共查询到20条相似文献，搜索用时 62 毫秒
1.
2.
通过对大运河文化特点的分析,提出大运河文化开放、包容、创新的3个特点,并从这3个特点出发,梳理出大运河文化与新发展理念的共通之处,寻找大运河文化引领高质量发展的理论基础。同时,通过分析大运河与长三角的关系,探寻大运河文化与长三角一体化的内在联系,进而提出以大运河文化引领长三角高质量发展的路径：以大运河创新创造文化引领长三角创新发展、以大运河包容协作文化引领长三角协调联动发展、以大运河开放扩散文化引领长三角开放发展、以大运河生态和谐文化引领长三角绿色低碳发展、以大运河以人为本的文化引领长三角融合共享发展。这一成果对其他地区的区域协调发展也有一定的借鉴作用。 相似文献
3.
长三角地区是我国东南沿海的经济发达地区,是中国最具活力和竞争力的经济区域之一。在这块热土上形成、发展的海派文化源自何处?长三角地区持续发展的文化支撑力又在哪里?带着这些问题,我们走访了杭州师范大学教授、长期主攻史学与CIS理论的邹身城先生。 相似文献
4.
研究地方特色文化和企业文化的有机融合,是一个崭新的课题.文章通过分析地方特色文化和企业文化之间的关系,并以广东温氏食品集团有限公司"和谐、包容、共赢"的企业文化与六祖禅宗文化融合的探索与实践为例,进一步阐述了促进地方特色文化和企业文化的发展和融合,必然会促进地方经济的发展,从而更快地推动地区经济和文化一体化的过程. 相似文献
5.
浅论区域文化对区域经济发展的影响 总被引：2，自引：0，他引：2
区域文化是区域内形成的思想意识的总和,是在历史发展的过程中逐渐形成的,反映了一个地区特定的人文历史境遇,也构成了这个地区基本的人文特色.文化与经济相互渗透、相互促进,经济与文化一体化已经成为世界性的历史发展趋势.文化与经济的基本关系表现在经济的决定性作用和文化的巨大反作用.文章就区域文化对区域经济发展的影响进行探索. 相似文献
6.
随着经济社会快速发展,国有企业呈现出良好的发展态势,在全面建设社会主义现代化国家中发挥着不可替代的重要作用.针对国有企业党建工作性质和特点,实现党建与企业文化一体化工作模式是时代发展的必然要求.有基于此,文章立足分析国有企业党建与企业文化一体化工作模式的内涵与必要性,从而进一步阐述党建工作与企业文化之间的关系,最终探索... 相似文献
7.
8.
企业文化需要通过不断变革以适应企业内、外环境,实现对企业经营业绩的长期促进作用.文章从煤电一体化企业文化变革的必然性入手,阐述了煤电一体化企业的三大文化差异是文化变革的动因,企业自身是变革的主体,企业家是变革的关键条件.在此基础上,提出了煤电一体化企业文化变革的基本思路和策略,同时探讨了煤电一体化企业改革和企业文化变革的互动发展,为企业文化变革的研究与实践提供了一定参考. 相似文献
9.
融合发展模式是根据系统工程的理论,对民族地区定居点建设、新农村建设和发展乡村旅游等各个子系统及其相互之间的联系进行数据统计分析、理论研究与实证研究,从而探索适合民族地区持续繁荣的现实道路的一种手段。民族文化是指一个民族在其历史发展过程中创造和发展起来的具有本民族特点的文化。区域文化是指按照地域界定而出现的文化类型,是某一地区囿于地理环境和民族发展所呈现出来的文化形貌。我国的区域文化是在长期大统一的社会背景下形成,具有区域地理环境的独特性。民族文化是区域文化的重要组成部分．区域文化的发展依赖民族文化的发展。在融合发展模式中民族文化与区域文化需要协调发展。 相似文献
10.
11.
12.
CiteSpace分析发现:水文化和大运河文化的研究热点分别为"大禹治水""李冰"和"大禹"与"大运河""京杭大运河""浙江"和"漕运"。前者的演化路径呈现为从"李冰""郭守敬"及"水利工程"向"大禹治水",再向"导淮""大禹""张謇"及"李仪祉",最后向"治水思想""都江堰"及"长江"转向的趋势。后者呈现为从早期关注隋炀帝开凿运河的原因探索、功过评价、个人轶事追溯向大运河漕运研究、大运河沿线城市研究以及大运河文化带建设研究转向的模式。在研究前沿方面,前者以"李冰"以及"李冰父子""李冰水利功绩"和"李冰修复都江堰"为重点,而后者以"大运河"以及"漕运"和"大运河沿线城市发展与繁荣"为重点。上述分析结果对中国水文化在世界范围走出去、走上去、走进去,并向不同文化背景的听众讲清、讲明、讲懂大运河文化故事能够发挥积极有效的作用。 相似文献
13.
