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ABSTRACTIt was decided to display the whole collection of King Tutankhamun in the Grand Egyptian Museum (GEM). The collection comprises approx. 5640 objects different in material and state of conservation. The conservation centre in the Grand Egyptian Museum (GEM-CC) bears the responsibility of conserving GEM collection, and contributing to the exhibition production processes to ensure the optimal preservation for the collection on display. In this paper, a survey of the collection's materials and condition was undertaken to evaluate the risks and corresponding deterioration occurred in the former location which should be mitigated in the new one. It also reports on the parameters which were fulfilled in the designs of King Tutankhamun galleries to guarantee implementing preventive conservation programmes in order to preserve the collection for future generations. 相似文献
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Galina Epifanova 《Slavic & East European Information Resources》2020,21(1-2):80-93
ABSTRACT This article surveys the collection devoted to the memory of Emperor Nicholas II held at the Museum of Russian Culture in San Francisco. The author describes the cataloged materials of a unique collection of materials passed on to the Museum by Russian emigrants of the first and second waves, many of whom worked to preserve the memory of Russia’s last Sovereign and also made a significant contribution to the creation of the Museum and its archival collections. 相似文献
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Marie Plechot 《文物保护研究》2018,63(7):403-411
This paper presents experimental research on the contribution made by spectral analysis to the identification and dating of Persian ceramics with a blue glaze or blue motifs. Since we know that the characteristic blue colour of these ceramics can vary according to their composition and traditions of manufacture that are specific to the different centuries in which they were created, it would be interesting to determine whether a non-destructive and non-invasive method of analysis would be possible to date the ceramic without altering the object itself. To do this, 72 ceramics from the Royal Ontario Museum of Toronto, as well as 2 other dishes (a Qajar dish from the nineteenth century and a dish from the twentieth century) were photographed and readings of the blue colour present on the objects were processed using the ImageJ software. Colour values obtained were then plotted on a graph and sorted by century for analysis. This study shows that it is possible to date Persian ceramics using a photograph, a spectrometer, and calibrating software, to establish the century in which a Persian ceramic with blue glaze or blue motif was made. 相似文献
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Museum education collections are inarguably a part of a museum's actual collection, just as are the research/permanent collections. However, past practices indicate that education collections are typically not given equal stature in museological terms. This paper argues that techniques and practices used with research/permanent collections should be applied to education collections, a viewpoint that has not yet been readily embraced. Several methods are addressed for upgrading an education collection to a level similar to a museum's permanent collection. The Lubbock Lake Landmark's education collection serves as a case study to demonstrate the need for the application of proper museological techniques to conform to best practices. A scope of collection was created, preventive conservation techniques were applied, a gap analysis was performed, and legal issues concerning the education collection were addressed. 相似文献
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ABSTRACTThe 2008 Wenchuan earthquake brought numerous issues to the attention of researchers of seismic mitigation in Chinese museums. After the Wenchuan earthquake, the structural design team of Chengdu Museum conducted a series of research projects on seismic mitigation and subway vibration control design of buildings. These projects included the following topics: optimization of design, numerical simulation of seismic performance, analysis of key technologies for the base isolation structure, in-depth studies on structural vibrations caused by the nearby subway, and proposals for reducing structural vibrations. In 2015, after the superstructure of Chengdu Museum was completed, conservators evaluated the safety of permanent exhibitions under earthquake conditions. Seismic protection devices were installed on the showcases according to the preventive conservation requirements for museum collections. Reinforced measures were used for museum collections according to the methods suggested in the document ‘Specification for seismic protection of museum collection’ (WW/T 0069-2015). The conservators also built a systematic platform for earthquake monitoring for museum collections. Preventive conservation studies on seismic protection and subway vibration control in Chengdu Museum are summarized and forecasted. 相似文献
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《文物保护研究》2012,57(1):59-64
