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1.
自然科学博物馆作为重要的公共文化机构,承载着传播自然历史和科学知识的职责。标本藏品是自然科学博物馆的根基,随着标本藏品的不断积累,传统标本藏品管理方式面临困境。在博物馆智慧化建设背景下,智慧化理念与新技术为标本藏品管理带来了新机遇。本文以天津国家海洋博物馆为例,在分析标本藏品管理工作面临主要难点的基础上,回顾智慧化藏品管理系统建设工作实践,以期为自然科学博物馆标本藏品管理提供参考和借鉴,并思考未来藏品数据的应用方向。 相似文献
2.
焦郑珊 《自然科学博物馆研究》2019,(4):12-19
2019年是美国自然历史博物馆建立150周年。在150年的发展历程中,随着博物馆功能逐渐明确为教育、研究与收藏,藏品在该博物馆中的作用也逐渐发生转变。藏品在收藏、研究与传播中所发挥的作用,是自然历史博物馆历史传承与新时代转变的体现。美国自然历史博物馆正在经历一系列的创新与转型,对于自然历史博物馆的未来发展有很大的启示意义,也有助于我们在当代背景下去理解自然历史博物馆的本质与价值。 相似文献
3.
蒋凡 《自然科学博物馆研究》2022,(2):82-90
自然史类博物馆是中国近代以来出现最早的博物馆类型之一,中国最早的在华大英博物馆、徐家汇博物院、上海亚洲文会博物馆以及北疆博物院等都是自然史类的博物馆。深入考察这些博物馆建设之初的讨论,并对比这些博物馆建设者的具体意图和办馆实践,可以看出这些博物馆都以服务西方自然史研究为主要目的,但却有着不同的建设取向。这些自然史博物馆不仅为西方的自然史研究提供中国的标本资料,有的博物馆还成为了西方人在华开展自然史研究的平台,为西方提供自然史的研究成果。 相似文献
4.
Marcus Wood 《Curator: The Museum Journal》2009,52(2):147-167
Abstract This paper meditates upon a conundrum: Can there be a right way to represent the traumatic experience of Atlantic slavery within the context of a museum setting? The analysis deals with the question by focusing on the radically contrasting museological, aesthetic, and ethical codes of the Great Blacks in Wax Museum, and the Reginald Lewis Museum, both situated in Baltimore, Maryland. Three key sites are isolated for discussion: the names of the museums, their approaches to the topic of the Middle Passage, and lynching. While both museums have made important cultural contributions to the public memorialization of highly charged subjects, the Great Blacks in Wax emerges as the more radical institution, closely in touch with the dynamic and creative museum aesthetic of the wider Black Atlantic Diaspora, and of Brazil in particular. 相似文献
5.
Marjorie Kelly 《Curator: The Museum Journal》1995,38(4):229-245
Increasingly, museums are seeking to incorporate indigenous perspectives into their exhibits, programs, and collections management policies. Despite its history and close proximity to Hawaiians, Bishop Museum has neither a long nor an unblemished record of consulting the indigenous community. Within the last three years, there has been a theft/removal of sacred objects, a lawsuit involving repatriation of Hawaiian remains, demonstrations and state government hearings concerning the Bishop's interpretation of archaeological sites, as well as more positive activity; e.g., a renewed interest in exhibiting Hawaiian culture. While factionalism within the indigenous community complicates matters, many of the museum's problems are an outgrowth of its own decisions: lucrative contracts have not been without cost, and internal dissension has resulted in such high staff turnover that the museum's professional capability has been publicly called into question by Hawaiians (and others). As Hawaiians assume a more active role, their 106-year relationship with Bishop Museum is being redefined. (Note: “Hawai'i” is used here to refer to the southernmost island in the chain; “Hawaii” designates the entire chain, the state). 相似文献
6.
展品是科技馆最大和最有特色的教育资源,但目前我国大多数科技馆尚未充分利用好该资源开展好适合的辅导教育活动。如何让展品中蕴含的科学知识、方法、思想更好地被参观者所认识了解,对于提升科技馆展教效果至关重要。本文从科技馆的本质特点出发,论述了科技馆开展展品辅导教育活动的重要性,并将实验探究的方式引入科技馆展品辅导的教育活动当中,提出了引导观众像进行科学实验一样去操作体验展品的辅导方式。 相似文献
7.
