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1.
我国正处于社会转型期,建构和谐社会已成为我们的重要目标。从宏观来讲,和谐社会就是人与自然相和谐、人与人相和谐的社会。具体而言,和谐社会更多的是体现国家利益、集体利益和个人利益的和谐,尤其是权力与权利的和谐。在构建和谐社会的过程中,新闻舆论具有重要作用。  相似文献   

2.
现代广播与和谐社会构建   总被引:1,自引:0,他引:1  
构建和谐社会,要靠党和政府的推动,靠全体社会成员、不同利益群体的支持和共同奋斗,也要靠媒体的宣传鼓动和正确有力的引导。人民广播是党和政府的喉舌、社会的良知、人民群众忠实的代言人。因此,在新的历史时期,人民广播更应当承担起历史赋予的重大使命,发挥自己的优势,为构建和谐社会做出自己的贡献  相似文献   

3.
陆燕群 《中国广播》2006,(11):47-48
随着我国社会经济转型,改革进程中伴生性地显现了一些“负面”现象,为此党的十六届四中全会提出了构建社会主义和谐社会的任务。广播作为党和人民的“喉舌”,承担着引导舆论的重任。如何围绕改革、开放、稳定这个大局,利用广播平台助推和谐社会的构建,是电台所面临的新课题。正面报道为主与“负面”情绪疏导的兼顾中国社会转型期,面对炫目业绩与很多新问题并  相似文献   

4.
处于社会转型期的中国,面临着改革攻坚阶段不可避免的诸多矛盾和障碍。在这个特殊时期,媒体该如何强化自身的社会责任,化解社会各阶层各群体之间的矛盾,促进社会各阶层间形成良性互动,推动和谐社会的创建进程,已成为我们的特别关注。  相似文献   

5.
在构建和谐社会中,正确引导公众舆论,消除社会中不和谐的因素,传媒肩负着光荣而神圣的使命。一、在舆论引导中构建和谐由于社会上存在不同的阶层、不同的集团、不同的利益群体,社会舆论往往呈现出多元化。传媒舆论的引导能力,就是按照构建和谐社会的要求,善于把社会上不同层面的舆论引导到正确的轨道,在新闻报道中营造和谐舆论。  相似文献   

6.
构建社会和谐的“和谐社会”,已成为中国改革发展与和平崛起的新的关键词。那么,我们所要建设的和谐社会,其内涵和蓝图是怎样的呢?简言之就是:民主法治、公平正义、诚信友爱、充满活力、安定有序,人与自然和谐相处的社会。不可否认的是,改革开放以来,在经济迅速稳步发展,社会财富整体增长的大背景下,由于利益分配不平衡及不公平引发的贫富悬殊、贪污腐败等问题,导致了不同阶层和群体间的利益冲突。专家指出,通过政策的调整和规则的重构,我们完全能够协调各方利益,预防冲突并走向和谐。这也充分显示了新一代党和国家领导人高瞻远瞩,正视现实,…  相似文献   

7.
目前,我国正处于社会经济转型期,社会各阶层和群体利益格局调整,思想观念重大变迁,社会矛盾交错重叠。互联网,特别是各种社交媒体,为广大的草根阶层提供了表达利益诉求的平台。掌握网络公共事件的特征及网络舆情的演变规律,将有利于我国政府公权部门积极有效应对和化解网络公共事件引发的网络舆情。  相似文献   

8.
构建和谐广播是构建和谐社会的重要组成部分,和谐广播的构建不仅决定着广播媒体自身的发展,也在相当程度上影响着整个社会的和谐。广播如何踏上构建和谐社会的节拍,或说如何抓住构建和谐社会的机遇有所作为,需要准确、科学地把握和谐广播的内涵,并在和谐广播的构建思路和基本走势上形成广泛共识。唯有如此,才能从广播发展的历史和现实误区中走出来,避免广播媒体的畸形发展和大起大落,实现广播媒体宏观和微观上的良性循环和可持续发展。  相似文献   

