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1.
This study examined children''s drawings to explain children''s conceptual understanding of plant structure and function. The study explored whether the children''s drawings accurately reflect their conceptual understanding about plants in a manner that can be interpreted by others. Drawing, survey, interview, and observational data were collected from 182 students in grades K and 1 in rural southeastern United States. Results demonstrated the children held a wide range of conceptions concerning plant structure and function. These young children held very simple ideas about plants with respect to both their structure and function. Consistent with the drawings, the interviews presented similar findings. 相似文献
2.
This paper reports research into children's understanding of mountainous landscapes and mountain genesis as revealed in their drawing and modelling representations and in subsequent interviews. A sample of 444 children aged 7‐11 years was drawn from five UK inner-city schools. Comparisons between the younger (7‐9 years) and older (9‐11 years) children showed significant differences in perception, conception and priorities. The naive interpretation of children's drawings and models is questioned: interview data indicated that children use sophisticated techniques to represent mountains and mountain environments. Children are able to interpret stereotypical representations of mountain landscape features they encounter in books and elsewhere. They make use of a range of conventions in their own drawings that are revealed only in subsequent interviews. Research based solely on the interpretation of children's pictures is shown to be problematic and somewhat unreliable. Children perceive the differences between reality and pictorial representation and make full and conscious use of the range of conventions, including stereotypical forms. 相似文献
3.
Karin Ehrlén 《International Journal of Science Education》2013,35(1):41-57
Drawings are often used to obtain an idea of children's conceptions. Doing so takes for granted an unambiguous relation between conceptions and their representations in drawings. This study was undertaken to gain knowledge of the relation between children's conceptions and their representation of these conceptions in drawings. A theory of contextualization was the basis for finding out how children related their contextualization of conceptions in conceptual frameworks to their contextualization of drawings in pictorial convention. Eighteen children were interviewed in a semi‐structured method while they were drawing the Earth. Audio‐recorded interviews, drawings, and notes were analysed to find the cognitive and cultural intentions behind the drawings. Also, even children who demonstrated alternative conceptions of the Earth in the interviews still followed cultural conventions in their drawings. Thus, these alternative conceptions could not be deduced from the drawings. The results indicate that children's drawings can be used to grasp children's conceptions only by considering the meaning the children themselves give to their own drawings. 相似文献
4.
Mehmet Buldu 《Educational research; a review for teachers and all concerned with progress in education》2013,55(1):121-132
Background Since the 1950s, there has been a growing body of research dealing with perceptions children have of scientists. Typically, research studies in this area have utilized children's drawings in an effort to discern what those perceptions are. Studies assessing perceptions children have of scientists have shown that children have stereotypical images of scientists. Although there is no direct evidence to demonstrate the link between children's images of science and scientists with their career choice, several researchers (including this researcher) have assumed that children's attitudes towards science are greatly influenced by their perceptions of science and scientists. Purpose This study aimed to find out if there was a difference in the way 5- to 8-year-old children drew scientists, taking account of age, gender and socio-economic status. Sample For this study a convenience sample of 30 young children was used. Participants included young children between the ages of 5 and 8 years from a public elementary school in Ankara, the capital city of Turkey. Although the sample of the study was obtained from one school in a metropolitan area, children involved in this preliminary study were from very different socio-economic backgrounds. As the sample size is very small for making comparisons, it was intended to have a similar number of children from different age groups and socio-economic backgrounds and both genders. Design and methods The researcher worked individually with each child who participated in this study in an interview setting. Although each child was asked a set of standard questions, and given a standard set of directions, each interview session was informal enough to allow the researcher to gain additional information about children's drawings and to clarify any of their responses. During the interview sessions, children's responses were noted by the researcher. Before the children were asked to draw their picture of a scientist, they were offered a set of coloured pencils or crayons and told to feel free to colour their drawing or any parts of it they would like to accentuate. At the end of the interview and drawing sessions, the researcher went through all the drawings and notes to get a ‘feel’ for and ascertain what was being said, identifying key themes in each drawing. Results The most