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数码相机的推广与使用给人们的工作和生活带来了极大的便利,但数码照片的管理和维护也不得不要面临更多的挑战.本文简要介绍了数码照片管理现状,并提出了数码照片档案整理、归档、保存的几个原则. 相似文献
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当前,数码照片由于易被篡改的特性,其真实性鉴定的市场需求较大.鉴于诸多因素的限制,至今仍没有高效的数码照片真实性鉴定软件,尤其是对于已接收进馆(室)的大量未嵌入数字水印的数码照片,其识别主要依靠人工,工作效率和准确率难以适应实践需要.笔者从档案工作实践出发,提出了数码照片真实性鉴定软件系统,以及系统开发有关问题. 相似文献
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家庭数码照片档案管理的思考与实践 总被引：1，自引：0，他引：1
与其他电子文件形成过程需经历一个"时间段"不同的是,数码照片的形成具有"时间点"特性,这使得它拥有"相片拍照日期"这一核心元数据.笔者认为,家庭数码照片档案管理应依赖该核心元数据实现对数码照片档案真实性的"维持".而"维持"不是技术问题,只是意识问题. 相似文献
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关于数码照片档案管理若干问题的思考 总被引：2，自引：0，他引：2
本文从数码照片档案管理的规范标准、收集范围时间和要求、长久保存以及建立数码照片数据库等几方面着眼,探讨了数码照片档案管理的现状、存在问题及发展要求和策略. 相似文献
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数码照片记录了社会以及个人活动,具有保存价值,将这些数码照片分类收录,就形成数码照片档案。本文主要介绍数码照片档案以及其现状,并探究几个数码照片档案管理的要素,以求为数码照片档案管理带来些许参考。 相似文献
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文章详细比较《数码照片归档与管理规范》与《北京市数码照片归档与管理办法》的差别,分析两个标准的创新之处,并在此基础上提出对两个标准的补充意见,以期能帮助大家理解和掌握数码照片档案管理的标准。 相似文献
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随着数码相机的普及,数码照片逐步取代了传统的胶卷照片。按数码照片档案管理的流程,从数码照片档案的收集和归档、数码照片审核、数码照片档案整理以及数码照片档案的保管四个方面,探讨了拍摄者与档案管理员的工作分工,并结合工作实际就如何与时俱进,选择适用于图书馆的有效方式,管好、用好图书馆的数码照片档案进行探索。 相似文献
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高校数码照片档案的规范化管理 总被引：4，自引：1，他引：3
通过时目前高校数码照片档案归档工作现状和成因的分析,在数码照片档案收集、整理、保管和利用等方面提出对策,使高校数码照片档案管理逐步规范化. 相似文献
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照片资源具有其特有的文献性与史料性,作为图书馆的特色馆藏,既增加了馆藏的载体形式,又丰富了馆藏的内容。国家图书馆收藏照片资源已经有几十年的历史,通过多种途径采访征集各类老照片,并采用分类标引与主题标引相结合的方法加以整理;同时,加强馆藏照片资源的宣传与利用,拓宽面向社会的采访征集途径,实现照片资源共享。 相似文献
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照片档案数字化扫描分辨率的选择与确定 总被引：4，自引：0，他引：4
照片档案数字化扫描的分辨率是光学分辨率而不是增强分辨率.确定分辨率时,应遵循“方便利用、保证清晰、符合规定”等原则,在开始扫描前,就要根据照片档案是为了保存资料还是为了打印利用等不同用途,选择合适的扫描分辨率,并在分析照片档案数字化扫描分辨率选择的基础上,对照片档案数字化扫描分辨率的具体确定方法进行研究. 相似文献
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The popularity of social media sites for posting pictures has given rise to a new form of mediated communication: online photo sharing. This article explores motivations for sharing photos online, using the 2-step procedure common in Uses and Gratifications research. Focus groups revealed 42 motivations which were rated in importance by survey respondents (N = 460). Factor analysis revealed 4 classes of gratifications: seeking and showcasing experiences, technological affordances, social connection, and reaching out. These results suggest that photo sharing is driven by social needs and facilitated by interface features, with important implications for theories of technology and user psychology. 相似文献
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Allison J. Lazard Michael S. Mackert Mary A. Bock Brad Love Anthony Dudo Lucy Atkinson 《Visual Communication Quarterly》2018,25(1):16-30
In our media landscape, consumers view a plethora of messages with visual assertions, created through postproduction photo manipulation, which communicate meaning at-a-glance. These visual assertions are processed initially and directly and greatly influence how consumers think, feel, and behave. Yet the impact of visuals, which likely color all processing, is not incorporated in persuasive message processing models. Using dual processing models from multiple disciplines as a theoretical foundation, this study demonstrates through two experiments that the effects of photo manipulation, as visual assertions, in food advertising increased consumers' perceptions of healthfulness, positive attitudes, and purchase intentions. Dual processing models for persuasive messages should be extended to account for the initial, influential visual processing of implied assertions, often manipulated during postproduction. 相似文献
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Photos of demonstrations in Egypt have been overwhelmingly used in online news since the revolution of January 25, 2011. This article explores the visual aspects of demonstration photo albums during the political conflicts in Egypt that led to two Egyptian revolutions.1 It scrutinizes the different types of photo albums, considers the differences and similarities between photo album frames and still photograph frames, and implements syntagmatic analysis of demonstration albums. The article concludes that visual framing occurs through nonchronological and sequential syntagmas. 相似文献
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Tara M. Mortensen Brian P. McDermott Khadija Ejaz Daniel D. Haun 《Journalism Practice》2019,13(5):576-591
This study is the first to inquire about the factors that influence people’s willingness to allow professional photojournalists to tell their stories through the medium of the photo essay. Guided by Self-Disclosure Theory, in-depth interviews were conducted with the subjects of 15 peer-judged award-winning photo essays. These were drawn from the multiple picture categories of the National Press Photographers Association (NPPA) Monthly Clip Contest, the annual NPPA Best of Photojournalism Contest, and the annual World Press Photo Contest between 2013 and 2017. The topics of the photo essays were sensitive in nature. Analysis reveals support and appreciation amongst photo-essay subjects for the profession of photojournalism. Motivations derived from the sensitivity and professionalism with which each interviewee was initially approached, a need to tell a different side of the story, a desire to inspire others or invoke change, and the memory-keeping and permanence afforded through published professional photojournalism. 相似文献
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Lisa Silvestri 《Visual Communication Quarterly》2014,21(2):106-118
When U.S. troops in Iraq and Afghanistan filter their war experiences through visual aesthetics characteristic of contemporary mobile messaging culture, they produce a new visual discourse for war in the Internet age. A critical reading of 250 Facebook photos reveals an emphasis on colloquial representations of young adult life: hanging out, goofing off, playing games, and wearing costumes. For example, one image depicts two Marines in full desert camouflage posing for a picture while wearing skeleton masks. The Marine on the left looks down at his digital camera, either reviewing a photo or getting ready to hand it off to the “shooter.” The gear in the photo (masks aside) suggests that they are prepared for a combat scenario. Mortars and rockets could hit their base at any moment. The silliness and nonchalance captured in the photo seems antithetical to their physical locale, especially a condition of imminent danger. Most audiences would not recognize this as a combat scenario. Photos like this reflect the ways in which our shifting visual repertoire—with emphases on friendship, domesticity, and spontaneity—modifies visual discourses for contemporary war. 相似文献