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1.
Recent educational initiatives have emphasised the importance of fostering critical thinking skills in today's students in order to provide strategies for becoming successful problem solvers throughout life. Other scholars advocate the use of critical thinking skills on the grounds that such tools can be used effectively when considering social justice issues. In this article we make the case that the teaching and learning strategies of analytic art criticism can serve as fundamental tools used not just for the study of art but can also centre critical thinking and analysis in all aspects of the art education curriculum. Our argument begins with a review of literature on the use of art criticism for critical thinking and meaning making. Then we describe our efforts to address critical thinking with our students by using the critical analysis model of art criticism and applying it to learning environments for forming reasoned judgments about teaching and learning, and also as springboard for examining social justice issues. We believe that promoting this form of affectively driven, intellectually guided critical thinking makes our students potentially more successful not just in their encounters with art and education, but also in their lives as human beings beyond school.  相似文献   

2.
This article proposes to explore the relationships between art education and the development of complex thinking (proposed as metacompetence in this study) from a theoretical perspective. This is an approach that arises from contemporary conceptions about art, which is an intrinsic relationship between the artwork and the creative and critical character towards representation systems. Emphasising the definition of complex thinking proposed by Mathew Lipman serves as a guiding axis to try to establish the cognitive processes that compose it. Among the main findings is that the development of complex thinking and cognition occurs through action and interaction with the environment, thus linking to the notions of ‘situated competence’ and the ‘complex approach to competences’. By including cognitive and metacognitive processes, it allows us to postulate complex thinking as metacompetence. In addition, it is proposed that the use of learning methodologies (under a competence‐based approach) could contribute to an art education where students produce artistic works that involve critical, creative processes or divergent results. It is also necessary that both the curriculum and the teachers encourage an expanded and interdisciplinary vision, understanding that art is not circumscribed to a specific discipline.  相似文献   

3.
Theoretically and methodologically, understanding the role of research within art and design practices is a recurring theme within contemporary dialogue and debate. In the published literature, there are many questions around how categories and definitions of artistic research are employed within the increasingly under‐resourced realm of higher education. This article contributes to this larger discussion by building up our knowledge of a particular feature of this landscape: how research policy and planning documents at art and design universities represent and define artistic research. While examining research at the level of practice remains important, we must also understand the symbolic and practical weight that institutional directives carry. In light of recent literature on artistic research and the debates concerning its evaluation and institutionalisation, this article develops our contemporary understanding of the role of the art and design university as an important mediator of conflicting perspectives on the ‘value’ of art and design research. Based on a discourse analysis of research planning documents from Canada's three independent public art and design universities, this article will argue that it is not the definition of artistic research itself that is the most contentious feature of university research planning – it is defining the value of this research that invites conflict and concern.  相似文献   

4.
杨丽 《惠州学院学报》2012,32(5):99-102
数字媒体相关专业分为数字媒体技术和数字媒体艺术两种。数字媒体艺术专业要求学生必须具备较好的艺术素养和艺术思维能力。如何为非艺术类招生的数字媒体艺术专业的学生量身制定一套切实可行的艺术素养培养策略是数字媒体艺术专业建设需要解决的关键问题之一。  相似文献   

5.
高职艺术设计教育中,艺术思维能力与艺术审美能力的培养至关重要,然而目前高职院校在实际培养的人才却普遍缺乏艺术思维能力。结合目前高职院校实际,提出七条关于艺术思维的培养策略,即:回归"个性化"的艺术设计教育方式、更新艺术设计课堂教学知识结构、重视艺术设计活动的专业实践、开发学生的"艺术认知"能力、打开学生的艺术情感体验、引导"艺术化"的生活方式、提供多样化艺术设计实践机会。  相似文献   

6.
Issues of sustainability are complex and often steeped with ethical and political questions without predefined or general answers. This paper deals with how secondary and upper secondary teachers discuss these complex issues, by analysing their aims for Education for Sustainable Development. With inspiration from discourse theory, their articulations about students as political subjects are analysed. Critical thinking emerged as a nodal point in teachers’ discussions. In this study, critical thinking is articulated as having various qualitative meanings related to different epistemological views. On one hand, critical thinking is articulated to invite room for subjectification; but on the other hand, room for subjectification is challenged when critical thinking is articulated through the educational aims of qualification and socialisation. A consequence of changing epistemological view might be that political and ethical issues take a back seat.  相似文献   

7.
在艺术生存的困境中，以何种形式突围是艺术发展过程中困扰人们的问题。当下，时代旨趣异化艺术追求、科学技术与艺术冲突、前卫艺术庸俗化等问题显得尤为尖锐。本文在对以上问题进行剖析的基础上，从艺术与现实的关系切人，认为发挥艺术对现实的批判功能，倡导和发展审美文化，推进艺术和科学对话与交流是艺术在困境中突围的可行途径。  相似文献   