9.
当前,我国已进入社会转型期,社会利益群体和其各自间的利益关系也更加丰富和多元,社会分层日益明显。如何保障弱势群体的合法权益,如何引导弱势群体合理合法表达利益诉求、理性行使话语权,是各类媒体亟须重视、妥善引导的重要问题,是关系到做好党的群众工作、实现媒体良性发展、百姓安居乐业的大事。  相似文献   

10.
胡耕  程彻 《新闻前哨》2005,(12):52-53
构建和谐社会,是我们党在当前社会经济转型期和全面建设小康社会进程中提出的重大战略举措。胡锦涛同志指出:“构建社会主义和谐社会,是一项艰巨复杂的系统工程,需要全党全社会长期坚持不懈地努力。”作为新闻媒体在构建和谐社会中,如何正确开展舆论监督工作,探寻舆论监督的和谐路径,对正确处理各种社会矛盾,做到敢于监督、善于监督、加强监督和改进监督都具有重大意义。  相似文献   

11.
Queer Radio History: Pacifica Radio   总被引:1,自引:1,他引:0  
Pacifica Radio was the first listener-sponsored non-commercial radio network in the United States to air queer voices beginning with Allen Ginsberg reading his iconic poem, Howl on KPFA-FM in Berkeley, California in 1956. From that broadcast, Pacifica stations KPFK-FM (LA), WBAI-FM (NYC), KPFT-FM (Houston), and WPFW-FM (Washington, D.C.) have consistently given space to the LGBTQI community and perspective over 60 years, creating a vibrant recorded history relatively unknown and vastly under-researched.

What survives of the broadcasts are largely found in the Pacifica Radio Archives (and other repositories) and documented in the printed station program folio guides (1949–2005) and consumer catalogues.

This article explores the importance of Pacifica’s queer sound and print archive and looks to identify what survives and what has been lost. It also highlights the many ways the queer story was expressed; bearing witness to the Gay Liberation movement through reportage, literature, poetry, radio drama, music, interviews, live event coverage, documentaries, docudramas, listener call-ins, and group discussions. The author presents this article to bring awareness to these rare instances and help motivate their preservation and access for extended scholarly use.  相似文献   


12.
Radio     
RADIO: A REFERENCE GUIDE by Thomas Allen Greenfield (Westport, CT: Greenwood Press, 1989—$39.95, ISBN 0-313-22276-2)

THE RADIO STATION by Michael Keith and Joseph Krause (Stoneham, MA: Focal Press, 1989—$24.95, paper, ISBN 0-240-80028-1)

PROGRAMMING RADIO TO WTN IN THE NEW AMERICA by John Parikhal and David Oakes (1989—$40.00 but $20 to NAB/BEA members, paper, ISBN 0-89324-062-1)

PROFITING FROM RADIO RATINGS: A MANUAL FOR RADIO MANAGERS, SALES MANAGERS AND PROGRAMMERS by James E. Fletcher (1989—$40.00 but $20 to NAB/BEA members, paper, ISBN 0-89324-065-6)

DEVELOPING AN EFFECTIVE MARKETING PLAN: A WORKING GUIDE FOR RADIO BROADCASTERS by John Geason and John Sutherland (1989—$20.00, paper, ISBN 0-89324-066-4)

AMERICAN RADIO SPRING 1989 by James H. Duncan, Jr. (Duncan's American Radio, Box 90284, Indianapolis, IN 46290—$79.00, paper)  相似文献   

13.
14.
Whither Radio     
This experimental study tested the effects of instrumental background music on subjects' opinions of the candidate in a political radio commercial. Democrats hearing a Democratic candidate commercial without music considered it more issue-oriented than those hearing it with music. No significant effects were found in Republicans. Controlling for party affiliation, results showed a significant correlation between subjects' perceiving the spot as issue-oriented and their stated intention to vote for the candidate. Subjects hearing the spot with music were more likely to consider the spot “well done,” but this did not translate into a statistically significant preference for the candidate.  相似文献   

