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1.
Laser cleaning was applied to remove aged and soiled oil paints of the 19th century from weathered, brittle sandstone surfaces. In contrast to other tested cleaning methods, the laser technique allows the removal of the oil paint layers with a minimum of material loss in brittle zones. The cleaned test areas have been investigated by optical and scanning electron microscopy as well as by colour measurements. The investigations have shown that the dirt and the oil paint layers can be removed by laser cleaning without affecting the original sandstone surface and that the pores can be opened again. The brown shade after cleaning is not caused by laser interaction with the sandstone surface but by historic impregnation with linseed oil. Immediately after cleaning, a treatment with chemical consolidants is necessary to preserve the brittle sandstone surface. Sustainable consolidation could be problematic in some areas, because the laser cleaning also preserves heavily damaged, crumbling zones of the carvings. For economic reasons, laser cleaning should be applied only in the most endangered zones of carvings and combined with classical methods (organic solvents and scalpel).  相似文献   

2.
A fast and reliable surface monitoring and diagnostic technique is essential to develop a real-time automatic control system for laser cleaning of artworks. In this paper, an in-line surface monitoring and diagnostic system based on chromatic modulation using tristimulus detectors and fibre optics is presented. The system produces measurements that are dependent on the spectral signature of the incident light but are independent of intensity. In order to demonstrate its usefulness and versatility, the technique was applied to surface monitoring in the laser cleaning of metal and stone. Results show that the spectral parameters derived from chromatic detection not only provide a clear indication of the surface cleanliness and surface damage but also much surface chromatic information from its versatility. It is also shown in this paper how a chromatic modulation technique may be utilised as a robust method for monitoring and diagnosing the surface during laser cleaning.  相似文献   

3.
The self-limiting effect during laser cleaning only occurs in a limited amount of specific applications in restoration (e.g. removal of black crust from white marble). In all the other cases, a control of the removal process will be necessary either by the operator himself or by the employment of sensor equipment. Various methods, mainly spectroscopic (e.g. LIBS), have been investigated and proposed by others. Despite the fact that these have been shown to be promising, they all have in common rather high investment cost close to that of the cleaning equipment. Furthermore, this highly sophisticated control equipment is not easy to handle by conservators in practice. As an alternative low-cost method, we employed a simple photodiode to detect the scattered light from the irradiation area on the artwork surface. In many cases, this signal contains several pieces of information on the layer just being removed. The scattered radiation detected by the photodiode originates from the laser-induced plasma as well as reflected laser radiation. A separation, if necessary in order to separate the information, is possible by spectral filters. First applications during laser cleaning of corroded metal, encrusted glass and stone were promising. It has turned out that there is a distinct influence on the scattered light amplitude or even the pulse-bandwidth once the laser has removed the encrustation completely. The corresponding signal can be used in a closed loop control or for online monitoring.  相似文献   

4.
A medieval wooden panel chamber was rediscovered during reconstruction of the Tetzelhouse in the Saxon town of Pirna. Ceiling and walls are made from 600-year-old fire wood panels fitted together. The complete removal of layers (limewash, plaster, glue and dirt) from the wall panels was the precondition for conservation of the wood panels and for the restoration of the wooden panel chamber. The cleaning was carried out with a pulsed Nd:YAG laser after basic investigation of ablation mechanisms of the layers on the old wood. All layers of the different materials were removed both from the normal surface and out of depressions and woodworm holes with a special range of laser parameters, without damaging the wood. Within this range of parameters the laser cleaning is a self-limiting process. The health hazard from emitted waste products were determined and checked with work place measurements. The laser cleaning of the wooden wall panels was completed in March 1999. A uniform visual impression of all panels was obtained with a warm wooden colour tone.  相似文献   

5.
Principal Component Analysis (PCA) was applied on colour measurements performed on outdoor bronze patinas and protective coating systems on bronze coupons in order to monitor natural weathering and cleaning effects. PCA chemometric technique is shown to be a powerful tool to analyse the large measurement data set which is needed to characterise these kinds of system. The results are compared with previous work where the CIELAB L*a*b space was used, in order to spot the advantages and disadvantages of both techniques and how they can complete each other in order to set up a workflow when dealing with large datasets of colour measurements. As previously stated, quicker colour variations in the early stage of natural weathering of bronze coupons are characterised, which is mainly due to lightness reduction. PCA analysis helps to visualise the different behaviour upon cleaning procedure of different monument patinas and colour difference reduction due to cleaning. It gives the advantage in a first screening phase to possibly highlight the presence of outliers, check the level of noise in the spectra, and select the variables which carry more information. Its integration in a workflow for colour measurement can help in speeding up the process of later analysing data with the well-established CIELAB system.  相似文献   

