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1.
Crowdsourcing, or “obtaining information or services by soliciting input from a large number of people,” is becoming known for the impressive productivity of projects that ask the public to help transcribe, describe, locate, or categorize cultural heritage resources. This essay argues that crowdsourcing projects can also be a powerful platform for audience engagement with museums, offering truly deep and valuable connection with cultural heritage through online collaboration around shared goals or resources. It includes examples of well‐designed crowdsourcing projects that provide platforms for deepening involvement with citizen history and citizen science; useful definitions of “engagement”; and evidence for why some activities help audiences interact with heritage and scientific material. It discusses projects with committed participants and considers the role of communities of participants in engaging participants more deeply.  相似文献   

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This paper details findings from a collaborative research project that studied children learning to 3D print in a museum, and provides an overview of the study design to improve related future programs. We assessed young visitors’ capacity to grasp the technical specificities of 3D printing, as well as their engagement with the cultural history of shoemaking through the museum's collection. Combining the museum's existing pedagogical resources with hands‐on technology experiences designed by Semaphore researchers, this study enabled both researchers and museum education staff to evaluate the use of 3D‐driven curriculum and engagement materials designed for children visiting cultural heritage museums. This study raises critical questions regarding the practicality of deploying 3D media to engage young learners in museums, and this paper illuminates the challenges in developing models for children to put historical and contextual information into practice.  相似文献   

4.
Sponsored by the U.S. Department of State and facilitated by the American Alliance of Museums (AAM) through the Museums Connect program, Identities: Understanding Islam in a Cross‐cultural Context is an exercise of community development and public inclusion from the perspective of cultural diplomacy. The 2009–10 project was a cooperative endeavor between the Museum of History and Holocaust Education (MHHE) at Kennesaw State University, Georgia, USA and the Ben M'sik Community Museum, Hassan II University, Casablanca, Morocco. Drawing on interviews conducted with the AAM managers and project participants, as well as relevant literature, the discussion considers the more important mechanisms of American museum missions and practices as means of achieving American foreign‐policy objectives.  相似文献   

5.
The Talking Difference Portable Studio from the Immigration Museum in Melbourne, Australia provides a unique example of an installation that facilitates intercultural dialogue beyond the walls of the museum. The Studio is a custom‐designed digital interactive that tours public libraries, schools, and community centers, encouraging participants to engage with one another's ideas about racism and cultural diversity by creating and responding to video questions. This essay applies a theoretical framework informed by dialogic theory and contemporary intercultural and museum studies to examine digital content produced in the Studio. The analysis indicates that there is a high degree of thematic consistency in content produced across a diverse range of touring locations. While responses vary in the extent to which they demonstrate critical engagement, the project affords participants a sense of ownership over their representations, and their responses generally support a broadly conceived openness to cultural difference. On this basis, the project furthers a promising form of intercultural dialogue.  相似文献   

6.
The paper considers the unique conditions that describe the National Museum of the Saharawi People, its relationship with visitors and its representation of the rights of residents of the refugee camp where it is located. In 1998, a National Museum of the Saharawi People was created in one of the several Saharawi refugee camps established in Eastern Algeria in the mid‐1970s. The museum was designed to provide knowledge about the cultures of the Western Sahara and to disseminate information about the challenges faced in the Saharawi territory. In 2006, a new curatorial investment was made and new exhibits mounted following a devastating flood that destroyed a substantial portion of the museum. In 2013 the Museum was remodelled. This case study undertaken after the 2013 reinstallation explored comments in the visitor books to understand how the museum contributed to cultural heritage, participated in the process of social cohesion, and supported the political struggle of a people demanding their right to self‐determination after decades of exclusion as residents in a refugee camp.  相似文献   

7.
The biodiversity crisis is not salient to many people. A zoo visit not only provides the opportunity to learn about the issue, but also provides direct experiences with animals that may increase public engagement. The present study used a nonequivalent pretest–posttest design to assess the impact of a zoo visit on conservation knowledge and engagement by comparing 88 visitors entering a zoo in Paris and 84 visitors on their way out. Those who had completed their visit scored higher on conservation knowledge, general concern about threats to biodiversity, and perceived self‐efficacy to protect biodiversity. Notably, conservation knowledge was not highly correlated with the other dependent variables, but self‐efficacy was significantly correlated with environmental concern, behaviour, and behavioural intent. We conclude that a zoo visit does have a positive impact on knowledge and concern, and by affecting self‐efficacy, it has the potential to influence future behavior.  相似文献   

