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1.
This article will explore the increasing interest in the application of the philosophy of Gilles Deleuze, Félix Guattari and Alfred North Whitehead to educational research, for example, as a conceptual underpinning for inquiry in the new materialisms, and/or educational posthumanism. The exploration of this paper is complicated by the fact that Deleuze and Guattari changed their philosophical position in their dual publications, with, for example, their last book: What is Philosophy? representing a substantial departure from their rhizomatic work in, A Thousand Plateaus: Capitalism and Schizophrenia. This article will explain the changes in position with reference to the mapping of conceptual ecologies that Deleuze and Guattari are describing through their philosophy, and not dualism. Concept creation appears in the analysis of Western philosophy in: What is Philosophy? and as the job of philosophy. In contrast, A Thousand Plateaus presents a whole raft of interrelated concepts that help explain the connections between capitalism and schizophrenia, but do not present ‘concept creation’ as a positive task as such, even though one could impute that they are successfully doing it. This article will explain these changes in positioning of Deleuze and Guattari as a mode of sophisticated conceptual ecology, which takes into account the work that they want their concepts to perform. Transcribed to educational research, ‘concept creation’ is an importantly non-methodological task, which is augmented and expanded with reference to the metaphysics of Whitehead’s process philosophy (a non-method), and how it has been taken up, for example, by Isabelle Stengers in terms of research positioning and science.  相似文献   

2.
This paper introduces rhizocurrere, a curriculum autobiographical concept I created to chart my efforts to develop place-responsive outdoor environmental education. Rhizocurrere brings together rhizome, a Deleuze and Guattari concept, with currere, Pinar’s autobiographical method for curriculum inquiry. Responding to invitations from Deleuze, Guattari and Pinar, to experiment, I have adapted their ideas to create a philosophical~methodological concept that draws attention to relationships between my pedagogical and curriculum research and the contexts that have shaped my life~work. This paper outlines rhizocurrere, its parent concepts and how I have enacted my attempts to think differently about curricula and pedagogy. The central question is not ‘what is rhizocurrere?’ but rather ‘how does/could rhizocurrere work?’ and ‘what does/might rhizocurrere allow me to do?’  相似文献   

3.
Deleuze’s children   总被引:1,自引:0,他引:1  
Children, the image of the child, and the gendered figures of the girl and the boy are thematics that run through the work of Deleuze and feature prominently in his joint writing with Guattari. However, there are many different children in Deleuze’s writings. Various child figures do distinct things in Deleuze’s work. In this article, I argue that his work on children can be utilized to rethink popular, teleological notions of childhood and ‘growing up’.  相似文献   

4.
In this article, we attempt to intersect the interdisciplinary characters of disability studies and gender studies, in order to make sense of the activism and lived knowledge of/with two women with the label of ‘learning difficulties’. Inspired by Deleuze and Guattari’s anti‐essentialist notion of devenirs‐particules, we find our multiple selves involved in cross‐cutting relational storytelling, as such destabilising essentialist, biological determinism towards women with/out the label of ‘learning difficulties’. Thus in becoming femme(s) fatale(s), we make the most of a science capable of grasping the continual interplay between agency, structure and context, creating a ‘becoming space’ where we, as activists with our academic allies, can think and act with one another.  相似文献   

5.
David Harris 《Open Learning》2016,31(3):219-232
Personal experience participating in a Community Massive Open Online Course (cMOOC) discussing rhizomatic education (Rhizo15) helped to ground some of the theoretical issues connected with trying to ‘apply’ Deleuzian work to education. Notions of connectivity and community as a learning resource are compared with the more abstract notion of a rhizome as an n-dimensional network in Deleuze and Guattari; a Deleuzian critique of objectivism is seen as transcending the persistent dualism of objectivity and subjectivity; Deleuzian critique of consensual thinking is seen to be relevant to a perceived problem with ‘group think’. A brief account of Semetsky’s ‘learning paradox’ leads to discussion of the suitability of the cMOOC structure for handling challenging material: participation, solidarity and engagement are encouraged, but opportunities are limited to pursue demanding and disciplined readings of Deleuzian work by excluding the positive and enlightening aspects of pedagogic authority. An example from debates on concept maps shows some neglected possibilities.  相似文献   