6.
The focus of this work is the wood polychrome model of the church of S. Maria della Consolazione in Todi, an artefact whose author and historical events are not completely known except a general reference to the construction period of the church (1508–1607 AD). In this study, original and additional materials were examined in order to provide a deeper understanding of the painting and assembly techniques, and a greater awareness of how well preserved the object is, as well as an analysis of previous preservation and conservation interventions. The samples from the painted surfaces were examined by means of micro-Raman spectroscopy, fourier transform infrared (FTIR) spectrometry and internal microstratigraphic analysis. Thin sections of the wood samples were examined under an optical transmission light microscope in order to identify the botanical species. The results shown in this paper suggest the possibility that the original painted layers are made of calcium carbonate white, red ochre and indigo and they were applied by protein binder without any ground layer. Some non-original pigments were found on the model surface like Prussian blue and chrome yellow. Concerning wood components, poplar was characterized both in the original and non-original parts of the model whereas pine species were detected only in the restoration elements.  相似文献   

7.
Within the framework of a European project, three cleaning laser devices are tested to evaluate the influence of different parameters on stone cleaning rate and efficiency. The project objective is to design a large surface-cleaning laser. One of the devices is a prototype with some technological improvements compared to the lasers used today for restoration. The tests are performed on limestone and sandstone covered with various dirt layers. The influence of fluence, water spraying, spot area, frequency, as well as particle emission rate is investigated. Results allow a comparison of the importance of each parameter and confirm the increase in cleaning speed of the new prototype. Nevertheless, it can be concluded that an automatic device will be suitable to attain a cleaning speed competitive with other traditional cleaning techniques.  相似文献   

8.
Spectrophotometric and colorimetric data obtained during a measurement campaign aimed at supporting the Roman “Villa del Casale” (Piazza Armerina, Sicily, Italy) conservation activities, are presented. Special attention was paid to the possible variation of the chromatic coordinates, possibly due to the interventions of cleaning, consolidation, and protection. Data have been analyzed by the Principal Component Analysis (PCA) statistical technique, with the attempt to investigate its role in data variability reduction and verify its effectiveness in interpreting the phenomena occurring on the mosaic surface of the Villa, through grouping the observations into homogenous clusters. Effectiveness in the use of the information provided by the spectrophotometric and colorimetric analyses is strongly related to the immediacy and ease of data reading by the restoration operators for whom the issues concerning the color measurement and its representation are often unfamiliar. This paper analyses data of different mosaic tesserae before/after the cleaning intervention and presents data clustering with PCA. This statistical technique has provided a synoptic scheme capable of improving data interpretation concerning the chromatic behavior of the materials. Moreover, the cluster distribution highlighted by the multivariate analysis made it possible to identify, more clearly, the parameters that mostly contribute to the chromatic shift and to monitor the behavior of variously colored tesserae.  相似文献   

9.
The definition of quality, and its consistent assessment, is a fundamental issue when dealing with collectibles. We analyze how originality is priced by the market. The market for prints by Rembrandt is considered. An original database has been built including almost 5,000 transactions in the international auction market during the period 1985–1998. The data allow us to control for many different characteristics (market, aesthetic, originality, authenticity, rarity, art history, techniques, conservation, etc.). The concept of “state” is used to measure originality. In printmaking a state is defined as the artist's creative phase, which occurs on the plate before inking and printing. We test whether (non-original) posthumous states are sold at prices lower than Rembrandt's own (original) states. The implicit price associated with the state has been found to significantly decrease if the state was later printed by someone else when it was no longer the master's intervention on the plate. Furthermore, a decreasing value among subsequent original states has proved to positively account for Rembrandt's direct invention. JEL classification: Z11, D46, C52  相似文献   

10.
SMART CLEAN is an innovative Nd:YAG laser system that has been designed to optimize laser cleaning procedures, especially for the treatment of altered stone surfaces. The project, originated by the co-operation of researchers and enterprises involved in optoelectronics system development, was aimed at improving the intrinsic features of the laser source, as well as some practical aspects, in order to facilitate laser application in the restoration yard. Emission characteristics were suitably tailored to obtain effective removal of alteration layers, and to minimize possible side effects. In particular, the pulse duration of the SMART CLEAN laser was set at 20 μs, by means of a proprietary design of the power supply. This was in order to reduce the risk of both mechanical and thermal damage to the artwork substrate, which is more likely to occur with short and long laser pulses, respectively. Moreover, this pulse duration permitted a reliable transmission of high laser energy through long optical fibres (50 m), which allowed easy cleaning operations on façades. The laser system was tested on a large variety of lithotypes and in operative cleaning interventions on Italian monuments.  相似文献   

