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1.
Abstract

This article considers two pivotal issues in school development: first, the epistemological foundations by which a curriculum area is generally held to be constructed, and how this knowledge base can be accepted or reconstructed by individual interpretation. Secondly, the paradigm, and therefore the methodology, by which change agents represent their understanding of curriculum areas to those participants of curriculum change. The article has an unusual structure, as it is written in two separate sections. The first section relates in a simple narrative style the actions the author undertook in her role as a coordinator for information technology, seeking change in classroom practice within a large primary school (ages 5–11 years) in a London suburb. It is told retrospectively, for the author then undertook a period of study and reflection which led her to reconsider both her understanding and the method by which she introduced change. Hence, the second section, written at the end of this period of reflection, enters the realm of ‘paradigm shift’ in that it examines the author's past rationale, her actions and the consequent results within her new epistemological and ontological understanding. Essentially, she deconstructs her actions and reconstructs them as ‘what-should-have-happened!‘ The implicit tenet is that her actions did not lead to the change she sought because she did not have clarity in understanding or direction, hence the article's title: ‘Achieving Clarity … The Difference Reflection Makes …’. The axiom of her revised understanding is that enduring and profound change cannot occur without the change agent having this clarity of understanding, which can achieve consistency between principle and practice with both rigour and credibility. At least, that's the first step, for innovation is never that simple; it's a long process.  相似文献   

2.
ABSTRACT

Understanding and action are central themes in Hannah Arendt's thought and an idea that runs throughout her work is that whenever human beings act, they start processes. It is in this light that she saw education as a process whose aim is to make human beings feel at home in the world. Given the centrality of process in understanding action, early on in her work, Arendt reflected and drew upon the ideas of Alfred Whitehead, the philosopher of process. Education in his thought is an art and an adventure whose object should be to enable students to grasp the process of life itself and imagine different worlds. In this light, universities are crucial in creating conditions of possibility for imaginative learning and intellectual adventures. Taking action, process, imagination and adventure as my central ideas, in this paper, I make connections between Arendt and Whitehead in an attempt to think about education within and beyond ‘dark times’.  相似文献   

3.
In order to enhance understandings of the international mobility of researchers and the implications of their mobility for knowledge production and circulation, we need to develop more sophisticated conceptual resources. Here we draw on and seek to develop ideas generated from literary theory and geography in order to highlight the links between internationally mobile researchers, knowledge, geography and power. In particular, we develop three interrelated concepts: ‘geographies of power/knowledge’, ‘empires of knowledge’, and ‘edges of empires’. We also turn to Edward Said's notion of the ‘exilic intellectual’ because it speaks to the manner in which some mobile individuals navigate this terrain, as well as to issues of their links to place, positionality and the academy. The paper puts these concepts to work as we ask ‘What do they look like through the lens of an individual's intellectual biography?’ and ‘How can a biography add nuance to the concepts?’ Overall we adopt what Said calls a ‘worldly’ perspective that involves considering the time and place of ideas.  相似文献   

4.
During the interview ‘Mary’ – who had last year been a school pupil and this year is a first‐year undergraduate on the new degree in Education (with Teaching Certificate) – talked at some length, and with considerable feeling, about how her main frustration as a female pupil had been what she saw as her systematic disenfranchisement from influence over the content and process of the schools' curricula which she had pursued over the previous thirteen years. Although she felt that all pupils suffered this lack of influence she was convinced that girls suffered disproportionately. [Some time later in the interview], when talking about the ‘teaching practice’ she had recently completed, ‘Mary’ described how her ‘music and movement’ work had met with ‘loud and disruptive’ reaction from some of the boys in the mixed class of 7–8 year‐olds, even though the majority of the children had clearly enjoyed and been engaged by the scheme she had designed. Faced with this rejection, and experiencing some anxiety about how the teachers and her tutor would assess her potential as a future teacher if she was not seen to be exercising what they would count as ‘good control’ of the class, ‘Mary’ resolved her ‘problem’ by designing an alternative scheme which the few boys would not (and did not) reject. Although the girls had ‘subsequently shown less interest’, their quiet acquiescence to what she offered them reduced her anxiety about her assessment as a teacher. When she related her pupil experience to her teaching practice experience ‘Mary’ was dismayed to realise that she had ‘reproduced for others precisely that frustration which [she herself] had experienced as a pupil’.