6.
Abstract

Drawing on an array of sources, from Deleuze and Guattari’s philosophy (schizoanalysis) through to non-philosophy (cinema, literature), this paper concerns itself with the manifestation of the concepts of hope and despair in utopian thought and continental philosophy and the experience of hopelessness, despair and exhaustion in the contemporary moment. I aim to demonstrate such pressing concerns through a comparison of Japanese philosopher Kojin Karatani and Japanese fiction writer Ryū Murakami with the American science fiction-thriller film directed by Michael Bay, The Island. What is explored in these works is the dialectic of exhaustion and possibility. The focus of the paper is on the fecund moment inhering in the incapacity of thought to think the possibility of utopia. In terms of the philosophy of education, this hones in on the perceived lack of vision of such a possibility among youth and the failure of the university qua institution to proffer an alternative world to its cohort. To demonstrate this, the paper contrasts both ‘affirmative, transcendent, and authoritarian utopias’ (‘ignoble’ utopias as philosopher Gilles Deleuze calls them) and the possibility of ‘immanent, revolutionary, libertarian utopias’—which we shall consider in terms of ‘absolute reterritorialization’.  相似文献   

7.
Located in a larger study that attempted to challenge taken-for-granted or homogenizing assumptions about constructions of adolescent identity and to interrogate radically the process of qualitative research in this field [O’ Grady, G. (2012). “Constructing Identities with Young People using Creative Rhizomatic Narrative.” PhD Thesis. Queen’s University Belfast], the paper picks up the narrative of the research journey at a moment of meeting with Kim Etherington, Professor of Narrative Research at the University of Bristol. It opens with the conversation that ensued and my introduction to the figure of the rhizome [Deleuze, G., and F. Guattari. ([1987] 2004). A thousand plateaus: Capitalism and Schizophrenia. Translated by B. Massumi. London: Continuum, 8) which, alongside other poststructuralist ideas, I subsequently used to conceptualize and frame the inquiry. In grappling with the questions posed in our conversation, I hope to make visible three interweaving themes in this paper: My difficulties initially in ‘inhabiting’ the philosophical positions I took up in this creative narrative inquiry; my growing commitment to a form of narrative inquiry that challenges inherited dominant understandings of subjectivity and research methodologies and finally, my encounters with ‘otherness’ in the construction of self/other as a thematic thread that interwove all the narratives of the young people in the larger study.  相似文献   

8.
We need to keep experimenting with writing to meet the challenges of Deleuze and Guattari’s flattened ontology in the humanities. The paper reports on a small, experimental research project at a university in the north-west of England. The findings are written in an experimental mode, inspired by the Deleuze and Guattarian concept, ‘assemblage’. The experiment is theorised and assessed in a non-reductive way that offers future creative possibilities to other researchers. First, the paper presents a context for the subsequent experimental writing. Some current innovative writerly practice and some theoretical and methodological standpoints are reviewed. Next, this paper presents its theorisation of ‘assemblage’ with particular reference to Deleuze and Guattari’s use of the idea, ‘double articulation’. This approach supports and justifies the author’s schematisation of the textual assemblage into four areas: identity, work, territory and dissolving territory. The author explains how these ideas function within an experimental discursive text and illustrates their possible usage in the experimental text itself. Thus, this paper offers a theoretical justification, an explanation of and an assessment of experimental writing, in addition to the experimental text itself, all of which are of potential interest to researchers in the fields of education and philosophy.  相似文献   

9.
By focusing on a collective aesthetics based on sensation and affect, researchers, especially in Stockholm, Sweden, are exploring a pedagogy that opens up space for assemblages of desire, acknowledging the expressions of children who transform themselves and their milieus into a weave of bodies, spaces, signs and media. By analysing this pedagogy, against the background of the theories of Henri Wallon and Gilles Deleuze and Félix Guattari, I wish to investigate the concept of a ‘thinner skin mentality’. This willingness to transgress one’s own stabilising attitude, to move towards a greater sensitivity to relational and situational affectivity when accompanying the learning of children, may provide a point of reference for a preschool teacher qualification.  相似文献   