James Heilbrun 《Journal of Cultural Economics》1997,21(1):29-40
The Sunday “Arts and Leisure” section of the New York Times for selected years is examined to gauge competition between “high”
culture and “popular” culture. From 1962 through 1988 high culture consistently outranked popular culture in percentage of
articles, but after 1988 popular culture gained steadily, and by 1993 accounted for 49 percent of articles as compared with
only 39 percent for high culture. Most of the gain was accounted for by coverage of motion pictures. For two out of four sub-categories
a significant correlation was found between editorial content and advertising, so that one cannot reject the hypothesis that
advertising affects editorial coverage.
This revised version was published online in August 2006 with corrections to the Cover Date. 相似文献
14.
Culture and Commerce 总被引：1，自引：0，他引：1
Martin Shubik 《Journal of Cultural Economics》1999,23(1-2):13-30
The cost aspects of supplying cultural goods and services have raised many basic questions concerning the economic activity of cultural institutions. There is more or less a consensus that the same criteria that apply to the cost aspects of any business also apply to cultural institutions. The nature of the products supplied and the stress on revenues earned are different. A key question to be asked by each society is how to balance the product mix offered by its cultural institutions taking into consideration both the societal valuation of the public goods provided and the earning potential of the institution. This essay examines some of the questions that occur at this intersection of culture and commerce. 相似文献
15.
16.
《Journal of Cultural Economy》2013,6(5):582-596
Consultants have emerged as significant actors in the assembling of culture after neoliberalism. This paper considers their role in the assemblage of the British subsidised cultural sector as part of the assembling of culture more generally. In particular, it is concerned with the status of consultants as private sector actors, which differentiates them from other forms of expertise that tend to be located in the state apparatus, in that they must earn money to resource their work and remain solvent. By placing their work of assemblage in relation to this imperative, we can understand the difference it makes. Based on a close study of a London cultural consultancy, it is argued that specific governmental and managerial trends send trajectories of value through the assemblage which the networked consultants attempt to control and capture. These economies have seen consultants contribute to the broad shift in the assemblage of culture from something that occupied a distinctive sphere requiring protection from the ravages of the market to a potential contributor to economic and social development. 相似文献
17.
黄河流域是中华农耕文明的发祥地,也是中国重要的农业区、经济区.覆盖范围面积广、人口多的特点使其成为农产业发展与乡村振兴的重点区域.在乡村振兴正式成为国家战略三周年之际,针对黄河流域的实际情况,结合乡村振兴战略实施阶段性的成果与问题,改文运用基于新乡村主义和地域振兴理念的整体设计方法,提出符合国家乡村振兴战略与新型城镇化... 相似文献
18.
《Journal of Cultural Economy》2013,6(2):194-208
This paper locates politics in culture industry work at the organisational and firm level through developing the application of the notion of rent to culture industries as revenues from intellectual properties, and as the more general sense of revenues derived from non-equivalential exchanges. The argument is that politics arises from attempts to establish or eliminate rents. The paper discusses ethnographic research on subjectivity and culture industry work and provides a theoretical account of rent in the capitalist imaginary and in explanations of formal problems of power in the entrepreneurial firm as the basis for the analysis of political practices in culture industries. The paper concludes with a discussion of the relation between rent and subjectivity and politics in neoliberalism. 相似文献
19.
María Isabel García Yolanda Fernández José Luis Zofío 《Journal of Cultural Economics》2003,27(1):9-30
This article analyses the economic dimension of a set of activities groupedunder the heading, Culture and Leisure Industry, from three complementaryperspectives: national (Spain), sectoral and regional. Particular emphasis isplaced on determining the value added generated by this industry and itscontribution to the Gross Domestic Product – 4.5% – as wellas showing its level of employment both in absolute terms and as a percentageof the number of employees in the economy – 7.8%. This is apioneer project; studies in this field on either a national or internationalscale are scarce. The study demonstrates that the cultural sector is aproductive activity generating wealth in Spain. However, a high degree ofheterogeneity is found at both the sectoral and regional levels. Economicactivity is led by Performing, Musical and Audiovisual Arts (mainlyTelevision) and Publishing and Printing, which jointly account for about70% of sales and gross value added, and it is concentrated in similarproportions in developed regions specialized in service industries, Madrid andCatalonia, where most culture and leisure activities are available. 相似文献
20.
分析大运河生态文化与美丽中国建设的相互关系,理清古老的大运河文化蕴含的丰富生态文明成果,将大运河生态文化作为推动美丽中国建设的源动力。不仅从上下联动、生态补偿、流域性平衡、可持续发展4个方面提出传承运河生态文化、构建美丽运河建设机制的建议,而且就以运河生态文化引领打造美丽运河三条走廊,提出具体的方法和路径:修复河岸环境,打造运河生态走廊;传承历史文脉,打造运河文化走廊;推进文旅融合,打造运河旅游走廊。不仅从理论上为大运河文化带建设与美丽中国建设寻找逻辑关系,而且从实践上为弘扬运河生态文化,推动美丽中国建设探索路径。 相似文献