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1.
Harrison Smith 《Journal of Cultural Economy》2019,12(3):201-214
This article examines People-Based Marketing (PBM) to theorize the cultural economies of attribution metrics. Through an analysis of marketing discourses, acquisition patterns, and marketing collaborations, it examines how platform capitalism is increasingly directed towards developing cross-device identity standards that consolidate performance metrics across digital markets. PBM extends the processes of platform capitalization across media properties, and the ways that claims of value and relevance are imbricated with the metricization of behavioral change in digital markets. The imperative of PBM to standardize techniques of identification and to make media increasingly measurable across markets has been a catalyst for new forms of data resolutions through strategic acquisitions and identity resolution consortiums. Moreover, emerging regulatory changes such as GDPR may in effect further reinforce trends towards the consolidation of data management and analytics platforms necessary to resolve identity across markets. 相似文献
2.
Trade in information goods is particularly sensitive to the strength of intellectual property rights (IPR) and encounters
an apparently different pattern of imitation threat compared with manufacturing trade, but the information goods trade–IPR
nexus is less systematically investigated. This article analyzes whether and how U.S. information goods exports are sensitive
to national differences in IPR protection and the degree of threat-of-imitation from the dynamic perspective. Employing the
technique of instrumental variables for a dynamic panel model to consider the hysteretic effect and controlling the endogeneity
problem, the empirical results show that the strength of the importing country’s IPR protection overall exhibits a trade-enhancing
effect, supporting the standpoint that stronger IPR protection will induce more trade. Moreover, we adopt the piracy rate
as a proxy for threat-of-imitation to examine its role on the information goods trade–IPR nexus. Empirical findings validate
the prevalence of the market expansion effect wherever the degree of imitation threat of importing countries is high or low,
because the technology level and production cost of reproduction are very low. It implies that the existing theory on threat-of-imitation
may not apply to the information goods trade.
相似文献
| Yi-Ju HuangEmail: |
3.
Jason Sperb 《Culture, Theory & Critique》2013,54(2):183-201
Abstract ‘Islands of Detroit’ explores the possibilities for an ‘everyday, oppositional whiteness’, a thoughtful randomness, as a corrective to ‘reactionary’ and ‘evasive’ forms of whiteness which often embed themselves in populist media sites for nostalgia. Drawing on the theoretical work of Svetlana Boym, Uday Singh Mehta and Roland Barthes, this essay looks in particular at a coffee table book, The Way it Was (2004), and its generic sentimentalism, to understand how certain white visual representations of Detroit affectively generate nostalgia, which can in turn conceal pasts and racial tensions. Looking at the history of Detroit (with particular attention on how the two infamous race riots are and are not negotiated), Islands examines visual images of the city – as opposed to the city itself – through the discursive lenses of nostalgia, modernity and affect, while positing that the histories and identities of Detroit remain irreducible to the images which attempt to capture them. 相似文献
4.
With reference to the recent science studies debate on the nature of science-industry relationship, this article focuses on
a novel organizational form: the technological platform. Considering the field of micro- and nanotechnology in Switzerland,
it investigates how technological platforms participate in framing science-industry activities. On the basis of a comparative
analysis of three technological platforms, it shows that the platforms relate distinctly to academic and to industrial users.
It distinguishes three pairs of user models, one model in each pair pertaining to how platforms act toward and conceive of
academic users, the other model regarding users from industry. The article then discusses how technological platforms reconfigure
the science-economy divide. While the observed platforms provide new institutional contact and interaction between academia and industry, new research collaboration does not necessarily materialize in practice. In this respect, science-industry mediation by way of technological platforms does not make science-industry boundaries
more porous. Instead, the declared openness of public research with respect to industry, in the case of technological platforms,
may contribute to maintain public science’s autonomy. 相似文献
5.
William Benton 《Journal of Cultural Economy》2020,13(4):489-501
ABSTRACT This article explores practices of representation and role stabilization in an emerging innovation ecosystem in Beirut, Lebanon. With little local track record of software startup activity, any overt practices of venture or business process representation were of immediate utility. The two moments explored, a pitch session at a mentorship committee meeting and a startup founding competition, capture parts of the nascent topology of a venture development setting in the making. In both, pitches for software products were at the heart of the productive process, and this paper argues that these moments of performative representation were not surplus to the process of founding a startup, but rather are crucial productive elements in themselves. Early-stage software development consists of a constant oscillation between making and modeling. The interdependence of writing software code, stabilizing social platforms for work and industry development, and finding specialists who could relate these tasks was crucial to the development of this business ecosystem in Lebanon. It was a system in motion, built of code and confidence. The circulation of information crucial to decision making within a single project required distinct practices of publicity, which in turn required articulatory platforms. 相似文献
6.