10.
11.
In this paper, we use a diffractive reading developed by feminist philosopher and quantum physicist Karen Barad, as part of a response-able methodology, in order to consider the claim made by Serge Hein in his paper ‘The New Materialism in Qualitative Inquiry: How Compatible Are the Philosophies of Barad and Deleuze?’ (2016) that the philosophies of Barad and Deleuze and Guattari are incommensurable. Our point of departure is from a stance which is quite different from that of Hein’s – we propose that it is indeed productive to put the work of Barad into conversation with that of Deleuze. As an alternative to critique used by Hein to engage with the work of Barad and Deleuze, we consider how a response-able and diffractive reading of notions of critique could provide a more affirmative and productive way of reading academic texts, including those by Barad and Deleuze.  相似文献   

12.
In this paper, I enter a crack to think otherwise about the concept “gossip”. Drawing on previous scholarship engaging with Deleuzian concepts to inform research methodologies, this paper builds on this body of work. Following Deleuze and Guattari, the paper undertakes a mapping of gossip, subsequent to an encounter with a crack. Thinking about gossip as something other than woman’s small talk, the paper follows a line opening up gossip onto an intensive web of affects and Deleuze’s becoming-woman. It concludes arguing that the process of entering a crack unlocked thought, making possible new ways of engaging with data.  相似文献   

13.
Abstract

This paper reviews Deleuze’s theory of language in Logic of Sense, and Deleuze and Guattari’s theory of language in A Thousand Plateaus. In the ontology informed by the Stoics described in those books, human being and language do not exist separately but in a mixture of words and things. The author argues that this flattened ontology of surfaces is incommensurable with the ontology of depth used in conventional humanist qualitative methodology and recommends beginning new empirical inquiry with a concept instead of with method and methodology.  相似文献   

14.
In keeping with the editor’s call for this special issue, this paper discusses how a posthumanist stance has enabled me to materialize a different conception of the interview and interview data in postqualitative inquiry. More specifically, I am thinking with Deleuze and Guattari’s concept, the Body without Organs, one they use to enact thinking without a subject and to liberate thought from overcoded images in order to confront a reliance on objects or material representations to understand and explain. Using this concept, I theorize a Voice without Organs (VwO) as a voice that does not emanate from a singular subject but is produced in an enactment among research-data-participants-theory-analysis. The article concludes with an analysis of data from a recent interview project that illustrates how VwO is both produced by and producing different knowledge and suggests implications for thinking interviewing and interview data differently.  相似文献   

15.
In the rush to digitise aspects of higher education to cater to an increasingly diverse and wide-ranging university market, there is a concern that best-practice teaching and learning based on sound pedagogy may be left behind. This article addresses this concern by offering a conceptual reimagining of the learning space that reaches beyond a digital/non-digital divide. The authors’ argument posits that imagining online and offline as different learning spaces confuses a necessary pedagogical correlation between learning delivery and learning objective that allows questions of digital (or non-digital) delivery primacy over questions of pedagogical quality. To reassert the significance of pedagogically driven course structure and design, the authors invoke Deleuze and Guattari’s image of the non-hierarchical rhizome to deconstruct binary thinking and to recognise online and offline as elements of the same pedagogical space. They then use Wenger, White, and Smith’s Digital Habitat metaphor to reimagine course design as the creation of context-sensitive learning habitats that cater to the differing needs of blended and online-only students, within a single pedagogical ecosystem.  相似文献   

16.
ABSTRACT

This study appropriates the notion of deterritorialization, a process that determines the nature of an assemblage introduced by Deleuze and Guattari, to refer to Al-Ghazali's conceptualization of scholarship and methodology as the antithesis of the pursuit of a fixed area of research. His response to the deterritorialization of knowledge identifies an interdisciplinary approach, always in flight, which ultimately enunciates ‘rihlah’, a sojourn. It negates the notion of research as stasis and recovers its semantic origin of movement and process. The article examines intercultural practices that challenge the institutionalization of knowledge. How can Al-Ghazali's response to scepticism, knowledge, and authority inform practices in higher education today? Not only does this study aim to connect intercultural philosophical discourses to modern debates about academic expertise and the dissemination of knowledge, it equally seeks cultural and intellectual reconciliation, which is crucial today in a world that is becoming largely xenophobic, and entrapped in ethnocentric academic practices.  相似文献   