自然史博物馆是公共博物馆初创时的主要形态,其后发展演变出多种形态。本文通过分析国际科技类博物馆发展历程及其背景,指出科技类博物馆的实质是构建和传播理性科学知识,其存在意义是奠定人作为世界主体的现代社会的知识基础;科技类博物馆呈现显著的发展阶段性,其收藏价值、组织目标、社会作用相应调整和改变。在此基础上,本文认为当代科技类博物馆需要坚持构建和传播理性知识的信念,拓展成年观众群体,鼓励观众参与科学研究过程,服务所在地地域发展需求。 相似文献
8.
吕伟涛 《自然科学博物馆研究》2019,(4):27-32
2018年10月16日,中国国家博物馆收藏李德威教授实物仪式在中国地质大学(武汉)举行,此次入藏中国国家博物馆的实物包括李德威教授生前使用的科考工具、记录本、衣物及各类证件和证书等物品共11件(套)。藏品征集是博物馆的主要业务之一,作为国家最高历史文化艺术殿堂,征集何种文物,折射出中国国家博物馆鲜明的价值导向,具有强大的社会影响。中国国家博物馆此次对李德威教授科考实物的征集,是对中华民族优秀文化基因的传承和对时代楷模高尚品质的弘扬。 相似文献
9.
随着文化强国战略目标的确立,文化和科技融合进入新的历史阶段。数字经济规模的扩张,突然其来的新冠疫情,加速了文化产业的数字化转型进程。科普场馆兼有科技与文化的双重属性,也将面临新的机遇和挑战。文章从科普场馆数字化要义的角度切入,研究国内外科普场馆的数字化应用案例,从展览、教育、藏品、研究多个维度进行剖析,结合上海科技馆的具体实践,提出对于数字化时代科普场馆未来发展趋势及转型路径的思考和设想。 相似文献
10.
Robert Baron 《Curator: The Museum Journal》2003,46(1):19-35
While state funding represents a primary source of support for museums, its characteristics and significance have eluded recognition and analysis. Programs and funding mechanisms vary considerably among states, ranging from support for specific projects in museums by agencies that fund multiple types of cultural institutions to state agencies exclusively devoted to museums. The Museum Program of the New York State Council on the Arts, which supports all disciplines of museums, faced critical challenges to its leadership role as funding was restored following a period of severe retrenchment. It engaged in open dialogue with the museum community as it developed new initiatives and services to the field. The Program worked with service organizations to create new approaches for professional learning about museum practices, made revisioning permanent collections an overarching guidelines theme and challenged exhibition applicants to explore neglected topics. It also emphasized multiple interpretive perspectives, mutual engagement with communities and sequential educational activities that provide in‐depth learning experiences. 相似文献
11.
近年来,我国博物馆行业发展迅猛,博物馆的社会作用不断拓展。不同于过去静止不变的机构,当今的博物馆以观众为中心,以社区为导向,其展陈理念和博物馆观众角色已然发生了巨变。本文以英国威尔士国家博物馆策划的“Who Decides?”展览为例,分析了博物馆展陈理念的时代变化,以及在全新博物馆时代观众角色由陌生人—客人—主人的嬗变,为新时期博物馆策展模式提供了建议与参考。 相似文献
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RUBIE S. WATSON 《Curator: The Museum Journal》1998,41(3):167-177
The article describes and compares two museums: the National Palace Museum in Taiwan and the Museum of History in Hong Kong. The two present widely divergent versions of Chinese “history.” 相似文献
14.
近代博物馆源起于高校,并逐渐形成了一套较为完备的藏品管理体系。我国高校博物馆是博物馆体系的重要组成部分,但在藏品征集方面的受关注度远低于社会公共博物馆,高校博物馆藏品征集工作出现了藏品来源渠道少、监管松、经费不足等问题。本文拟以陕西省高校博物馆为例,通过分析其藏品征集现状,针对藏品征集中存在的问题,尝试对高校博物馆的藏品征集策略进行完善,为新时期中国高校博物馆的藏品征集工作提供一些思考。 相似文献
15.