15.
2008年1月18日以来,我国南方大部分地区遭受雨雪冰冻灾害,给当地人民群众生产、生活造成了严重影响.灾情发生后,中央人民广播电台迅速行动,从1月21日开始,打破既定节目编排,在覆盖全国的"中国之声"推出全天特别直播<爱心守望风雪同行>.全天直播持续到2月5日,先后有270多名编辑、记者、主持人、技术人员投到报道当中.从1月20日,尤其是1月29日以来,中央电台重点新闻节目<新闻和报纸摘要>、<全国新闻联播>以二分之一左右的时长报道抗灾救灾工作的最新进展.春节期间,这两档节目重点报道了胡锦涛总书记、温家宝总理奔赴南方灾区考察抢险抗灾,慰问灾区群众的情况;及时全面报道国家应急指挥中心、国家各部委各机构、各行业、各地的抢险救灾举措和行动;同时结合广播特点,组织设计了一系列录音报道,展现各地加班加点保证煤电油运,保障市场供应,社会稳定.<全球华语广播网>多次与地方广播电台并机播出,重点关注重灾区的抗灾救灾工作.<国防时空>从1月23日开设专栏<军徽闪耀风雪同行>,集中报道奋战在抗灾救灾一线的解放军武警官兵的事迹.  相似文献   

16.
Although community radio has a long history in South and North America, new models are evolving in other parts of the world from South Africa to Central Eurasia. True to its community roots, stations reflect the unique history, culture, and political climate of each country. Radio is the most democratic of media both in providing easy access to citizen participation and in being widely available. In rural areas from subsistence farmers in Mozambique to nomadic herders in Mongolia, radio is the only medium. With limited resources in new democracies, it is the most cost-effective medium. The expressive human voice and natural sound engage the imagination through story telling. Radio stations are not simply passive transmitters of information or hit music; they are a catalyst for building community, for improving health and education, for fostering a civil society. These are no longer theoretical visions; many stations now demonstrate all of these goals.  相似文献   

17.
浙江电台举办的以“集天下智慧,创一流强台”为宗旨的“新世纪广播节目创意策划大赛”,是中国广播首次向全国各界征集节目创意文案的大型赛事。这次大赛不仅引起了中国广播电视界专家学者和业内人士的关注,也激起了社会各界的参与热情。大赛期间,组委会共收到的参赛文案417件之多。它的圆满成功表明:在新世纪,独具心灵交流优势的广播媒体,不仅具有强劲的生命力,更有无限的发展空间。  相似文献   

18.
During radio's reign on the airwaves, classics and legends were sources for radio plays written for a wide audience. Scriptwriters realized radio's cultural importance and culled classics for material that pushed their conception of “high” culture but still satisfied a wide audience. Radio plays were adapted from William Shakespeare's plays, Edgar Allan Poe's short stories, Geoffrey Chaucer's The Canterbury Tales, and Robin Hood's legend. This study covers radio adaptations of Robin Hood broadcast between the 1930s and 1970s: Popeye (1939); Buster Brown (1948); Family Theater (1949); the children's theater program Let's Pretend (1954), Escape (1952), Gunsmoke (1955); and Crisis (1975).  相似文献   

19.
This study used a statewide sample of 400 Alabama residents to analyze the relative credibility of local radio news, as compared to local television and local radio. The results indicated that local radio news has a level of credibility that is lower than that of local television, but is comparable to that of local newspapers. This finding confirms previous studies that have noted that media consumers tend to have a higher regard for television than any other news medium, but this difference was not as dramatic as those reported by studies that have used forced-choice questions. Local television is indeed more credible than local radio news, but not dramatically so.  相似文献   

20.
This article provides a historical account of Bush Radio, the oldest community radio station in Africa, based in Cape Town, South Africa. The creation of Bush Radio's precursor, the Cassette Education Trust (CASET) was a pivotal moment for the emergence of community radio on the continent. This people's history of Bush Radio tells the full story through the voices of the founders and staff, together with other sources of historical data. The article argues that although the apartheid state constructed essentialist racial and ethnic categories, CASET and later Bush Radio constantly positioned themselves in a space of liminality to interrogate and redefine these categories. Privileging an instrumentalist approach, this article shows the connections between ideology, politics, and economics as they converge to form the industrial structure, the political environment, and the cultural product of broadcasting.  相似文献   

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