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凸显民族文化特征主要表现在两个方面：一是“民俗”，即民间习俗；一是“民艺”，即民间艺术。岭南民俗艺术的精神传承，就是把民俗和民艺结合起来作为研究对象，探讨岭南民俗艺术的基本特征、独特风采、文化内涵等。虽然，民俗与民艺作为两个不同的学科，各有各的目的和要求以及研究对象和具体内容。“但两者同出于民间，又互相重叠、互为交叉、互为作用，甚至是不可分的”。所以有必要放在一起研究。“民俗艺术”这个概念更好地反映了作为文化形态、艺术形态以及生活形态的民间艺术的形态样式。岭南民俗艺术的精神传承，是考察风俗习惯如何与艺术结合，如何利用艺术的形式以成风俗；从民俗中体现出来的精神和从民间艺术中探讨其精神上的意义。 相似文献
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二人转是深受东北人民喜爱的具有地域文化特点的表演艺术,在它的形成和发展过程中,无不体现出东北固有的社会文化特征。由于二人转产生于旧时代,不可避免地带有一些民间糟粕,在一定程度上影响了二人转艺术的发展。如何使这种有广泛群众基础的民间艺术,在新的历史时期里得到进一步的健康发展,值得我们认真地思考和审慎地对待。 相似文献
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郑于鹤是当代中国著名的雕塑艺术家。郑于鹤师从泥人张第三代传人张景祐。掌握了泥人张彩塑艺术技巧,继承了重色彩和写实性造型的传统,并在此基础上大胆创新,开创了独特的艺术风格。他从西方艺术及各种民间艺术中吸取营养,将自己的雕塑艺术向单色和多材质雕塑推进了一步。 相似文献
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杨先让先生是位画家，但他与中国民间剪纸，与陕北的老大娘结下了不解之缘。上世纪八十年代初期，他就把这些会用巧手剪出美丽窗花的农家妇女从山沟沟里带到了北京。然后，他14次率从考察黄河流域民间艺术，所记录下的黄河流域传承了几千年的大量忧秀民间艺术形式被称作“最后的绝响”。
当我们得知杨先让在美国开办画展并受到热烈欢迎的时候，当我们看到他在国外不仅举办自己曲作品展，而且还以更大的热忱，利用一切机会向美国人讲述中国民间美术，特别是当他谈到剪纸大师库淑兰的作品使听众激动不巳的时候，我们才知道一路走来的他是如何获得了“时代的浪漫记录”这一当之无愧称号的……[编按] 相似文献
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1997年仲春,90高龄的国家级艺术权威、中国美学研究会会长王朝闻先生来浙江调查研究民间艺术。当他听说浙东象山的仿古竹根雕奇峰突起,一枝独放,被国务院有关部门命名为“中国竹根雕之乡”时,便特地来到象山“德和堂”根艺坊参观。 相似文献
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如何衡量企业价值以及如何对企业进行"价值最大化的管理"则是一个不断被更新的话题.文章就如何衡量企业价值,以及在这种"价值观"下设计一种新的考核体系做了研究. 相似文献
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Anti-graffiti protection is becoming a common practice in many urban buildings, especially in areas of social decay. When Cultural Heritage objects are affected by graffiti, the application of anti-graffiti products can result not only in an unsatisfactory result but also in an irreversible damage of an invaluable cost. The materials commonly found in these constructions are very frequently porous and present different types of decay forms. For this reason, the protection of these materials should be carefully considered. This paper proposes a criterion to decide on the suitability and durability of an anti-graffiti product prior to its application in a porous surface of a protected building. Performance classifications are defined for a series of properties including colour and gloss, and hydric and durability properties, and minimum acceptable values or reductions in these properties are recommended. 相似文献
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Horacio Ortiz 《Journal of Cultural Economy》2018,11(1):1-19
Financial imagination plays a fundamental, yet ambivalent role in the establishment of hierarchies within and between business schools, and in business life at large. This study examines this process in the ‘middle tier’ of business education: that is, in the social space in which students and instructors understand themselves to occupy a ‘mid-range’ position within an order of excellence and success. Largely articulated through business school rankings, this order strongly relies on the centrality of the financial curriculum, proficiency in which is understood as both a proxy for smartness and a sign of moneymaking capacity. In the ‘middle tier’, this order manifests in the form of an anxiety: an order that, though legitimate, is thought not to be attained, or hardly attainable. The study draws from ethnographic investigation in a ‘middle tier’ business school with attention to how finance is made sense of in relation to an alternative curriculum, and in connection with the aim of ‘making it to the top’. A comparison with a ‘top tier’ business school allows furthering understanding of how the order of business schools relies on the anxiety of finance in order to reproduce an acquiescence to dominant financial imagination. 相似文献
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来自浙江省天台县的姚沁，1995年10月参加了美国国际小姐选美大赛，从全世界130个国家、162名佳丽中脱颖而出，戴上国际小姐的“皇冠”，并获最上镜头小姐称号。1998年，姚沁被邀请到北京，《人民日报》发表文章称她是“和平大使”。 相似文献
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Amy N. Heuman 《Journal of International and Intercultural Communication》2015,8(3):193-207
This article details how an intercultural partnership between a grassroots nonprofit organization and a critical cultural communication scholar was forged and maintained via complementary epistemic stances of engagement. The NPO members’ stance was grounded in la consciencia broadly defined and border logics linked to the use of emotive narratives and strategic Spanish, while for myself an ethic of speaking with was comprised of self-reflexivity, self-examination of positionalities, dialogic relationship building, and an enactment of care in representing community members. Ultimately, tuning into the importance of decoloniality via an ethic of speaking with and the necessary strategy of delinking allowed for two intercultural partners to work together toward social justice in the borderlands. 相似文献
