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1.
As part of research in progress on the study and design of an ontology knowledge model, this paper focuses on development of a shape-grammar schema for extracting attributes of spatial organization of a subset of cultural heritage relics, namely, caravanserais, from a selected corpus with a common architectural language of design. First, shape-grammar rules for classification of caravanserais of the selected corpus are developed and are represented in drawing by using Auto CAD tool. Shape rules as a natural-language equivalent are then devised by describing design functions and clarifying the topology of shapes. Based on these shape rules in given text, the hierarchy of a shape-grammar schema in the Protégé knowledge representation tool is designed, and each shape rule is defined as an interconnecting individual (or instance) in OWL language. This schema will enable us to extract computer-based semantics of shape-grammar rules. To illustrate this innovative approach, a selected corpus was classified by using the shape-grammar schema with the support of knowledge extraction tools.  相似文献   

2.
Precise documentation of cultural heritage status is essential for its protection and scientific studies carried out during the restoration and renovation process. The close range photogrammetry has been used successfully for documentation of cultural heritage. With recent developments in computer and information technologies, this well-known traditional method has been replaced with digital close-range photogrammetry. This new method offers us new opportunities such as automatic orientation and measurement procedures, generation of 3D vector data, digital ortho-image and digital surface model. Terrestrial laser scanning is another technology that in recent years has become increasingly popular for documentation which provides very dense 3D points on an object surface with high accuracy. In addition, the 3D model and digital ortho-image can be easily generated using generated 3D point cloud and recorded digital images.  相似文献   

3.
It is a fact that the most important thing for transmitting cultural heritage to posterity starts with a sensitive documentation step. Up to the present, there have been many developments in documentation of cultural heritage by developing technology, and contemporary documentation techniques have progressed speedily. Nowadays besides of a sensitive documentation, rapidness has gain importance for the sake of time and cost. Because of these facts, the techniques that provide fast and reliable documentation and modeling like digital close-range photogrammetry and laser scanning became preferable with respect to classical architectural methods. In this paper, the studies of precise measurement, 3D modeling and documentation of Nippur Cubit is presented. The Nippur cubit–the first known standard measure of length–was a heavy copper bar, unearthed at Nippur on the Euphrates River dating from about 2650 B.C. This ancient measuring device is nowadays exposed in the Archeological Museum of Istanbul, Turkey. For the purpose of 3D modeling and archiving of the mentioned object, digital close-range photogrammetry and laser scanning technology were applied and results obtained from these two techniques were compared.  相似文献   

4.
It is an indisputable reality that the most important thing for transmitting cultural heritage to posterity is a sensitive documentation. Up to the present there have been many developments in documentation of cultural heritage by developing technology, and contemporary documentation techniques have progressed speedily. In time, modern methods have become preferable to conventional methods in architecture generally in the existent state and in determination of deformations and preparation of measured drawing projects of historical edifices. Digital and 3D data, rich visual images obtained by digital close-range photogrammetry, and orthophoto images of edifices, are governed and shepherded in documentation and future conservation projects. Also, these methods supply much ease, precision and time-saving in measured drawing projects when compared with conventional methods. In this study, contributions of digital close-range photogrammetry to measured drawing projects were evaluated. A historical building, which had been exposed to fire two times in Konya (Turkey), was photographed and its situation before and after the fire was demonstrated. In addition, the building's measured drawings of facade and its 3D model were completed using digital close-range photogrammetry. The building's present status and its reconstruction project is indicated and how digital close-range photogrammetry contributes to measured drawing, reconstruction and restoration projects is presented. Furthermore, the significance of present-day use of digital close-range photogrammetry in the acquisition of data and preparation of measured drawing projects for historical buildings is emphasized. This study has been completed by photogrammetrists, architects, urban planners and restorers.  相似文献   