Interdisciplinarity is widely considered necessary to solving many contemporary problems, and new funding structures and instruments have been created to encourage interdisciplinary research at universities. In this article, we study a small technical university specializing in green technology which implemented a strategy aimed at promoting and developing interdisciplinary collaboration. It did so by reallocating its internal research funds for at least five years to “research platforms” that required researchers from at least two of the three schools within the university to participate. Using data from semi-structured interviews from researchers in three of these platforms, we identify specific tensions that the strategy has generated in this case: (1) in the allocation of platform resources, (2) in the division of labor and disciplinary relations, (3) in choices over scientific output and academic careers. We further show how the particular platform format exacerbates the identified tensions in our case. We suggest that certain features of the current platform policy incentivize shallow interdisciplinary interactions, highlighting potential limits on the value of attempting to push for interdisciplinarity through internal funding.
相似文献7.
Chris Coffman 《Culture, Theory & Critique》2013,54(1):56-73
This essay argues that Lee Edelman's 2004 No Future, while most well known for challenging the heteronormative fantasy of reproductive futurism, also performs a systematic critique of Lacanian ‘sexual difference’. This essay tracks that critique, showing its moments of success and of failure, and concludes that Edelman's neologism – the sinthomosexual, whose jouissance he believes to be capable of undoing the symbolic order – in fact supports rather than challenges it. 相似文献
8.
Can a basic income cure Baumol's disease? 总被引：3，自引：3，他引：0
Stefan Késenne 《Journal of Cultural Economics》1994,18(2):93-100
In this paper we investigate how a universal and unconditionally guaranteed Basic Income, financed by a higher tax rate on income, can help to remedy, among other things, the so-called Baumol disease concerning the production of the arts, on the one hand, as well as the problems, raised in the Linder Theorem with regard to the consumption of arts and culture, on the other hand. Using a neo-classical time allocation model, we show that a basic income system increases the output of both the formal and informal production of the arts, and promotes the consumption of arts by lowering the shadow price of time. 相似文献
9.
Many people argue that public art contains an element of bequest value: value derived by people today from the expected enjoyment of the art by future generations. In this paper, I investigate the existence of this claimed benefit. I employ an intergenerational model of the benefits from government subsidies and private charitable gifts to the arts, and fit it empirically using 1996 US General Social Survey data. The data analysis suggests that people take their life expectancies into account to some extent when giving to the arts or supporting government arts spending. Indeed, we cannot reject the hypothesis that people do not consider future generations in their current support for the arts. 相似文献
10.
Michael Hutter 《Journal of Cultural Economics》1995,19(2):177-185
The paper attempts to formulate concrete proposals for a change in laws of intellectual property, based on a communication-oriented theoretical analysis of the issue. The particular role of collection societies is investigated. The proposals arrived at suggest a strengthening of non-negotiable, non-hereditary authors' rights, and a refinancing fee collected for copies of works of art with classical status and distributed to members of currently active art circles. 相似文献
11.
Graeme C. Moodie 《Minerva》1996,34(2):129-150
Conclusion Academic freedom is thus a complex ideal, and I have argued that in many respects it has a more limited application than some of its protagonists seem to believe. Many of the arguments for it, moreover, are not peculiar to academics and universities. We would therefore be well advised to take seriously Eric James' injunction to think less of universities as having rights to additional and peculiar liberties, and to regard them more as places where the essential liberties of a civilised state find strongest champions, champions, moreover, who by reason of the intellectual strength which they possess, and the intellectual integrity which they defend, have a particular responsibility.36 But it is beyond rational doubt that the continuation of civilised states as civilised depends on the maintenance of, among other things, academic freedom, and particularly of what I have called scholarly freedom. 相似文献
12.
