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1.
‘Artist‐teacher’ is a conceptually rich term in the field of art and design education used to describe the professionally distinct roles of artist and teacher. George Wallis (1811–91), a nineteenth‐century artist and teacher, the subject of this article, first used the term ‘artist‐teacher’ to describe himself and his theories of art education. To better understand this new term, the researcher organised the diverse aspects of Wallis's life from 1811 to 1845 as a network of enterprises to track the streams of thinking that contributed to this professional statement. Through comparison, ordering and sequencing the various enterprises, a deeper and reflective understanding of Wallis's teaching developed. In fact, the network of enterprises displays the growth of Wallis's thought as a slow and evolving process, eventually highlighting the turbulent situation that provoked Wallis to defend his theories and practices when he conjured the new term. 相似文献
2.
Dick Downing 《The International Journal of Art & Design Education》2005,24(3):269-276
In 2003/4 NFER undertook a study of the content of the art curriculum in secondary schools in England on behalf of the Arts Council England (ACE) and Tate Galleries [1]. In 18 schools, eight of which were identified as engaged with contemporary art practice (referred to throughout the article as the CAP schools), 54 art teachers were asked to describe the content of their most recently completed art module. ‘Content’ was taken as: the media and materials in which pupils worked; the artistic and cultural references used to support the teaching; the skills taught; and the thinking processes used. They were also questioned about the factors that influenced their choice of curriculum content and the aims that guided their choice of content. Most of the teachers (excluding the heads of department) were asked which of a set of six art images they would include in their teaching, and the reasons for their decisions. Teachers in the CAP schools were also asked to explain why they chose to include contemporary art. The findings revealed substantial differences between the two cohorts of schools, not all of which were related to the inclusion of contemporary art practice. A preoccupation with the teaching of skills was more apparent in the randomly selected schools, which also drew very heavily on the early twentieth century for their artistic references. Unsurprisingly, the CAP schools drew heavily on contemporary references, but included many from other periods, cited twice as many references overall, and had a generally more eclectic view of the purposes of teaching art. 相似文献
3.
In order better to support children’s learning experiences, art museums have begun to establish interactive art exhibitions designed for family visitors. However, as more of these interactive exhibitions are established, some museum professionals are raising concerns about whether these exhibitions actually facilitate young visitors’ learning or impede them from engaging further with the art objects exhibited. Using the Family Room (FR) of the J. Paul Getty Museum in Los Angles as a case study, this research examines the educational principles considered and the challenges encountered when conceptualising and implementing its interactive exhibition. My research shows that the FR project team emphasised three educational principles to be integrated into the exhibition design: (1) interactive learning, (2) family as a learning unit, and (3) enhance the learning of basic artistic elements. The FR’s overarching educational objective is to encourage transfer of learning between the FR to the Getty traditional art galleries. My research concludes with three suggestions to be considered in future practices of art museum education (1) the limits and potentials of interactives, (2) the interactive exhibition design and scaffolding, and (3) transfer of learning between galleries. 相似文献
4.
ZOU Jian-li 《高等教育研究》2008,(2)
潘天寿先生是现代中国画教学的主要奠基人。"为人生"而艺术,"中西绘画拉开距离"的艺术主张,是其艺术教育思想的精髓,是其一生艺术教育活动和创作实践的结晶,是其典范人格和民族人文精神的集中体现。潘天寿先生视教育为自己的终身职业,将画画视为副业,而这往往为潘天寿研究者所忽视。正视和弘扬潘天寿的艺术教育思想,对当今艺术教育的改革与发展具有重要的借鉴和指导意义。 相似文献
5.
Matthew Gardner Kelly 《History of education quarterly》2016,56(3):445-472
This article explores how education reformers in California pioneered forms of centralized educational governance between 1850 and 1879. Challenging previous scholarship that has attributed the success of this early educational state to reformer John Swett and New England migrants, this article situates the creation of common schools in California within the larger context of American state‐building in the nineteenth‐century West. While increased state authority over education was a goal for reformers across the nation, this article contends that California's early innovations in centralization reflected a regionally specific response to the dilemmas of governing a recently acquired territory distant from eastern centers of power. The precarious nature of elite attempts to convert California into an American place, reflected in perceived lawlessness, weak governmental authority, and racial anxiety, inspired forms of educational organization commonly associated with Progressive Era responses to industrialization, urbanization, and immigration. The desire to promote nineteenth‐century American racial and governmental order in California, this article concludes, powerfully shaped the growth of public education in the state, influencing the organization of schooling in ways that suggest the importance of looking beyond the Northeast to understand the development of public education in the United States. 相似文献
6.
The English social and educational reformer, Mary Carpenter, became involved in the imperialist venture in India in the 1860s and 1870s. Imbued with liberal, anti‐racist attitudes, she was drawn to India particularly because of gender interests. Inspired by and working with Indian reformers, she was apparently welcomed on her four visits to India where her own ideas on women's rights were further developed. In England she eagerly publicised her experiences and strove, with some success, to achieve her interpretation of what Indian reformers desired. How far Mary Carpenter actually could understand the Indian situation, how far her liberalism in fact was touched by cultural imperialism and class attitudes — her own ethnicity as an Englishwoman — indeed, are examined here. It will be seen that to understand fully racial and imperial attitudes of late nineteenth century England it is crucial to interrelate gendered notions with them. 相似文献
7.
