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1.
ABSTRACT

The popular Italian photo-romance magazine Grand Hotel – famed for its stories about love – is studied here as a kind of school for the emotions, in a society where social change was bringing about redefinitions of love, jealousy, courtship and marriage. Both the love stories and the advice columns of the magazine are closely examined for their representations and negotiations of changing gender codes and changing rituals and experiences of courtship, in the context of the rapidly modernizing society of the 1950s. Migration, the rise of mass media, consumerism and changing gender roles were transforming everyday life, with a particularly strong impact on the generation coming of age during this period.  相似文献   

2.
ABSTRACT

This article examines sleeping practices and their spiritual meanings in English society. Sleep is one of the most fundamental experiences of everyday life, and this article examines how its temporal and spatial dimensions were shaped by a wide range of confessional groups according to theologies of salvation and resurrection from 1660 to 1700. The practices, rituals and objects that surrounded and sanctified the bedside highlight distinctive forms of sleep-piety that were supported by shifts in the provision and use of domestic space, by the pastoral objectives of Church divines and dissenting ministers, and by a flourishing genre of published spiritual guides that promoted private household devotions. This comparative study of sleeping practices nuances existing historical narratives about the fragmented religious landscape of these years. Most importantly, however, it offers a justification of the centrality of pious sleeping routines to the everyday experience of devotional practice by tracing the ways in which religious beliefs were embodied through subjective physical performances of sleep.  相似文献   

3.
Abstract

Hagiographic sources are of particular value for the study of social life in historical societies. They reflect contemporary social discourses such as how to deal with members of different religious or ethnic groups or social classes. A prime Muslim example of this genre is the Persian Manāqib al-?ārifīn (Feats of the Knowers of God) of the Mawlawī-Dervish A?mad-i Aflākī written in Konya in the eighth/fourteenth century. It is dedicated to the life and deeds of the masters of the emerging brotherhood of the Mawlawiyya. This community was of outstanding importance in urban central and western Asia Minor in the eighth/fourteenth century, both as an institution of the urban middle classes and as an effective missionary, and was thus an important protagonist in the process of Islamisation. After some methodological considerations on the genre of hagiography, the article will address the issue of missionary strategies of the early Mawlawiyya on the basis of the Manāqib al-?ārifīn.  相似文献   

4.
Abstract

This article argues that Amir Muhammad's two films about the Community Party of Malaya—The Last Communist and Village People Radio Show—can be understood as “memory films”: films that search for, create, question, and function as memories, especially when they are no longer in place, or nowhere to be found. Its reading of Muhammad's films also engages with a discussion of the politics of revisiting as it pertains to the invocation of the Malayan consciousness, the national history and racial conditions of today's Malaysia. Ultimately, it asserts that such films about the communist past engage in a memory war to demand a rethinking of the present.  相似文献   

5.
ABSTRACT

Discourses of discovery have been important in a wide range of musical contexts, from early modern ideas about musical composition through to current forms of popular music production and consumption. Across these various contexts there are often inherent connections between discovery and colonialism, connections that become most apparent in non-Western socio-cultural and musical settings. In this article, I situate discourses of discovery within the “coloniality of power,” noting how colonial discovery can be more critically described as invention. From here, I turn to the genre of World Music as an example of how musical discovery is underpinned by inherently colonial perspectives, articulations of power, and relationships of dominance and subordination between Western and non-Western cultures. In contrast, I present the concept of interculturalism as a way of thinking about the possibilities of cultural in-between-ness beyond discovery, drawing on the practices of musicians who articulate intercorporeal and intercultural communication through performance.  相似文献   

6.
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7.
ABSTRACT

This article focuses on theatrical representations of India in the late eighteenth and early nineteenth century, with special reference to two stage productions, Ramah Droog (1798) and The Cataract of the Ganges (1823). It argues that whilst the plays may have intended to deploy India as a space upon which to outline a militaristic British national identity and bourgeois gender norms, they in fact reflected contemporary anxieties about the fragility of British imperial masculinity. Moreover, it proposes that though theatre directors sought to impress upon audiences a sense of imperial dominance over the subcontinent through the deployment of visual technologies, such attempts were not wholly successful, with spectators having the capacity to deconstruct the façade that lay before their eyes.  相似文献   