common scientist type drawn in this study was the stereotypical scientist type: someone who conducts research, or someone who tries to invent a new material. But unlike previous studies, around 35% of the scientist figures drawn (n = 15) were of the social scientist type. Stereotypical images drawn by the current study participants included symbols of research, such as scientific instruments and laboratory equipment of all kinds, and symbols of knowledge, principally books and cabinets, technology and the products of science. An interesting finding of this study was that perceptions of young children differed due to their age. Children at the age of 8 years drew non-stereotypical scientist images, and they drew more detail than did their younger peers. When children were compared in terms of their gender, no significant differences were observed between girls and boys. But on the other hand, none of the boys drew female scientists, and five out of 30 children who were girls drew female scientists. While children of parents with lower socio-economic status drew more stereotypical scientist images, children of parents with higher economic status drew different images of scientists, a result which showed us that the scientist perceptions of young children differ with socio-economic status. Conclusions Emergent from this research has been a non-stereotypical perception of scientists, and some evidence exists that such a non-stereotypical perception differs due to age and socio-economic status. While these images may seem amusing, they also provide a reflection of the image that children have about what a scientist looks like. These images may have a powerful impact on present functioning and future plans of young children. 相似文献
5.
Sarah E. Rose Richard P. Jolley Esther Burkitt 《The International Journal of Art & Design Education》2006,25(3):341-349
In this article we argue that research into children's drawings should consider the context in which drawing occurs and that it is crucial to investigate the attitudes and practices of teachers, parents and children themselves that shape children's drawing experience and the drawings which they produce. We review the findings of seven empirical studies reporting data collected through direct observations, interviews and questionnaires from the three main players (teachers, parents and children) on the attitudes and practices shaping children's drawing. Issues covered include teachers' perceptions of the purposes and importance of drawing, support offered by teachers, parents and children for children's drawing endeavours, and possible factors that may lead to an age‐related decline in the amount of drawing children choose to do. We end the review by reporting some preliminary findings from our own large‐scale interview and survey study of 270 5–14 year old children, their parents and teachers, that provides a comprehensive assessment of attitudes and practices influencing children's drawing experience at home and at school. The findings provide further insight into the aforementioned issues, particularly children's, teachers' and parent's explanations of why children's drawing behaviour might decline with age. It is hoped that by reporting these preliminary findings some additional understanding of the context in which children produce their drawings can be gained and new areas for debate opened up. 相似文献
6.
Carol S. Huntsinger Paul E. JoseDana Balsink Krieg Zupei Luo 《Early childhood research quarterly》2011,26(1):134
Parents and early childhood teachers in Chinese societies and the United States have had dissimilar views about appropriate art instruction for young children. The Chinese view is that creativity will emerge after children have been taught essential drawing skills. The American view has been that children's drawing skills emerge naturally and that directive teaching will stifle children's creativity. Forty second-generation Chinese American and 40 European American young children participated in this longitudinal study at ages 5, 7, and 9 to explore possible cultural differences in and antecedents of their drawing skills and creativity. Chinese American children's person drawings were more mature and creative and their parents reported more formal ways of fostering creativity as compared to their European American counterparts. Correlations showed that children who had more opportunities to draw and who received more guidance in drawing were more advanced in their drawing. For Chinese Americans, fathers’ personal art attitudes and children's Time 1 drawing skills predicted 53% of the variance in children's drawing scores four years later. 相似文献
7.
Robert Watts 《Education 3-13》2013,41(2):137-153
This article aims to explore the issues that face primary school teachers when responding to children's drawings. Assessment in art and design is an ongoing concern for teachers with limited experience and confidence in the area and, although children's drawings continue to be a focus of much research, the question of what it is that teachers say to young children that has a positive impact on the development of their drawing is under-explored. The article aims to identify the components of what constitutes children's competence in observational drawing through a detailed analysis of a drawing made by a 6-year-old child. Connections between the teaching of drawing and the teaching of literacy are highlighted, and the article concludes that children who are able make confident representations of the visual world are better placed to express their own ideas, thoughts and experiences through art. 相似文献
8.
