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1.
Historians often present the evolution of Islamic philosophy through a limited number of philosophers beginning with al-Kindī and concluding with Ibn Rushd. This practice tacitly asserts that Islamic philosophy developed only in accordance with this “sequential” or “chronological” context that assumes it was the inevitable evolution of Aristotelian thought in Arabic. However, most of those who present Islamic philosophy in this manner appear to have overlooked the fact that it developed in the context of a philosophical conflict that emerged between the two schools to which the majority of Islamic philosophers belonged – the School of Baghdad and the School of Khorasan, which appeared in the tenth century and introduced philosophy to Islam and Muslims. This study stands apart from earlier attempts to present Islamic philosophy by considering these two schools and the frequently violent disputes that occurred between them. It is based on an historical-analytical approach accompanied by a rereading of numerous historical and literary texts and presents a reinterpretation of the works of Ibn Sīnā that differs from past interpretations of the history of Islamic philosophy. The study concludes with a thorough examination of the texts and contexts, which demonstrates the existence of the two philosophical schools and their significant contributions to the development of Islamic philosophy, albeit with their own distinctive elements. The study also argues that the philosophical School of Baghdad migrated to Morocco and Andalusia and arrived, in some respects, in Europe through Ibn Rushd, whereas the School of Khorasan appeared in Suhrawardī’s Philosophy of Illumination and in modern Iranian philosophy.  相似文献   

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Book Reviews     
Religion and Culture in Medieval Islam RICHARD G. HOVANNISIAN and GEORGES SABAGH (Eds), 1999 Giorgio Levi della Vida Conferences, 14 Cambridge, Cambridge University Press viii_118 pp., UK£32.50 ISBN 0-521-623502 This book contains the proceedings of a conference whose speakers and theme were chosen by Professor George Makdisi, recipient of the Giorgio Levi della Vida Award in 1993. Although the theme is quite wide, the tone and viewpoint of the book are consistent with each other and coherent with Makdisi's own position, which he summarises in the first chapter, "Religion and culture in classical Islam and the Christian West". Here, Makdisi gives an overview of the fascinating theory which he has expounded in several works over the past decades (especially his The Rise of Colleges: Institutions of Learning in Islam and the West (Edinburgh, 1981) and The Rise of Humanism in Classical Islam and the Christian West (Edinburgh, 1990)), explaining how came to be interested in this subject and linking it to the modern-day American situation. Makdisi's view is that the European scholastic and humanistic movements had their origin in two equivalent movements that had begun some centuries earlier in the Middle East and, through Spain and Sicily, reached the West. This first chapter sets the tone of the whole book, which deals with several Arabo-Islamic subjects, making ample references to equivalent or parallel themes in the medieval (and occasionally modern) Christian (and occasionally Jewish) world. W. Montgomery Watt's essay on The future of Islam" compares Jewish reactions to Hellenism in Antiquity with contemporary Muslim reactions to the Western, Christian culture. It is a very stimulating piece, and the daring juxtapposition of past and present provokes important questions: to what extent can one think, today, of different parts of our globalised world simply Muslim or Christian, albeit with varying degrees of secularism? How can one deal with the fact that large portions of all societies do not identify themselves in any religion? Returning to a medieval subject, the following two chapters illustrate aspects the relation between religion and literature. Merlin Swartz writes on "Arabic rhetoric and the art of the homily in medieval Islam", pointing to the lack of secondary scholarship on this genre, whose Christian parallel has instead received great attention. Swartz begins filling this gap by describing in great detail the norms laid out in two handbooks for preachers written by Ibn al-Jawzý¯ (d. 597/1201). The fourth chapter, by Irfan Shahý¯d ("Medieval Islam: the literary-cultural dimension") reflects on the Qur'a¯nic idea of i'ja¯z (inimitability) and its consequences for the field of literature, from the times of Muh_ammad to the present day. This is followed by George Saliba's more specific illustration of how three prominent Ash'arite authors refute astrology ("The Ash'arites and the science of the stars"); the issue is placed within the context of the Islamic-Arabic approach to classical Greek heritage. Roger Arnaldez ("Religion, religious culture, and culture") provides an outline of the development of Islam from starting point as a religion containing ancient practices whose origins were forgotten,  相似文献   