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从湖州的赤脚医生到美国的医学博士，美国整体医学研究所所长、国际著名的临床针灸师兼神经生理学家与时间生物学家金观源40年“磨”一针，20年来，在大洋彼岸的美国，孜孜不倦地传播中医文化— 相似文献
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Elizabeth Berkowitz 《Culture, Theory & Critique》2017,58(3):294-305
In the exhibition ‘One-Way Ticket (2015)’, New York’s Museum of Modern Art (MoMA) presented African-American artist Jacob Lawrence’s series Migration (1941). However, despite a curatorial intention to do otherwise, MoMA’s exhibition diminished Lawrence as an artist and his Migration series as art by defining Lawrence as an African-American ‘painterly-historian’, rather than an American artist looking to an international art scene. This article examines ‘One-Way Ticket’ and compares Migration with exhibitions of Otto Dix’s 1924 Der Krieg series to demonstrate the racial bias undergirding even an honest attempt to pay homage to an artist outside of a white modernist mainstream. With the acknowledgement of profound differences in impact and scale, this article contends that there is a parallel between MoMA’s ‘One-Way Ticket’ and the consistent assumption of African-American otherness to a white norm undergirding today’s climate of racial unrest. 相似文献
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This paper examines the potential pitfalls for academic research associated with goal displacements in the implementation of goals and indicators of research commercialization. We ask why patenting has come to serve as the key policy indicator of innovative capacity and what consequences this has for the organization of academic research. To address these questions, the paper presents a case study from Denmark on, firstly, why and how the 1999 Danish ‘Act on Inventions’ introduced patenting as a central instrument to Danish science policy and, secondly, the effects the Act has had on Danish university organization and research practices. We trace why and how commercialization was introduced as an important objective in Danish science policy since the 1980s. The increased focus on patents is explained as an isomorphic adjustment to an international ‘science policy field,’ manifested in particular through OECD statistics, where patenting has come to serve as a key metric in international rankings. In a second step, we examine what effects the patenting requirements have had on organization and research practice at a Danish university. We show that in practice ‘number of patents’ changed from serving as an indicator of innovative capacity to being a policy goal in itself, thus in effect producing a goal displacement that is potentially damaging for both academic research and innovation capacity of the surrounding society. As a consequence of this goal displacement, active scientists now increasingly engage in patenting primarily as a means to fulfill organizational targets and to increase their ‘fundability,’ rather than to promote commercial applications of their research. In conclusion, we discuss how these unfulfilled policy ambitions have led to a retrospective redefinition of policy goals rather than an adjustment of the actual policy tools. 相似文献
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Roberto del Valle Alcalá 《Culture, Theory & Critique》2013,54(1):74-87
E.P. Thompson's work on working-class formation is widely recognized as one of the crucial contributions to Marxist historiography in the twentieth century. His emphasis on notions of agency and subjectivity is intimately linked to a radical recasting of the socialist agenda against the objectivism of an earlier, ‘orthodox’, Marxism and of a later, and more theoretically sophisticated, structuralism. Thompson's conception of working-class agency as the primary element in historical materialism parallels Antonio Negri's theorization of proletarian subjectivity as an expansive process of collective self-constitution. In particular, Negri's analysis of ‘power’ as an autonomous dynamic of social creation offers an essential development of Thompson's ideas and a fresh theoretical template for the political re-actualization of radical humanism. 相似文献