaged in the act of constitution. The people, like the country they constitute, are flawed, never perfect, and always in the process of perfecting. 相似文献
7.
Bonnie J. Dow 《Communication Studies》2013,64(3-4):225-240
AIDS activist Larry Kramer's 1983 essay, “1,112 and Counting,” was a key rhetorical event in the development of AIDS activism by gays. This analysis relies on perspective by incongruity to explain Kramer's attempts to stimulate AIDS activism by altering gays’ perceptions of the disease and its implications for their lives and identities. The author argues that the power of perspective by incongruity in this case is linked to its facilitation of genuine argument, a personalized form of persuasion that forces both arguer and audience to confront an argument's implications for their own identities and behavior as moral human beings. The conclusion suggests that “1,112 and Counting” functions as a variant of constitutive rhetoric that de‐constructs and re‐constructs audience identity. 相似文献
8.
《Communication monographs》2012,79(2):92-96
The Industrial ("Coxey") Army movement of 1894 was the product of one of America's worst depressions. Groups across the nation attempted to take “A petition with boots on” to Washington, D. C. asking for relief of unemployment. The movement was rhetorical in method and object. As it progressed, it attempted to meet opposition arguments that its members were “tramps” and that it was asking for the impossible: guaranteed employment. Branded as radical, it answered its opponents with diverse rhetorical techniques and arguments rooted in the prevalent value system. 相似文献
9.
Bruce E. Gronbeck 《Communication Studies》2013,64(3):158-164
Seventeenth‐century England's quest for utilitarian conceptions of language led the Royal Society and Thomas Sprat to evaluate the scientific, rhetorical, and poetic uses of discourse. The resulting treatise reflects the struggle between “ancient” and “modern,” yet proposes perhaps the most sophisticated linguistic analysis of the century. 相似文献
10.
Vernone Sparkes 《广播与电子媒介杂志》2013,57(2):221-234
A complex pattern of radio regulation emerged during the mid‐1920s, one in which a close‐knit relationship arose between regulator and regulated. Working together to get radio service to the public were the “regulators”—Herbert Hoover and the Department of Commerce—and the “regulated”— Westinghouse, General Electric (G. E.), the Radio Corporation of America (RCA), and American Telegraph and Telephone (AT&;T). Together, these two groups set radio's agenda and policy through 1927. This essay shows how that synthesis became the blueprint used even today for broadcast license allocation and station licensee assignments. 相似文献
11.
《Journal of Radio & Audio Media》2013,20(1):30-49
Various radio and pulp incarnations of The Shadow have played a pivotal role in shaping American superhero mythology and cultural unconscious. This essay explores The Shadow's origins within the 1930s, and then utilizes Fantasy Theme Analysis to uncover mythic tensions and conflicts within The Shadow's transition from noir-like dystopian antihero into the more romantic utopian superhero of Orson Welles' 1937 radio program. We conclude by contemplating rhetorical implications for The Shadow's “symbolic divergence,” a fantasy evolving into contradictory counter-fantasies and rhetorical visions in radio and pulps, as a provocative illustration of theoretical debates regarding the psychodynamic functions of rhetorical fantasy. 相似文献
12.
William B. Hesseltine 《Communication Studies》2013,64(3):176-181
This essay explicates Chaim Perelman's concept of the universal audience as a tool that can be used to establish the reasonableness of arguments in rhetorical discourse. The concept is applied to the process of invention where it serves as a “check” on the reasonableness of the arguments being constructed. 相似文献
13.
Jeffrey Murray 《Communication Studies》2013,64(2):169-187
This essay extends the work of Murray (1998), which used the philosophy of ethics of Emmanuel Levinas to critique the rhetorical theory and critical methods of Kenneth Burke. This essay evaluates that critique by analyzing Nazi propaganda and Senator Edward Kennedy's “Chappiquiddick” speech through the critical lens of a revised Burkean frame. These analyses demonstrate that an Other‐Burkean frame can supplement existing resources for rhetorical criticism and contribute to a richer understanding of human communication. 相似文献
14.