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The generally accepted biography of the famous Cordovan musician and composer, Alī b. Nāfi? Ziryāb (d. 242/857), contains evident problems of chronology and content and is based almost entirely upon one source, al-Maqqarī's Naf[hdot] al- ?īb min ghu?n al-Andalus al-ratīb, written in the eleventh/seventeenth century. Modern scholarship generally has overlooked the fifth/eleventh-century source for this late version of his biography and has not taken other, earlier, sources into account. The result is a misbegotten biography that distorts both its subject and the Mediterranean world in which Ziryāb lived. This article refines the biography of Ziryāb by using the earliest available Arabic sources, including works by Ibn ?Abd Rabbih (d. 328/940), Ibn al-Qūtiyya (d. 365/977), Ibn [Hdot]ayyān (d. 469/1076), A[hdot]mad al-Tīfāshī (d. 651/1253) and Ibn Khaldūn (d. 803/1402). By comparing these accounts and attempting to reconcile their inconsistencies, the paper proposes a more logical chronology for Ziryāb's career that not only resolves obvious problems with the standard biography, but also portrays this important artist in relation to the network of political and economic institutions that united the eastern and western ends of the Islamic Mediterranean world in the early third/ninth century.  相似文献   

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This article examines the nature of the wrath of Abū Marwān al-Yu[hdot]ānisī, a thirteenth-century Andalusi saint, and the protagonist of the Tu?fat al-mughtarib of al-Qashtālī. I have divided the study into two main parts. The first sets out and analyses various occasions on which the saint committed violent acts against Christians. Two of them died as a consequence of these aggressions. All the cases in this first part took place in the Muslim East during the saint's stay in this area. The second part examines cases of violence committed against Muslim people from al-Andalus. The victims suffered the consequences of the wrath of the saint, although he was not directly involved in the aggressions themselves. The stories are narrated by al-Yu[hdot]ānisī himself, and we do not know whether they really took place. Regarding these manifestations of violence, the hagiographic sources not only justify all the violent acts committed by the saint, murder included, but they present the saint to society as an “example” to follow, and indeed as a “hero”.  相似文献   

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This article concerns itself with the references in Ibn ?ayyān's Muqtabis, Book V, to an Amalfitan presence at the court of Cordoba in the middle of the fourth/tenth century. It will be argued that these isolated references to a precociously early, Italian, mercantile presence in Spain, taken largely at face value by the text's editor and all but neglected in Amalfitan historiography, need to be interrogated to determine whether they fit the fourth/tenth-century context of Amalfitan–Muslim relations, or should be read against their fifth/eleventh-century context as evidence for a golden age of the Caliphate which, by Ibn ?ayyān's day, was already passing into memory and myth. Using contemporary, comparative evidence from Barcelona, the article examines the possibility of communications between Italy and Spain in the earlier period, and concludes that the conditions were probably right for an Amalfitan arrival, but rapidly changed by Ibn ?ayyān's day to exclude them from further contacts.  相似文献   

8.
This article analyses the presence of Neo-Platonic ideas in the poetics of Ibn Khaldūn's (1332–1406). It particularly focuses on the sixth part of the Muqaddima, in which Ibn Khaldūn presents the Arab-Islamic system of knowledge. I argue that Ibn Khaldūn analyses poetry in terms of a peculiar kind of knowledge and that his views on poetry are largely dominated by a Neo-Platonic paradigm, deriving from Avicenna's Psychology and Sufism. I focus on four topics: the “weak” rational position of poetics among the sciences of logic; the rhetorical norm of mu?ābaqa (“conformity” between “words” and “ideas”, and between “speech” and the “requirement of the situation”), the musical norm of talā?um (appropriateness of note combinations) and the notion of poetical “models” (uslūb; pl. asālīb). My conclusion is that the Muqaddima provides the modern reader with a precious longue-durée overall view of pre-modern Arab-Islamic poetics.  相似文献   

9.
Bahā? al-Dīn b. Shaddād and Jean Sire de Joinville wrote two unrelated but remarkably similar biographies of the rulers they once served, ?alā? al-Dīn and Louis IX. Especially striking are two anecdotes in which both Ibn Shaddād and Joinville rebuke the ruler for excessive crying upon receiving the news of a close relative’s death. This essay explores the narrative logic that drove these authors to write their texts and these anecdotes in particular in such a similar way. By embedding their discourse on emotional restraint in the wider discursive matrix of advice literature circulating in the period, Ibn Shaddād and Joinville actively participated in narrative discussions on ideal rule. In this they did not only stress the importance of emotional restraint for a ruler, but also the necessity of employing good advisors, ideally exemplified by themselves.  相似文献   