8.
: This study explores pre-service teachers’ knowledge of visual arts education and their ability to undertake creative processes. It is a study conducted with 88 primary school student teachers from a university in southern Spain. The participants were required to produce an artistic piece in which they were asked to reflect their thoughts on visual art education. The resulting pieces served as a tool for inquiry which enabled us to evaluate their theoretical and practical knowledge after performing an analysis of their form and content. After analysing the data, we concluded that future teachers are aware that arts education develops many types of skills, although they are only partially able to carry out a satisfactory artistic creation process. Therefore, it is essential to reinforce the training of pre-service teachers in the domain of artistic processes. Questioning pre-service teachers directly, and doing so through artistic creation, has allowed us to ascertain their level of knowledge of the visual arts.  相似文献   

9.
教师的知识生产具有社会性,高校艺术类青年教师不仅承担着知识的传承与知识传播,还是知识生产的参与者,研究高校艺术类青年教师的知识生产与个人职业成长,发现艺术学科的知识生产规律。 研究发现高校艺术类青年教师普遍重视艺术创作,对高校的科研评价方式并不认同,青年教师的艺术创作呈现功利性与效率性特点。 艺术类青年教师应正确认识实践性知识生产与学术研究的关系,通过学术研究和总结艺术创作规律,指导个人艺术创作,实现实践性知识生产与学术研究的互补。  相似文献   

10.
In an ‘age of measurement’ where students’ qualification is a hot topic on the political agenda, it is of interest to ask what the function of qualification might implicate in relation to a complex issue as Education for Sustainable Development (ESD) and what function environmental and sustainability issues serve in science education. This paper deals with how secondary and upper secondary teachers in discussions with colleagues articulate qualification in relation to educational aims of ESD. With inspiration from discourse theory, the teachers’ articulations of qualification are analysed and put in relation to other functions of education (qualification, socialisation and subjectification). The results of this study show three discourses of qualification: scientific reasoning, awareness of complexity and to be critical. The discourse of ‘qualification as to be critical’ is articulated as a composite of differing epistemological views. In this discourse, the teachers undulate between rationalistic epistemological views and postmodern views, in a pragmatic way, to articulate a discourse of critical thinking which serves as a reflecting tool to bring about different ways of valuing issues of sustainability, which reformulates ‘matter of facts’ towards ‘matter of concerns’  相似文献   

11.
燕丽丽 《衡水学院学报》2012,14(3):25-27,24
西方现代艺术旨在表征个性的解放、人性的觉醒与心灵的自由,而后现代艺术则彻底解构了现代艺术的传统思维模式与审美主旨,在消解一切中陷入了后现代的艺术困境,即在思想解放立场上对现代艺术解构有余而建构不足。唯有在积极扬弃现代艺术的基础之上注入后现代元素以达到感性美与思想美相统一的和谐境界,才能开创当代艺术思想发展的新走向。  相似文献   

12.
舞蹈是用人体的动作和姿态来反映社会生活表达思想感情的一种艺术形式。它和音乐、文学、美术和戏剧有着密切的联系,因此,它又是一种综合性的艺术。各种不同的艺术创作领域都有着自身艺术门类所独特的表现手段和表现方法,如文学通过文字表现,美术通过色彩表现,音乐通过音响表现,而舞蹈则是通过人体动作来表现的。本文将针对舞蹈创编中如何进行形象模仿。  相似文献   

13.
茜勒维·高利耶（Sylvie Coellier）,为法国普罗旺斯大学艺术系主任,教授,博士生导师,研究领域涉及雕塑、装置艺术、行为艺术、影视艺术、艺术史、当代艺术评论,是法国当代前卫艺术领域中少有的专家之一。接受北京师范大学邀请,茜勒维.高利耶教授于2011年4月26日在北京师范大学报告厅做了题为《近三十年的法国当代艺术》的演讲。在欧洲文化背景中,法国艺术有什么样独特的艺术风格？法国艺术家为当代国际艺术做出过什么样的贡献？茜勒维·高利耶教授通过介绍和评价近三十年的法国艺术家的艺术创作和法国艺术家对社会、人生的思考,回答了这些问题。  相似文献   

14.
In an era marked by an excessive exposure to information and disinformation, this article explores how the public in France engages with critical thinking on the topics of scientific information and knowledge, as well as associated debates. First, a panel survey was carried out in 2022 by the science education centre Universcience in Paris in collaboration with the survey institute GECE. A total of 3,218 respondents participated in the survey in France. The survey questions focused on three themes: (1) the substantial relationship between respondents' scientific reasoning and critical thinking; (2) sources that respondents used for information, particularly on scientific subjects, to form an understanding of current events; (3) respondent relationships to discourses in the sciences and otherness in reasoning. In this study, critical thinking was defined as the ability to sort and make sense of available information and to question one's opinions. Also, the ability to discern trustworthy sources and information. In this approach, critical thinking is a condition for correctly assessing information on science topics. This is understood to include knowledge about science, its processes of knowledge production, and quality sources of information in the natural sciences. In this study, a Barometer of Critical Thinking was developed, and a survey was carried out. Survey results and the development of the barometer are described. Finally, we discuss how developing scientific literacy (knowledge about scientific facts, methods, practices and sources) is crucial in order to foster critical thinking on scientific information, knowledge, debates, and beyond.  相似文献   