Valeria Lovelace Susan Scheiner Susan Dollberg Ivelisse Segui Tracey Black 《Learning, Media and Technology》1994,20(2):69-78
Since its inception, Sesame Street has modelled racial harmony; however, as a result of the rising racial unrest in the United States in 1989, we launched a four-year race relations curriculum initiative designed to be more explicit about physical and cultural differences, and to encourage friendship between people of different races and cultures. To assess children's basic knowledge and attitudes about diverse children living and playing together a variety of methods were developed, including a game 'Make a Neighborhood', to assess how living in a segregated environment influences preschoolers' understanding of race relations. The game allowed us to observe how preschoolers sort drawings of children who differ by race, clothing and hairstyle into places in the neighbourhood. Results indicated that Chinese American, African American, Puerto Rican and Crow Indian preschoolers integrated homes, schools, playgrounds, churches and stores when given drawings of children from their own groups and White children. White preschoolers integrated Chinese American and White, Puerto Rican and White and Crow Indian and White children in every structure. However, White preschoolers were significantly more likely to segregate African American and White children in the homes, schools, playgrounds, churches and stores. Based on these results, segments were produced which show White children visiting an African American friend's home. 相似文献
9.
Sue Cox 《The International Journal of Art & Design Education》2005,24(2):115-125
In this article I present some ideas, based on qualitative research into young children's drawing, related to the developing discourse on young children's thinking and meaning making. I question the relationship between perception and conception and the nature of representation, challenging traditional ideas around stage theory and shifting the focus from the drawings themselves to the process of drawing, and thus to the children's own purposes. I analyse examples of my observations (made in naturalistic settings within a nursery classroom) to reveal the range of representational purposes and meaning in children's drawing activity. My analysis shows that, rather than being developmentally determined, the way children configure their drawings is purposeful; children can recognise the power of drawing to represent, and that they themselves can be in control of this. I explore aspects of the process, including transformation and talk to show the importance of understanding drawing in its specific contexts. I show how children's drawing activity is illuminated by the way in which it occurs and the other activities linked to it, presenting drawing as part of children's broader, intentional, meaning‐making activity. As an aspect of the interactive, communicative practices through which children's thinking develops, representation is a constructive, self‐directed, intentional process of thinking in action, through which children bring shape and order to their experience, rather than a developing ability to make visual reference to objects in the world. I suggest that in playing with the process, children are actively defining reality rather than passively reflecting a given reality. 相似文献
10.
Johanna Einarsdottir 《International Journal of Educational Research》2008,47(5):283-291
Twenty-two 5- and 6-year-old children and their parents in one playschool in Reykjavik participated in this study designed to shed light on children's and parents’ views about their early childhood program. Group interviews, children's photographs, children's drawings, and a questionnaire administered as a game were used to elicit children's perspectives and opinions. Findings revealed considerable agreement between parents and their children about playschool as a safe haven for children and about the importance of playschool in education and life-long learning. Both groups reported that playschool emphasised learning rules for behaviour, communication, and play. Of their playschool experiences, children placed highest value on friendships with peers, freedom to choose what to do, and playing. Parents’ priorities included having their children learn to interact well with others; show respect, affection, and honesty; and gain self-confidence and positive self-image. Both parents and children viewed playing and outdoor activities as important parts of playschool life. 相似文献
11.
Dimitris Pnevmatikos 《教育心理学》2002,22(1):93-112
The present paper was part of a larger project, which investigated the process of knowledge acquisition in Christian religion. The concept of God in particular is a core construct in any religion and it has been involved in a number of changes in the history of religions. Some of those changes were observed in the children's constructions of the house that God lives in. Among children's drawings we found changes which imply, in terms of Thagard (1992) not only belief revision, but also a conceptual change. However, hierarchy reinterpretation, in which the concept of God changes from the part of the cosmos to the creator (ontologically different from the creatures) we did not observe among the primary school children. The development of the different hierarchies we constructed on the basis of children's drawings seems to follow the developmental changes, which took place in the history of Greek religions. Finally, there were some implications for Religious Education. 相似文献
12.