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Abstract

This essay recognizes that representations of the ‘Muslim woman’ as the Othered ‘object’ of the ‘Western’ gaze and the domesticated ‘object’ which the Islamic apologists strive hard to defend, are both constructions and false antitheses of each other. It seeks not the ‘truth’ regarding the Muslim women in the world of social reality but to examine how various representations of the women are constructed and to what effects and consequences these representations are mobilized. The essay proceeds in three stages. The first stage shows how the patriarchy mobilizes the Qur’an and the Hadith in order to construct the woman as the negative, the inessential and the abnormal of the man so as to exert complete subordination over her. However, the very act of attempting to mute the woman in Islam is the most strident proof that she is engaged in resistance against patriarchal control and the degree of resistance must be judged by the degree of patriarchal control. The second stage demonstrates how patriarchy operates in colonial and neo‐imperial landscape: it legitimizes the appropriation of Muslim woman ‘possessed’ by the Other (as exemplified by the orientalist seduction fantasy in William Dalrymple’s The White Mughals), but, haunted by the fear of rape and anxieties regarding the sexuality of the White woman possessed by the Self, it attempts to maintain strict control over her (as in the cases of Miss Wheeler in the ‘Mutiny’ of 1857 and Private Jessica Lynch in the Iraq War). This struggle over the feminine body is perfectly in line with Islam’s hyper‐anxiousness to hide the female body and rigorously ensure monopolic possession over her. The third stage shows how Taslima Nasreen, a late‐20th century feminist from Bangladesh, speaks the unspoken and thereby attempts to subvert the normative representation of the muted women in her autobiographical novella, entitled āmār Meyebelā. In thus examining the representations of the Muslim women, this essay seeks an alternative ‘third space of enunciation’ and takes a distinct political stand located outside of the axis of the dichotomy of the ‘Western’ gaze and the construction of the Islamic theologians.  相似文献   

11.
Ibn Ba??ū?a's longest sojourn (734–748/1333-ca. 1347) in his famous world travels was in the domains of the Delhi sultanate ruled by Mu?ammad b. Tughluq. He presents a vivid picture of court life in Delhi and a portrait of the sultan, whom Ibn Ba??ū?a describes in contrasting terms of generosity and violence. This essay examines the latter phenomenon, first by briefly noting the contribution of two contrasting studies on the complex nature of violence itself (Part One), followed by Ibn Ba??ū?a's depiction of Ibn Tughluq's accession to power (Part Two), and then his perception of the sultan's use of capital punishment during his reign (Part Three). The last section (Part Four) adds further detail on the sultan's policy and then briefly compares Ibn Ba??ū?a's perception of the sultan's violence with that of another contemporary witness, the historian ?iyā? al-Dīn Baranī. The result suggests that Ibn Ba??ū?a's representation of violence is as nuanced as the phenomenon of violence itself.  相似文献   

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The sixth/twelfth century geographer, al-Idrīsī, alludes to the presence of the so-called Qur’ān of Uthmān in the great Mosque of Cordoba and a ceremony in which it was brought out and paraded daily after the Umayyads proclaimed themselves caliphs in 317/929-30. Around 552/1157, the same Qur’ān appeared in the processions of the Almohads, a Ma?mūda Berber dynasty from the High Atlas mountains, who also claimed to be caliphs. Ibn ?ā?ib al-?alāt, al-Marrākushī and the unknown author of the ?ulal al-mawshiyya, who describe the Almohad parades, all mention the Qur’ān's Uthmānic antecedents and possession by the Umayyads. Using this as a starting point, this paper will explore the image the Umayyads projected in the Maghrib, and the later significance of Cordoban Umayyad prototypes to the ruling Mu’minid dynasty of the Almohads. This contributes to a larger discussion of the evolution of a paradigm of imperial power in the Islamic west and its manipulation to legitimise a succession of dynasties whose actual origins, ambitions and praxis diverged widely.  相似文献   

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ABSTRACT

Khārijite resistance to Umayyad authority during the caliphate of Mu?āwiya b. Abī Sufyān (r. 661–680) is represented in detail in the works of the early Muslim scholars A?mad b. Ya?yā al-Balādhurī (d. c. 892) and Mu?ammad b. Jarīr al-?abarī (d. 923). While the Khārijites are overwhelmingly depicted by both authors as religious fanatics whose excessive piety caused widespread bloodshed and who thus should be condemned, a closer look reveals that Khārijites serve specific and distinct narrative purposes: al-Balādhurī uses them mainly to illustrate Umayyad tyranny, while al-?abarī addresses the consequences of Khārijite revolts for communal and imperial stability. The latter's work is also marked by a dichotomy between activist and quietist Khārijism, implying that al-?abarī is not so much opposed to Khārijism as a set of “heretic” religious ideas, but rather to its violent expression of politico-religious opposition.  相似文献   