本文归纳分析了科技馆消防系统的特点及问题,论证了科技馆消防系统更新改造的必要性,以中国科技馆为例,探讨其消防系统现状、消防系统更新改造的目标及具体举措,进一步分析了中国科技馆消防系统的运行及改造实例,为后续科技馆的安全管理研究提供参考借鉴。 相似文献
16.
Dominique Sweeney 《档案与原稿》2019,47(1):153-163
ABSTRACTThe Australian National Maritime Museum (ANMM) in their Darling Harbour warehouse store just over one thousand Ilma. The Ilma are performance symbols of Bardi law and custom, which tell stories of the lands and seas of the Dampier Peninsula, King Sound and surrounding islands of Western Australia. Ilma performances are public and meant for all to see. The ANMM in 2007 resourced detailed documentation of the collection. In 2018 the collection still does not appear on the online catalogue and remains unavailable for public view. While recent efforts have been put into the collection there are important questions to be raised about the responsibility of museums to collections that have contested meanings and serve multiple purposes. 相似文献
17.
SALLY ANNE DUNCAN 《Curator: The Museum Journal》2002,45(2):93-108
A recent lecture series at the Harvard University Art Museums titled “Art Museums and the Public Trust” marked the eightieth anniversary of the founding of Harvard's famed Museum Course. A graduate seminar begun in 1921 by the Fogg Art Museum's associate director, Paul J. Sachs, the Museum Course became the primary training ground for art museum leadership in the first half of the twentieth century. The 2001 commemorative lecture series was intended to foster a healthy debate on the place of the art museum in Anglo‐American culture. Instead, the speakers, veteran directors of America's and England's most prestigious art museums, invariably returned to one concern: authority—theirs and that of the art museum itself in contemporary society. Authority was at the heart of the Museum Course decades earlier, tellingly explored in annual debates around two significant topics. The first debate involved the pros and cons of including period rooms in American museums. In the second, students argued about whether America's established art institutions should collect the work of living artists. Questions of how museums should respond to the interests of audiences and communities, their responsibility to contemporary artists, and the meaning of a public trust trouble America's museum leadership now as then. This article explores the common ground between the Museum Course debates of the 1930s and Harvard's recent commemorative “debates” by America's contemporary museum leaders and comments on its significance for today's museums. 相似文献
18.
《Curator: The Museum Journal》2017,60(1):37-46
Play is a central, defining concept for children's museums, yet it's become a hot button issue which is problematic if play is what makes children's museums uniquely valuable. In this article, members of the Children's Museum Research Network share findings from their first research study, focused on elucidating the problem of play in children's museums. Results suggest that children's museums may not have shared definitions and conceptualizations of play. 相似文献
19.
Shane J. Macfarlan 《Curator: The Museum Journal》2001,44(2):166-178
Abstract This article addresses problems associated with museum education collections. Museum education collections are used to provide visitors with opportunities to handle museum objects. These collections are primarily composed of objects that are damaged, lack provenance, or do not fit the scope of the collection. Sometimes, these collections are displayed haphazardly and their interpretation may lack thematic context. Some museum education collections are not being utilized to their fullest educational capacity. The application of cognitive, exhibition, and collections management theories can alleviate some problems with museum education collections. A critique of the education collection at the Lubbock Lake Landmark is presented as a case study of these problems and some of the potential solutions to them. The study can be used as a template by other museums to solve similar problems in their education collections. 相似文献
20.
ABSTRACTThe 2008 Wenchuan earthquake brought numerous issues to the attention of researchers of seismic mitigation in Chinese museums. After the Wenchuan earthquake, the structural design team of Chengdu Museum conducted a series of research projects on seismic mitigation and subway vibration control design of buildings. These projects included the following topics: optimization of design, numerical simulation of seismic performance, analysis of key technologies for the base isolation structure, in-depth studies on structural vibrations caused by the nearby subway, and proposals for reducing structural vibrations. In 2015, after the superstructure of Chengdu Museum was completed, conservators evaluated the safety of permanent exhibitions under earthquake conditions. Seismic protection devices were installed on the showcases according to the preventive conservation requirements for museum collections. Reinforced measures were used for museum collections according to the methods suggested in the document ‘Specification for seismic protection of museum collection’ (WW/T 0069-2015). The conservators also built a systematic platform for earthquake monitoring for museum collections. Preventive conservation studies on seismic protection and subway vibration control in Chengdu Museum are summarized and forecasted. 相似文献