共查询到20条相似文献，搜索用时 812 毫秒
1.
Jason Peacey 《Media History》2017,23(2):241-255
This paper analyses a little-known London newspaper which appeared every week between 1650 and 1661, and which is remarkable for being published in French, as Nouvelles Ordinaires de Londres. The aim is to use this little-known journal to develop new avenues of enquiry regarding print culture in early modern Europe, and to argue that, despite ongoing interest in seventeenth-century journalism, and repeated claims about the need to understand the European context of the English revolution, scholars have been strangely dismissive of this extraordinary journal. My suggestion will be that Nouvelle Ordinaires raises important issues about the commercial, confessional and political forces which influenced the flow of texts across state borders, as well as about novel practices relating to the translation of texts for distribution and consumption on a Europe-wide scale, all of which can be addressed by assessing its audience, its message and its purpose, not least in terms of the newspaper’s multi-vocality. 相似文献
2.
Simon Teuscher 《Archival Science》2010,10(3):211-229
Using late medieval examples from Switzerland, this paper argues that the emergence of formally organized archives around
1500 was part of an important shift in how documents could be deployed. However, this shift was not away from an oral and
toward a literate culture, as argued in some earlier studies, but rather away from seeing documents as testimony that reminded
a community about past authoritative actors, and toward relating the texts of documents to other texts, that is, to contexts.
This shift took place largely through the appropriation of methods for using and organizing written material that had been
developed in the realms of scholastic theology and liturgy, and applying them to secular lordship and administration. These
methods provided new models for organizing collections of parchments and papers into connected archives and gave rise to new
forms of text collection such as reorganized versions of law books (Spiegel, Coutumiers) containing new search tools such as tables of contents (capitulationes) and indices (abecedaria). Individual charters and scattered legal norms were also organized into textus–glossae structures in larger and smaller administrative units. In the Swiss case, the contextualization of legal texts was accompanied
by an increased attribution of authority to ‘custom’ in general, because the community-oriented attribution of meaning found
in earlier use was lost. Ultimately, recasting individual documents as part of larger textual contexts increased the power
of rulers and ushered in an age of lawyers and of archives. 相似文献
3.
Sue Joseph 《Journalism Practice》2016,10(6):730-743
Australian author Helen Garner has written three of the most debated literary journalism texts in Australia in the past 20 years. All book-length, all literary in articulation, all dealing with traumatic legal cases—but all with crucial missing voices. Choosing to write into trauma as both witness and story-teller, Garner creates a certain inter-subjectivity throughout her work: her voice is witness to others’ traumas; and as a character within the texts, story-teller of those traumas. But there is a recurring component of voicelessness in each of the three texts which will be delineated and discussed in this paper, with the principal focus on her latest text, This House of Grief: The Story of a Murder Trial. How does Garner manage to tell the story ethically when the main protagonists refuse her interview? With this absence of voice, is this text still an ethical rendering? 相似文献
4.
Mark Ward 《Journal of Radio & Audio Media》2014,21(1):115-133
The Evangelical movement in the United States arose as an interpretive community in the late 19th century when the penny press permitted mass dissemination of shared media texts. Network radio in the early and mid-20th century then furnished an ecology for Evangelicals to share real-time media rituals and be socially integrated into a broadly coherent subculture. This study presents a new history of Evangelicalism organized around its media, following the movement through its three “waves.” In the present era, radio continues to sustain the subculture, even as Evangelicals have tactically “reread” their media texts in response to societal change. 相似文献
5.
Katherine Sender 《The Communication Review》2015,18(1):37-52
Critiques of reality television assume that audiences enjoy watching participants’ humiliation or adopt the reforming injunctions of the shows. This audience research project investigates how people who watch personal makeover shows (The Biggest Loser, Queer Eye for the Straight Guy, Starting Over, and What Not to Wear) use these texts in meaningful ways. Data from 1,800 survey respondents and 130 interviewees demonstrate that audiences use the shows to be self reflexive, while they also are highly reflexive about media production processes. Furthermore, they are reflexive about their participation in research about a disparaged television genre. Audiences’ perception of surveillance and shame in the shows suggest how reflexivity can provide a critical distance from the programs but is not necessarily ideologically freeing. 相似文献
6.
