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1.
Meg Tully 《Critical Studies in Media Communication》2018,35(2):194-207
This study engages in current scholarly debates regarding third-wave versus postfeminist media icons through an analysis of Tina Belcher, the eldest daughter in the animated series Bob’s Burgers and a paragon of what I coin “millennial feminism.” In it, I argue that Tina rejects popular postfeminist discourses and experiences a politicized feminist awakening. While Tina is significant in her own right, most remarkable is the way millennial audiences have utilized the internet to position Tina as a feminist folk hero. Ultimately, I trace how popular critics use Tina to theorize a millennial feminism that reflects the values and characteristics of the millennial generation. Revisiting Sarah Banet-Weiser’s (2004. “Girls rule! Gender, feminism, and Nickelodeon.” Critical Studies in Media Communication, 21, pp. 119–139) argument that Nickelodeon’s girl power programming demonstrated third-wave feminist politics for its audiences, I argue that adult-oriented animated sitcoms lend themselves to an absurdity and disregard for hegemonic gender ideologies which have the potential to unsettle dominant ideologies of gender and sexuality and can define contemporary feminist politics for viewers. 相似文献
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The purpose of this study is to understand a citywide initiative to increase diversity and inclusion in a predominantly white US city with a tragic racial history. This research reveals prevailing struggles with communicating about diversity and race and taking meaningful actions to promote social change. Using theories of difference and dialogue, we analyze in-depth, qualitative fieldwork with three voluntary organizations: The Chamber of Commerce; The Network; and Minorities in Business. Our work answers calls to center race and embodied differences and extends theorizing on dialogic sensibilities. The findings reveal that difference organizes dialogue through: (1) the ongoing construction of context; (2) the mobilizing of social change efforts; and (3) the intermingling of economic and racial justice discourses. Ultimately, we hope this work encourages further conversation about difference, race, and engaged scholarship. 相似文献
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图书馆的核心价值是随着语境的变化而变化的,在后现代的大潮来势汹汹地把一切都解构,把一切都变得支离破碎时,图书馆的核心价值维护知识和思想的自由却在后现代的语境中愈发突显其价值。 相似文献
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《Journalism Practice》2013,7(6):826-841
A growing share of the media content we encounter as consumers and investigate as scholars is produced by journalists in non-standard employment situations. Researching the labour conditions of freelancers and interns can help us to understand important aspects of contemporary journalism—as well as the role it may or may not be able to perform in postmodern democracies. This article presents results from a research project that explores this growing yet understudied segment of atypical labour in journalism. The analysis is based on a review of recent literature on news production and working conditions in the media as well as 18 in-depth interviews conducted with interns and freelancers in Germany. 相似文献
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《The Reference Librarian》2013,54(87-88):273-300
SUMMARY This article explores the postmodern psychotherapeutic view of the therapist as a non-expert. The author seeks to draw an analogy between the professional expertise and knowledge of the reference librarian and the expertise of the psychotherapist, with special reference to the postmodern idea of the posture of non-expertise. Reference librarians will provide a higher degree of user satisfaction to patrons when the reference interview is approached as a collaborative and dialogic process that is grounded in the attitude of non-expertise. The stance of the reference librarian as non-expert will move the profession of librarian-ship away from the technocrat/expert model and back towards its earlier mission of service and human-centered values. 相似文献
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Candy Davis 《Public Library Quarterly》2013,32(1):57-82
The author argues that the profession of librarianship is in crisis. She seeks to identify the characteristics and analyse the qualities of this phenomenon in order to draw conclusions about future trends and directions for the profession. It is argued that this crisis is an outward sign of a deeper transformation which is taking place and which affects the discipline as a whole including education and practice. The recent evolution of the profession is traced against the background of the broader transition from the modern to the postmodern era. The object is to reveal how the widespread social, cultural and technological changes of the 21st century are impacting on the library, the librarian, the customer or client and the fundamental nature of information itself. 相似文献
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In contrast with critics who interpret The Matrix by focusing primarily on either the film's dazzling visual effects or on its more fragmented “second coming” narrative, we work within the tension between the two. As a myth, the film updates an ancient initiation ritual in which the hero matures into a character capable of freeing humanity from its technological mirror image, represented here as a false mother. As a spectacle, however, the typically beneficial influence of feminine eroticism is displaced from women into the special effects, thereby diluting the impact of the narrative. The Matrix is, we believe, caught in this tension just as postmodern humanity is caught between its attraction to and its repulsion from its own technological extensions. 相似文献
9.
Jana Teplá 《Visual Communication Quarterly》2018,25(1):45-55
The article aims to present a possible research design for analyzing historical press photographs published during the socialist regime. It introduces a design structure that comprises an epistemological basis (interpretivism), theoretical perspective (constructivism and poststructuralism), methodological approach (social semiotics and multimodality), and method of analysis (social semiotic analysis). The aim of this study is to demonstrate that it is possible to apply a postmodern approach to historical photographs and to prove that concepts that are applied within the research on liberal societies can be used within the research on socialist societies if some specific conditions are taken into account. Such an assumption is documented by a case study that presents an analysis of a photograph published in the Czechoslovak press in 1968. 相似文献
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Terry Cook 《Archival Science》2001,1(1):3-24
Process rather than product, becoming rather than being, dynamic rather than static, context rather than text, reflecting
time and place rather than universal absolutes—these have become the postmodern watchwords for analyzing and understanding
science, society, organizations, and business activity, among others. They should likewise become the watchwords for archival
science in the new century, and thus the foundation for a new conceptual paradigm for the profession. Postmodernism is not
the only reason for reformulating the main precepts of archival science. Significant changes in the purpose of archives as
institutions and the nature of records are other factors which, combined with postmodern insights, form the basis of the new
perception of archives as documents, institutions, and profession in society.
