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1.
"集"是中國古籍分類四分法中的一大部類,源起於漢劉向父子<七略>之<詩賦略>.<詩賦略>中包括歌詩、屈原等赋、陸賈等賦、孫(荀)卿等賦以及雜賦等五部分.班固<漢書·藝文志>承向、歆父子餘緒,仍設<詩赋略>.  相似文献   

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《漢書·藝文志》詩賦略著録的賦分四派,第一是屈原賦等二十家,第二是陸賈賦等二十一家,第三是孫卿賦等二十五家,第四是雜賦十二家。前三派的分類標准爲何,難以判斷。最後一家雜賦,顯然都是伕名的作品。其中“客主賦”十八篇,大概是用客主問答的叙事法。這種叙事法早在傳爲屈原所作的《卜居》、《漁父》裏就已見到了。  相似文献   

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古典目錄之學,昉自漢季劉向、劉歆父子.漢成帝河平三年(前26年)劉向受命整理國家藏書,成<别錄>若干篇,為提要目錄之始;向卒,子劉歆繼承其業,成<七略>一書,為圖書分類目錄之祖,較歐西<萬象圖書分類法>早千餘年.<漢書·藝文志>曾簡記其缘由稱:  相似文献   

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<大理行记>又名<南诏纪行>,是古代边疆行记中的名作.它和<云南志略>(残)是元代云南地方史志中流传至今者.因此,这部书就成为了研究元代云南地方民族史以及南诏、大理史的不可或缺的重要史籍.  相似文献   

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李贄《焚書·讀史》中有四篇評議嵇康作品的文章,其中有三篇存在着肯定嵇康其人却質疑嵇康作品的現象,本文即由此契與不契的差異探入,并試圖探索個中原委;至於另一篇《琴賦》爲李贄讀嵇康《琴賦》而產生的議論,李贄"琴者,心也"的論述命題,顯然與嵇康"聲心異軌"的音樂主張有别,本文即循此問題意識出發,對李贄《琴賦》的内涵展開分析與討論,進而比較嵇康與李贄在音樂思想上的異同。  相似文献   

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蒲松龄<聊斋志异·胭脂>是一篇脍炙人口的文言公案小说.其题材最早源头上溯至五代一则私情冤狱案例笔记<刘崇龟>,中经明代文言笔记小说沿袭,直至清初<胭脂>仍袭用这一题材.本文考察了早期笔记中的私情冤狱雏形及其发展、<胭脂>集私情冤狱笔记之大成的特点、以及这一题材传播的原因与社会意义.  相似文献   

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四川师范大学历史系教授张邦炜先生从1962年发表<论宋代的官田>一文以来,迄今已在宋史领域艰辛耕耘了40多个寒暑.人民出版社2003年12月出版的<宋代婚姻家族史论集>(以下简称<史论>)是其自选集之一.<史论>收录论文21篇,大致分为婚姻、妇女、家族、皇族四个部分,凡35.5万言.<史论>一书在一定程度上映射出作者从事宋史研究的轨迹.通读全书,我们认为张先生研治宋史至少具有以下几个特点.  相似文献   

8.
秦九韶为<数书九章>所作之"序",是一篇数学与语文高水平整合的杰作.我们要理解<数书九章>,必须认真研读这篇"序",只有这样才能从整体上把握秦九韶的数学观及方法论.本文先按文的形式,后照诗的形式,意译这篇杰作,以助于理解秦九韶的原序.  相似文献   

9.
<序志>篇是劉勰為<文心雕龍>所作的自序.他在文中闡明了書名寓意、撰述動機、全書體例和所使用的研究方法,於此可見這一篇文章在全書中的位置.  相似文献   

10.
<凡·高的荣耀>一书的作者、法国国家科学研究中心社会学家娜塔利·海恩希前不久发表了她的新作<女性状态--西方小说中的女性身份>.她在该书中分析了250多篇文学作品,以此探索女性的生存状态.  相似文献   