17.
This paper explores Deleuze and Guattari's schizoanalysis in relation to student and teacher becomings and the way these are actualised within the neoliberal and heterosexually striated spaces of the secondary school assemblage. Deleuze and Guattari considered a narrow approach to education problematic and called for creativity as a site of ‘resistance’. Drama is one subject rich with potentiality for students to strengthen their creativity and ‘speak back’ against the neoliberal project. What our research revealed is how the drama classroom is an open, dynamic space where students can embody different identities at a critical time in their adolescent development. What is delimiting about this potentiality is the proclivity of teachers and students, as desiring machines, to conform to the dominant neoliberal culture of competitive performativity. The paper proposes that schizoanalysis offers new insights for mapping complex desire-flows and embodied identities through and against the dominant performative and heterosexist culture.  相似文献   

18.
During this article, I look at three images of thought which feature in Deleuze and Guattari's A Thousand Plateaus and consider their relevance to contemporary pedagogy. Deleuze and Guattari begin by discussing tree‐like thought, which involves an insular depiction of the world. I suggest that the performative apparatus, which structures contemporary pedagogy in the comprehensive school, is also tree‐like. Deleuze and Guattari's second image of thought is the fascicular root. Here the principle root is aborted leading to a multiplicity, which flows from it. With fascicular thought, the unity, which is aborted in the object, is returned to in the subject who gains control of multiplicities. In this section I provide a reading of a Classics lesson portrayed in The Secret History by Donna Tartt and go on to focus on Ronald Barnett's contribution to a debate with Paul Standish, which features in The Blackwell Guide to the Philosophy of Education. In the third section of the article, I consider Deleuze and Guattari's third image of thought—the rhizome. Rhizomes grow by a process of cloning or lateral spreading; they do not have the central trunk of the tree, with roots and branches extending outwards from this. At the end of this section, I look at two Classics lessons that represent tree‐like and rhizomatic pedagogies in turn. I attempt to enrich this discussion by providing a reading of a scene from The History Boys.  相似文献   

19.
This article explores how different philosophical models and pictures of learning can become dogmatic and disguise other conceptions of learning. With reference to a passage from St. Paul, I give a sense of the dogmatic teleology that underpins philosophical assumptions about learning. The Pauline assumption is exemplified through a variety of models of learning as conceptualised by Israel Scheffler. In order to show how the Paulinian dogmatism can give rise to radically different pictures of learning, the article turns to St. Augustine’s and Robert Brandom’s examples of language learning, and to general strands in scholarship on moral education. Dewey’s view of childhood immaturity and the problem of adult maturity are used as first attempt at a counter picture to the idea that learning must have an end. The article takes Dewey’s idea further by suggesting how the Zen-Buddhist idea of killing the Buddha and Wittgenstein’s method of destroying pictures work on the dogmatic focus on uses of ‘learning’ that assume ends. In conclusion, the article suggests three possible uses of ‘learning’—learning from wonder, intransitive learning and passionate learning—that do not assume that learning has or must have a teleological end.  相似文献   

20.
This article explores the potential of heterotopia as a way to prompt us to think differently about children's art‐making. Foucault uses the term to describe a space of difference. As something that is not easily located within a system of representation, a heterotopia is not amenable to interpretation. It is this resistance to interpretation that can ‘force us to confront the limits of our understanding’. Linking Foucault's idea of the heterogeneous with Deleuze & Guttari's concept of ‘smooth space’ allows me to think differently about representational intent. As a teacher of young children, I have habitually valued and encouraged ‘purposeful’ play. In terms of artwork this has often meant that I have assumed an overriding and usually representational ‘purpose’ that underlies the work and gives it meaning. However, in many of the junk models produced by children during my fieldwork, I glimpsed a quality of the smooth space evoked by Deleuze & Guttari's patchwork quilt where, although ‘they may display equivalents to themes [and] symmetries … there is no centre; its basic motif (“block”) is composed of the single element; the recurrence of this element frees uniquely the rhythmic values’.  相似文献   

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