《Slavic & East European Information Resources》2013,14(1-2):155-156
ABSTRACT The article describes the website Polska Biblioteka Internetowa (Polish Internet Library), currently a collection of many full texts of major literary works in Polish. The site will eventually also include musical scores, maps, paintings, and photographs. Title and author keyword searching is available, along with a browsable index of authors. The site is in Polish. 相似文献
7.
Jonathan Gray 《Critical Studies in Media Communication》2013,30(3):223-238
This paper examines televisual parody as a media literacy educator, and the potential of parody to channel the powers of comedy and entertainment in order to “teach” the techniques and rhetoric of televisual texts and genres. It focuses on the case of the hugely successful and popular animated parodic sitcom, The Simpsons, and its playful attack on advertising and promotional culture. Currently in its 16th season, The Simpsons broadcasts to approximately 60 million viewers in 70 countries weekly, offering a playful critique of television from within the television frame. 相似文献
8.
AbstractHistorical texts have much to offer young researchers in Hong Kong and Mainland China. Yet, many students feel that such resources are of no value to them. Consequently, academic library usage rates for historical East Asian texts are low, and continue to drop. In Hong Kong and Mainland China, however, there still remains a widespread appreciation of Chinese calligraphy. Through leveraging this interest, academic libraries in East Asia can motivate university students to engage with historical texts and discover what they have to offer. This paper will recount and reflect upon the Calligraphy Connections Project, an initiative aimed at getting students to engage with historical East Asian texts through the creation of calligraphy artworks, which were subsequently exhibited to the public. 相似文献
9.
10.
This article demonstrates the applicability of classification theory to various textual-analytic approaches such as grounded theory, content analysis, discourse analysis, and conversation analysis/membership categorization analysis. This applicability is based on three factors: extant and elicited texts can be broken down into categories that are essentially classification systems created and defined by the researcher; extant texts are themselves explicit or implicit classification systems; and classificatory frameworks can be applied to extant and elicited texts “in order to clarify their contribution to processes of meaning-making” (Fairclough, N. (2003). Analysing discourse: Textual analysis for social research. London: Routledge, p. 11). The recommendation is made that classification theory should be incorporated in the teaching of textual-analytic approaches in university-level research-methods courses, especially in the field of library and information science (LIS). 相似文献
11.
The presence–or absence–of locus sigilli “[L.S.]” or “[SEAL]” indicators, to validate the signatures in those texts of American Indian treaties collated by Charles J. Kappler in his Indian Affairs: Laws and Treaties, is examined. The results of this inquiry suggest that Kappler spent far more time examining the original treaty documents than Deloria and DeMallie proposed in their Documents of American Indian Diplomacy: Treaties, Agreements, and Conventions, 1775–1979. 相似文献
12.
Pat Gehrke 《Critical Studies in Media Communication》2013,30(3):270-284
–The expansion of social scientific models for controlling crime and deviancy provided the context for both Stanley Kubrick's film A Clockwork Orange and much of Foucault's writing. This essay examines how Foucault's writings and Kubrick's film lay out congruent critiques of social scientific and criminological attempts to define and constitute deviancy and subjectivity. Foucault's texts and Kubrick's film ask us to remember the violence of our everyday existence and to recognize our modern nightmares as portents of what lies along the path that we have followed. 相似文献
13.
14.
Stuart Glover 《Publishing Research Quarterly》2011,27(1):54-61
The article documents the editorial relationship between Peter Carey and his New York based editor for Knopf, Gary Fisketjon,
who worked with Carey on his True History of the Kelly Gang. This account provides the basis for a discussion of how globalised publishing, while promising unity—a single text across
all territories—has instead introduced a tension into the previously cohesive triad of author, editor, and the single authorized
text. As Fisketjon’s experience lays bare, major contemporary texts that are published in multiple editions in different global
centers may well proceed through competing or at least parallel editing processes with different presses, different editors,
and in different publishing territories. The authorized single edition, even of major literary texts, has been replaced by
competing editions. The single edit and editor have been replaced by competing “servant[s] of the writer” (to use Fisketjon’s
phrase). Cohesion, while not quite giving way to disunity, gives way to multiplicity and plurality. The experience of the
Kelly Gang book is cast against a longer narrative of Carey’s interactions with editors including the University of Queensland Press
(UQP) from the 1970s and Faber from the 1980s. 相似文献
15.