Extract from author's notes when evaluating a new pre‐service degree course, June 1983.  相似文献   

5.
Central to this paper is an analysis of the work produced by a year 10 student in response to the ‘Expressive Study’ of the art and design GCSE (AQA 2001). I begin by examining expressivism within art education and turn to the student's work partly to understand whether the semi‐confessional mode she chose to deploy is encouraged within this tradition. The tenets of expressivism presuppose the possibility that through the practice of art young people might develop the expressive means to give ‘voice’ to their feelings and come to some understanding of self. I therefore look at the way she took ownership of the ‘expressive’ imperative of the title by choosing to explore her emerging lesbian identity and its position within the normative, binary discourses on sex and sexual identity that predominate in secondary schools. Within schooling there is an absence of formal discussion around sex, sexual identity and sexuality other than in the context of health and moral education and, to some extent, English. This is surprising given the emphasis on self‐exploration that an art and design expressive study would seem to invite. In order to consider the student's actions as a situated practice I examine the social and cultural contexts in which she was studying. With reference to visual semiotics and the theoretical work of Judith Butler, I interpret the way she uses visual resources not only to represent her emerging sexual identity but to counter dominant discourses around homosexuality in schools. I claim that through her art practice she enacts the ‘name of the law’ to refute the binary oppositions that underpin sex education in schools. This act questions the assumptions about the purpose of expressive activities in art education with its psychologically inflected rhetoric of growth and selfhood and offers a mode of expressive practice that is more socially engaged and communicative.  相似文献   

6.
Dissidence,difference and diversity in action research   总被引：1，自引：1，他引：0  
This article served two purposes. First and foremost, it gave the author an opportunity to re-visit, and acknowledge, some ways in which her professional relationship with John Elliott and other professional friends influenced her work in action research. Second, it enabled the author to revisit current ideas held in two areas of interest that have, over the years, grown out of departure from, as well as identification with, John's own work. The first relates to the personal and emotional dimensions of theory in action research and the second, to issues of methodological creativity. In re-visiting these two areas of interest, the author tries to synthesise them in a new way in order to explore the connections between the personal, the emotional and the innovative in action research methodology. In this, the article attempts to link issues related to the ‘I’ of the action researcher with the ‘we’ of the collaborative research group. It is argued that our ‘self’ is implicated deeply in action research methodology, whatever form that might take. The emotional and social climate in which the ‘I’ operates is consequential. This means that we need to take a holistic view of the action researcher as person, and of collaborative colleagues as enablers and supporters, if we are to optimise the powers that can be brought to the process of enquiry and change. The article also tries to be ‘true’ to the notion that one's ideas, theories and work are shaped by what Wayne Booth calls ‘the company we keep’.  相似文献   

7.
This article is a presentation of current research on pupils’ experiences in encounters with their classmates in school. The starting point is the narratives of Loffa, a 25‐year‐old nursery teacher, telling us about her school experiences. She gives a picture of herself as a quiet and well‐behaved schoolgirl, and she talks about things such as the limited space she and a group of her classmates had in their classroom, about how they were regarded as ‘nerds’ by the other pupils and therefore had little to say in what went on in their classroom. Seen in the light of the political, social and historical context of the vision of a ‘school for all’ and of the principle of a ‘complex social environment’ this can be interpreted as one version of the specific expression in Lotta ‘s class of the built‐in conflicts of the comprehensive school, the conflicts between groups with different intellectual traditions and needs.  相似文献   

8.
Whilst a part of the fine art degree course is about teaching technical skills and learning from tutor/peer group crits, a larger part is about the facilitation of a ‘safe’ and structured space in which students gain the confidence to experiment with personal ideas, to hone a self‐critical reflection and understand who they are as individuals, before being cast out into the world as ‘artist’. In this article I examine the thought processes and decision‐making of one undergraduate female painting student. For this student, who struggled to find her own ‘grotesque’ female body image in the canon of art historical works or contemporary popular media, the spaces of the painting degree course created a frame for possible enactments of identity and desire, as well as for playing with roles and practices. Through a mix of interviews with the student, viewing her visual work and written narratives, I analyse how she was able to carve out a space for her visual representation within the institutional frame. My analysis reveals how this student uses the transitional spaces of the degree course to develop creative strategies through which to explore her sexual desirability and aesthetic self. As an individual who felt marginalised from the visual realm of the ‘body beautiful’, the degree course offered an important refuge where she could examine how she felt about her own body and develop a confidence and character to present her body to the world.  相似文献   