ABSTRACTWe analyzed 53 historical textile samples from a collection of caftans and brocades dating between the sixteenth and nineteenth century in the Topkapi Palace Museum (TPM) by scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDX). Data were collected on the type, dimensions, elemental composition, and level of corrosion. The technique is presented in this work as an efficient and micro-destructive tool for the characterization of the structure of historical metal threads. SEM-EDX analysis for different energies was performed on a selection of gold and silver threads belonging to the historical textiles. The results were interpreted via laboratory prepared samples of gilt Ag and sulfur reacted Ag at different thicknesses for Au and Ag2S layers respectively. A series of Au–Ag alloys for different Au/Ag ratios were prepared for comparative analysis. The threads were made of metal strips wound around a silk core. Metal wires and flat strips were also used. The use of differential energies allowed for differentiating strips and wires made of homogeneous silver and gold alloys from the ones coated with a thin gold layer. Analysis of EDX data revealed that the Au film thickness was very thin (10–60?nm). Formation of Ag2S layers over the thin Au film as thick as 1.5?µm was taking place. Formation of thinner Ag2S layers over non-gilt Ag suggested different reaction mechanisms for gilt and non-gilt cases. 相似文献
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Robert Waller 《文物保护研究》2018,63(5):288-292
ABSTRACTThe Royal British Columbia Museum (RBCM), Canada, houses a collection of almost 7 million artifacts, archival records, and natural history specimens. Three comprehensive collection risk assessments over the past decade have resulted in improvements to the physical environments of the collections as well as new policies and procedures to reduce risk. However, there remain ongoing risks that can only be mitigated through major facility renewal. The last collection risk assessment, completed in 2016, was revisited to review the data and build a defensible case for funding to replace the RBCM's on-site collection storage facilities. Changes to overall collections risk is a complex function of collection development and use trends, evolving risk factors both internal and external to the museum, a growing understanding of the relationship between risks and preservation, in addition to reduction due to risk mitigation projects and building systems aging and wearing out. A defensible method for illustrating the facilities-related risks over time involves estimating the expected loss of individual collection items or loss in value of a group of items that may occur if a major facility upgrade or redevelopment is not realized in the near future. Risk assessment data for representative collection units were reviewed to differentiate risk due to permanent facility characteristics versus more active controls, operations budget controlled risk versus capital budget controlled risk, and collection management-controlled risk versus facility management-controlled risk. This enabled the risk model to isolate risks that could only be mitigated through major facility upgrades. Change in collection value was expressed as Object Equivalents Lost (OEL) and its compliment Object Equivalents Remaining (OER). Projections into the future indicating the effect of varying facility renewal dates could then be clearly shown. Losses, when presented as numbers of items expected to be lost from the collection, become emotionally salient to persons in senior management and governance roles. 相似文献
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《文物保护研究》2013,58(4):141-152
AbstractThe archaeological evidence for dating a linen tunic found amongst other pieces from the Petrie Museum of Egyptian Archaeology, UCL, is weighed against the evidence from Carbon-14 dating. An account of the structure, conservation and mounting of the tunic is then given. 相似文献
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吕伟涛 《自然科学博物馆研究》2019,(4):27-32
2018年10月16日,中国国家博物馆收藏李德威教授实物仪式在中国地质大学(武汉)举行,此次入藏中国国家博物馆的实物包括李德威教授生前使用的科考工具、记录本、衣物及各类证件和证书等物品共11件(套)。藏品征集是博物馆的主要业务之一,作为国家最高历史文化艺术殿堂,征集何种文物,折射出中国国家博物馆鲜明的价值导向,具有强大的社会影响。中国国家博物馆此次对李德威教授科考实物的征集,是对中华民族优秀文化基因的传承和对时代楷模高尚品质的弘扬。 相似文献
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Lukáš Babka 《Slavic & East European Information Resources》2017,18(3-4):165-184
This study focuses on the visual collections in the holdings of the Slavonic Library (a section of the National Library of the Czech Republic). The library holdings also include unique collections relevant to the topic of Russian and Ukrainian emigration: collections of visual art, ex libris, posters and flyers by Ukrainian émigrés (1918–1945), and a collection of invitations and flyers by Russian émigrés (1918–1945). Rudolf H?lka’s collection of photographs, dating back to the 1920s, captures a series of ethnographic, folkloric, and architectonic phenomena which no longer exist. Moreover, Russian posters from the period of WWI, from the revolutionary year of 1917, and the subsequent civil war are equally fascinating as are banknotes from the same period and region. 相似文献
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博物馆藏品档案是博物馆藏品的重要组成部分,对藏品档案的开发利用已经引起了社会的关注。研究藏品档案用户需求行为有利于展现藏品档案独特的历史记忆,发挥博物馆文化服务平台的作用。以用户需求行为角度出发,采用定量分析的方法,对藏品档案用户需求行为进行研究分析,通过数据分析发现现如今博物馆藏品档案服务与时代发展脱钩,不能满足用户日益增长的多元需求,并从深化服务理念、建设数字化管理、加强先进技术使用三方面给出服务改进建议。 相似文献
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MARJORIE L. HARTH 《Curator: The Museum Journal》1999,42(4):274-284