Mothers' mental‐state references predict individual differences in preschoolers' false‐belief (FB) understanding; less is known about the origins of corresponding variation in school‐age children. To address this gap, 105 children completed observations with their mothers at child ages 2 and 6, three FB tasks and a verbal comprehension test at age 3, and five FB tasks at age 6. Seventy‐seven of these children completed five Strange Stories at age 10. Individual differences in mothers' cognitive references at child age 2 predicted variation in children's FB understanding at age 6 and Strange Stories scores at age 10 (controlling for number of mothers' turns and children's mental‐state references, verbal comprehension and FB understanding at age 3, and mothers' cognitive references at child age 6). 相似文献
13.
Olin E. Myers Jr Carol D. Saunders Erik Garrett 《Environmental Education Research》2004,10(4):545-562
Understanding how children think about the needs of animals may aid bridging from how they care about individual animals to caring about the environment more generally. This study explored changes with age in children's conceptions of animals' needs, including how such conceptions may extend beyond the individual animal to larger systems and conservation. During attendance at a North American zoo, 171 children between the ages of 4 and 14 years were interviewed and did drawings in response to questions about the needs of a favorite animal. The results reported here focus on developmental patterns. Animals' basic physiological needs were grasped at an early age. Understanding ecological and conservation needs showed the strongest developmental trends across the full age range, with some children showing early proficiency in ecological, but not conservation, concepts. Conservation and ecological thinking appeared to follow different trajectories, especially through middle childhood, when other dimensions than knowledge may cause increases in conservation conceptions. Educational implications include building on interest in individual animals; not underestimating even young children's ability to assemble ecological facts around an animal; emphasizing concrete ecological connections; and highlighting animals that children experience in their own lives. Considering the needs of animals offers a developmentally pre‐potent way to increase how children know and value multiple levels of biological organization. 相似文献
14.
This paper presents a very simple experiment on children's drawings to explore the reasons underlying children's contextual sensitivity. Five‐ and six‐year old children were asked to draw from a model on two consecutive tasks. The only difference between the two tasks was the model's orientation. A model cup was presented on one task with its handle visible (at the side) and on the other task with its handle hidden at the back. Previous research would predict that children of this age should show a tendency towards drawing a familiar model such as a cup in a stereotyped orientation (i.e. handle at the side), irrespective of whether or not the handle was visible. However, the results from the present study showed that the children's preparedness to draw the model as it appeared was influenced by the order of task presentation. The findings are discussed in terms of children's interpretation of the task demands which alters as a result of the contrast between the two tasks. 相似文献
15.
Jenny Louise Hallam Des Hewitt Sarah Buxton 《The International Journal of Art & Design Education》2014,33(2):195-207
Despite the numerous benefits art has for children, research suggests that there is a lull in the development of expression in children's drawings during the primary school years and that many children give up on art between the ages of 10 and 12. Research investigating this phenomenon has taken an educational focus and aimed to identify potential shortcomings in the primary education system which could impact negatively on children's artistic development and interest in art. This article builds on previous educational research by exploring children's perceptions of the art education they receive. In this small exploratory study semi‐structured interviews were conducted with six children in each of the Key Stages of English compulsory education: Key Stage 1 (5–6 year olds); Key Stage 2 (7–8 year olds); Key Stage 3 (11–12 year olds) and Key Stage 4 (14–15 year olds). A qualitative thematic analysis is used to explore children's experiences of art in the classroom, the kinds of support they receive in art lessons and how art lessons can be improved. It is hoped that the exploration of children's experiences of art in the classroom will enable movement towards an engaging and relevant approach to art education. 相似文献
16.