9.
This paper consists of two parents’ accounts of their experiences of having children with AD/HD. The article is divided into three distinct sections. In the first section the mother of ‘Simon’ describes her experience of bringing up a child who, from early infancy, presented challenging behaviour. She describes the effect of this on her family and her self esteem as a parent. She goes on to give an account of the process by which ‘Simon’ came to be diagnosed as having AD/HD and the effects of the ensuing treatment programme. In the second section the same writer describes the impact of her experience on her relationships with the extended family. The third section of the paper is provided by a second writer, who is also the mother of a child with AD/HD. This section focuses on the difficulties she experienced in dealing with her child's educational needs and the conflicts which arose between her and staff in her child's school.  相似文献   

10.
The constructivist pedagogies that are increasingly part of teacher education course work and expectations emerge from an intellectual world where knowledge is seen as created rather than received, mediated by discourse rather than transferred by teacher talk, explored and transformed rather than remembered as a uniform set of positivistic ideas. Increasingly, teacher educators ask new teachers to learn how to elicit and then use students’ existing ideas as a basis for helping them construct new, more reasoned, more accurate or more disciplined understandings. While the role a teacher plays in developing or shaping students’ thinking via constructivist pedagogies is obvious to teacher educators who advocate such strategies, the case of Taylor, a prospective English teacher, suggests that the role a teacher plays when using these strategies may not be at all clear to prospective teachers. Rather than understanding constructivist pedagogies as techniques for thinking with learners, for teaching them, Tayor saw these strategies as ends in themselves. Faced with models of constructivist pedagogies, Taylor concluded that the teacher's role ends when she has activated learners, invited them to talk, successfully engaged their participation. This article describes how she reached this conclusion and explores the ways in which constructivist pedagogies can lead prospective teachers to project a thin vision of their role as a teacher.  相似文献   

11.
Genre theory has been around for a long time now. The exchange between Michael Rosen and Frances Christie recently featured in Changing English is the latest in a series of exchanges between advocates of genre and their critics over the past three decades or so. Our aim in this response-essay is not to weigh up the merits of the cases made by Rosen and Christie. Rather, we want to think about how individual teachers might confront the hegemony of genre theory and the harmful effects we believe it is having on language education. Our starting point is Lisa’s own professional practice, as she enacts it from day to day at a state secondary school in the south-eastern suburbs of Melbourne, one of the most ethnically diverse regions in Australia. We draw on Lisa’s journal to construct a sense of the time and place, as well as samples of students’ writing that she gathered in the course of a year with her Year 7 class, in order to gain a better understanding of her work as an English teacher. How does this material compare with ‘all the genre work done over some 25–30?years’ by the genre theorists? What ‘knowledge’ will she be able to construct on the basis of the classroom observations that she made over that time? What should we make of the fact that her world is not the same as the world as genre theorists conceive it?  相似文献   

12.
The paper makes a connection between transmission modes and constructivism in sociology and education, respectively. There are parallels between Archer’s criticism of upward and downward conflation in social theory, and approaches to learning in education. In her 2012 book, Archer seeks to reconceptualise socialisation as relational reflexivity. This paper seeks to connect this idea to thinking about learning in relational terms and links the analysis to Young’s account of ‘bringing knowledge back in’. The paper uses an example from field work on participation in learning to provide concrete examples that illuminate the points being made. It argues that learning theory needs to move away from transmission and the constructivists’ ideas about education and to consider the relational aspects of learning.  相似文献   