As indigenous voices become stronger through legislation or other means, museums with indigenous collections must reexamine their approaches to collection, exhibition, and preservation. Traditional approaches to collection management are undergoing change as participation from indigenous and tribal groups increases. This article summarizes these trends and describes the post-modern charters of two museums: the National Museum of the American Indian in Washington, DC, and Te Papa Tongarewa/The Museum of New Zealand, in Wellington. 相似文献
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文章简述了敦煌藏经洞出土绘画品的存世情况、绘制材料、内容、价值,及其在中国绘画史上的地位等,重点选择法国吉美博物馆、大英博物馆等处存藏的8幅绢画精品,对其画面内容和艺术特点进行了介绍。 相似文献
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《Museum Management and Curatorship》1988,7(2):165-172
In the collection of the Ackland Art Museum at the University of North Carolina, Chapel Hill, is a small Italian triptych. It recently underwent a conservation treatment as part of a project funded by a grant from the Institute of Museum Services, a federal agency, 1987–1988. Ann Keck-Henderson Riggs undertook an art historical study of the triptych frame. David Goist conducted a technical study of the entire structure of the triptych to answer some possible authentication questions about the piece. Goist and Janet Hessling then followed with a treatment which included consolidation of lifting paint and wooden elements, removing varnish and toned coatings, and finally in-painting of old losses and abrasions. This article emphasizes the structural analysis of the triptych and the historical evaluation of the framing elements. 相似文献
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《文物保护研究》2013,58(1):104-111
AbstractValence House Museum (Dagenham, England) has, since 1963, housed not only a large collection of Fanshawe family portraits but also a very rich family archive which comprises estate and private papers from the sixteenth to the twentieth centuries of at least two branches of the family. Of national and international interest are the papers of Sir Richard Fanshawe (1608-66) relating to his three embassies to the Iberian peninsula in the 1660s. Three documents from this collection were taken for conservation and treated using both aqueous and non-aqueous methods of deacidification. Prior to treatment, the papers were characterized using the techniques of scanning electron microscopy (SEM), Fourier transform infrared spectroscopy (FTIR), electron spectroscopy for chemical analysis (ESCA or XPS), thermogravimetry (TGA) and thermomechanical analysis (TMA and DLTMA). Measurements showed that the three papers were similar in composition and were basically cellulosic materials with varying trace levels of Fe and Cu impurities. All three documents contained iron gall ink; the ink of the Dublin letter had an additional feature in the form of small bright specks which were characterized as a form of mica. After conservation treatment the papers were examined using the above techniques in an attempt both to determine and to quantify any changes which had occurred during the treatment process. Scanning electron micrographs showed that pronounced changes had occurred in the surfaces of the treated papers. With XPS it was possible to measure the change in the surface composition of the papers which occurred on treatlp.ent. It was also found that the treatment reduced the thermal stability of the papers in all three cases. 相似文献
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Kelly Elizabeth Yasaitis 《Curator: The Museum Journal》2006,49(4):449-462
Abstract This article explores the act of collecting from a postmodern perspective by examining the influences of changing times, places, and persons. Considering the British Museum's stages of development and progress, it discusses the life of Sir Hans Sloane and how his actions helped determine the museum's original goals for its collection. The early days of the British Museum provide a clear view into the values of seventeenth‐ and eighteenth‐century British society. The focus of the museum's collection has changed over the years with the changing views of academics and society. The museum today still strives to hold knowledge of all things, yet tempers this goal under the pressures of modern theorists and politics. While still desiring to communicate information about the world from vast and complex collections, the museum has shifted its focus to answer questions of ownership and entitlement. Explaining national and world heritage views, the article concludes with a discussion of the ethics of collecting as a primary factor in today's British Museum collection. 相似文献
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ABSTRACTThe Natural History Museum (NHM), London was one of the first national museums to introduce a museum-wide integrated pest management (IPM) strategy that includes the concept of risk zones (Doyle, Pinniger, and Ryder 2007). This system is based on the principle of pest prevention within a museum building, which will always have a resident population of pest insects. The loss of Dichlorvos [DDVP] resulted in an urgent need to implement a museum-wide IPM programme to protect vulnerable collections both in storage areas and on display. With such a large, diverse collection in a complex series of interconnecting buildings, it became necessary to break the programme down into sections. Thus the development and implementation of the concept of risk zones: classifying areas of the museum from high risk to low risk has proved a useful and effective method to promote staff awareness and best practice as part of a comprehensive IPM programme. 相似文献