Brian T. Kaylor 《Communication Studies》2013,64(5):491-507
In December of 2007, Republican presidential hopeful Mitt Romney traveled to Texas to give an address on religion and politics. The speech was heralded by many as Romney's “JFK moment.” This study explores the campaign religion speeches of Kennedy and Romney by considering various issues concerning context, audience, and content of the two speeches. Guiding this analysis is Roderick Hart's work on the civil-religious contract and Kenneth Burke's work on dramatistic analysis, which are utilized to demonstrate that—despite the media's proclamations—Romney's speech represented a stark shift from Kennedy's rhetorical approach. Implications are drawn concerning the differences between the two speeches and an understanding of the confessional political style guiding the intersection of religion and politics today. 相似文献
15.
《Communication monographs》2012,79(1):90-94
As a result of the controversy over the dimensionality of the ethos/source credibility construct and the associated plethora of empirical studies in the 1960s and 1970s, Aristotle's dimension of “goodwill” has been dismissed by many contemporary theorists and researchers. It is argued that this occurred as a result of errors made in the earlier empirical research and that “goodwill” can be measured, contrary to earlier claims, and should be restored to its former status in rhetorical communication theory. Empirical research is reported indicating the existence of the goodwill dimension as part of the structure of the ethos/source credibility construct and a measure of that dimension is provided with evidence for its reliability and validity. 相似文献
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17.
William BENOIT Andrew KLYUKOVSKI John McHALE David AIRNE 《Critical Studies in Media Communication》2013,30(4):377-394
–We used Symbolic Convergence Theory to analyze 2,000 political cartoons on the investigation, impeachment, and trial of the president. The cartoonists' vision incorporates components from Starr's and Clinton's visions: “Our public figures (Clinton, Starr, Congress, the news media) are engaged in a tawdry burlesque drama.” The number of levels in a rhetorical vision depends on the vision's complexity. We show that multiple, independent, rhetors can create a rhetorical vision. These messages, highly visual and generally critical, freely use metaphor and allusions, allowing multiple interpretations and rendering the fantasy themes in these dramas accessible to readers with widely divergent attitudes. Despite their fictionality, these messages concern important issues and make moral judgments on these public figures. 相似文献
18.
Douglas Bruce 《Critical Studies in Media Communication》2013,30(2):229-245
–Recent studies have suggested the need to broaden our approaches to violence in children's programming. This paper uses the violence of “The Road Runner” cartoon series as a starting point for a mythico-rhetorical analysis of the message system contained in the cartoon. It explores how the animated short re-enacts the myth of Sisyphus in the context of the post-World War II technological boom in the United States. Technology is the source of most of the violence in the cartoon, and the violence is created by failures of technology. The use of a “children's” medium to critique our reliance on technology offers substantial freedom to the animator, and, in turn, to the viewer and the critic. Examination of “The Road Runner” yields insights into the meanings of cartoon violence, into how media reproduce mythic structures, and into the potentially rich message systems of children's media. 相似文献
19.
Jennifer C. Lena 《传播与批判/文化研究》2013,10(3):264-279
Longstanding explanations of the controlling effect of white consumers/producers on minority production can obscure the negotiation and struggle of artists over their images, and particularly the ways in which dominant ideologies can be disarticulated from their meanings and rearticulated as critical observations on contemporary social relations. Rap group dead prez's video for the song “Hell Yeah!” is most accurately read from the perspective of articulation theory, since the group's oppositional use of the “gaze” reworks dominant representational discourses of race and class. 相似文献
20.
Kyra Pearson 《传播与批判/文化研究》2013,10(3):256-275
Lesbian prostitute Aileen Wuornos was popularly termed “America's first female serial killer.” Between 1989 and 1990, she killed six men, later testifying they had raped or attempted to rape her. By analyzing media coverage of Wuornos’ story, I argue that Wuornos’ incommensurability with available stories of women who kill illustrates the need to expand the rhetorical resources that make female violence and victimage intelligible. After demonstrating that Wuornos’ gender transgressions were disciplined into intelligible terms by understandings of criminality as an already spatial and gendered category, I conclude by discussing the “trouble” Wuornos poses to feminist and queer cultural politics. 相似文献