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元情绪指个体对自我或他人情绪的认知和调控,是情绪智力的重要成分之一。本研究采用问卷法,测量了539名高中生的元情绪水平。得到主要结果如下：（1）男生的自我情绪辨别、分析和调控水平高于女生,而自我情绪注意和他人情绪体验水平不及女生;（2）高二、高三学生的情绪注意水平高于高一学生;（3）班干部学生在元情绪绝大部分因子上得分都高于非班干部学生,即班干部的情绪认知和调近代能力普遍优于非班干部学生;（4）非独生子的他人情绪体验高于独生子;（5）父母离异组学生的自我情绪注意和自我情绪特点知识高于非离异组。 相似文献
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《华夏少年(简快作文 )》2014,(4)
综合实践活动作为一门新课程,以学生自主选择、直接体验、研究探索的学习为课程基本方式的非学科性课程。倡导学生对自我、社会和自然之间内在联系的整体认识与体验。在选择活动主题时要注意引导学生兴趣,结合学生实际,引发学生探究兴趣确定研究主题。 相似文献
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教育生活体验研究及其理论价值 总被引：1，自引：0，他引：1
教育生活体验具有当下性、完整性、独特性、超越性和不可言说性等特点。作为一种不同于教育经验的研究范式,教育生活体验研究的理论价值在于它能使教育意义更加完整,它的非课题性和生存意识使它区别于行动研究和反思性教学研究,它的研究旨趣渗入了教育研究方法论转向的思想,对教育学理论建设有积极意义。 相似文献
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王荣 《中学政治教学参考》2011,(1):76-77
思想品德教学设计应该以对学情的充分了解和对教材的深刻把握为前提,以体现主体性、针对性、实效性为基本要求,以学生始终的注意投入、始终的思维投入、始终的情。感投入为设计标准,以师生互动、生生互动为途径,以学生的体验、感悟、生成为落脚点。学生的体验是思想品德教学的起点,体验是基础,没有体验就很难获得深刻的感悟和反思。思想品德教学应该以学生的生活为基础,让学生从生活出发,在体验中学习,在学习中感悟、反思, 相似文献
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生活是一种财富,儿童的生活体验和生活积累都是艺术创作的重要动力与创作素材。由于回忆和结构能力的薄弱,儿童对自己生活的观察十分散乱,不能主动地去观察一些有意义的题材。因此,我在教学中注意培养儿童的艺术观察力,加强儿童生活观察的整体性、目标性和独特性,同时启发儿童积极回忆自己的生活和体验,发现生活的生动性与趣味性,大胆真实地表现生活的世界,反映生活的喜怒哀乐,感受艺术对生活反映的典型性和表现性,并从中发现美术表现的 相似文献
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学生怕写作文,产生这种现象的原因有多方面,其中之一是学生的情感体验没有得到激发。社会生活对学生的精神影响是深广的,由此所产生的情感体验又往往是多元的。基于此,作文教学中要关注学生的情感体验。一、唤醒生活经历,激发直接体验第斯多惠说:"教育的艺术不在于传授知识和本领,而在于激励、唤醒和鼓舞。"作文教学也是这样,认知与情感体验是紧密联系的,作为非认知因素的情感体验在作文中起动力作用,承担着作文的定向、维持和 相似文献
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综合实践活动课是一门以学生自主选择、直接体验、研究探索的非学科性课程.教师只有走进学生心灵,研究他们所思所想,才能使学生获得对生活、自然、社会的整体认知. 相似文献
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Many teacher education institutions across the world are now initiating and supporting international teaching practicums to better prepare their teaching graduates to teach for diversity. Recently, some of these practicums have embedded service-learning structures and discourses to further encourage pre-service teachers (PSTs) to think beyond their self-interests towards larger ethical and educational questions. This paper employs narrative-based inquiry methods to explore the lived experiences of three co-leaders of an international teaching practicum in South Africa for Australian PSTs underpinned by dialogic service-learning principles. Using Bakhtinian dialogic theory, the authors generate alternative interpretations of reflective narratives they have written, in order to examine the concepts of dialogue and reciprocity in their lived experience of this teaching practicum. The authors conclude that reciprocity and dialogue are indeed valuable discourses for critically researching international teaching practicums with service-learning dimensions, but counsel against romanticising either of these. 相似文献
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Limitations of language: developing arts‐based creative narrative in stories of teachers’ identities
Ruth Leitch 《Teachers and Teaching》2013,19(5):549-569
This paper is based on a multidimensional study employing a heuristic methodology termed ‘creative narrative’ that combines arts‐based methods with narrative inquiry. Six female teachers’ narratives of identity are explored through artistic, visual images to illuminate if and how they story ‘unconscious’. The creative narratives, illuminated through a multi‐layered extract from one creative narrative, illustrate various ways in which the participants imputed meaning and power to tacit and non‐conscious influences which were emotionally potent but previously hidden from themselves and others and that continued to affect their professional identities. The paper argues that such unconscious or non‐conscious dimensions to teachers’ lives are crucial to the experience and exercise of professional identity and yet are largely absent from our understandings and outside the capture of narrative inquiry as it is presently conceptualized. Narrative inquiry should strive to extend its theoretical boundaries and incorporate non‐verbal arts‐based research methods in order to go beyond the limits of language and capture the meaning of lived experience in more holistic ways. 相似文献
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Gail Crimmins 《Educational Action Research》2017,25(3):337-353
This article discusses how a performed drama based on a narrative inquiry into the lived experience of women casual academics in Australian universities is understood by an audience. The audience, principally comprised of casual and ongoing academics, described the drama as authentic and personally recognised many of the main scenarios and preoccupations re-presented. In particular, they identified that the drama’s re-presentation of casual academics’ feelings of insecurity, precarious collegial relationships, and a lack of belonging and voice strongly resonated with them. The presentation also provoked them to communicate their own lived experiences of academia, which constituted a second set of narrative data. Moreover, when the audience was invited to engage with and respond to performed data they became active and collaborative participants in the research project by sharing personal insights and narratives which extended the scope and depth of the initial research project. Therefore, a public re-presentation of narrative research can transform narrative inquiry research into an action research project if the researcher adjusts her/his research approach and accepts that the audience narrative response can function as a second phase of data gathering. Adjusting to the emergent generation of data in turn further democratises research processes and relationships. 相似文献