Perfect reproductions of works of art: Substitutes or heresy? 总被引：1，自引：1，他引：0
The paper attempts an empirical investigation into a number of subjective determinants used in the evaluation of a work of art. Individuals' decisions to buy works of art seem based predominantly on aesthetic benefits. This is true for original pieces of art as well as for reproductions, i.e. there seems to be some substitutability between both kinds of objects. Major differences in the evaluation of originals and reproductions arise with respect to the secondary characteristics of art objects, not specifically with regard to the work of art itself. With respect to the willingness to pay (wtp) for a reproduction, a major impact seems to be whether or not the original work exists, i.e. a rationing effect seems to arise. The wtp for a reproduction also seems to depend on whether or not an individual earns his/her income in the arts sector. 相似文献
13.
Leslie P. Singer 《Journal of Cultural Economics》1981,5(2):39-57
Summary As is the case with other field theories, Urban Economics, Environmental Economics, etc. the microeconomics of the arts attempts to derive a set of particular propositions from the general propositions of Economic Theory. In the process a substantial amount of cross-fertilization takes place. The specific characteristics of art markets require modification or amplification of some general propositions of economic theory, which in turn may offer novel and possibly useful insights as well as testable hypotheses. The following propositions appear to emanate from the present paper.In general markets R & D efforts are directed towards product or process innovation. For the most part, a known consumer technology exists. Innovation in art markets involves product creation as well as the creation of a consumer technology capable of deriving satisfaction from consumption of the new product. In open markets, a non-patentable product would entail excessive free ridership. Such a state of affairs may discourage innovation. Primary sellers would tend to adapt to narrowly changing consumer technologies. Such was the case during most of art history up to the late 19th century. At present, museums and art critics act as quasi patent offices, which fosters innovation by assuring a positive sum game.A new consumer technology is expected to be demand-augmenting. Not necessarily in the sence of McCain [12] where discontinuous jumps in demand are postulated. Even if such shifts were to occur in individual demand curves, market demand will nevertheless be continuous. The present model presumes that the augmentation is mostly due to increasing numbers of art buyers entering as the new consumer technology casues substitution of one style for another (or one fad for another). Syndicate behavior is induced by the winners of the race who have successfully established a new consumer technology and subsequently extend an umbrella over the membership. In this manner the spoils are shared more equitably. This is a peculiarly modern phenomenon. In the past one could not put a Teniers above a Rembrandt or a Polidoro above a Raphael. The generally accepted rules of decorativeness, that is, craftmanship and composition were obvious and immediately perceptible by all.In certain instances syndicate behavior favors single leadership by an established dealer, or a small group of dealers with a proven track record in spawning new technologies. Collectors, too, are involved, by overpaying for art. The discovering collector creates entry barriers for other collectors and thus has a monopoly of discovery of purely intellectual appeal art. Followers may opt to reduce their rivalry in exchange for assurances that once the new technology is in place, they will be given the opportunity to recycle the art brought into being by the leader or leaders. Under certain conditions, as analyzed in the foregoing, this constitutes an optimal strategy.As in the classical case, entry reduces investment and drives rents to zero, if each firm invests a roughly equivalent amount in support of the prevailing consumer technology. There arises the limiting case, equivalent to pure competition (see EQ. 10). On the other hand, several counterveiling strategies are possible. For example, overpayment, as in the case of Rothko. This limits the artists' output in the market. Leftover art is donated or acquired by museums. Such art is no longer competitive, as opposed to art held by other collectors, which, diminishes art'sscarcity value.The most probable outcome of a Cournot-Stackelberg type behavior is a succession of leader-follower or leader-recyler type syndicates, each successively dissolving as new consumer technologies replace old ones. It is, of course, possible for several specialized syndicates to operate contemporaneously. The rate of turnover clearly depends on the speed of dissemination of information. The curator, critic, trustee, consultant has a vested interest in episodic art and an spawning new consumer technologies: if this were not so, there would be no need for the pre-eminance of the critic. He is the magician, the priest, the medicine man who knows the secret language and penetrates the mysteries. 相似文献
14.
Assessing cultural values: developing an attitudinal scale 总被引：1，自引：0，他引：1
Effective measurement of cultural value is often elusive because of its multidimensional nature. It is also influenced by
sociodemographic characteristics (manifest variables) and attitudinal characteristics (latent variables) of populations. While
the former is easily available to researchers, the latter has not been fully studied. This paper suggests the use of a cultural
worldview scale that was developed to measure cultural attitudes of people, using factor and cluster analysis. Four factors
comprise the scale: cultural linkages, recognition of cultural values, cultural loss and preservation of traditions and customs.