8.
ABSTRACT

Lord Palmerston died on 18 October 1865, still prime minister at the age of eighty. He was given a state funeral in Westminster Abbey on 27 October. By that time his stepson-in-law, Lord Shaftesbury, had begun spreading the word to a half-believing, half-unpersuaded public that Palmerston had died ‘the good [evangelical] death’, confessing in his last moments not only his sins but his belief in a life to come for all penitent believers in Christ's atoning sacrifice. This article reviews the surviving evidence of witnesses at Palmerston's deathbed and attempts to reconstruct the meaning(s) which Palmerston and his attendants (both family and medical) placed on the rituals in which they participated during the final days of Palmerston's life. A particular effort is made to provide a plausible cultural and intellectual context to Palmerston's participation in these rituals. Palmerston, it will be argued, was a ‘religious believer’ but in a very different sense from that wished on him by the younger generation who stage-managed the event.  相似文献   

9.
ABSTRACT

Relying on Marianne Hirsch’s work on postmemory, as well as theories about new media and memory, this study explores how a group of Armenian young adults in Toronto remember the Armenian Genocide from afar, 100 years after it happened. The data come from 100 Voices: Survival, Memory, Justice. Through a thematic and visual analysis of a sample of video clips posted on YouTube, this study argues that 100 Voices is a work of postmemory that stands at the intersection of prevailing ethno-nationalist constructions of Armenian identity on the one hand, and universal discourses of human rights and historical justice, on the other. Participants are positioned as the Armenian youth, performing a particular duty of memory to remember the genocide and transmit genocide memories to future generations. At the same time, 100 Voices enables these youths to emerge as activists who express their group-based claims through universal parameters of claim-making.  相似文献   

10.
ABSTRACT

This article demonstrates how Anton Chekhov and Leo Tolstoy addressed an expanded reading public with new interests in the 1890s. It focuses on Chekhov's serialized book-length study The Island of Sakhalin (1893–4) and Tolstoy's last big novel, Resurrection (1899), which was also serialized. To reach an expanding diverse audience Tolstoy simplified his vocabulary, used a mono-dimensional plot and avoided subplots, foreign words and subtle shifts that could deflect the reader's attention. Chekhov also adapted his literary practice, adopting a unique documentary style, putting himself in the text. Each author engaged in a conversation about nationality, ethnicity and empire, issues of fundamental import to their readers and their society more broadly. Speaking about life and death, sin and redemption, good and evil, and about the common humanity of the most downtrodden of Russian citizens, men and women, Chekhov and Tolstoy addressed their contemporaries with fresh and timely words about pressing issues.  相似文献   

11.
ABSTRACT

The term “classical” is often applied to the genre of Iranian music known as musiqi-e sonnati (traditional music), normally identified by a form of music making involving extensive extemporization based on a structural framework called the radif, historically performed at length in intimate settings among initiated individuals. Today, classically trained musicians working the public concert circuit in Iran face a somewhat different picture of musical practice. Concert halls are typically much larger, audiences much wider, and performances much shorter. Many musicians tend to categorize themselves as classical, though they do not always perform according to the traditional parameters of the sonnati genre. This raises questions about new developments in classical music that fall just outside radif-based performance, and about the perceived conceptual relationship between sonnati and new-classical performance as the genre evolves. This article explores some of these dynamics through reflections among performers navigating Tehran’s classical concert circuit today.  相似文献   

12.
ABSTRACT

In response to recent discussions in the UK about the history national curriculum in schools, Cultural and Social History invited several historians to comment on the issues. Their responses to our questions have been interleaved and lightly edited.  相似文献   

13.
ABSTRACT

This paper shares the experiences of an emergent collective of young intellectuals in Hong Kong and its recent project, Mundi, which consists of publication, activist research and communal transmission of knowledge. The project negotiates the notion and practice of “common” at the limit, from within the historical experience of Hong Kong, between academia and public intellectuals, global universalism and local particularism, and colonial knowledge and everyday urban practice. Affected by an intense desire to analyse and theorise the reality of Hong Kong, Mundi engages in a long process of decolonising knowledge production. The paper also explores how Mundi responds to the demand of the present post-Umbrella Hong Kong situation by problematising and re-articulating the common.  相似文献   

14.
ABSTRACT

The Women’s March, held on January 21, 2017, the day after Donald Trump’s inauguration as President of the United States, made news across the world as a surprisingly powerful current event that signaled possible political and social futures. Yet this event was also threaded with the past. This essay examines the uses and constructions of memory in the marches and their mediation, drawing on news and social media coverage, on my own on-site experience at the Washington, DC, march, and interdisciplinary scholarship that may provide theoretical context for understanding the event’s nature and lasting importance. It considers the rhetorical and material memory work, on the ground, of both the official ceremonies and the marchers’ more vernacular expressions, as well as the complex interplay of mediation, resulting in definitions of the event as historic in its own right and as a map for the future.  相似文献   

