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当前,中俄两国在"一带一路"倡议和"欧亚经济联盟"对接(以下简称"一带一盟"对接)过程中开展的合作有效推动了欧亚地区的发展,其中一个关键领域就是人文交流。而孔子学院在推动中俄"一带一盟"对接过程中的人文交流合作中发挥了重要作用。一、孔子学院在俄罗斯的发展现状随着中国经济不断发展,中国与世界的贸易往来和人员流动越来越频繁。 相似文献
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正中俄文化交流源远流长,作为两大邻邦心灵沟通桥梁的文学一直在起着重要的推动作用。黑龙江省顺应中俄两国在文化、经贸、科技等方面交流的需求,在2014年首届中俄博览会期间,倡导了第一届中国—俄罗斯(哈尔滨)文学合作交流会,旨在发挥文学交流的魅力和影响力,促进中俄文化交流与合作。搭建中俄文化交流新桥梁由黑龙江省政府主办,省政府新闻办公室、东北网和中国驻俄罗斯联邦使馆文化处承办的首届中国俄罗斯 相似文献
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<正>文化是基础,媒体是桥梁,国与国之间、民族与民族之间的沟通,媒体的交流与合作发挥着重要的渠道、平台和桥梁作用。中俄关系是当今世界上最重要的双边关系之一。近年来,吉林省与俄罗斯开展了高层次、多领域的经贸、旅游和文化交流活动。为推动中俄全面战略协作伙伴关系在高水平上不断向前运行,推动中俄两国媒体更好地进行交流合作,2014年9月24日-29日,吉林省政府新闻办成功组织举办了与俄罗斯远东地区媒体交流活动。来 相似文献
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地域风习的形成受着自然环境与人文环境的双重影响。在人文环境中,家族因其融合了政治、经济、社会文化等多种人文要素,尤其值得关注。家族迁徙、家族中的望族、望族中的名人,他们对地域风习的形成有着不同的作用;而地域风习相对固定后,又成为一种可以影响家族发展的文化控制力。本文以宋代宗泽家族为中心,对其与义乌风习的关系试做探讨。 相似文献
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中国传统的文化与科技--兼评《儒家文化与中国古代科技》 总被引：1，自引：0，他引：1
近年来 ,学术界不断讨论中国传统科技问题。主要论题有 :中国古代有没有科学 ?为什么近代科学没有产生在中国 ?中国传统文化主要是儒家文化对科学有什么样的影响 ?是阻碍还是促进 ?关于这些问题 ,在讨论“李约瑟难题”时 ,则有较多的涉及。李约瑟在深入研究中国的科学技术史中发现中国古代科技相当发达 ,特别是在十五世纪以前 ,中国科技遥遥领先 ,是西方所望尘莫及的。但是在十五世纪以后 ,世界近代科学没有产生于中国 ,却产生于西方 ,觉得不好理解 ,成为他的难题。因此称为“李约瑟难题”。这个难题成为诸多科学史界以及文化界人士关注的问… 相似文献
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道义、滋味和技艺--中国古典文学思想与新世纪文学理念 总被引：1，自引：0，他引：1
站在新世纪的大门口来谈论文学理念这样的问题 ,似乎有点不合时宜 ,因为生活所赋予人们的对话热情已经不在这种非趋利性质的方面 ,而文学研究界本身也有点失去了对理论问题的兴趣 ,不管其原因是什么 ,事实就是这样。如果说当今的文学创作 (有时是制作 )形势和研究 (有时是操作 相似文献
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春秋礼乐文化的解体和转型 总被引：2，自引：0，他引：2
本文叙述了春秋前期礼乐文化的一般状态 ,而后集中讨论春秋后期礼乐文化的危机和演变。论文强调 ,在春秋后期的政治危机中 ,人对礼的关注从形式性转向合理性 ,礼文化的重点由“礼乐”转向“礼政” ,礼作为政治秩序原则的意义在政治理性化的过程中突出出来。而思想家的关注的焦点 ,不再关注那些华丽典雅的仪典文化 ,而更关注现实生活世界的混乱与安宁。 相似文献
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Sohini Kar 《Journal of Cultural Economy》2016,9(4):347-363
In recent years, microfinance – the suite of financial products offered to the poor – has been widely adopted in international development policy. Organizations around the world have replicated this model successfully. This essay takes the comparative case more explicitly to read against the tendency to understand microfinance as the globally institutionalized and realized norm, and local unruly credit economies as the exception. We go beyond comparing credit in India and Paraguay in order to illustrate how comparison is actually central to the banking practices of microfinance. Moreover, it is the collaborative anthropological project that helps to show this, allowing not only for empirical grounds of comparison, but also raising theoretical and methodological questions of comparison itself. In juxtaposing microfinance in our two fieldsites, we find that as credit proliferates globally, so do the comparative projects both of borrowers and lenders in the disparate worlds of Kolkata and Ciudad del Este. At the same time, these were constrained by the global financial comparisons between countries made by investors. Ethnographic methods are vital for understanding how microfinance becomes part of a wider repertoire of financial strategies used by women while simultaneously offering the grounds for women to undertake their own acts of comparison. 相似文献
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Maria Brock 《Culture, Theory & Critique》2018,59(3):281-298
When cynical distance and ironic posturing have become the prevalent means of relating to public life, political humour is no longer considered subversive. It has been argued that both in Russia and the United States, ideology has co-opted satire, meaning that citizens can consume outrage passively through various satirical media products, thereby displacing outrage and abstaining from more active forms of resistance. This articles explores the twenty-first century potential of irony and cynicism to disrupt and subvert through parody, be it in the form of political satire or ironic protest, examining how similar paradigms are expressed across different geographical contexts. 相似文献
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William Benton 《Journal of Cultural Economy》2020,13(4):489-501
ABSTRACT This article explores practices of representation and role stabilization in an emerging innovation ecosystem in Beirut, Lebanon. With little local track record of software startup activity, any overt practices of venture or business process representation were of immediate utility. The two moments explored, a pitch session at a mentorship committee meeting and a startup founding competition, capture parts of the nascent topology of a venture development setting in the making. In both, pitches for software products were at the heart of the productive process, and this paper argues that these moments of performative representation were not surplus to the process of founding a startup, but rather are crucial productive elements in themselves. Early-stage software development consists of a constant oscillation between making and modeling. The interdependence of writing software code, stabilizing social platforms for work and industry development, and finding specialists who could relate these tasks was crucial to the development of this business ecosystem in Lebanon. It was a system in motion, built of code and confidence. The circulation of information crucial to decision making within a single project required distinct practices of publicity, which in turn required articulatory platforms. 相似文献
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本文通过对《野草》封面图像语言符码的考释,探寻鲁迅与中西艺术文化的历史关联性。文章认为:最早阐释《野草》意义内涵的是与这本书共时存在的书面图像,颜色和构图成为文本精神的象征表达和形象展示。在启蒙事业中鲁迅与中西艺术文化发生广泛的历史联系。经由鲁迅参与制作的书籍图像传播广远,是建构现代中国思想和艺术文化的宝贵资源。 相似文献