8.
As communication increasingly takes place online and via mobile technologies, young people are the fastest growing adopters of new online platforms. Consequently, communication scholars have begun to consider young people’s experiences online, comparing online and offline interactions, establishing how developmental stages affect youth’s engagement with online content, and documenting risks for youth’s experience online. We argue that much can be gained from a ‘tension-centered’ approach that highlights the competing demands of young people’s online engagement and problematizes current conceptions of risk. Through focus group interviews with teens, we examine current trends of online activity and re-conceptualize opportunities for conducting research with youth. Teens’ ‘local logics’ for negotiation webs of communicative tensions online reveal articulation of formal rules, which are later eclipsed by lived experiences. We offer strategies for parents, caregivers, and educators to more productively engage with youth about their online experiences, as well as implications for communication researchers.  相似文献   

9.
Abstract In the early 1990s, Colombia developed a highly sophisticated constitutional and judicial framework. The Constitution of 1991 offers two sets of principles: First, the rights granted to minority groups so they might guide their lives according to their traditions and the recognition of the multicultural character of the nation. Second, the values of unity and sovereignty and universal human dignity, the minimum denominator that unites the Colombian people. In the context of a multicultural nation, what is the role of museums in supporting demands of minorities and disenfranchised groups? This paper looks at the issue of differentiated rights for Afro‐descendents through analysis of Wakes and Live Saints among Black, Afro‐Colombian, Maroon and Islander Communities at the National Museum of Colombia (2008). This exhibition was chosen because Afro‐Colombian activists and scholars have strongly demanded that the National Museum respond to claims of historical reparation.  相似文献   

10.
Abstract Culture Ants Project is an original, unique educational model, which aims to raise children’s awareness of and sensitivity to cultural heritage. Specially trained Culture Volunteers show children historical sites of the city and provide information about the city’s historical heritage in an educating and entertaining fashion that addresses their emotional intelligence (EI) and elicits their fondness for historical sites. The model is based on a teaching technique that involves “seeing, perceiving, sensing, and acquiring first‐hand experience.” Visiting cultural sites helps introduce children and youth to cultural values.  相似文献   

11.
Many museums offer specialized programs for young people during out‐of‐school time, yet the consequences of such programs are not well documented. This article explores the potential utility of borrowing a conceptual framework from the youth development literature as a tool for assessment. The authors map findings from three studies of museum youth programs onto the youth development framework as an exercise in understanding the extent to which this model may be useful in developing museum youth programs. Results from this preliminary analysis demonstrate that the framework could serve as a viable tool for program design, and could offer a clear, grounded framework with common language for articulating program impacts often known intuitively and/or anecdotally but not formalized.  相似文献   

12.
A survey of museums in the United States sought to identify evidence of broad impact on the organisational culture and practices of museums in their relatioships with indiginous peoples as a result of the passage of the Native American Graves Protection and Repatriation Act 1990 (NAGPRA). NAGPRA establishes a process for the repatriation of human remains and other specified items held in museum collections to Native Americans who can prove they are lineal descendants or members of tribes which are culturally affiliated with identified items covered by the legislation. Effective repatriation programs are characterised by: * a genuine belief in the primary rights of indigenous people in the management of their cultural material presently held in museum collections; * a commitment to greater collaboration between the museum and indigenous people in the management of scientific research and public programs pertaining to items of indigenous cultural heritage; * practices which are indicative of an organisational culture which acts in ways which go beyond the minimum requirements of the legislation. Our research shows that museums are engaging in consultation with indigenous people in the management of collections of indigenous cultural heritage, and that this engagement is influencing conservation strategies. Museums espouse goals which promote external consultation, the involvement of indigenous people in their activities, respect for the cultural goals of indigenous people and a commitment to increasing public awareness of indigenous cultural heritage and social issues. However, only in the areas where NAGPRA has mandated it should happen—collections of human remains and secret/sacred material—is there evidence of communication and consultation, commitment of resources and sharing of authority with indigenous people consistent with the outcomes intended under NAGPRA.  相似文献   