15.
ABSTRACT

Migrant assimilation into host societies has been the subject of intense theoretical debate, but the applicability of the resultant modelling to historical data is unclear. This article addresses that lacuna through a case-study of the assimilation trajectory of one Scottish family, the Monros, in England in the century after 1690. The Monro experience suggests that ‘classic’ assimilation modelling remains a useful, if imperfect, conceptual tool. At the same time, it acts as a counter-point to historiographical narratives about the rise of ‘Britishness’, since the main loci of this family’s identity were successively Scottish and English, but never ’British’.  相似文献   

16.
ABSTRACT

Young women were harbingers of social change in postwar Britain; this article addresses discourses that informed their sense of self and expectations. It focuses on magazines produced for, and read by, young women in their mid-to-late teens and early twenties as a prism through which to explore ideas about the teenage self and lifestyle between 1957 and 1970. It argues that a distinctive feature of these magazines was a new ideal of young womanhood that resonated with late-modern discourses of self-discovery and self-fulfilment and which necessitated a lifestyle characterized by independence, experience and opportunity. Though an attractive ideal, it was also problematic for young women and potentially frustrating.  相似文献   

17.
ABSTRACT

This article examines microhistories and the histories of the everyday both in the context of developments in social and cultural history since the 1960s, and in the light of political and social change in post-war European society. Moving beyond debates about historical narrative, it emphasizes issues of perspective, space, size and historical distance in shaping historical interpretation. This historiographical trend, it argues, emanates from two major debates within the social sciences and politics. One concerns the nature of everyday life under modern capitalism and ‘consumer society’, the other the vexed issue of human agency. Focusing particularly on Italian microstoria, it argues that such writing is best understood as the commitment to a humanist agenda which places agency and historical meaning in the realm of day-to-day transactions, and which sees their recuperation as the proper task of the historian.  相似文献   

18.
Abstract

This article aims to report the findings from some recent researches on the historical formation of the concept of tianxia and its original meanings. In the light of these findings, I would like to make some comments on the Chinese philosopher Zhao Tingyang's works on the tianxia system. I demonstrate that the concept of tianxia portrayed by Zhao is at odds with the historical concepts of tianxia in many ways, and that the challenge raised by the latter for Chinese nationalism today is unanswered. I also examine Zhao's proposal of the tianxia system and point out that this proposal as a universalist commitment to a philosophy of the world seems to have failed on both the motivational and theoretical levels. In conclusion, I make an observation about a problem which might have a profound but inimical effect on the creativity of Chinese intellectual minds, namely, the urge to make chinoiserie theories at the expense of theoretical coherence and logical consistency.  相似文献   

19.
ABSTRACT

This study will take two cases from East Asia to illustrate how visual archive/archiving has become or potentially becomes new space where image, heterogeneous temporalities and ideas of the common may lead to a redefinition or at least reconsideration of the binaries between public and private, between image and visual, between past and future. In contrast to historical archives, such visual archives not only aim for documentation and conservation but also become the sites of creating agencies and provoking critical reflections on the idea of the public. The first case is “Center for Remembering 3.11”1 initiated by Sendai Mediatheque (SMT), where civic participation and the archiving of the post-311 Tohoku Earthquake images of the disaster-ridden region were solicited and made into an online archive. The second case is Multitude.asia, a digital archive initiated by Taiwanese activist and scholar Huang Sun-quan, who works in collaboration with students, artists, and researchers from Mainland China and Taiwan in sorting, interviewing, and editing videos and texts about alternative cultural activities and space in Asia. While discussions on the archive and the public discourse are predominated by theories from Europe and the US, the current study intends to contextualize the concepts of “the public” (gōng/ōyake), “the private” (sī/watakushi), and “the common” (gòng/ kyō) in Chinese and Japanese languages in the discourse of archive in cultural specificity.  相似文献   

20.
ABSTRACT

The trial of Lady Chatterley's Lover in 1960 and its subsequent publishing success sparked intense debate at the time and have come to exemplify a clash of worlds, one Victorian, repressed, deferential, restricted by class assumptions and hopelessly out of touch, the other progressive, open, liberated and, above all, permissive, that most value-laden and controversial of terms. Yet examining popular responses to Lady Chatterley's Lover reveals complex attitudes and raises questions about the permissiveness of the 1960s.  相似文献   

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