Following calls to center nation, we analyze sexual violence discourse in the US Peace Corps. The texts we consider deploy three typical dichotomies—public/private, self/other, and agent/victim—that, in this case, reveal inconsistencies at the intersections of race and gender. We argue that these inconsistencies are evidence of lability, counterintuitive discursive shifts necessary to maintain white heteromasculine dominance. Instead of blaming individual victims of rape and assault, the masculinization of victimhood shifts culpability to the Peace Corps. This organizational blame maintains the moral position of the US and legitimates imperialism. By marking these instabilities, we trace the solidity and vulnerability of sexual violence discourse as it organizes global power. 相似文献
16.
Brian Cozen 《Critical Studies in Media Communication》2017,34(4):329-343
In the summer of 2013, the United Nations and NBC began a season-long collaborative campaign involving the primetime television series Revolution (2012–2014), a show about the global loss of electricity, to promote the former’s energy resource campaigns. The two entities collaboratively produced various texts and events encouraging audiences to learn more about United Nations energy initiatives and how people throughout the world lack consistent access to electricity. This essay offers a close, rhetorical reading of the collaboration’s paratexts, examining stated responses from actors, creators, interviewers, and panel participants within this content. In particular, I argue that contact between the paratexts and the “formative” text (that of the show’s narrative) can encourage viewers to think about electricity from the perspective of their own material practices, dependencies, and fears over losing the technological world. I examine how these invested viewers interpreted the United Nations’ efforts through such commitments. Naming a fictive world, and its feared loss, as metonymic of energy politics illustrates how meaning, emotion, and texts circulate, while also implicating the use of celebrity platforms for sociopolitical issues such as energy access. 相似文献
17.
《Communication monographs》2012,79(5):323-327
While T. M. Parrott's proposal that Shakespeare may have written the title‐role of King Richard II "for his own interpretation as an actor” suggests an interesting area of bibliographical research, the prevailing unreliability of facsimile editions of Shakespearean quartos makes investigation of presumed authorial pointing in Q1 —theoretically rhetorical or dramatic, rather than syntactical—both hazardous and frustrating. Still, the neophyte American bibliographer (who must resort to such texts), if forewarned concerning the nature of tamperings in photo‐lithographic facsimiles—made‐up lines, editorial “emendations” of original punctuation, occasional alteration of details in printers’ ornaments, and sometimes even outright forgeries—should find the liabilities well worth braving. 相似文献
18.
LISR considers for review reference works, dissertations, research methods texts, computer software, and professional literature covering the research process and applications of research. Views expressed are those of the reviewers and do not necessarily reflect views of the Editorial Board or publisher. Anyone wishing to write reviews or suggest titles should contact Debora Shaw at the School of Library and Information Science, Indiana University, Bloomington, Indiana 47405 shawd@ indiana.edu or shawd@iubacs.bitnet. Publishers, likewise, are requested to forward announcements of new and forthcoming titles that may interest LISR readers. 相似文献
19.
LISR considers for review reference works, dissertations, research methods texts, computer software, and professional literature covering the research process and applications of research. Views expressed are those of the reviewers and do not necessarily reflect views of the Editorial Board or publisher. Anyone wishing to write reviews or suggest titles should contact Debora Shaw at the School of Library and Information Science, Indiana University, Bloomington, Indiana 47405 shawd@ indiana.edu or shawd@iubacs.bitnet. Publishers, likewise, are requested to forward announcements of new and forthcoming titles that may interest LISR readers. 相似文献
20.
LISR considers for review reference works, dissertations, research methods texts, computer software, and professional literature covering the research process and applications of research. Views expressed are those of the reviewers and do not necessarily reflect views of the Editorial Board or publisher. Anyone wishing to write reviews or suggest titles should contact Debora Shaw at the School of Library and Information Science, Indiana University, Bloomington, Indiana 47405 shawd@ indiana.edu or shawd@iubacs.bitnet. Publishers, likewise, are requested to forward announcements of new and forthcoming titles that may interest LISR readers. 相似文献