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1.
Jin Jian 《中外文化交流(英文版)》2010,(5):24-27
Ancient China was an agricultural society where all capable emperors paid much attention to farming and ,weaving activities, Artistic creations depicting farming and weaving scenes can date back to the Neolithic Age. A bronze bottle from the Warring States period （475 BC - 221 BC） features hunting and planting scenes. Bronze wares of the pre-Qin period, painted relief bricks of the Han Dynasty, tomb murals of the Wei-and-Jin period and grotto paintings of the Tang and Song dynasties, all recorded farming, planting and weaving scenes of the agricultural society of ancient China. In the Southern Song Dynasty, in particular, thanks to its highly developed agriculture, a painter named Lou Shu created a piece of ink painting, entitled ＂Farming and Weaving Painting＂, reviewing agricultural skills and approaches of previous dynasties. 相似文献
2.
Jin Zhilin 《中外文化交流(英文版)》2006,(6):10-13
Paper cut is one of the most distinctive folk arts that Chinese women have created and developed over the sweep of Chinese history. The art of paper cutting, originating from the pre-history era and dubbed as ＂living fossils of Chinese civilization＂, has been carried forward for hundreds of years in the vast countryside of China and survived with great vitality until today. 相似文献
3.
Liu Liu 《中外文化交流(英文版)》2007,(2):24-27
Behavior art is an artistic genre of post-modernism flourishing in the 1960s and 70s in the West, and it has been imitated, explored and developed by avant-garde Chinese contemporary artists ever since the late 1980s. Some of them devote themselves so wholeheartedly to pursue and experiment it tnat graoually they have out their unique style and attracted attention home and abroad. Yin Xiaofeng, a gifted young artist from Chengdu, dramatically demonstrates the wonder and power of behavior art by harmoniously contrasting the ancient and the contemporary, the traditional and the modern, the Chinese and the Western, with his wit, his thought, his body and those rubbles buried in ruins for thousands of years...[第一段] 相似文献
4.
Zhang Yue 《中外文化交流(英文版)》2012,(1):30-33
County has played an important role in the history of China since it was first established as a basic administrative unit in 00the Qin Dynasty more than 2,000 years ago. Historic counties have not only performed administrative and economic functions but also carried and preserved basic information about culture and traditions of China. Not long ago, the Photographic Exhibition on the Cultural Heritage of Historic Counties of China, organized by China Cultural Relics Protection Foundation in partnership with the Palace Museum and China Institute of Toponymy, was held at the Forbidden City, displaying photographs on the cultures and traditions of the first 16 Historic Counties of China, with an objective to enhance the public’s awareness of the conservation of cultural heritage in these historic counties.Our magazine will cover each of these chosen historic counties in each issue. 相似文献
5.
Liu Liu 《中外文化交流(英文版)》2007,(7):19-21
Ceramics is an art of fire. The tension and flexibility of earth are extended in the artist＇s hands to show the unique textural beauty and subtle feelings of the artist and original materials from the nature are mixed and tempered by fire. This complicated process demonstrates the artist＇s particular ideas, feelings and dispositions. In the eyes of Li Qing, a young artist from Chengdu, Sichuan Province, that is the very nature of ceramics that fascinates him so much. 相似文献
6.
Jing Ru Wen Fang 《中外文化交流(英文版)》2006,(8):30-33
In November 11, 2003, the renowned Chinese writer Zhou Erfu, at age 83 and in the advanced stage of cancer, strenuously wrote a letter to his Japanese friend Yi Kenichiro, inquiring about the translation and publication of the Japanese edition of his novel ＂The Panorama of the Great Wall＂ which reflects the whole period of the Chinese people＇s anti-Japanese war from 1937 to 1945. Yi Kenichiro, with a medium-sized figure, gentlemen-like appearance and unswerving disposition, is a Japanese professor expert in Chinese literature and language. He was then busy with his teaching work and the translation of the Japanese version of Zhou＇s novel. Receiving Zhou＇s letter, he fell into a sad mood and hoped Zhou could be recovered soon and live up to the day when the whole novel was published in Japan. 相似文献
7.
《中外文化交流(英文版)》2002,(6)
Tibet, known as the“roof of the world”, has long been a destination of pilgrims from around the globe for its unique and mysterious culture. And antiquities and relics excavated from this area, which are testament to the Tibetans' diligence and intelligence, have been an abundant resource of the famous Tibetan culture. About 50,000 years ago , the ancestors of the Tibetans entered the Stone Age. The pottery shown in picture one, a monkey-faced sculpture excavated in Qu Gong, is the remains of the decorative part of a large piece of earthenware. It illustrates the widespread idea that the monkey 相似文献
8.
Gan’er 《中外文化交流(英文版)》2011,(9):4-6
Tian’anmen Square is a landmark symbolizing the spirit of Chinese people and witnessing their pursuit of self-reliance and national independence. It carries the collective memory of Chinese people and records the history of the People’s Republic of China. In celebration of the 90th anniversary of the Communist Party of China, the Capital Museum has recently launched the exhibition "100 Years of Tian’anmen Square: a 相似文献
9.
《中外文化交流(英文版)》1993,(5)
ADream of Red Mansions is a world-famous literary workand one of the greatest trea-sures among the Chinese classics.Itholds a special position in the histo-ry of Chinese literature unmatchedby other works,and with the devel-opment of history and the progressof society,its ideological and literary values have become even dee- 相似文献
10.