LAURA BARRAZA 《Environmental Education Research》1999,5(1):49-66
Drawings by English and Mexican school children (7 to 9 years old – year three of primary education) were analysed to evaluate their environmental perceptions, and their major expectations and concerns for the future. The analyses considered whether culture and the school ethos with regard to the environment have an effect on the formation of environmental perceptions in young children. A total of 741 drawings were collected from eight schools: three in England and five in Mexico. Results show that children manifest a deep environmental concern in their pictures (37% depicted environmental problems). Children were pessimistic about the future; 54% thought the world will be in worse shape in 50 years time. Mexican children gave significantly greater importance to drawing rural places. Overall, however, children from these two countries, with significant structural and cultural differences, manifested more similarities in their drawings than differences. There was no strong evidence to suggest that children from schools with environmental policies developed a higher concern for environmental issues. Children's drawings are useful tools in providing valuable information for the assessment of children's environmental perceptions. 相似文献
17.
Anne Silver 《Education 3-13》2013,41(4):339-350
This research examines the effects of the Horsham Greenpower Goblin Challenge (HGGC), a hands-on science, engineering and technology (SET) project, on the attitudes of Year 5, primary-school children towards SET. The data collection centred on pre- and post-HGGC questionnaires using Likert scales and picture/word images of scientists and engineers. It was found that the HGGC did not significantly alter children's attitudes to SET and did not dispel previous negative images and attitudes. It was concluded that a greater understanding and acknowledgement of children's existing attitudes was required when designing initiatives aimed at dispelling negative and promoting positive images of SET. 相似文献
18.
Teacher‐child relationships and peer relationships are important predictors of children's loneliness. However, few studies have examined the potential and adverse relationship between teacher power and children's loneliness. Thus, we explicitly explored whether teacher power is related to children's loneliness and examined the potential moderating roles of interpersonal relationships (i.e., teacher‐child relationships and peer relationships) in 888 Chinese children. Moreover, this study measured teacher power with children's figure drawings. The results showed that teacher power was significantly and positively related to children's loneliness, and both teacher‐child relationships and peer relationships moderated the link between the two variables. Specifically, the adverse correlation between teacher power and children's loneliness was not significant among children with high‐quality teacher‐child relationships. Similarly, the negative effect of teacher power on children's loneliness was not found among children with a high level of peer relationships. Therefore, our results confirmed that the adverse relationship between teacher power and children's loneliness, and the protective roles of high quality of teacher‐child relationships and high levels of peer relationships in this relationship. Potential implications and future research directions are discussed. 相似文献
19.
The purpose of this study was to describe four- to six-year-old children's understandings of the mechanism of rainfall and to reveal possible differences due to age. A total of 22 children participated in the study (mean age = 60.4 months; range 48–73 months), including 14 boys and 8 girls, all from middle-SES families. To reveal children's understanding of the mechanism of rainfall, semi-structured interviews were conducted using a set of interview questions. Children were individually interviewed, and interviews were audio-taped and transcribed. The constant comparative method was used to analyze the transcribed audio tapes. A framework of codes was developed based on previous studies of children's understanding of the mechanism of rainfall. This partial framework of codes served as the basis for describing children's conceptual understandings of the mechanism of rainfall. A nonparametric statistical test was used to test for age differences in children's conceptions of the mechanism of rainfall. The results indicated that older preschool children were more likely to have synthetic or naturalistic conceptions than the younger children. Implications of the findings for instructional practices in early childhood classrooms are discussed. 相似文献
20.
《Research in Science & Technological Education》2013,31(1):127-136
Many claims have been made for the value of design in the school curriculum. This case study, of young children's designs in an early years design, make and appraise (DMA) classroom, examined several issues related to these claims, including the connection between designing and making, the purpose of drawing for young children, children's understandings about the design process, types of images used by young children and children's attitudes to designing. The role of the teacher in the children's understanding of the design / drawing process was explored. The study revealed that design for young children is a complex topic requiring a range of sophisticated teaching and learning strategies. 相似文献