Some advantages of using this scale are demonstrated, and relationships with sociodemographic variables are investigated.
Managerial and policy implications are discussed.
相似文献
| Jeff BennettEmail: |
15.
16.
Culture,economics and sustainability 总被引：1，自引：1，他引：0
David Throsby 《Journal of Cultural Economics》1995,19(3):199-206
In this paper it is argued that systems analysis can provide a means of bringing economic and cultural systems together in a unified framework. It is then proposed that a link between economics and culture can be established through the concept of culturally sustainable development, definable in terms of a set of criteria relating to advancement of material and nonmaterial wellbeing, inter-and intra-generational equity, and recognition of interdependence. The paper suggests that conceptualising the interaction between the cultural and economic systems in these terms might provide a workable model for policy analysis. 相似文献
17.
Kristie Macrakis 《Minerva》1989,27(1):33-57
Conclusion Why did the Rockefeller Foundation think that it had to redeem its pledge of 1930 after the drastic political changes had occurred in Germany? It is my impression that the foundation was forced reluctantly to do so. There had, of course, been a resolution passed by the trustees in 1930 to vote the funds. This did constitute an obligation for the foundation which its trustees and officers were reluctant to disavow. It would probably have preferred that Planck could not meet the conditions set forth by the foundation. If this had occurred, it could have avoided the onus of failure to meet an obligation undertaken in 1930 and could then have also avoided providing support, even if only indirectly, for National Socialist Germany. When faced with the alternatives of withdrawal or payment of the grant, most of the officers preferred to delay action. Max Mason, on the other hand, had promised Planck that the grant would be made, despite the delay.Increasingly, after 1933, the Rockefeller Foundation spent more time dealing with requests for refugee scientists than with the support of scientific work in Germany. The dismissal of foundation-supported assistants on racial grounds had angered some members of the foundation.When the Rockefeller Foundation was chartered in New York in 1913 it declared that its objective was the well-being of mankind throughout the world. That remained its aim, but a fanatical nationalism made it impossible for the foundation to pursue an internationalist policy in a country with a regime entirely antithetical to that ideal. 相似文献
18.
John Connelly 《Minerva》1996,34(4):323-346
Conclusion From the viewpoint of its Stalinist-era creators, the IKKN/INS could at best be described as a mixed success. Despite heroic efforts, it failed to train the cadres that might have permeated Polish scholarship with Marxism-Leninism. If it was the major channel for transmitting Soviet experience to Polish academia, then Poland's universities would not learn to be Soviet—the Polish historian Jerzy Halbersztadt has made the point that the institute was the only direct conduit of Soviet experience into Polish academic life. It even had a major role in educating some of Poland's most famous critical thinkers, although they, unlike their master Adam Schaff, seem less fond of reminiscing about the institute. Leszek Koakowski writes that he does not regard his role in the ideological struggles of the early 1950s as a source of pride.90
The legacy of the IKKN/INS has also been a mixed one. It was not only a foundry of revisionists. For every future critical thinker of world repute, it graduated several cadres who served the PZPR loyally over decades. Adam Schaff recognises this dual legacy. Looking back on a long and active life, he has called the institute a pearl in my crown.91 Its members filled top party and government posts throughout the history of People's Poland. Andrzej Werblan served as Central Committee secretary and a member of the Politburo, Sylwester Zawadzki became minister of justice, Stanisaw Wroski was minister of culture, Mieczysaw Jagielski was the Politburo member who negotiated the Gdask accords, Stanisaw Kania succeeded Edward Gierek, and Mieczysaw Rakowski acted as General Jaruzelski's Party First Secretary.92
Undoubtedly much of the institute's strange course is to be attributed to the designs of Adam Schaff. Despite his Moscow training, Schaff retained an attachment to the Polish academic milieu which had formed him. He may have believed in Stalinist doctrine, but he also believed that this doctrine would show its superiority in competition with other views—even if the competition was far from a fair one. Of course, Schaff tried to retain ultimate control, and to play, as he now calls himself, the grey eminence. Nevertheless, his was a very unstalinist way of propagating Stalinism, and he must be given credit for helping to keep a spirit of intellectual inquiry alive in Poland during the dark years of the early 1950s.Yet Schaff tends to exaggerate his personal role in educating philosophers, dissidents and critical thinkers. This tendency is itself a legacy of the Stalinist period and its concentration of power. Stalinists view the present as their personal creation and therefore reject all criticisms of the past. At the final meeting of the Crooked Circle Club in 1962, Schaff encountered unwonted criticism from, among others, Andrzej Walicki. Schaff shot back at him: You are ours, you are our creation, a creation of socialism ... we educated you, and we didn't do such a bad job. But far from being a creation of Schaff's, the non-party member Walicki had been denied admission to graduate studies in philosophy. He felt relieved when those in attendance, who knew him better than Schaff did, burst out laughing.93