15.
The ability to reason, analyse and evaluate issues critically is a valued skill and ranks highly in the list of attributes expected of graduates. Much has been written about the importance and application of critical thinking in various domains, but studies on the actual manifestation of such skills in students' writing have attracted only modest interest. Even less has been written about critiques in relation to critical thinking. This study sought to investigate the form and nature of issues raised by 119 second-year biology undergraduates in their critiques of the introduction section of a research article. The study revealed that the vast majority of students tended to raise surface issues in their critiques, focusing on visible textual features such as rhetorical structure and language-related issues. The minority who raised depth issues addressed the arguments used in the reading and their significance. In light of the skewed results, a two-stage process – involving (1) summary writing and (2) the use of evaluative criteria and the Toulmin model as an overarching framework – is recommended to enhance the teaching of critical thinking within the curriculum. This study offers a glimpse into the outcomes of critical thinking, as represented by the students' critiques. It provides a bottom-up approach to our understanding of the issues raised by students in a task centred on critical thinking and so focuses our attention on specific areas for further consideration or remediation.  相似文献   

16.
从神话角度入手,运用象征艺术理论对彝族服饰进行分析研究,阐述了纹样和色彩在彝族服饰上的应用,并从彝族服饰的神话符号思维模式探讨其独特的艺术特色,以期清晰地了解彝族服饰上神话的真正内涵,更好地体会彝族的艺术才能。  相似文献   

17.
Environmental planning education has become crucial given the projected implications of climate change for human settlements and nature. However, despite the identified importance of educating planners with regards to sustainability and environmental issues, there has been limited discussion of the topic within literature. In particular, there has been little consultation with planning professionals about their perception of environmental planning curricula needs. This article addresses this need through the survey of planning professionals in Australia. Perceived gaps in environmental knowledge and skills of planners were identified. The key knowledge gaps highlighted included climate change and water management. The key skill gaps highlighted included critical thinking and independent inquiry. Implications for urban planning curricula including the need to revise planning curricula are discussed. The study has implications for and interest to other professional degrees of which environmental sustainability is a component.  相似文献   

18.
Art educators have been promoting Community‐Based Art Education (CBAE) in schools in order to enhance students’ sense of socio‐cultural identity and contextual learning about local art and culture. It cannot only bridge the gap between the students’ daily lives and the communities and art, but can also enhance their inquiry, discovery and meaning‐making abilities. In China, the community‐based approach plays a significant role in the National Standards for Visual Arts, and Chinese art educators have been applying CBAE in school art education for decades. However, Western art educators are still unfamiliar with the issues, practices and challenges related to CBAE in China owing to language constraints. In light of the above, this article aims to initiate a dialogue between Western and Chinese CBAE researchers through discourse and discussions on the main issues related to CBAE in Chinese art education. It outlines current practices of, and issues related to, CBAE from the perspective of Chinese art education. It also discusses the three major challenges to the implementation of CBAE in China, namely the conflict between indigenous knowledge and official knowledge in the school art curriculum, lack of motivation among teachers, and neglect of context in the practice of local art in schools. It is hoped that this article it will enrich our overall knowledge of CBAE and contribute to the understanding of CBAE from a global perspective.  相似文献   

19.
Abstract

In Australia, the university ethics approval process is guided by the National Statement on Ethical Conduct in Human Research. The National Statement does not provide a hurdle to be overcome or avoided, nor is it a Godzilla-like monster that must be slain for truth to survive. Rather the National Statement provides an affirmation of an abiding respect for all life and a mechanism for beginning the intelligent questioning, theorization and contextualization for a work of art. Focusing specifically on the emergent discipline of artistic research, this article addresses the question of how the supervisory process may take on the ‘spirit’ of the National Statement to engender genuine ethical debate, rather than merely focus on the instrumental obstacles that seem to get in the way of the research. It specifically addresses the emergent field of artistic research and the concomitant resistance to ethical regulation of artistic research, in which bureaucratic instrumentalism and compliance or censorship are considered to potentially emasculate the vitality of an art work and the ability of art to serve as a truthsayer or agent provocateur. In this, the attitude of the supervisor toward research ethics in artistic research is considered a key factor in determining their students attitudes towards the ethics process. This article will present several initiatives undertaken with the intent of more fully engaging supervisors and students with research ethics.  相似文献   

20.
Abstract

Creating behavior change to mobilize transitions toward sustainability is a significant challenge of our time. Inspired by the United Nations Food and Agriculture Organization’s Farmer Field School, we developed a novel community-based education program to engage people in local sustainability topics. In the Sustainable Communities Field School (Field School) program, advertised as team building tours, participants from local organizations are guided by instructors through University of British Columbia Botanical Garden, while receiving verbal and experiential education on topics of food systems and choices, biodiversity conservation, water conservation, and waste reduction. We found that after the Field School program, participants were significantly more knowledgeable about environmental issues, more connected to nature, showed greater intentions and willingness to engage in sustainability actions compared to garden visitors from the general public who did not go through the program. The results suggest that interactive sustainability education in a botanical garden setting can be a useful education model to mobilize public engagement on sustainability.  相似文献   

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