11.
This study aims to introduce a new spectral imaging methodology that can be used to monitor on-line, non-destructively and in situ the cleaning level of pollution encrustation on stonework. The suggested technique is based on the optical properties of monochromatic light penetration in matter. The calculated differences of images, obtained at two different spectral bands, could reliably map the depth of cleaning. This novel approach was tested in the laboratory during laser cleaning trials on polluted stonework enabling high accuracy measurements (such as the detection of thin crust layers remaining on the under-cleaned marble surfaces). However, it may also apply for the monitoring of any other cleaning technique (micro air-abrasive, etc). A detailed presentation of the results will be demonstrated while the potential of its wide application on everyday conservation practice on stonework will be discussed.  相似文献   

12.
The Oxford University Scanning Proton Microprobe Unit has been responsible for many advances in the field of focused proton beams for analytical microscopy, including being the first to develop the optimized electro-magnetic lenses used to focus high-energy protons to the micron and sub-micron level. This has led to a revolution in using the proton microprobe as an analytical tool for the study of materials. Continuing the tradition of innovation at the Oxford SPM unit, the use of laser ablation to reduce the need for sampling or cleaning of art and archaeological objects, before analysis, is being investigated. Further, information on the makeup of corrosion layers and past conservation treatments is becoming available via this technique.  相似文献   

13.
The application of a new class of organogels as cleaning tools for painted surfaces is described. It combines some of the most attractive features of cleaning liquids and normal gels while diminishing the deleterious characteristics of both. Thus, the ‘latent’ gellant, polyethyleneimine (PEI), reacts with CO2 at room temperature in solutions of several organic liquids to produce an ammonium carbamate form (PEICO2). This charged species organizes itself into 3D polymer networks which immobilize the liquids as gels. The properties of the original solution (i.e. a free-flowing liquid) are re-established immediately after addition of a small amount of a weak acid which displaces the CO2 molecules and makes the PEI chains positively charged. The visual changes are substantiated by rheological analyses. Results from analytical tests to determine the utility of these gels as cleaning tools for painted surfaces of historical and artistic interest, have been obtained from contact angle and FTIR measurements as well as visual comparisons of the surfaces before and after application of the gels. The analyses indicate that the PEICO2-based organogels were very effective in removing different surface patinas from painted supports. A surface layer of dammar was completely removed from a test canvas with oil paint, an aged painting from the XIX century, and a XV century oil-on-wood panel attributed to Mariotto di Cristoforo. Finally, a surface acrylic polymeric resin (used in a restoration performed during the 1960s) was also successfully removed from Renaissance wall paintings decorating the Santa Maria della Scala Sacristy in Siena, Italy. The isothermally rheoreversible gel approach described in this work represents a new, highly versatile, and very efficient method for removing aged surface patinas from works of art.  相似文献   

14.
Very often traces of paint and pigment have been found on medieval sculpture. Presently, little is known about the effects of laser radiation on polychromy. It is important to protect and preserve these traces during any cleaning or restoration process. The absorption properties of polychrome materials are likely to be different from those of the underlying stone or substrate and as a result special care must be taken to avoid any damaging or discolouring phenomena associated with laser cleaning. Spectroscopic methods (XPS, AES, reflectance spectroscopy) together with optical microscopy, digital photography and X-ray diffraction analysis have been used in a series of experiments on simulated samples of common medieval pigments (vermilion, red and white lead and ochres in linseed oil) on limestone plates, in order to study the reaction of these materials to infrared laser radiation.  相似文献   

15.
The development of laser cleaning as a conservation treatment has imposed a need for the evaluation and assessment of other cleaning techniques. The use of more traditional methods like abrasive cleaning, steam cleaning and chemical cleaning has relied so far on visual assessment, unlike much of the research applied to laser cleaning. A conscientious use of these cleaning methods requires their assessment as well as the need for a comparison based on a common methodology. A topographical assessment of laser cleaning, abrasive cleaning, steam cleaning and chemical cleaning (using hydrofluoric acid, ammonium carbonate and EDTA) is presented. Topographical variations induced on marble, oolitic limestone and architectural terracotta surfaces are assessed by means of light interferometry, showing the potential of this non-contact and non-destructive technique for surface studies in conservation. The comparison between cleaning treatments is based upon key parameters associated with cleaning surfaces. The aesthetic impact of these treatments is verified by means of optical microscopy and quantified by colour measurement. Chemical analysis of the cleaned surface (EDS) is performed to investigate the removal of surface pollutants and the presence of residues. Finally, petrographical analysis was used to investigate the removal of pollutant layers and its effect on surface texture.  相似文献   