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生活体验研究：含义、原理与主要环节——范梅南的教育学研究方法论在教师教育意义上的解读 总被引：3，自引：0，他引：3
“生活体验研究”是范梅南提出的一种教育学研究方法。它不同于科学理性的方法论，是以人为中心的解释性模式。是解释现象学的教育学研究方法。它通过“悬置”、体验、描述(现象学反思)、阐释(文本写作)来展开教育学研究，“生活体验研究”是具有教师教育功能的一种教育研究方法。 相似文献
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This paper reports on a hermeneutic phenomenological research inquiry which explored ‘lived experiences’ of the teacher–student relationship in teacher education. An essential understanding from this research is that teachers and students experience their relationship as a play that is uncertain and lived beyond the rules of engagement. Teachers who are attuned to this play show phronesis in the way they relate. This research questions instrumental models of teacher education underpinned by a dominant neoliberal ideology. This research calls for the re-educating of teacher educators and teachers towards essential understandings of relationship and the pathic sensibilities associated with being-in-relationship. 相似文献
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Gail Crimmins 《International Journal for Academic Development》2017,22(1):7-18
AbstractCasual academics form the backbone of learning and teaching practice in higher education in many developed countries and in many respects can be considered the norm around which academic policy and practice might be formed. Yet a narrative inquiry into the lived experience of women casual academics within Australian universities reveals that recruitment and management of casual teaching staff is generally ad hoc, and although they are committed to and enjoy teaching, casual academics rarely engage in professional and career development. Consequently, recommendations to contemporise recruitment and professional development policy for casual academics are made. 相似文献
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Leanne Dowse 《Journal of Research in Special Educational Needs》2009,9(3):141-153
This paper introduces key debates in the contemporary practice of disability research and examines how these apply to conceptualising, designing and conducting research with people with intellectual disability. Specifically, it describes a collaborative action‐oriented reflexive approach to researching the lived experience of people with intellectual disability in self‐advocacy, offering a ‘reflective reprocessing’ of the methodological traditions, decisions, complexities and inadequacies of approaches to researching with such people. Emphasis on mutuality and the co‐construction of research agendas, interpretative frames and meanings is a method that has rarely been seen in research practice in intellectual disability. The approach described enables a merging of the skills of the ‘researcher’ and the ‘researched’ to create a process of integrated inquiry and reflection. It promises the possibility of new forms of co‐produced social knowledge about intellectual disability and self‐advocacy, with explicitly emancipatory values and assumptions. 相似文献
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探究式学习:18条原则(下) 总被引：24，自引：0，他引：24
新一轮基础教育课程改革大力倡导在各科中面向全体学生,开展多样化的探究式学习。这就要求在教学过程中,辩证地处理学生自主与教师指导的关系,不仅强调学生要倾听教师,更要强调教师要倾听学生,珍视探究中学生的个人观念、独特感受和体验,并引导学生积极反思。同时,要特别强调学生之间的相互倾听、交流与合作。当然,不能认为探究式学习就是先进的、唯一的,教师讲授、学生听讲的学习方式就是落后的、过时的、应该抛弃的。实际上,不同的学习方式各有所长,相互之间应该相辅相成,互相促进,不可偏废。 相似文献
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探究式学习:18条原则(上) 总被引：34，自引：0，他引：34
新一轮基础教育课程改革大力倡导在各科教学中,面向全体学生,开展多样化的探究式学习。这就要求在教学过程中,辩证地处理学生自主与教师指导的关系,不仅强调学生要倾听教师,更要强调教师要倾听学生,珍视探究中学生的个人观念、独特感受和体验,并引导学生积极反思。同时,要特别强调学生之间的相互倾听、交流与合作。当然,不能认为探究式学习就是先进的、唯一的,教师讲授、学生听讲的学习方式就是落后的、过时的、应该抛弃的。实际上,不同学习方式各有所长,相互之间应该相辅相成,互相促进,不可偏废。 相似文献
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Ruth Leitch 《Irish Educational Studies》2018,37(2):159-174
Autoethnography and narrative inquiry, with their focus on researching the personal dimensions of human experience, are overlapping realms within the field of qualitative research. While the dominant ways of knowing and researching in the academy remain that of empirical observation and critical analysis from a distanced perspective, these approaches attribute little meaning to the culturally relevant and reflexive accounts of those involved in the autoethnographic and narrative inquiry. In this paper, I critically reflect on my experiences of negotiating identities as an academic and educational researcher over time against a backdrop of professional anxieties produced by policy and political imperatives that have increasingly pervaded modern higher education in the UK. Adopting an autoethnographic style, I contemplate the complexities and opportunities that have inscribed my various identities as an educational researcher over a career, crossing from traditional research to creative narrative and arts-informed approaches. 相似文献