8.
Jeong‐Ae Park 《The International Journal of Art & Design Education》2009,28(2):183-193
This article examines some characteristics of art education in Korea. It takes the form of a historical overview using a postcolonial lens. The findings were that the predominant Western aesthetic concepts and theories as central culture embodied in Korean art education as local culture are: (i) ideas of art as self‐expression developed in Europe and the USA between the 1920s and 1950s; (ii) the concept of art in daily living in the USA in the 1930s; (iii) design elements and principles by Arthur Wesley Dow in the USA in the 1920s; (iv) Bauhaus design theory in Europe in the 1920s; and (v) the appreciation of nature beauty by John Ruskin in the late nineteenth century in England. These educational ideas have been influential on policy‐making in Korean art education, and therefore new concepts are integrated with these elements for curriculum changes. In this way, the characteristic of the colonised Korean art curriculum is so hybrid that it is difficult to understand the concepts and the practical implications of the various policies for art teaching. Consequently, it has not served the issues of cultural diversity and pluralism that are so problematic in twenty‐first century Korean society. 相似文献
9.
Alan Hodkinson 《British Journal of Special Education》2012,39(1):4-11
This article examines the emergence and evolution of New Labour's landmark educational policy; namely that of inclusion. The author, Alan Hodkinson, associate professor at the Centre for Cultural and Disability Studies at Liverpool Hope University, illuminates his conceptual difficulties in attempting to define what inclusion was and what inclusive education became during the latter part of the twentieth century and first decade of the twenty‐first century. Throughout this article he endeavours to observe and define inclusive education in England through the employment of critical analysis of teacher discourse and examination of the vocabulary of inclusion. The article's contextual precept is that, rather than creating a brave new world for equality and social justice, inclusive education here was rendered illusionary by the actors who colonised and striated inclusion's space upon a stage of competing policy initiatives and practicalities of educational settings. 相似文献
10.
Dalton education is the largest educational reform movement in the Netherlands. Around eighty years ago it spread throughout the world; Dalton education was found in the USA, England, Australia, Germany, the Netherlands, the Soviet Union, India, China and Japan. Today there is a revival of interest in England and Germany. We examine the origins of Dalton education by comparing the work of its founder Helen Parkhurst (1886–1973) with developments in American education towards the end of the nineteenth century. From 1870 onwards, in numerous American cities, there were experiments with alternatives for lockstep teaching, including experiments with individualised instruction, individual assignments, differentiation, self-direction, self-pacing, freedom, tutor learning and co-operation. In part, these innovations stemmed from methods that were already customary prior to the dissemination of lockstep teaching – methods which, at the onset of the twentieth century, were actually still common in rural one-room schools. The Dalton Plan proves to be not very original. Parkhurst recycled various ideas and methods which had already been developed and tried out in the preceding decades. Her pretension of having introduced something new and authentic is implausible. That raises two questions: how to explain the discrepancy between the image Parkhurst presents of her own work and the image derived from historical comparison, and how to explain the popularity of the Dalton Plan in the 1920s, given that it was not unique or particularly innovative. 相似文献
11.
Pete Cannell 《British journal of educational technology : journal of the Council for Educational Technology》2014,45(2):E9-E9
This book looks at the impact of digital technologies on the teaching and learning of mathematics. The focus is on learning at school and most of the twenty‐nine invited contributions are drawn from England and the US. Mathematics education with digital technology will be of interest to school teachers, teacher‐educators and educational technologists. If it is likely to be relevant to you, I recommend that you borrow a copy for a while. Pete Cannell 相似文献
12.
Barnita Bagchi 《Paedagogica Historica: International Journal of the History of Education》2014,50(6):813-821
This article examines contestations and recent trend-setting approaches in the historiography of education in India in the post-1800 period. British colonialism created a huge rupture in South Asian society as regards the provision of education. Historians of education have asked what sorts of indigenous educational institutions and methods were present in pre-colonial India: in this context, the article discusses the work of historians who researched indigenous Indian village schools, key to educational transmission until the early nineteenth century. The educational work of the nationalist leader M.K. Gandhi inflected the work of such educational historians. The article devotes some attention to ways in which twentieth-century ‘new education’ reinvented aspects of pre-colonial South Asian education. Marxist, feminist, Dalit and Subaltern historians of education have analysed the differential and hierarchised spread of ‘western’ education in South Asia. Nonetheless, this article shows how the educational agency of Dalits, women, peasants and working people has been analysed by scholars. The article then examines recent scholarship which views the origins and growth of ‘western’ education in South Asia in the framework of transcultural transactions. It ends from the vantage point of connected and entangled histories of education, looking beyond the unit of the nation state. 相似文献
13.