16.
The oil painting “La Medusa” executed by Caravaggio at the end of the XVI century on a wooden shield, was investigated by integrated physical–chemical and analytical methodologies in order to obtain scientific data capable of elucidating the state of conservation and the painting technique. Optical (OM) and electronic (SEM-EDS) microscopy, micro-FT-IR spectroscopy, gas chromatography–mass spectrometry (GC–MS) and pyrolysis GC–MS were applied on two microfragments and some organic samples obtained by solvent extraction using the swab cleaning technique. The obtained results indicated that Caravaggio probably reused an old shield as a previous gypsum preparation layer has been detected under the original painting layers. He used white lead, natural earths, verdigris and lead–tin yellow type I mixed with drying oils to paint. The considerable amount of amorphous particles of copper chlorides found in the green pigment verdigris suggests that it could have been produced according to the ancient recipe of verde salsum described by Theophilus. Mordant gilding has been identified on the upper part of the shield that can be related to an abandoned experiment to give the painting a mirror-like reflecting effect. Three different varnishes layers have been detected above the painted surface. The original and restoration varnishes have been identified and they contain a mixture of drying oil, mastic and turpentine and some beeswax. Cleaning tests, performed with different organic solvents, suggest the use of isopropyl alcohol as cleaning agent because it is less efficient in comparison to others solvents; thus it ensures a careful and controlled removal of the varnishes.  相似文献   

17.
Money is an ‘instrument of collective memory’ before it is a means of exchange, a unit of account or a store of value. Money's status as a memory technology is particularly significant in light of the role that information and communication technologies now play in economic transactions. Many of the new channels and infrastructures for payments, such as magnetic cards, mobile phones, the wired Internet, social media platforms, and RFID technologies, record detailed transactional data alongside a range of other identifying data. We now have extremely detailed records of the many ways that money circulates, is transferred and is spent. This paper concerns this previously latent transactional data and how it is currently recorded, monetised, and used to inform action. What has been recorded in and about money at different moments in time and how are these categories breaking down? Who has access to and ownership over this collectively produced record and how is it driving new data practices and business models based on the monetisation and application of monetary records? And how might re-engaging with money's mnemonic status help to foreground a politics and ethics of transactional data?  相似文献   

18.
The paper presents strategies for the conservation of historical textiles in Egypt that have been in uncontrolled storage and display. The silk textile is highly decorated, multicoloured and dates to the Ottoman period, and was exhibited in case # 12014. The textile has various types of deterioration. An examination and analysis of the textile was undertaken in order to develop a plan of conservation treatment. FTIR was used to identify the kinds of dyes and organic stains, and XR-D was used to identify mordants and dust. Light microscope and SEM were used to identify the kind of fibers, their condition and surface morphology. The effects of cleaning materials on the natural dyes were tested. The researcher designed a new metallic frame support system which has advantages over the wooden frames commonly used in Egypt. This presentation will review the conservation treatment step by step. Poultices were used to remove all the sticking cardboard and adhesive. Old conservation repairs were removed. Separated parts were supported. Cleaning included mechanical and wet cleaning. New silk fabrics dyed with natural dyes were used to complete the missing parts. The textile was supported on new linen fabric which was stretched on a metal frame. The method of exhibition will be discussed. Photographs are included to document the conservation process.  相似文献   

19.
The painting Il ritratto della figliastra (Portrait of the Stepdaughter) by Giovanni Fattori (1889, Gallery of Modern Art, Pitti Palace, Florence) was investigated using non-invasive fibre optics reflectance spectroscopy (FORS). The use of compact and transportable instrumentation made it possible to easily record spectra of the polychrome surface at the restorer’s atelier during the restoration work. The results of colour analysis before and after the cleaning procedure of the painting are reported and discussed, together with an attempt at pigment identification.  相似文献   

20.
The historical paper samples from XIII–XIX c. are characterised by means of techniques of the optical spectroscopy. The influence of pulsed laser cleaning by means of the Q-switched Nd:YAG laser at 532 nm on the spectra and also cleaning results of stained paper documents are reported and considered. In the absorption spectra, the minima around 280 and 370 nm are identified and luminescence reveals a characteristic band centred around 430 nm. The laser cleaning diagnosed by the recording of the LIF spectra with 266 nm excitation shows a profile of increasing intensity and preserved structure. The LIPS spectra reveal sharp emission lines recorded at 612.5, 644.2, 646.5, 671, 714.9, 720.2 nm (Ca I), 589.4, 616.4, 780 nm (Na I), and 766.5: 769.9 nm (Mg I) which are ascribed to the surface contaminations. The intensity decrease of these peaks is in accordance with successive laser pulses and monitors the cleaning progress of the stained paper.  相似文献   

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