14.
The central place occupied by donkeys and mules in the life of the medieval Islamic world often necessitated medical care. Three veterinary treatises were chosen for the present study owing to the special attention attributed to these animals by their writers. The identity of the writers is of some interest: two of them were rulers of Yemen, whereas the third was the chief veterinarian of the Mamlūk Suln Mu[hdot]ammad Ibn Qalāwūn. In dealing with the treatment of donkeys and mules, these writings are mainly concerned with breeding, preventive medicine (including nutrition, exercise and diet), and the diagnostics and healing methods of ailments peculiar to donkeys and mules, including behavioural problems, infirmities of hooves and problems resulting from carrying heavy loads. The dedication of special sections of these treatises to donkeys and mules is an indication of their importance in the economy of Egypt and Yemen. They reflect the high professional level of veterinary medicine during the Mamlūk period.  相似文献   

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Abstract

This article sets out to be a concise account of Mark of Toledo's Qur?ān translation. It will be structured as follows: first, it will provide information about when and in what circumstances it was realised. Second, it will present some examples, which will show Mark's way of translating and transferring form and content of the Qur?ān for his Latin-speaking Christian audience. Mark mostly translates words consistently throughout the text, and also tries to translate words derived from the same Arabic root with root-related Latin words. Moreover, he does not usually try to convey the semantic nuances a word may have, seemingly not paying attention to the context, but translating with a standard, basic meaning of the word. (This observation should be taken as a tendency and not as a rule, as the excursus at the end will illustrate.) Nevertheless, Mark does not violate the grammar of the Latin language. Despite his fidelity to the text, Mark's Christian cultural background sometimes influences the translation. In the conclusion, the features of Mark's translation will be set out in relation to the cultural and political activity of its commissioner, the Archbishop of Toledo Rodrigo Jiménez de Rada.  相似文献   

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The ninth/fifteenth century Arabic work, Kharīdat al-?Ajā?ib wa Farī?at al-Gharā?ib, ascribed to Ibn al-Wardī (d. 861/1457), was frequently translated into Ottoman Turkish and widely read by the Ottoman literati between the tenth/sixteenth and thirteenth/nineteenth centuries. The most popular translation of the Kharīdat al-?Ajā?ib that is extant today with more than thirty copies in libraries worldwide was made by the tenth/sixteenth century Ottoman preacher Ma?mūd al-Ha?īb. Within the context of Medieval Islamic cosmographical works and their translations, which have potential to shed light on the Ottoman worldview in the early modern era, this paper delves into the extra-textual statements of the translator in the form of eye-witness accounts and contemporary hearsay. By doing so, it argues that Ma?mūd al-Ha?īb's intervention in the text he translated not only provides him with grounds for confirmation of the worldview promoted in the Kharīdat al-?Ajā?ib, but also expressions on certain issues related to sixteenth century Ottoman rule.  相似文献   

18.
This paper examines ideas surrounding the presentation of the Muslim “other” in Latin writings of the early period of the Crusades. Using a case-study approach of the views of one chronicler, Walter the Chancellor, in his work Bella Antiochena, on one individual Muslim, Najm al-Dīn Il-Ghāzī, the paper studies aspects of the image of Il-Ghāzī, the reasons for them, how and why they develop throughout the chronicle, and whether, from the other information given in the chronicle, it would be possible to interpret the information in other ways. The conclusions reached demonstrate that the reason for the vitriol in Walter's presentation was his wish to justify the Crusades and suggest that the writers of Outremer started to develop their own cross-cultural responses to Islam, independent of mainstream European thought, because of their situation.  相似文献   

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Abstract

The embedization of Islam in Malaysia has gone through a long and complex process that involved an interaction with three major world civilizations (Indian, Chinese and European) and two colonial systems (Dutch and British) during which many aspects of its practices were reconfigured. This paper provides a brief critical survey of the evolution of the said embedization process during which Islam and the Muslims in Malaysia were moulded by a series of sociological realities, namely plural society, secularism and modernity. This has resulted, we argue, in the creation of 'moderate' Islam in Malaysia, one that is quite different from the fundamentalist image of Islam profiled in the contemporary worldwide discourse on global Islam  相似文献   

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ABSTRACT

The constant reference to beauty ideals in all facets of contemporary culture, including work, sex, and religion as well as the constant exposure to images of “beautiful” women, which are ubiquitous in the mass media as the ideal, make a search for a categorical view a necessity. Through qualitative research approach, in which critical, content, and discourse analysis were applied on classical, as well as relevant contemporary materials on beauty, this study contributes an Islamic perspective to the discourse, and hinges its discussions on the primary sources in Islam (Qur’an and Hadith). The paper examines what the Qur’an and Hadith view as beauty and physical attractiveness. It was discovered that in Islam, beauty has five primary emphases: virtue, divine, nature, order, and proportion.  相似文献   

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