The point is that the Polish intellectual world maintained its integrity outside the IKKN/INS, and in the end it was the institute which merged into the Polish intelligentsia, rather than the opposite. After 1957 the non-Marxist sociologists and philosophers made their way back to academia, and were joined by many former INS staff members. The basic unity of Polish social science training, and of the Polish intelligentsia, was restored.94
Of course in a larger sense the fate of the IKKN/INS had little to do with the designs of its master. Schaff admits as much, proclaiming that I did this because I did not know what I was doing! If he had been asked to start such a project five years later, the answer would have been: No!95 The fatal flaw of the Institute for Training Scientific Cadres was cadres: Poland did not have them. By 1956, Schaff and the party leadership, and perhaps Soviet advisers as well, had learned that one could not create an elite party scientific institution almost out of nothing. It would either be party or scientific, because apparatchiki could not become scientists, scientists would not become apparatchiki, and students could not produce teachers. In the Stalinist period, Polish intellectual life had stood in the shadow of the party; yet during the Thaw the relationship was reversed—increasingly the tiny party training institute was engulfed by the shadow of the resurgent Polish universities. Talented young people, even those in the party, made their way into the traditional higher educational establishment.The IKKN/INS did not, therefore, fail because of its own failings, nor succeed because of its own successes. It was a failed part of a failed whole. To succeed, mild revolution would have required decades, and Poland's Stalinists had only a few years. To make matters worse—or better, depending on viewpoint—they did not use these years in a conventional Stalinist manner. Under Schaff's guidance and at somewhat erratic Soviet bidding, the institute became an awkward series of half-measures, reminiscent of much of Polish Stalinism. When Poland's communists fell back and regrouped in 1956, the IKKN/INS occupied a lonely position they preferred to abandon. 相似文献
19.
Victor Ginsburgh 《Journal of Cultural Economics》2005,29(1):1-17
This paper examines three situations in which distances between languages, genes, and cultures matter. The first is concerned with the determinants that govern the learning of foreign languages. One of these is the difficulty of the foreign language, represented by the distance between the native and the foreign language. The second case deals with the formation and breaking-up of nations. Here, it is suggested that genetic distances between regions with diversified populations (such as between the Basque country and the rest of Spain) need to be compensated by more generous transfer systems if the nation wants to avoid secession-prone behavior. The last case looks at a very popular cultural event, the Eurovision Song Contest, in which nations are represented by singers who are ranked by an international jury that consists of citizens chosen in each participating country. It is shown that what is often considered as logrolling in voting behavior is rather generated by voting for culturally and linguistically close neighbors. 相似文献
20.
Volker Kirchberg 《Journal of Cultural Economics》1995,19(4):305-320
This paper explores the correlation between metropolitan social and economic conditions and corporate arts support in the United States. It is hypothesized that the transition from a manufacturing sector economy to an advanced service sector economy is an important local factor for the increase in corporate arts support.By panel analysis, in eleven metropolitan areas between 1977 and 1991 changes in corporate arts support have been correlated with changes in social and economic conditions, i.e., service sector and manufacturing sector employment, service sector and manufacturing sector income, population's educational attainment, and the degree of dominance by the leading local arts supporting industry.Corporate arts support is higher in metropolitan areas where the population is better educated (=+0.60), the local service sector generates more income (=+0.37) and the local manufacturing sector generates less income (=–0.22).Corporations from the manufacturing sector are mostly indifferent towards arts support. In contrast, corporations from the service sector are supportive of the local arts but they also respond swiftly to a loss in their earnings by discontinuing their arts support. 相似文献