在美术教学中,教师可以积极引入绘本展开教学,用更加丰富的内容激发学生的兴趣,让学生乐于配合教师完成美术学习任务,从而促使学生不断提升自身艺术素养和审美能力。文章从四个方面阐述合理运用绘本展开美术教学:激发学生学习兴趣,鼓励学生自主创作,培养学生良好习惯,详细解读表现手法。 相似文献
14.
Volker Lenhart 《International Review of Education/Internationale Zeitschrift für Erziehungswissenschaft/Revue internationale l'éducation》2002,2(1):199-216
This article surveys five manuals on human rights education, examining and comparing them according to a set of basic categories such as the educational level of the target audience, the learning objectives and the educational content. This approach is used to establish the overall curricular orientation of the manuals. In addition, one teaching unit from each manual is selected for special analysis. Based on the results of this survey, the author argues that the tradition of moral education elaborated by Lawrence Kohlberg should be integrated into our concept of human rights teaching and learning. 相似文献
15.
Lenhart Volker 《International Review of Education/Internationale Zeitschrift für Erziehungswissenschaft/Revue internationale l'éducation》2002,48(3-4):199-216
This article surveys five manuals on human rights education, examining and comparing them according to a set of basic categories such as the educational level of the target audience, the learning objectives and the educational content. This approach is used to establish the overall curricular orientation of the manuals. In addition, one teaching unit from each manual is selected for special analysis. Based on the results of this survey, the author argues that the tradition of moral education elaborated by Lawrence Kohlberg should be integrated into our concept of human rights teaching and learning. 相似文献
16.
Mousumi Mukherjee 《Asia Pacific Journal of Education》2020,40(1):49-60
ABSTRACT Cosmopolitanism is often seen as a western concept associated with liberal individualistic values. It is also associated mostly with the urban educated middle-class. However, cosmopolitan thinking has been also prevalent in the East. Scholars in the twenty-first century are increasingly arguing that, there are multiple ways of thinking about cosmopolitanism originating from different regions of the world. Among Eastern thinkers, Rabindranath Tagore from colonial British India has been considered by many as one of the most cosmopolitan thinkers. The uniqueness about Tagore’s cosmopolitanism is that, it did not uproot him from his rural Bengali roots and sense of ethnic identity. He was very much a “rooted-cosmopolitan”. In his book, ‘Cosmopolitanism: Ethics in a world of strangers’, Kwame Anthony Appaiah had agued that, a “rooted cosmopolitan” is someone who was rooted in his own cultural context while having an open-mind to feel literally at home in the world. This article draws on archival research at Rabindra Bhawan in Shantiniketan and University of Illinois, Urbana-Champaign Library archives to further this argument and demonstrates how Tagore’s school and university were built drawing on his “rooted cosmopolitan” ideals and international mindedness. In conclusion, this article highlights some of the challenges of sustaining the reformist educational institutions led by Tagore’s unique personality traits, social and pedagogic reform movements in the nineteenth century and early twentieth century colonial British India. 相似文献
17.
印度教育现代化大致经历了英国殖民统治时期和独立后至今这两大阶段。英国的殖民统治给印度带来巨大灾难的同时也拉开了其现代化的帷幕,这其中包括印度教育现代化的发展,伴随着英国殖民统治的终结,20世纪中期印度教育现代化进入全面发展阶段。以印度教育现代化的发展历程为主线,在肯定印度教育成绩的同时也指出了其中的问题,以期在如何看待印度教育,把握印度教育发展轨迹等方面提供些许有益的经验。 相似文献
18.
作为20世纪上半叶英国著名的教育改革家,R.H.托尼对当时英国的教育改革做出了巨大的贡献:一方面,通过为工人教育委员会创办研究班和一战后对该协会的领导,他在改善英国工人阶级命运的事业中进行了有益的探索;另一方面,他还扮演了工党和政府教育政策制定人的角色,帮助它们起草了许多意义重大的报告和法案,为全民教育在英国的实现打下了坚实的基础。 相似文献
19.
杨玫 《桂林师范高等专科学校学报》2012,26(2):65-68
我国高校艺术设计教育发展了30多年,与西方发达国家艺术教育人才培养体系相比较,国内艺术教育人才的培养存在着大量的问题。文章将以这一现状做分析,借鉴国外先进的艺术人才培养教育经验与理念,以艺术设计专业毕业设计课程案例为论证,从而找寻符合我国高校艺术设计人才培养的突破口。 相似文献
20.
Marilyn Fleer 《International Journal of Early Years Education》2006,14(2):127-140
Since its inception in the early nineteenth century, early childhood education has moved beyond European communities and become institutionalized in countries such as Australian, India, Malaysia, New Zealand and Singapore. At the same time, many European countries have experienced migration, and now have broadly based culturally and linguistically diverse communities. Although early education has continued to evolve over time, some fundamental principles about the nature of learning have remained static. In drawing upon cultural‐historical theory, this paper seeks to make visible early childhood institutional practices that may no longer be relevant, particularly when western theory and middle‐class practices are not representative of the culturally and linguistically diverse communities they serve. In this paper, an alternative model of child development is offered that takes into account and values the diversity of children’s cultural experiences. 相似文献