5.
Due to the extreme fragility of paper-based artefacts, few techniques are available for scientific investigation and characterisation of ancient drawings or paper-based artefacts. Image reflectance spectroscopy represents an almost unique tool for scientific analysis on precious drawings, for which even micro-invasive techniques of analysis cannot be used. Indeed, beside the high fragility of the support, drawings and graphical works are typically characterised by a very limited number of artistic materials, which in principle could give information on the work of art. In this paper an interdisciplinary study on a set of drawings by Parmigianino (1503–1540), selected from the collection of the Uffizi Gallery in Florence, is presented. Non-invasive measurements of image spectroscopy (IS) have been employed to support the work of art-historians in the critical re-examination and interpretation of the graphical work of the artist. The multispectral analysis has been carried out over the extended spectral region (400–1700 nm), in order to provide simultaneous indications both on the pictorial materials and on possibly underlying hatches. The data processing has been performed by means of Principal Component Analysis (PCA) and the elaboration of each case has been addressed to specifically respond to questions related to the art-historical problem.  相似文献   

6.
Non-invasive documentation of historic façades with fluorescence lidar techniques can provide helpful information for the cultural heritage sector, especially when large areas outdoors are to be examined. This paper presents a case study of the Coliseum, Rome, where both cleaned and heavily soiled areas of the monument were scanned and analysed with two fluorescence lidar systems. Biodeterioration processes were also addressed during the experiment, with the aim of assessing the colonisation extent on selected areas of the monument. Results show the usefulness of a mobile fluorescence lidar system for documentation and survey of large surfaces with complex conditions without limiting the public access to the monument.  相似文献   

7.
Moisture in walls provides a key control on decay processes, but has proved difficult to measure. As part of a larger study investigating the ability of soft wall capping (soil and vegetation) to help conserve ruined monuments we have investigated moisture contents of walls at two ruined abbeys. Two methods of moisture measurement were used, i.e. a novel adaptation of 2D electrical resistivity surveys and the well-established wooden dowel method. Medical ECG electrodes were utilised to provide a completely non-destructive resistivity measurement. At Hailes Abbey wooden dowel and 2D resistivity measurements were made of soft capped vs. uncapped wall sections. The wooden dowels showed drier conditions in the core of the capped sections, although the resistivity surveys were influenced by a different stone structure in the wall core. At Byland Abbey, resistivity surveys indicated drier stone blocks and wetter mortar in the near-surface zone, and illustrated the success of the soft-capping technique in reducing water contents in the core of the wall in comparison with hard-capping with mortar. The 2D resistivity technique is shown to be a useful and fast non-destructive technique with the capacity to provide good spatial and temporal resolution information on moisture distribution in walls.  相似文献   

8.
A definition of cultural heritage: From the tangible to the intangible   总被引：2，自引：0，他引：2  
The aim of this work is to analyse the evolution of the concept of cultural heritage in West European states. In the last decades of the 20th century, the term “heritage” was characterised by expansion and semantic transfer, resulting in a generalisation of the use of this word, frequently used in the place of another, such as, monument and cultural property. However, all these terms are not able to cover the same semantic field. Starting by the reflection on the semantic evolution of the notion of cultural heritage in France, we approach to the international definition of heritage given by the directives, charters and international resolutions in order to define a global outline of the meaning of heritage that is not just limited to a particular national dimension. From a purely normative approach, one went to a less restrictive approach, one based on the capacity of the object to arouse certain values that led the society in question to consider it as heritage and therefore, to a further step in which heritage is no longer defined on the basis of its material aspect. This development has also made it possible to recognise intangible cultural heritage, which was ignored for a long time, as heritage to be protected and safeguarded.  相似文献   