This essay explores the nature of postmodernism and archival science, and suggest links between the two. It outlines two broad
changes in archival thinking that underpin the archival paradigm shift, before suggesting new formulations for most traditional
archival concepts. 相似文献
13.
Sharon Bracci 《Journal of Applied Communication Research》2001,29(2):171-194
Managed health care deliberations in Oregon point to a "civic bioethics" model to resolve allocation issues through publicly articulated community values and priorities that influence legislative action. Communication practices in the Oregon experiment provide data to develop an evaluative framework to assess public moral deliberation in value-laden contexts such as health care distribution. The Oregon experience also points to dialogical virtues to heighten citizens' ethical sensibilities and political will, discursive tools to inform ethical communication practices in a civic bioethics model. 相似文献
14.
Sharon Bracci 《Journal of Applied Communication Research》2013,41(2):171-194
Managed health care deliberations in Oregon point to a "civic bioethics" model to resolve allocation issues through publicly articulated community values and priorities that influence legislative action. Communication practices in the Oregon experiment provide data to develop an evaluative framework to assess public moral deliberation in value-laden contexts such as health care distribution. The Oregon experience also points to dialogical virtues to heighten citizens' ethical sensibilities and political will, discursive tools to inform ethical communication practices in a civic bioethics model. 相似文献
15.
作为档案学演进的一股重要潮流,后现代档案学已成为继古典档案学与现代档案学之后的又一创新性理论样态。探析后现代档案学理论的思想实质是理解与深化这一理论样态的重要基础。后现代档案学理论的思想实质体现在其理论批判性、思维更新性和多元主张性。其中,理论批判是后现代档案学理论的基本立足点,区别于传统档案学理论的僵化模式;思维更新是后现代档案学理论的发展活力源泉,区别于传统档案学理论的固有认知;多元主张是后现代档案学理论的认识论与方法论基础,区别于传统档案学理论的确定性倡导。 相似文献
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《Communication monographs》2012,79(2):199-219
This article provides a postcolonial critique of power-resistance dialectics among outsourced call center workers in India. A constructivist grounded theory analysis of focus group and interview data with 65 participants reveals how microresistance intersects with global capitalism in ways that both accommodate and rupture Western discourses. These discursive and material intersectionalities are made visible through employees' processes of (1) aping the West, (2) articulating new logics and demonstrating Indian sensibilities, and (3) embracing a new life. The themes primarily reveal how the employees rupture the essentialist image of the other and challenge the dominant logic of neoliberalism. 相似文献
17.
[目的/意义] 评价领域作者影响力的计量指标逐年增多。针对很多指数不是归一化的问题,介绍由L. Bertoli-Barsotti提出的GN指数,该指标结合G指数、总被引频次等因素全面评价作者影响力。但由于GN指数在界定核心文献时没有考虑作者合作,夸大了署名靠后作者的贡献,本文提出GN-C指数改进其计算方法以更好地评价作者影响力。[方法/过程] 在阐述GN核心思想基础上,从作者合作出发筛选核心文献,并比较其与G指数的异同。以图书情报领域作者为研究对象,从稳定性、相关性以及区分性讨论GN-C指数评价效果。[结果/结论] 结果表明,GN-C指数对G指数相同作者的区分度达到93.55%,区分效果显著;对作者署名、总被引频次、论文总数等变量敏感且存在着不同的相关性,在一定程度上克服了G指数的不足。 相似文献
18.
Helene A. Shugart 《Critical Studies in Media Communication》2013,30(1):67-91
In recent years, the gay man/heterosexual woman couple configuration has become a genre unto itself in mediated popular culture, resulting in unprecedented mainstream visibility for gay men. Major mainstream films, such as My Best Friend's Wedding, Object of My Affection, and The Next Best Thing, showcase this combination as their centerpiece, as does the highly rated prime-time network situation comedy, Will & Grace. In this essay, I assess this particular performance of gay identity in order to discern what qualities render it – as presented in this configuration – not only acceptable but popular, given the heteronormative sensibilities that characterize the mainstream audience to which it is directed. I argue that, in these texts, homosexuality is not only recoded and normalized in these representations as consistent with privileged male heterosexuality but is articulated as extending heterosexual male privilege. In so doing, blatant sexism is reinvented and legitimized, and gay male identity simultaneously is defined by and renormalizes heteronormativity. 相似文献
19.
ABSTRACT Participatory budgeting (PB) has emerged as a tool for empowering marginalized communities and advancing social justice through public deliberation and advocacy. However, public deliberation scholars have contested the appropriate roles of social justice, activism, and equity. PB bridges deliberation, advocacy, and equity, as it strives to accomplish social change. We detail how the first cycle of Greensboro PB navigated tensions between residents who sought social change and government officials who wished to maintain the status quo. We argue PB is an example of public deliberation that fosters social justice sensibilities among participants and conclude with applied recommendations for design improvements. 相似文献
20.
Ethnographic investigation of the online community of X‐Files fans known as “Shippers”; reveals a resistive posture manifested in their websites, discussions, and fan fiction. The mostly female Shippers hypothesize an unfolding romantic relationship between the series’ protagonists and thereby oppose male‐oriented conventions and commercial imperatives. In touting the equal partnership of Agents Mulder and Scully, and in wanting to see that equality as the basis for a romance, Shippers conflate the public and private and challenge artificial gender dichotomies. However, the study finds that their activities do not fully compensate for marginalization of their sensibilities in the given text. 相似文献