13.
This comparative study explored Chinese family groups' dominant visit motivations in science museums and aquariums in order to understand the perceptions of these audiences, who are an under‐represented cultural demographic in the literature. In this study, 503 Chinese participants—131 in the China Science and Technology Museum, Beijing; 127 in the Beijing Aquarium, Beijing; 136 in Science World British Columbia, Vancouver; and 109 in the Vancouver Aquarium, Vancouver—completed a Family Group Visit Motivation Questionnaire. The results report four dominant visit motivations for these Chinese family groups. Significant differences in a fifth motivation, social interaction, were detected in comparing the Beijing and Vancouver Chinese family samples. Also, Chinese family groups were more likely to perceive science museums to be settings that can satisfy their educational and personal interest needs, compared to aquariums. This study provides insights for science museums and aquarium practitioners to better understand this audience demographic.  相似文献   

14.
Abstract The town of Springville, Utah, has a multi‐faceted relationship with its Museum of Art. The museum reflects and preserves the ethnic and cultural identity of the area, including its history, its landscapes, and its philosophy/religion. Through place‐based education—including observation and activities—k‐12 children and youth are given opportunities to experience their local culture on multiple levels. As museum artifacts are carefully chosen and lessons are purposefully structured, students receive cognitive, creative, and social benefits as well. Museum educators collaborate with local school personnel, along with educators from nearby Brigham Young University, to produce cross‐disciplinary lesson plans and teaching materials. Benefits Springville educators are finding in place‐based education are included in this article, along with specific ideas for lessons and activities.  相似文献   

15.
Column Editor's Notes

The “Digital Heritage: Spotlight on Europe” column examines technological advances internal and external to cultural institutions. The digital shift changed radically how cultural heritage is made, disseminated, distributed, accessed, consumed, and monetized. One of the most important revolutions is that the user's role changed dramatically, shifting from passive observers to active participants and content producers with many new and exciting opportunities for engagement, creative use, and access. The strength of the column is its broad, international focus, and contributors are encouraged to explore issues and recent advances in digital heritage theories, methodologies, standards relevant to the European region, as well as the larger, global audience.  相似文献   

16.
Abstract Meaning‐making describes a process by which visitors transform museum experiences into new knowledge and memories. Meaning‐making is influenced by visitors' leisure motivations, prior knowledge, socio‐cultural context brought to the experience, personally‐guided interpretation, and events since the visit. In this study, visitors' long‐term recollections included contextual references to how and why they remembered what they experienced. Forty visitors were interviewed by telephone six months after attending a Native American interpretive program at Grand Canyon National Park's Tusayan Museum. Two patterns associated with a constructivist view of meaning‐making were discerned: a) visitors' integration of indoor and outdoor exhibits and b) visitors' comparisons of modern family and community with a more ancient culture. The presence of contextual indicators within visitor recall suggests that new knowledge may be constructed from factors carried forth from the meaning‐making process. Evidence within the data suggests that exhibits made more relevant to visitors' socio‐cultural identity may enhance on‐site experiences.  相似文献   

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18.
The paper describes the project #iziTRAVELSicilia which is using digital storytelling for engaging heritage communities. The objective of the project was to bridge the Sicilian gap in cultural heritage communication using a participatory approach with the local communities, in the framework defined by the Faro Convention. The paper evidences the digital storytelling role in engaging communities to promote their heritage, promoting new partnership with local cultural heritage institutions. The positive impact of digital storytelling in cultural heritage promotion in Sicily is evidenced by the quantitative results achieved and by the feedback collected by a survey.  相似文献   

19.
Abstract The Vietnamese Women’s Museum (VWM) opened in 1995 with the mission to improve public knowledge of the historical and cultural heritage of Vietnamese women in the nation’s 54 ethnic community groups. The VWM aimed to be a center for cultural exchange with women from other nations with the goal of fostering “equality, development, and peace.” At the outset it honored the positive role played by women in general, and presented some typical individuals acclaimed for their contributions and sacrifices. After some visitor research, the museum is now using a gender‐specific approach, playing the role of social critic, reflecting contemporary life, and targeting marginalized women groups.  相似文献   

20.
中医药古籍是中华民族的优秀文化遗产,中医药古籍的数字化建设是实现中医药古籍原生性保护与再生性保护的重要措施之一,数字化过程中涉及到中医药文化、医史文献、数字化技术、网络技术等多个方面,是中医药文化与其他文化创意交叉融合的表现,是一项长期系统的工程。广东中医药博物馆的中医药古籍数字化主要从中医药古籍的书目元数据、原文图像、全文文本、研究支持功能等多个方面进行探索实践。文章结合广东中医药博物馆在探索与实践中所取得的成绩及遇到的问题,对中医药古籍的数字化发展进行探讨。  相似文献   

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