9.
With the aim of identifying new water dispersed polymers for textile conservation, the structure and properties of three commercial polyacrylates and one commercial polyvinylacetate were analysed. The characteristics of these materials, not previously used in the conservation and restoration fields, were compared with that shown by Primal AC33 and Mowilith DMC2 and SDM5, widely used as consolidating or adhesive agents of ancient textiles. To achieve a thorough characterisation of each polymer, molecular, thermal, structural and mechanical investigation techniques were applied on film samples, obtained from polymer water dispersions through water casting at room temperature and/or compression moulding. The photo-oxidative resistance of these materials was also assessed by artificial weathering of water cast films and by measuring the Yellowing Index (YI) as a function of the exposure time under xenon-arc lamp. Collected data were used to appropriately compare the performances shown by these polymers when applied on artefacts consisting of natural fibres. In particular it was found that, among the products not previously used in the conservation and restoration fields, a high potential for carrying out treatments on textiles is shown by the samples commercialised with the trade names of Acrilem RP6005 and Acrilem 30WA. These products, in fact, exhibit properties that make them suitable as substitutes for Primal AC33 and Mowilith DMC2 and SDM5, respectively, depending upon conservation needs. It was very interesting to note that Acrilem 30WA, also after aging, shows YI values lower than that shown by Mowilith DMC2 and SDM5.  相似文献   

10.
Optical and SEM-EDS microscopy, X-ray powder diffraction and micro FT-IR spectroscopy investigations of the funerary klinai (couches) of Tomb 1 from Amphipolis and a stone sarcophagus from ancient Tragilos—two painted monuments made by Macedonian craftsmen of the Early Hellenistic period—identified the original materials and painting technique, as well as synthetic materials used as consolidants during past restoration treatments. The original organic binders and the superficial modern coatings have been identified by micro FT-IR spectroscopy applied directly to the sampled powders or tiny fragments and to their solvent—soluble fractions. The pigments identified on the couch of Amphipolis are: red and yellow ochre, cinnabar, Madder lake, paratacamite and antlerite, carbon black, calcium carbonate, kaolin and gypsum. The identification of egg and animal glue confirms the application of tempera and secco techniques. The detection of polymers such as polydimethylsiloxane, polyvinyl acetate and alkyd resins, is related to modern restoration products. The pigments attested on the paintings of the Tragilos' sarcophagus are: red and yellow ochre, Egyptian blue, malachite, carbon black, calcium carbonate and gypsum. The absence of organic binders combined with the constant presence of calcium carbonate in all the examined samples suggests the use of lime as the binding medium in the painted decoration of the sarcophagus. The presence of Paraloid B72 is related to recent conservation treatments.  相似文献   

11.
随着文化遗产类型的不断丰富,在大尺度遗产的保护过程中,真实性与完整性的矛盾越来越突出,对我国既有的文化遗产保护体系构成了严峻的挑战.对遗产区域化保护的理论和实践进行阐述,初步分析了遗产区域化保护规划的关键技术问题,以大运河扬州段为例,就大运河遗产的区域化保护方法进行探讨.认为文化遗产区域化保护不仅是保护理念、方法的变化...  相似文献   

12.
In November 20th 2007 Tel Aviv-Jaffa Municipality confirmed its list of buildings earmarked for conservation. The confirmation was related only to Tel Aviv cultural heritage, the city that was founded in 1909, along the Mediterranean seashore, next to old Jaffa. The list was published 4 years after part of the old urban center of Tel Aviv was nominated as World Heritage Site for its architectural uniqueness (Tel Aviv the White City). The list and the nomination were focused on architectural styles, which are based on building material, the silicate brick, used in Israel throughout the years 1918–1948. This building material and technology left its imprint on Tel Aviv's landscape and is also a part of Tel Aviv's history and development. In spite of its importance, all concerned in Tel Aviv-Jaffa municipality and urban planning, have totally ignored this phenomenon.The thrust of this discussion is that the silicate bricks phenomenon, a building material and technology, due to its importance to Tel Aviv heritage and its vast distribution in Tel Aviv landscape, should be integrated into the current urban renewal development process in the old city of Tel Aviv. The discovery of its history and its role in Tel Aviv cultural heritage will change the attitudes of Tel Aviv-Jaffa municipality to this building material; instead of a vernacular phenomena, a common brick or a frequent building technology, it will get a better appreciation. Urban landscapes of many cities around the world are based on vernacular phenomena, which are ignored by the urban municipalities. The silicate case should serve as an example of the role of a vernacular heritage, and in this case a common building material, in the urban renewal and conservation process.  相似文献   