11.
On June 28, 2007, approved by the 31st World Heritage Committee held inChristchurch, New Zealand, Kaiping Diaolou and villages were inscribed in the World Heritage List and became the 35th world heritage in China. They were also the first Chinese world heritage that reflects the culture of overseas Chinese. In fact, as early as June 25, 2001,  相似文献   

12.
Partly because the First Crusade had weakened the Seljuk Sultanate in 1097–1099, David III of Georgia was able to extend his power over much of the Caucasus. The rulers of the Crusader States who stood in need of Eastern Christian allies sought to co-operate with him. Yet although some Western knights served in his army, the practical difficulties of co-ordinating joint action against the Islamic powers of north Syria and Anatolia in the twelfth century proved insuperable. In the thirteenth century the Georgian crown offered an alliance to the leaders of the Fifth Crusade: their forces would attack the northern provinces of the Ayyūbid Empire while the crusaders were invading Egypt. This strategy was sound, but the rise of the Mongol Empire prevented it from being implemented. Nevertheless, the desire for military collaboration between Georgia and the Western powers persisted until the mid-fifteenth century.  相似文献   

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The research in this article examines audience responses to a range of factual and reality genres. It takes as a starting point that television audiences do not experience news or documentary or reality TV in isolation but as part of a range of factual and reality programmes. Factual and reality programming includes a broad understanding of non-fictional programming on broadcast television, satellite, cable and digital television. The breakdown of factual and reality programming into specific genres includes news, current affairs, documentary, and reality programmes, with further sub genres applied within each of these categories. This article critically examines genre evaluation. The quantitative research in this article is based on two national representative surveys conducted in Britain and Sweden. In both Britain and Sweden, programme makers have moved towards a reliance on popular factual genres. In Britain this is across all channels, and in Sweden this is mainly concentrated on commercial channels. Whilst there is still a commitment to news, there is an increasing use of hybrid genres in an attempt to popularise factual output. The impact of this changing generic environment on audiences is that in both countries viewers have reacted by drawing a line between traditional and contemporary factual genres. It is precisely because of the redrawing of the factual map that viewers rely on traditional ways of evaluating genres as public and informative, or popular and entertaining. The data provides evidence that contributes to existing debate on television genre, public service broadcasting, and media literacy skills. The central argument in this article is that genre evaluation is connected with wider socio-cultural discourses on public service broadcasting and popular culture, and that these are common social and cultural values that are shared by national audiences in two Northern European countries.  相似文献   

19.
一糕印、饼印、粿印形制各异、工艺精美,是颇为珍贵的民间艺术创作和文化创造。不仅代表着闽台两地的饮食文化,也反映两地的习俗信仰、节庆生活;同时也显现出艺术与生活结合为一体的传统风俗,在福建、台湾等地年节婚庆、敬神祭祖等传统民俗活动中都有广泛的传播。木制糕饼粿印模以雕刻的手法制作。  相似文献   

20.
The purpose of this study was to analyze the definitions of success and failure (achievement goals) and preferred means to goal attainment (achievement orientations) among male and female Anglo and Mexican-American high school students I athletes in sport and the classroom. Based on a recent conceptualization of achievement motivation, it was assumed that definitions of success and failure could be equated to personal characteristics, behaviors, or outcomes and reflect an emphasis on either effort or ability. Further, it was assumed that there are two major achievement orientations: In one, the means to goal attainment entail social comparison; in the second, goal attainment is processed according to mastery criteria. Results revealed cultural and sex differences in athletic goals. Anglo males were more likely to define sport success in terms of ability while Anglo females and Mexican-American athletes tended to equate athletic success to the demonstration of effort. The reverse was true for sport failure—Anglo males emphasized low effort while the other groups stressed low ability. Variations in preferred achievement orientations were also revealed. For example, in the athletic setting, females showed the least preference for sport success which reflected on the individual and involved social comparison. Males indicated the least preference for individual-oriented, social comparison-based athletic failure.  相似文献   

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