13.
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14.
This tropological analysis of “On the Equality of the Sexes” (1790) argues that Judith Sargent Murray deployed a series of ironic reversals, including an example of Kenneth Burke's “dialectical” irony, to make her famous case for women's capacity to reason. As such, the article elucidates this trope's peculiar rhetorical potential within the context of eighteenth-century debates on female education and investigates how it can function in conjunction with romantic irony. Significantly, Murray deployed romantic irony in order to question her era's commonplace ideas about women's intellectual capacities and conventional female education. She then employed dialectical irony in order to sidestep relativism, playing off and departing from the expanded field of possibilities that romantic irony opened up. In so doing, she cast doubt upon commonly held doubts themselves, questioning the subversiveness normally associated with learned ladies. Through this series of ironic turns, readers were invited to change their previous beliefs and then presented with a clear means of moving forward—thereby opening a path for elite European American girls to be educated in traditionally masculine domains.  相似文献   

15.
ABSTRACT

This paper explores the process of becoming within the relation between a human and a horse, and seeks to reimagine pedagogy as a relational process of ‘becoming-animal’. In order to emphasise the relational space between a horse and a human, I begin with an experimental style of writing that traces specific moments between an actual relation between a horse and myself. Considering the relation as a singularity in this way acts as a method through which the pedagogical relation can be explored and new pedagogical images can be suggested. I then move onto to discuss Rosi Braidotti's post-humanist ideas on becoming and link these to the ideas of the ‘event’ and of ‘beginnings’ within the educational theory of Gert Biesta, drawing out two lines of thought. One line follows Braidotti's work on becoming-animal, and the other Paul Patton's work on the nuances of power relations between humans and horses. In conclusion, I discuss how this figuration of a halter and a lead rope in the human–horse relation helps to think pedagogy as rooted in becoming-animal and how this contributes to the development of new imaginaries of becoming.  相似文献   

16.
In this article Lucy Clarke provides us with a ‘hands-on’ view of her work with the East Oxford Schools Inclusion Project where she is a project worker supporting asylum seekers. Her post has been funded jointly by The Children's Society, Oxfordshire Social Services and Oxfordshire Local Education Authority.  相似文献   

17.
Abstract

There are two focal points to this article. One is to address Julia Kristeva’s theoretical corpus in the context of philosophy of education. Kristeva’s notion of subject in process problematises education with its habitual emphasis on ‘product’. Another is to consider her impact from the perspective of edusemiotics. Edusemiotics is a new direction in educational philosophy and theory, and Kristeva represents one contemporary French intellectual who implicitly inspired the creation, research and development of edusemiotics. The article will briefly address the distinguished features of edusemiotics, the central of which is process ontology in contrast to the old Cartesian paradigm of substance dualism that continues to haunt education. The article will also address the role of presymbolic (or semiotic) dimension in the process of self-formation and, as a follow up, reformulate the concept of lifelong education and teacher training.  相似文献   

18.
This article is written in a personal capacity; it is based on a presentation entitled ‘If the child is father to the man, can the researcher be mother to the poet?’ given as part of the ECER symposium, ‘Telling stories: truth and fiction in educational research’ hosted by David Bridges, at the European Conference on Educational Research, University of Edinburgh, 23 September 2000. It is meant as a stimulus to discussion about the relationship between poetry as a species of ‘creative’ writing, and research writing—how and why they might be complementarities as well as opposites. Rather than attempting a theoretical paper, the author uses excerpts from her own poetry—and those of the prize‐winning poet, Jane Draycott, with whom she recently co‐authored a book, and whose ideas have contributed to this article—to explore these ideas.  相似文献   

19.
This article examines one US high school teacher's attempt to become a coach by enacting what I call ‘a pedagogy of negation’. For this teacher, the challenge of becoming a coach is nested within a wider agenda of social and personal transformation. That agenda is symbolized first in words as she constructs ‘a language of coaching’ to inform her interactions with students and content as well her conception of herself as a teacher. Second, talk is transformed into pedagogical action through, as described by Driver, the ‘playful work’ of ritualized negation. I argue that the phenomenon of negation is a logical sense-making strategy for teachers attempting to realise transformed pedagogical identities. Negation also reveals a range of uncertainties involved in enacting the practice of coaching. As this case reveals, the pedagogy of negation is constructed as a corrective to restrictive and oppressive forms of schooling. It serves as a mechanism for ‘becoming’ a different, presumably better, kind of teacher. And though the results are mixed, this portrait of practice in the midst of change illuminates the complex and reciprocal links between identity and practice entailed in becoming a coach.  相似文献   

20.
Book reviews     
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