13.
In this paper, the authors briefly review the state of the art of the 3D acquisition and digitizing techniques applied to heritage. The main focus is on motivations, issues and technical specification of the 3D digitizing of heritage artworks. Different digitizing technologies currently available for this specific application have been evaluated and tested, with application to a pair of case studies, showing that 3D digitizing technologies are sufficiently developed for extensive application in the field of cultural heritage.  相似文献   

14.
On many occasions, the graphic information handled by people working in the cultural heritage sector is still bidimensional. Layouts showing elevations and cross sections are the most widespread tools. However, there is an increased need for carefully detailing the complexity of valuable sites with an improved accuracy. This implies the measuring and handling of three-dimensional data, using both commercial and turn-key hardware and software solutions. Taking the usual traditional process as a reference, in the present paper a new effective methodology for carrying out computer assisted delineation of layouts from cultural heritage sites, using 3D digital models, is described. The proposed procedure has been tested in five intervention projects on representative churches within the “Merindad de Aguilar de Campoo” medieval area, in the north of Spain.1 This area has the largest collection of Romanesque art in the world, and is currently under European Heritage Site and World Heritage Site declaration process by the UNESCO.  相似文献   

15.
The paper deals with financing the culture in Italy. The public expenses for the culture are shared as expenses of the government, of the regions, of the provinces and of the municipalities. The relationships of the cultural organisations with the public sector are very strong because they belong to the public sector, or they broadly depend on public funds.A specific attention is devoted to other forms of financing, about the role of the entrance fees and the entrances of the game “Lotto”, which subsidy the cultural goods and the Interministerial Committee for the Economic Planning (CIPE) allocations to the depressed areas. We will also be faced up to the examination of other sources of private financing as the sponsorships, the entrances of collateral services about museum visits (coffee and bookstore) and the supply of banking foundations. The fiscal incentives refer directly to the cultural institution or to the external financing of the nonprofit institutions by donations or sponsorships. Finally, the cultural institutions will have always to operate more and more by a strategic vision of financial and managerial field, on the basis of high qualitative standards. The activities and cultural projects will have to be able to attract additional sources of income in addition to the public one; the search of private financial resources is developed in a situation of increasing competition among the institutions, while tools of innovative finance have to be used to satisfy the increasing demand of culture. It is difficult nevertheless to define the possible best method of public–private financing, if you take consideration of the distinctive features of the different institutions and interests of the operators who are involved: artists, cultural institutions, public bureaucracy, besides the economic effects which follow alternative choices. The recent evolution of the institutional, financial and managerial models of the culture in Italy plans a larger integration between public and private sectors for a great involvement of individuals, enterprises and foundations about the financing of the cultural services offer.  相似文献   

16.
The paper proposes a framework for the study of cultural heritage management issues: the “heritage chain”. The notion translates the concept of supply chain derived from industrial organization, investigating the set of activities taking place in the heritage sector (from preservation, to archaeological excavation, conservation, research, and museum presentation) in their relationships and abilities to impact performances. The concept can be used both to address problems and inconsistencies within an individual case and, in a comparative perspective, to understand how heritage became structured differently in different countries. In this paper it is applied to a specific case of heritage preservation and management in China: the “Horse and Chariot” Museum. While investigating several aspects of management of the Chinese heritage (a rather unusual field research made possible by an attitude toward international collaboration), the case highlights the ability of the “heritage chain” to grasp a single case of heritage management with a holistic view, opening up possibilities of development for the new framework.  相似文献   

17.
The estimation of the economic effects of cultural events is a topic that has stirred numerous debates in cultural economics. Although economic impact studies and contingent valuation have been the most frequently used methods, both suffer from numerous problems. In this article, we use ex-post econometric verification as a new and promising method in cultural economics in the estimation of the economic effects of cultural events and apply it to the estimation of the effects of the 2012 European Capital of Culture Maribor on tourism and employment. This enables us to compare results from economic impact and ex-post econometric verification studies to find significant differences in particular in terms of new employment. We determine the net effects on new tourism and find that they were mainly present in Maribor, the holder of the project, and not in the other five partner cities. We conclude by reflecting on the state of the art of the studies of economic effects of cultural events in cultural economics and their relevance for the study of cultural tourism.  相似文献   