ChenBaoguang 《中外文化交流(英文版)》2005,(5):16-19
The setting of the film Peacock is the smalltown of Heyang, home of the Gao family. The Gaos are not wealthy, but there is no lack of love and warmth among them. The parents are hardworking, honest people. Weihong, the daughter, loves art and is full of dreams, but often feels depressed about her failure to join themilitary. Both her career and her marriage are unsuccessful. The elder son, Weiguo, has a slight mental disorder and is his parents‘ pet, but is often bullied by people outside the family. 相似文献
11.
Wang Feng 《中外文化交流(英文版)》2009,(2):12-17
In the beginning of his career, Gao Feng served as an apprentice in a ceramic workshop, doing errands for his masters. With several months of practicing and training, he acquainted himself with every process of ceramic making and developed interest in this profession dealing with clay and fire, One year later, he was transferred to the ceramic studio of the Central Academy of Fine Arts in Beijing. At that time, except Jingdezhen and a few other ceramic sites in frontier areas, the technique of ceramic throwing had been generally replaced by machine molding and infilling. 相似文献
12.
Li Yanli 《中外文化交流(英文版)》2007,(1):16-19
Late September 2006, at the invitation of the Cultural Ministry of Belarus, a four-person delegation from northeast China＇s Heilongjiang Province visited Minsk, capital city of Belarus, to present China Ice and Snow Painting Exhibition at Belarus National Museum of History and Culture as part of China Culture Day co- sponsored by the cultural ministries of the two countries. The exhibition displayed 54 painting masterpieces by Yu Zhixue, founder of ice and snow painting, and his students. All the maior media organizations in Belarus reported the exhibition and Belarus Culture Daily gave an exclusive interview of Yu Zhixue. The Deputy Cultural Minister of Belarus was so impressed by the painting styles of Yu that he shook Yu＇s hands excitingly and highly praised Yu＇s works. A renowned Belarus painter said that ＂Trees with Crystal-White ice＂, donated by Yu to Belarus National Museum of History and Culture, would become an everlasting memory of the city of Minsk. 相似文献
13.
YangBaomin 《中外文化交流(英文版)》2004,(3):41-43
During the past two centuries, Beijingattracted a great many of people, who madeChina‘s modem history all the more colorful.They came from across the country forvarious motives, worked and settled inBeijing and became part of its history. Theseold houses, submerged among theskyscrapers of the metropolis, maintain theirold appearance. They remind people of a 相似文献
14.
LiShegxian 《中外文化交流(英文版)》2004,(5):6-11
The night of July 2, 2004. The Palace of Versaille. Chinese-style red palace lanterns glittered amid trees and lotus lights with oriental charm floated in the lake. Distinguished guests from China and thousands of French celebrities and officials gathered to await the closing of China Cultural Year. When the clock struck twelve, vigorous music suddenly sounded 相似文献
15.
Feng Lin 《中外文化交流(英文版)》2006,(11):38-41
If you drive along the Chang＇an Avenue eastward in Beijing and pass through skyscrapers in CBD, you will soon encounter a complex of ancient buildings of Ming and Qing styles - China Red Sandalwood Museum. Behind the immense door lies an ancient art palace. This is the world＇s largest museum of red sandalwood architectures and carvings and also the only private museum in China that has ＂China＂ in its name, which receives the most heads of states and foreign government officials. 相似文献
16.
Jin Jian 《中外文化交流(英文版)》2009,(9):44-46
Yuanmingyuan, known in China as the garden of perfect brightness, is located in the western suburb of Beijing where there is rich water resources and green mountains and hills. During the reign of Qing Emperor Kangxi [1661-1722], the Everlasting Spring Garden was built on ruins of a Ming Dynasty garden and completed in 1690. The garden served as a summer palace where the emperor escaped the summer heat and handled court affairs. 相似文献
17.
BaiXuehua 《中外文化交流(英文版)》2003,(3):19-21
The forerunner of the National Library of China was the Capital Library, built in 1909 in the Guanghua Temple. It was later moved to Wenjin Street and became what was then the largest and most modern library in the country. Over the years a number of prominent scholars served as its 相似文献
18.
《中外文化交流(英文版)》2005,(5)
The setting of the film Peacock is the small town of Heyang, home of the Gao family. The Gaos are not wealthy, but there is no lack of love and warmth among them. The parents are hardworking, honest people. Weihong, the daughter, loves art and is full of dreams, but often feels depressed about her failure to join the military. Both her career and her marriage are unsuccessful. The elder son, Weiguo, has a slight mental disorder and is his parents' pet, but is often bullied by people outside the family. He also suffers setbacks in finding his ideal mate and has to settle on a less-than-perfect love to marry. The younger son, Weiqiang, is a sensitive, gloomy lad who is silent but self-adoring. He drops out of middle school and marries a divorced actress. Heyang, though a fictional place, is based 相似文献
19.
《中外文化交流(英文版)》2007,(8):26-27
Samarkand is one of the most ancient and famous cities in the world.By its age,Samarkand can be compared to such ancient cities as Rome.Athens and Babylon.In 2007 Samarkand will celebrate its 2750th anniversary.Samarkand can doubtlessly be called the＂Pearl of the East＂.Standing on the crossroad of the great Silk Road,it took and preserved until present times the culture,art and unique architeeture of the ancient world civilizations. 相似文献
20.
Kong Runchang 《中外文化交流(英文版)》2006,(2):26-27
Paper-cut, known as the most common folk art in China, can date back to the Shang and Zhoudynasties when Chinese ancestors engraved flower patterns on gold and silver spangles and cut leathers as decorations. The extant earliest unearthed paper-cut works were made during the Southern and Northern dynasties （420 - 589 AD）. The five pieces of paper-cut excavated from the three tombs of the period were all made of yellow paper. 相似文献