18.
The possibility of giving a continuing value to an abandoned historic mine is not only of academic interest but can be a crucial economic and heritage issue for regions with long mining traditions but which are now severely affected by mine closures. This article suggests a different perspective on the rationale for studying, preserving and developing our mining heritage as an educational facility. To illustrate the case, the ancient iron mine of Llumeres, in the Asturias region, in North Spain, is presented as an example. A key point of our thesis is that a closed mine is not a ‘dead entity’ but simply in transition to another useful state and that after the closure, another organism arises, with very different appearance and vital signs. We suggest that this new organism be recognised for its high patrimonial value and that this heritage value be preserved. Accepting this point of view would mean an increase in efforts to identify and appropriately manage these vital signs. We propose that the particular mining-related aspects (which are usually viewed as negative, such as subsidence or groundwater modification), be considered as part of the heritage of the mining activity, considered in the widest sense. To facilitate understanding, these are discussed in comparison to those for a prehistoric cave, for which there is a broader experience and solid knowledge and recognition of heritage value. We have also analyzed the importance of recognising the geometric and functional relationships between the underground workings and the superficial signatures, in defining an extended patrimonial entity, which has been recently presented to the cultural and political authorities. For the case of the iron mine of Llumeres, we explain the methodology required to analyze and classify the documents in order to investigate and reconstruct the 3D geometric structure of the mine and how this can be integrated into a Geographical Information System (GIS) to improve management and editing of the information. Additionally, the historic mining technological methods employed in the underground workings of Llumeres have been studied and all the information integrated into a 3D visualization package and made available as a free 3D video sample of the subsurface information. In summary, this work represents a major step forward in improving our knowledge of the ancient iron mine of Llumeres and, as a consequence, it has been possible, for the first time, to consider the underground mining heritage in the framework of the better known (but as yet unrecognised) overground heritage. This new patrimonial entity offers enhanced possibilities for acceptance and recognition in a societal context and to aid that acceptance, we propose a radical conceptual change of perspective, pointing out new elements requiring research.  相似文献   

19.
Data Envelopment Analysis (DEA) is a widely applied tool in efficiency evaluation for public administration, yet has scarcely been put to use in the case of heritage institutions. The goal of the current paper is to evaluate the technical efficiency of a regional system of museums, the hypothesis being that these bodies represent one organization of productive resources (employment, equipment, art collections, and so on), aimed at providing various goods and services linked to their basic functions: conservation, exhibiting, research and dissemination of cultural heritage. Yet, given the diverse nature of this kind of institution, previous sorting and classification is required in order to obtain homogeneous clusters for the various elements. This research therefore merges multivariate statistical techniques to synthesise the initial information and DEA for efficiency evaluation. These findings may prove useful for management of these institutions, as well as for those responsible for public resource allocation policies in the area of cultural heritage. We apply this to a regional system of museums in Spain, which includes both rural and urban museums.  相似文献   

20.
The reuse of historical buildings can be seen as a complex decision problem because of the presence of different objectives to be pursued, the public/private nature of the goods under investigation, the existence of several values (historical, artistic, cultural, economic, etc.), the presence of different actors (public government representatives, architects, architectural historians, developers and owners). In decision problems related to the reuse of historical assets conflicts can arise and the availability of analytical frameworks able to support the process is getting more and more important. It has been generally agreed that Multicriteria Decision Analysis (MCDA) can offer a formal methodology to deal with such decision problems, taking into account the available technical information and stakeholders’ values. This paper considers the problem of sustainability assessment in cultural heritage projects using the Multi-Attribute Value Theory (MAVT) approach, which is a particular kind of MCDA technique. Starting from a real case concerning the reuse of historical buildings in the metropolitan area of Torino (Italy), the paper aims at exploring the contribution of MAVT for decision problems in the field of cultural heritage.  相似文献   

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